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Bibliography


Monographs and solo exhibition catalogues

  • Anselm Kiefer (Royal Academy Publication, London 2014); texts by Kathleen Soriana, Christian Weikop and Richard Davey
  • Biro, Matthew, Anselm Kiefer (Phaidon Press Limited, London 2013)
  • Sculpture and Paintings from the Hall Collection (Hall Collection, Mass MoCA, USA 2013)
  • Danchev, Alex, Anselm Kiefer: Let a Thousand Flowers Bloom (White Cube, London 2012)
  • Dopfner, Mathias, Anselm Kiefer: Kunst und Leben, Mythen und Tod (Quadriga Verlag, Berlin 2012)
  • Mengham, Rod, Anselm Kiefer: Il Mistero delle Cattedrali (White Cube, London 2011)
  • Kiefer, Anselm, Notizbücher I: 1998-1999 (Suhrkamp, Berlin 2011)
  • Kiefer, Anselm, L’Art Survivra à ses Ruines: Leçons Inaugurales du Collège de France (Collège de France and Fayard, Paris 2011)
  • Anselm Kiefer: Ausgewählte Arbeiten aus der Sammlung Grothe (Museum Frieder Burda, Baden-Baden; Stiftung für Kunst und Kultur E.V, Bonn; and Wienand Verlag, Cologne 2011); texts by Frieder Burda, Peter Iden, Anselm Kiefer, Dieter Ronte, Norman Rosenthal and Walter Smerling
  • Ransmayr, Christoph, Anselm Kiefer: Alkahest (Galerie Thaddaeus Ropac, Salzburg 2011)
  • Anselm Kiefer: Shevirath Ha-Kelim/Breaking of the Vessels (Tel Aviv Museum of Art 2011); texts by Mordechai Omer, Avraham Shapria, Doron J Lurie, Freda Uziyel, Tal Lanir, Paul Celan
  • Kiefer, Anselm, Anselm Kiefer: Des Meeres und der Liebe Wellen (White Cube, London 2011)
  • Lawrence, James, Anselm Kiefer: Drawings from the Sonnabend Collection (Craig F Starr Gallery, New York 2011)
  • Celant, Germano, Anselm Kiefer: Salt of the Earth (Skira Editore, Italy 2011)
  • Kiefer, Anselm, Anselm Kiefer: Die Argonauten (Ivory Press, Madrid 2010)
  • Fuchs, Rudi, Anselm Kiefer and Rembrandt (Hirmer Verlag, Germany 2011)
  • Kiefer, Anselm, Herfried Münkler, Sean Rainbird, Anselm Kiefer (Louisiana Museum of Modern Art 2011)
  • Juul Holm, Michael and Anders Kold (ed.), Anselm Kiefer (Louisiana Museum of Modern Art, 2010), texts by Annette Buhl, Hans Dickel, Anders Kold, Herfried Münkler, Sean Rainbird and Poul Erik Toiner
  • Warner, Marina and Anselm Kiefer, Anselm Kiefer: Next Year in Jerusalem (Gagosian Gallery, New York 2010)
  • Dermutz, Klaus and Anselm Kiefer, Die Kunst Geht Knapp Nicht Unter (Suhrkamp Verlag, Berlin 2010)
  • Bastian, Heiner and Norman Rosenthal, Anselm Kiefer: Europa (Schirmer/Mosel, Munich 2010)
  • Arasse, Daniel, Anselm Kiefer and José Alvarez, Rencontres pour Mémoire (Editions du Regard, Paris 2010)
  • Péju, Pierre, Anselm Kiefer: Unfruchtbare Landschaften – Works from the 60s (Galerie Yvon Lambert, Paris and Presses du Réel, Dijon 2010)
  • Bastian, Heiner, Anselm Kiefer: Heavenly Palaces (Schirmer/Mosel, Munich 2010)
  • Kiefer, Anselm, Tim Marlow and Simon Schama, Karfunkelfee and The Fertile Crescent (White Cube, London 2009)
  • Anselm Kiefer: Obres de la Collección Grothe (Fundacio Es Baluard, Palma 2009); texts by Juan Manuel Bonet, Peter Iden, Anselm Kiefer, Dieter Ronte and Walter Smerling
  • Kiefer, Anselm and Klaus Dermutz, Am Anfang (Editions du Regard and Opéra National de Paris 2009)
  • Kiefer, Anselm, At the Beginning: Am Anfang (Editions du Regard 2008-2009)
  • Anselm Kiefer: Sculptures and Paintings from the Hall Collection (Massachusetts Museum of Contemporary Art and Derneburg Publications, New York 2008)
  • Kiefer, Anselm and Klaus Dermutz, Anselm Kiefer: Maria Durch ein Dornwald Ging (Galerie Thaddaeus Ropac, Salzburg 2008)
  • Bastian, Heiner (ed.), Anselm Kiefer: Heroische Sinnbilder/Heroic Symbols (Schirmer/Mosel, Munich 2008)
  • Bastian, Heiner (ed.), Anselm Kiefer: Das Balder- Lied (Schirmer/Mosel, Munich 2008)
  • Trosch, Harald, Anselm Kiefer: Objekte, Gemalde und Arbeiten auf Papier aus der Sammlung Großhaus (Walther König, Cologne 2008); texts by Klaus Dermutz, Herwig Guratzsch, Eva Karcher and Christoph Ransmayr
  • Bastian, Heiner, Anselm Kiefer Bücher: Mit einem Vorwort von Heiner Bastian und Einem Buch (Schirmer/Mosel Verlag GmbH, 2008); text by Anselm Kiefer
  • Lee, Sabine, Anselm Kiefer: Geheimnis der Farne (Kukje Gallery, Seoul 2008)
  • Lauterwein, Andrea, Anselm Kiefer/Paul Celan: Myth, Mourning and Memory (Thames and Hudson, London 2007)
  • Celant, Germano, Anselm Kiefer (Guggenheim Bilbao and Skira, Milan 2007)
  • Howes, Graham, Anthony Bond and Norman Rosenthal, Anselm Kiefer: Aperiatur Terra (White Cube, London 2007)
  • Dagen, Philippe, Monumenta 2007: Anselm Kiefer au Grand Palais (Editions du Regard, Paris 2007)
  • Assouline, Pierre, Sternenfall: Anselm Kiefer au Grand-Palais (Editions du Regard, Paris 2007)
  • Loyrette, Henri, Anselm Kiefer au Louvre (Editions du Louvre, Paris 2007)
  • Lauterwein, Andrea, Anselm Kiefer et la Poésie de Paul Celan (Editions du Regard, Paris 2006)
  • Anselm Kiefer: Merkaba (Charta, Milan 2006); texts by Roberto Andreotti, Marco Belpoliti, Frederico De Melis, Lia Rumma and Fabrizio Tramontano
  • Philbrick, Harry, Anselm Kiefer: Velimir Chlebnikov and the Sea (The Aldrich Contemporary Art Museum, Ridgefield, Connecticut and Derneburg Publications, New York 2006)
  • Auping, Michael, Anselm Kiefer: Heaven and Earth (Modern Art Museum of Fort Worth 2005)
  • Adriani, Götz, Anselm Kiefer: Für Paul Celan (Galerie Thaddaeus Ropac, Salzburg 2005)
  • Mengham, Rod and Kevin Power, Anselm Kiefer: Für Chlebnikov (White Cube, London 2005)
  • Loyrette, Henri, Anselm Kiefer: Die Frauen (Villa Medici, Rome 2005)
  • Cohn, Danièle and C. Sylvia Weber, Anselm Kiefer dans la Collection Würth (Swiridoff, Künzelsau, Germany and Musée Würth France Erstein 2011)
  • Rumma, Lia, Anselm Kiefer: I Sette Palazzi Celesti (Editions du Regard, Paris 2004)
  • Cicelyn, Eduardo, Anselm Kiefer (Electa, Naples 2004)
  • The Secret Life of Plants (Schirmer/Mosel, Munich 2003)
  • Elektra (Teatro di San Carlo, Naples 2003)
  • Neugebauer, Claudia, The Spirit of White (Galerie Beyeler, Basel 2003)
  • Ehmann, Arne, Anselm Kiefer: Am Anfang (Galerie Thaddaeus Ropac, Salzburg 2003)
  • Gallwitz, Klaus, Anselm Kiefer: The Heavenly Palaces – Merkabah (Harvard University Art Museums, New York 2003)
  • Coleno, Nadine, Kiefer s’Attaque à la Matière (Editions du Regard, Paris 2002)
  • Anselm Kiefer: Merkaba (Gagosian Gallery, New York 2002)
  • Roe, Jae-Ryung and Kukje Hwarang, Anselm Kiefer (Kukje Gallery, Seoul 2001)
  • Arasse, Daniel, Anselm Kiefer (Editions du Regard, Paris 2001)
  • Ransmayr, Christoph, Die sieben HimmelsPaläste (Ostfildern-Ruit: Hatje Cantz Verlag, 2001)
  • Laursen, Steingrim and Thomas McEvilley, Anselm Kiefer: Paintings 1998–2001 (Louisiana Museum of Modern Art, Humlebæk 2001)
  • Anselm Kiefer: Les Reines de France (Le Rectangle, Lyon 2001)
  • Bastian, Heiner (ed.), Anselm Kiefer: Ich Halte alle Indien in Meiner Hand (Schirmer/Mosel, Munich 2000)
  • McEvilley, Thomas, Anselm Kiefer: Let a Thousand Flowers Bloom (Anthony d’Offay Gallery, London 2000)
  • Strasser, Catherine, Anselm Kiefer: Chevirat Ha-Kelim (Chapelle de la Salpêtrière, Paris 2000)
  • Bastian, Heiner (ed.), Anselm Kiefer: Dein und Mein Alter und das Alter der Welt (Gagosian Gallery, New York 2000)
  • Saltzman, Lisa, Anselm Kiefer and Art After Auschwitz (Cambridge University Press, UK 1999)
  • Comment, Bernard, Anselm Kiefer: Die Frauen der Antike (Galerie Yvon Lambert, Paris 1999)
  • Eccher, Danilo, Anselm Kiefer: Stelle Cadenti (Galleria d’Arte Moderna, Bologna 1999)
  • Bastian, Heiner, Kiefer, Anselm: Über euren Städten wird Gras wachsen (Schirmer/Mosel, Munich 1999)
  • Rosenthal, Nan, Anselm Kiefer: Works on Paper (Metropolitan Museum of Art, New York 1999)
  • Schütz, Sabine, Anselm Kiefer: Geschichte als Material – Arbeiten 1969–1983 (DuMont Buchverlag, Cologne 1999)
  • Kiefer, Anselm, 20 ans de Solitude (Editions du Regard, Paris 1998)
  • Anselm Kiefer (Palacio Velázquez, Madrid 1998); texts by José Alvarez, Fernando Castro Florez, Alicia Chillida and Olvido Garcia Valdes
  • Littman, Robert, Anselm Kiefer (Museu de Arte Moderna de São Paulo 1998)
  • Rosenberg, Adriana, Gabriela Massut and Andreas Huyssen, Anselm Kiefer (Fundación Proa, Buenos Aires 1998)
  • Bastian, Heiner, Anselm Kiefer (Gagosian Gallery, New York 1998)
  • Biro, Matthew, Anselm Kiefer and the Philosophy of Martin Heidegger (Cambridge University Press, UK and New York 1998)
  • Cacciari, Massimo and Germano Celant, Anselm Kiefer (Museo Correr, Venice 1997)
  • Spinosa, Nicola and Lia Rumma, Anselm Kiefer: Holzschnitte (Electa, Naples 1997)
  • Lopez-Pedraza, Rafael, Anselm Kiefer: The Psychology of “After the Catastrophe” (Braziller, New York 1996)
  • McEvilley, Thomas, Anselm Kiefer: I Hold All Indias in my Hand (Anthony d’Offay Gallery, London 1996)
  • Arasse, Daniel, Anselm Kiefer: Cette Obscure Clarté qui Tombe des Etoiles (Galerie Yvon Lambert, Paris 1996)
  • Rosenthal, Mark, Anselm Kiefer: Melancholia (Sezon Museum of Art, Tokyo 1993)
  • Shinoda, Tatsumi, Anselm Kiefer: The Winged Zeitgeist (Fuji Television Gallery, Tokyo 1992)
  • Vuarnet, Jean-Noël, Anselm Kiefer: Nachtschattengewächse (Galerie Yvon Lambert, Paris 1991)
  • Anselm Kiefer (Staatliche Museen Preussischer Kulturbesitz, Berlin 1991); texts by Wulf Herzogenrath, Dieter Honisch, Doreet LeVitté-Harten, Anda Rottenberg, Angela Schneider and Klaus-Peter Schuster
  • Gilmour, John, Fire on Earth: Anselm Kiefer and the Postmodern World (Temple University Press, Philadelphia 1990)
  • LeVitté-Harten, Doreet, Anselm Kiefer: Lilith (Marian Goodman Gallery, New York 1990)
  • Anselm Kiefer, Bücher 1969–1990 (Edition Cantz, Stuttgart 1990); texts by Götz Adriani, Zdenek Felix, Peter Schjeldahl and Toni Stooss
  • Gallwitz, Klaus, Anselm Kiefer: Über Räume und Völker (Suhrkamp, Frankfurt 1990)
  • Hutchinson, John, Anselm Kiefer: Jason (Edition Cantz, Stuttgart 1990)
  • Martin, Jean-Hubert, Magiciens de la Terre (Editions du Centre Pompidou, Paris 1989)
  • Cichowicz, Stanislaw and Andrzej Pienkos, Anselm Kiefer (Foksal Gallery, Warsaw 1989)
  • Zweite, Armin and Anne Seymour, The High Priestess (Anthony d’Offay Gallery and Thames & Hudson, London 1989)
  • Neff, John Hallmark, Anselm Kiefer: Bruch und Einung (Marian Goodman Gallery, New York 1988)
  • Harten, Jürgen, Susan Cragg Ricci and Theodore E Stebbins, A Book by Anselm Kiefer (George Braziller, New York and The Museum of Fine Arts, Boston 1988)
  • Rosenthal, Mark, Anselm Kiefer (Neues Publishing Company, New York 1987)
  • Borowski, Wieslaw, Anselm Kiefer (Foksal Gallery, Warsaw 1987)
  • Zweite, Armin, Anselm Kiefer (Bienal de São Paulo 1987)
  • Beeren, Wim, Anselm Kiefer: Bilder 1986–1980 (Stedelijk Museum, Amsterdam 1986)
  • Inboden, Gudrun, Anselm Kiefer (Walther König and Paul Maenz Gallery, Cologne 1986)
  • Anselm Kiefer: Auszug aus Ägypten/Flight from Egypt 1984–1985 (Marian Goodman Gallery, New York 1985)
  • Harten, Jürgen and Marianne Heinz, Anselm Kiefer (Städtische Kunsthalle Düsseldorf and ARC/Musée d’Art Moderne de la Ville de Paris 1984)
  • Denizot, René, Anselm Kiefer: Peintures 1983–1984 (Musée d’Art Contemporain de Bordeaux 1984)
  • Seymour, Anne, Anselm Kiefer: Watercolours 1970–1982 (Anthony d’Offay Gallery, London 1983)
  • Schmidt, Katharina, Anselm Kiefer: Bücher und Gouachen (Hans Thoma Museum, Bernau, Germany 1983)
  • Fuchs, Rudi, Anselm Kiefer: Aquarelle 1970–1980 (Freiburger Kunstverein 1981)
  • Felix, Zdenek and Nicholas Serota, Anselm Kiefer (Museum Folkwang, Essen and Whitechapel Gallery, London 1981)
  • Fuchs, Rudi, Anselm Kiefer (Mannheimer Kunstverein 1980)
  • Osterwold, Tilman, Anselm Kiefer (Württembergischer Kunstverein, Stuttgart 1980)
  • Gallwitz, Klaus and Rudi Fuchs, Anselm Kiefer: Verbrennen, Verholzen, Versenken, Versanden (39th Venice Biennale 1980)
  • Blotkamp, Carel and Günther Gercken, Anselm Kiefer (Groninger Museum, Netherlands 1980)
  • Fuchs, Rudi, Anselm Kiefer (Stedelijk Van Abbemuseum, Eindhoven, netherlands 1979)
  • Kiefer, Anselm, Die Donauquelle (Michael Werner, Cologne 1978)
  • Gachnang, Johannes and Theo Kneubühler, Anselm Kiefer: Bilder und Bücher (Kunsthalle Bern, Switzerland 1978)
  • Weiss, Evelyn and Dorothea Von Stetten, Anselm Kiefer (Bonner Kunstverein, Germany 1977)


General publications and group exhibition catalogues

  • Ogor, Didier Gourvennec and Gregory Lang, Artists an Architecture: Variable Dimensions (Pavillon de l’Arsenal, Italy 2015)
  • 30,000 Years of Art (Phaidon, London 2015)
  • Grovier, Kelly, Art Since 1989 (Thames & Hudson, London 2015)
  • Pirozzi, Carlo and Katherine Lockton (eds.), Like Leaves in Autumn (Luath Press Limited, Edinburgh 2015), p. 55 + 67 + 145
  • Dickinson, Rachel and Sarah Douglas, Out of Chaos, Ben Uri: 100 years in London (Ben Uri, London 2015), p. 213
  • Archer, Michael, Art Since 1960 (Thames and Hudson, London 2015)
  • Hitchins, Stephen Graham, Art as History, History as Art: Jheronimus Bosch and Pieter Bruegel the Elder –Assembling knowledge not setting puzzles (Brespols, Turnhout, Belgium 2014¬)
  • Walsh, David, A Bone of Fact (Picador, Australia 2014)
  • Sapporo International Art Festival, Echoes of Urban Form: People Nature (Japan, 2014)
  • Goudeau, Jeroen, Mariëtte Verhoeven and Wouter Weijers (eds.), The Imagined and Real Jerusalem in Art and Architecture (Koninklijke Brill NV, Leiden, Netherlands 2014); texts by various authors van Nieuwenhuyzen, Martin and Marie-Claire van Bracht (eds.), Bad Thoughts: Collectie Martijn en Jeannette Sanders (Stedelijk Museum, Amsterdam 2014); texts by various authors
  • Beard, Lee and Rebecca Morrill (eds.), The Twenty-First Century Art Book (Phaidon, London 2014); texts by Jonathan Griffin, Paul Harper, David Trigg and Eliza Williams, p.144
  • Collins, Ian (ed.), Masterpieces: Art and East Anglia (Sainsbury Centre for Visual Arts, Norwich 2013)
  • Kalb, Peter R., Art Since 1980: Charting the Contemporary (Laurence King, London 2013)
  • Brüderlin, Markus (ed.), Arts & Textiles: Fabric as Material and Concept in Modern Art from Klimt to the Present (Kunstmuseum Wolfsburg, 2013)
  • Staff, Craig, After Modernist Painting: The History of a Contemporary Practice (I. B.Tauris & Co Ltd London 2013)
  • Steeds, Lucy and other authors, Making Art Global (Part 2: ‘Magiciens de la Terre’ 1989, (Afterall, London 2013); texts by Pablo Lafuente, Jean-Marc Poinsot, Rasheed Araeen, Jean Fisher, Thomas McEvilley, Jean-Hubert Martin and Gayatri Chakravorty Spivak; interview with Martin by Benjamin HD Buchloh and Alfredo Jaar by Francisco Godoy Veda; statements by Frédéric Bruly Bouabré and Barbara Kruger
  • Kvaran, Gunnar B, Ingrid Pettersen and Hanne Beate Ueland, To Be With Art Is All We Ask, (Astrup Fearnley Museet, Oslo, 2012)
  • Adriani, Götz and Walter Smerling (eds.), Joseph Beuys Anselm Kiefer: Zeichnungen Gouachen Bücher (Museum Küppersmühle für Moderne Kunst (MKM), Wienand Verlag, Köln, Germany 2012); texts by various authors
  • Bird, Michael, 100 Ideas that Changed Art (Laurence King, London 2012)
  • Coppard, Abbie (ed.), RA Now: An Exhibition of Work by Today’s Royal Academicians from Anish Kapoor to Zaha Hadid (Royal Academy of Arts, London 2012)
  • Rosenthal, Mark, Marla Prather, Ian Alteveer and Rebecca Lowery, Regarding Warhol Sixty Artists Fifty Years (The Metropolitan Museum of Art, New York 2012)
  • Weber, C. Sylvia (ed.) Von Kopf bis Fuss: Menschenbilder im Fokus der Sammlung Würth (Kunsthalle Würth, Schwäbisch Hall and Swiridoff Verlag, Künzelsau 2012); texts by Beate Elsen-Schwedler, Werner Spies and C. Sylvia Weber
  • Kiefer, Anselm and Döpfner, Mathias, Kunst und Leben, Mythen und Tod: Ein Streitgespraech, (Bastei Lübbe, Cologne 2012)
  • American and European Painting from the Marx Collection (Muzeum Narodowe Berlin 2011); texts by Lech Karwowski, Erich Marx, Eugen Blume
  • Danilo, Eccher (ed.), Eroi, (ALLEMANDI & Co, Torino 2011); texts by: Patrizia Cavalli, Danilo Eccher and Antonio Negri
  • Whitham, Graham and Grant Pooke, Understand Contemporary Art, (McGraw-Hill, London 2011)
  • Brüderlin, Markus (ed.), The Art of Deceleration. Motion and Rest in Art from Caspar David Friedrich to Ai Weiwei, (Kunstmuseum Wolfsburg, Munich 2011); texts by: Hartmut Böhme, Markus Brüderlin, Byung-Chul Han, Stefan Klein, Ulrich Ott, Stephan Rammler, Fritz Reheis, Hartmut Rosa, Uta Ruhkamp
  • Royal Academy: Illustrated 2011 (Royal Academy Publications, London 2011); text by Richard Cork
  • Zelanski, Paul and Mary Pat Fisher, The Art of Seeing, (Prentice Hall, New Jersey 2011)
  • Farthing, Stephen (ed.), 1001 Paintings You Must See Before You Die (Harper Collins Publishers, Sydney 2011); texts by Anna Amari-Parker, Aliki Braine, Alice Bell, Amy Elin Haavik, Ana Finel Honigman, Anne Hildyard, Ann Kay, Alix Rule, Abigale Rasminsky, Andrew Smith, Abraham Thomas, Aruna Vasudevan, Carole King, Cathy Marriott, Christina Rodenbeck, Craig Staff, Diana Cermeno, Dan Dunlavey, Daniel Robert Koch, Emma Bryant, Emilie ES Gordenker, Fuyubi Nakamura, Geoff Dyer, Lam Wei Ching, Hannah Hudson, Iain Zaczek, Jessica Bishop, Jane Crosland, Joanna Coates, Jessica Gromley, James Harrison, Julie Jones, Jamie Middleton, Jane Neal, Jane Peacock, Joao Ribas, Jenny Doubt, Julian Treuherz, Jude Welton, Karen Morden, Lucinda Hawksley, Mary Cooch, Michael Farthing, Megan Green, Marco Livingston, Marissa Vigneault, Nicholas Kenji Machida, Nora Mahony, Nathalie Sroka-Fillion, Oscar Rickett, Ossian Ward, Paul Bonaventura, Paul Hamilton, Paige Sweet, Rex Anderson, Richard Bell, Reg Grant, Rosalva Johnston, Riikka Kuittinen, Randy Lerner, Rebecca Man, Roger Wilson, Sandra April, Serena Cant, Samantha Earl, Stephen Farthing, Simon Gray, Susie Hodge, Susan Flockhart, Sally Young McFall, Signe Mellergaard Larsen, Steven Pulimood, Saskia Putz, Steevn Stowell, Sonia Werner, Sara White Wilson, Sandrine Josefada, Tamsin Pickeral, Terry Sanderson, William Davies, Wilson McClelland Dunlavey, Wendy Osgerby, Zoe Telford
  • Pooke, Grant and Graham Whitham, Understand Contemporary Art (Hodder Education, London and McGraw-Hill, New York 2010)
  • Schama, Simon, Scribble, Scribble, Scribble: Writings on Ice Cream, Obama, Churchill and my Mother (The Bodley Head, London 2010)
  • Monanisms (Museum of Old and New Art, Hobart Tasmania, Australia 2010); texts by David Walsh, Elizabeth Mead, Jane Clark, Damian Cowell, Gregory Barsamian and Tim Walsh
  • Hubbard, Sue, Adventures in Art: Selected Writings - 1990-2010 (Other Criteria, London 2010)
  • Coldwell, Paul, Printmaking: A Contemporary Perspective (Black Dog, London 2010)
  • Guglielmino, Giorgio, How to Look at Contemporary Art…and like it, (Umberto Allemandi & Co Publishing, London 2008)
  • Graham-Dixon, Andrew (ed.), Art: The Definitive Visual Guide (Dorling Kindersly, London 2008)
  • Miller, Harland, You Dig the Tunnel, I’ll Hide the Soil (Jay Jopling / White Cube, London 2008)
  • Iden, Peter, Interviews (Kerber Art, Bielefeld, Germany 2008)
  • The History of Art, Painting from Giotto to the Present Day (Arcturus, London 2008)
  • Whitford, Frank, Royal Academy Illustrated (Royal Academy, London 2007)
  • Wilding, Alison (ed.), Royal Academy Illustrated 2006 (The Royal Academy of Arts, London 2006)
  • Simon Schama: Landscape & Memory (Harper Collins, London 1995)
  • Finkelstein, Caroline, Germany (Carnegie Mellon University Press, Pittsburgh 1995)
  • Huyssen, Andreas, Twilight Memories – Marking Time in a Culture of Amnesia (Routledge, New York and London 1995)
  • Joachimides, CM, N Rosenthal and W Schmied, Deutsche Kunst im 20 Jahrundert (Prestel-Verlag, Munich 1995)
  • Fuller, Gregory Enzeit Stimmung – Düstere Bildler in Goldener Zeit (DuMont, Cologne 1994)
  • De Mèredieu, Florence, Histoire Matérielle & Immatérielle de l’Art Moderne (Bordas Cultures 1994)
  • Garrels, Gary, Photography in Contemporary German Art: 1960 to the Present (Walker Art Center, Minneapolis 1992)
  • Esser, Werner, Anselm Kiefer-Glaube, Hoffnung, Liebe (Staatsgalerie and Edition Cantz, Stuttgart 1992)
  • Lantermann, Ernst-D, Bildwechsel und Einbildung. Eine Psychologie der Kunst (Edition Q and Verlags-GmbH, Berlin 1992)
  • Borreil, Jean, Rue Descartes 3 (Editions Albin Mochel SA, Paris 1992)
  • Benjamin, Andrew, Thinking Art: Beyond Traditional Aesthetics (Institute of Contemporary Arts, London 1991)
  • Castello, Michelangelo, L’Estetica degli Anelli (Tema Celeste 1991)
  • Arbeitsbuch Kunstunterricht Sekundarstufe II, Spätmoderne und Postmoderne (Cornelsen Verlag Schwann-Girardet, Düsseldorf 1991)
  • Dumonts Chronik der Kunst im 20 Jahrhundert (DuMont, Cologne 1990)
  • Buci-Glucksmann, Christine, La Folie du Voir: Une Esthétique du Virtuel (Édition Galilée, Paris 1990)
  • C Gilmour, John, Fire on the Earth: Anselm Kiefer and the Postmodern World (Temple University Press, Philadelphia 1990)
  • Recht, Roland, Saturne en Europe (Éditions Les Musées de la ville de Strasbourg 1988)
  • Govan, Michael, Thomas Krens and Joseph Thompson (eds.), Refigured Painting: The German Image, 1960-88 (Solomon R Guggenheim Foundation and Prestal-Verlag, Munich 1988); texts by Michael Govan, Heinrich Klotz, Thomas Krens, Hans Albert Peters, Jürgen Schilling, and Joseph Thompson
  • 1988 Carnegie International (The Carnegie Museum of Art, Pittsburgh 1988)
  • 1988 Australian Biennale (Art Gallery of New South Wales 1988)
  • Martin Heidegger, In TUMULT (Zeitschrift für Verkehrswissenschaft and Klaus Boer Verlag, Münich 1987)
  • Nairne, Sandy, Geoff Dunlop and John Wyver, State of the Art: Ideas & Images in the 1980s (Chatto & Windus, London 1987)
  • Bruch und Einung (Marian Goodman Gallery, New York 1987)
  • F Fry, Edward, Documenta 8 (Museum Fridericianum, Kassel 1987)
  • Größeres Bild ansehen positionen malerei aus der bundesrepublik Deutschland (Sprengel Museum, Hannover 1986)
  • Radford, Ron, Wild, Visionary, Spectral: New German Art (The Art Gallery of South Australia 1986)
  • Grasskamp, Walter, Walter Grasskamp, Der vergessliche Engel (Verlag Silke Schreiber, Munich 1986)
  • Joseph Beuys, Enzo Cucchi, Anselm Kiefer, Jannis Kounellis (Kunsthalle Basel 1986)
  • Burckhardt, Jacqueline, Ein Gespräch/Una Discussione: Joseph Beuys, Janis Kounellis, Anselm Kiefer, Enzo Cucchi (Parkett-Verlag, Zürich 1986)
  • Ästhetik gegen erzwungene Unmittelbarkeit: Die Gottsucherbande (DuMont Buchverlag, Cologne 1986)
  • German Art in the 20th Century: Painting and Sculpture 1905-1985 (Royal Academy of Arts, London 1985)
  • 1945-1985: Kunst in der Bundesrepublik Deutschland (Nationalgalerie, Berlin 1985)
  • Deutsche Kunst seit 1960: Aus der Sammlung Prinz Franz von Bayern : mit Ergänzungen aus den Beständen des Galerie-Vereins München und der Staatsgalerie Moderner Kunst (Prestel 1985)
  • Raum und Mythos (Villa Vauban, Ville de Luxembourg 1985); text includes essays by Lucien Kayser
  • Malrei als Wirklichkeit (Merve Verlag, Berlin 1985)
  • Art of our Time (The Saatchi Collection, London 1984)
  • The 5th Biennale of Sydney - Private Symbol: Social Metaphor (Art Gallery of New South Wales, Sydney 1984)
  • Creation: Modern Art and Nature (Scottish National Gallery of Modern Art Edinburgh 1984)
  • M Joachimides, Christos (ed.), Ursprung und Vision:Neue Deutsche Malerei (Frölich & Kaufmann, Berlin 1984)
  • Références (Palais des Beaux-Arts, Charleroi 1984)
  • Terrae Motus 1 (Villa Campolieto, Ercolano, Naples 1984)
  • La Grande Parade (Stedelijk Museum, Amsterdam 1984)
  • Von heir aus (Messegelände, Düsseldorf 1984)
  • Kraus, Rolf H, Manfred Schmalriede and Michael Schwarz, Kunst mit Photographie: Die Sammlung Dr. Rolf H. Krauss (Frölich & Kaufmann, Berlin 1983)
  • B Kuspit, Donald, New Figuration: Contemporary Art from Germany (The Gallery, Los Angeles 1983)
  • Expressions: New Art from Germany (The St Louis Art Museum and Prestel-Verlag Münich1983)
  • Der Hang zum Gesamtkunstwerk (Kunsthaus Zürich 1983)
  • Nothung, ein Schwert verhiess mir der Vater (German University Press, Baden-Baden 1983)
  • Bilder sind nicht verboten (Städtische Kunsthalle Düsseldorf 1982)
  • Documenta 7 (Malborough Gallery, New York 1982)
  • Hunger nach Bildern deutsche Malerei der Gegenwart Wolfgang Max Faust, Gerd de Vries (DuMont, Cologne 1982)
  • Joachimides, Christos, A New Spirit of Painting (Royal Academy of Arts, London 1981)
  • Schilderkunst in Duitsland/Peinture en Allemagne (Palais des Beaux-Arts, Brussels 1981)
  • Art Allemagne Aujourd’hui (ARC/Musée d’Art Moderne de la Ville de Paris 1980)
  • Hoffmann von Fallersleben auf Helgoland (Groninger Museum, Groningen 1980)
  • Schwarz, Michael, Malerei auf papier (Badischer Kunstverein, Karlsruhe 1979)
  • Documenta 6 (Museum Friedericianum, Kassel 1977)
  • Selbstbiographie (Bonner Kunstverein, Bonn 1977)
  • Besetzungen 1969 (Zeitschrift für neue Arbeiten und Vorstellungen, Cologne 1975)
  • Gallwitz, Klaus, 14 mal 14 (Staatliche Kunsthalle, Baden-Baden 1973)


Newspaper and magazine articles

  • Eccles, Jeremy, ‘The Germans in London’, Eyeline, Contemporary Visual Arts, No.83, pp.76 – 79
  • Pamuk, Orhan, ‘When Orhan met Anselm’, The Guardian (Review), 25 April 2015, p. 18
  • Gonçalves Filho , Antonio ‘Exposição em SP reúne obras do pinter alemão Anselm Kiefer’, Maringa.odiario.com, 7 April 2015
  • Belchior, Camila, ‘alquimia dos tempos’, Bamboonet.com, April 2015
  • De Arruda, Tereza, ‘German Contemporary Art Takes over London’, Arte! Brasileiros, November/December 2014, no.27 pp.66 - 71
  • Hubbard, Sue, ‘A Visit to Barjac’, Elephant, Issue 20, Autumn 2014, pp.146-153
  • Januszczak, Waldemar, ‘The Wagner of visual art’, The Sunday Times (Culture), 28 September 2014, pp.14-15
  • Coomer, Martin. ‘Decoding Anselm Kiefer’, Time Out London, 23-29 September 2014, p.86
  • Jones, Jonathan, ‘Grappling with history’s dark angel’, The Guardian, 23 September 2014, p.6
  • Campbell-Johnston, Rachel, ‘Exploring grand visions from a master of the monumental’, The Times, 22 September 2014, pp.8-9
  • Wullschlager, Jackie, ‘You can’t avoid beauty in art’, The Financial Times Weekend, 20-21 September 2014, pp.1-2
  • Hudson, Mark, ‘A Life in Ruins’, The Daily Telegraph (Review), 20 September 2014, pp.18-19
  • Pritchard, Claudia, ‘Is Anselm Kiefer our greatest living artist?’, The Independent on Sunday, 14 September 2014, p.7
  • Prodger, Michael, ‘It begins in the dark’, The Guardian, 13 September 2014, pp.16-17
  • Marsh, Stefanie, ‘Is Anselm Kiefer the world’s greatest living artist? Or just the most scandalous?’, The Times (Magazine), 6 September 2014, pp.46-5Gayford, Martin, ‘Anselm’s alchemy’, Royal Academy of Arts Magazine, No.124, Autumn 2014, pp.50-59
  • Christopher, Ann, David Chipperfield and Barbara Rae, ‘Through artists’ eyes’, Royal Academy of Arts Magazine, No.124, Autumn 2014, pp.60-61
  • Zoe, ‘Anselm Kiefer at the Gagosonian Gallery New York’, Theglassmagazine.com, 16 April 2013
  • Un-authored, ‘A look inside Anselm Kiefer’s studio’, De.phaidon.com, 1 February 2013
  • Barry, Robert, ‘Anselm Kiefer’, Frieze.com, January-February 2013
  • Hyde, Sarah, ‘Anselm Kiefer in Paris’, Hereelsewhere.com, 27 November 2012
  • Un-authored, ‘Anselm Kiefer’, Timeout.fr, 22 November 2012
  • Un-authored, ‘Anselm Kiefer, “Morgenthau Plan”’, Timeout.fr, 5 November 2012
  • Un-authored, ‘Anselm Kiefer’, Undo.net, 18 October 2012
  • Un-authored, ‘Anselm Kiefer at the Margulies Warehouse’, Artitis.wordpress.com, October 2012
  • Un-authored, ‘Fly-by art’, Rappler.com, October 2012
  • Laurent, Lionel, ‘Battle of the Parisian “megagalleries”’, The Guardian, 16 October 2012, p.15
  • Harris, Gareth, ‘The battle of the square metres’, Financial Times, 6 October 2012, p.8
  • Hartvig, Nicolai, ‘On the edges of Paris, a burgeoning art scene’, Nytimes.com, 5 October 2012
  • Un-authored, ‘Phillips de Pury & co announces highlights from London October Contemporary art auctions’, Artdaily.org, 2 October 2012
  • Wells Barron, Mary, ‘Breaking of the Vessels: Destruction and Creation in the Art of Anselm Kiefer’, ARAS Connections, No.2, 2012
  • Wullschlager, Jackie, ’Visual arts’, Financial Times, 15-16 September 2012, p.17
  • Völzke, Daniel, ’Lasst tausend Kiefers blühen’, Monopol, August 2012, pp.90-93
  • Un-authored, ‘The next big thing’, Financial Times, 23 June 2012, p.4
  • Chow, Jason, ‘Anselm Kiefer: this tristesse isn’t just mine’, Blogs.wsj.com, 16 May 2012
  • Hagen, Maren Kvamme, ‘ A history hour with Anselm Kiefer’, Whatimonabout.wordpress.com, 15 May 2012
  • Un- authored, ’White Cube introducing Anselm Kiefer to Asia’, Artmediaagency.com, 15 May 2012
  • Un-authored, ‘Anselm Kiefer. Der Kunstler bei der Arbeit’, Artinvestor, May 2012, p.20
  • Un-authored, ‘Immer wieder Kiefer’, Artinvestor, May 2012, p.32
  • Glaister, Dan, ‘I’d like 11 and a half tons of resin, please’, The Guardian (g2), 2 April 2012, p.16, 17 and 18
  • Sinclair, Charlotte, ‘Art for one and art for all’, Financial Times (Smart Arts), 12 February 2012 pp.11, 12, 14 and 15
  • Baker, Kenneth, ‘Anselm Kiefer’s tragic works carry traces of humor’, Sfgate.com, 22 January 2012
  • Un-authored, ‘Critic’s choice’, Time Out, 19-25 January 2012
  • Charlesworth, J.J., ‘Anselm Kiefer’s “Il Mistero delle Cattedrali’, Art-agenda.com, 17 January 2012
  • Doubal, Rosalie, ‘Anselm Kiefer: Il Mistero delle Cattedrali’, Time Out, 13 January 2012
  • Un-authored, ‘Movie guide alt: Independent, limited release and foreign-language films’, Latimes.com, 25 January 2012
  • Blake, Robin, ‘Scars of a painful past exposed’, Financial Times, 5 January 2012, p.13
  • Januszczak, Waldemar, ‘The Reich stuff’, The Sunday Times (Culture), 1 January 2012, p.14
  • Kiefer, Anselm, ‘Anselm Kiefer on Jerusalem and the Kabbalah’, The Art Newspaper, December 2011, p. 29
  • Hobson, Paul, ‘Anselm Kiefer: Il mistero delle cattedrali”, Contemporaryartsociety.org, December 2011
  • Glover, Michael, ‘Few strokes of genius from a megalomaniacal modern master’, The Independent, 13 December 2011, p.46
  • Luke, Ben, ‘Anselm Kiefer: Il mistero delle cattedrali’, Evening Standard, 20 December 2011, p.38
  • Un-authored, ‘Anselm Kiefer: Il mistero delle cattedrali’, Metro, 20 December, 2011, p.31
  • Un-authored, ‘Hits and misses in the regeneration game’, The Art Newspaper, No.226, July/August 2011, p.15
  • Maneker, Marion, ‘Kiefer fever spreads into the art market’, Observer.com, 26 June 2011
  • Jasper, David, ‘The spiritual in contemporary art’, Art and Christianity, Spring 2011, pp.2-4
  • Wroe, Nicholas, ‘Interview with Anselm Kiefer: ‘I might have been born into a very literal sense of chaos, but in fact that state is true of all of us’, The Guardian (Review), 19 March 2011, pp.12-13
  • Glover, Michael, ‘A resolute appetite for destruction’, The Independent (Reviews), 16 March 2011, p.21
  • Durrant, Nancy, ‘The lonely seas and the sky’, The Times (arts), 11 March 2011, p.16
  • Pincus-Witten, Robert, ‘Anselm Keifer, Gagosian Gallery’, ArtForum, February 2011, pp.222-223
  • Chrisafis, Angelique, ‘Paris entrepreneur brings art of stock market to modern masters’, The Guardian, 1 January 2011, p.28
  • McBurney, Simon, ‘Simon McBurney’s cultural highlights’, The Observer (The new review), 14 November 2010, p.3l
  • Lubbock, Tom, ‘Five best London shows’, The Independent (Information), 23-29 October 2010, p.9
  • Adam, Georgina, and Gerlis, Melanie, ‘Solid sales at Frieze point to success for most galleries’, Theartnewspaper.com, 20 October 2010
  • Smith, Roberta, ‘A spectacle with a message’, The New York Times, 19 October 2010, C23
  • Lubbock, Tom, ‘Five best London shows’, The Independent (Information), 16 October 2010, p.9
  • Clarke, Robert, ‘Exhibitions’, Guardian (Guide), 9-15 October 2010, p.38
  • Wullschlager, Jackie, ‘Critic’s choice’, The Financial Times, October 9-10 2010, p.17
  • Lubbock, Tom, ‘Five best London shows, The Independent (Information), 9 October 2010, p.10
  • Sooke, Alisdair, ‘Inside the world of a modern master’, The Daily Telegraph (Review), 9 October 2010, pp.12-13
  • Wareham, Mark, ‘Talking pictures’, Live the Mail on Sunday, 3 October 2010, p.38
  • Duffell, Rachel, ‘The power of influence’, Kee Magazine, September 2010, pp.12-16
  • Ward, Ossian, ‘Exhibition of the week’, Time Out, June 24-30 2010
  • Sewell, Brian, ‘Oh, no! It’s the summer exhibition’, Evening Standard, 10 June 2010, pp.31-32
  • Anders Kold, Af, ‘Argang fem og fyrre’, Louisiana Magazine, May 2010, pp. 38-46
  • Sprnce, Rachel, ‘Words in pictures’, The Financial Times (Life and Art), 22 May 2010, p.11
  • Roddick, Nick, ‘Here’s one I made earlier’, Evening Standard’ May 21 2010, p.42
  • Glover, Michael, ‘It’s the shock of the new, part two’, The Independent (Arts), 14 May 2010, pp.4-6
  • Un-authored, ‘Before spring’, Nytimes.com (opinion), 18 March 2010
  • Mason, Brook, ‘Armory show-modern quality up on last year – and good sales to match’, The Art Newspaper, 5-7 March 2010, p.4
  • Sherwin, Skye, ‘Exhibitions of the week’, Time Out, 5-11 November 2009
  • Un-authored, ‘The voice and driving force of creative Germany’, Artnews, October 2010, p.44
  • Wilkes, James, ‘Remains and remnants,’ Studio International, 31 October 2009
  • Un-authored, ‘Critics’ choice: Galleries’, Time Out, 15-21 October 2009, p.47
  • Wullschlager, Jackie, ‘Visual arts: Anselm Kiefer’, Financial Times (Life & Arts), 17-18 October 2009, p.19
  • Campbell-Johnston, Rachel‚ ‘Critic’s Choice’, The Times (Playlist), 10-16 October 2009, p.21
  • Darwent, Charles, ‘The Independent wants to know if I am a Nazi’, The Independent on Sunday (The New Review), 11 October 2009, pp.16-21
  • Wullschlager, Jackie, ‘Elan about town’, Financial Times, 10 October 2009, p.8
  • Adams, Tim, ‘Traveller from an antique land’, New Statesman, 5 October 2009, p.50
  • Un-authored, ‘Artista alemão Anselm Kiefer fixa-se em Portugal’, Publico.pt, 27 August 2009
  • Wullschlager, Jackie, ‘Toil and Rubble’, Financial Times (Arts & Books), 4-5 July 2009, pp.10-11
  • Hubbard, Sue, ’Liverpool’s year ends with a cultural whimper’, The Independent, 6 January 2009, p.18
  • Guegan, Stephane, ‘Pierre Sterckx contre l’anorexie en art’, Beaux Arts, December 2008, p.50
  • Un-authored, ‘1000 artworks to see before you die’, The Guardian, 28 October 2008, p.14
  • Dagen, Von Philippe, ‘Verspäteter Ritterschlag’, Art Das Kunst Magazine, 10 September 2008, pp.20-29
  • Smart, Alastair, ‘Art choice’, The Sunday Telegraph, 4 May 2008, p.33
  • Ward, Ossian, ‘You dig the tunnel, I’ll hide the soil’, Time Out, 24-30 April 2008, p.67
  • Murch, Jeremy, ‘When I was four I wanted to be Jesus. It was only a short step to becoming an artist’, The Observer Magazine, 27 April 2008, pp.36-43
  • Lewis, Ben, ‘Art stars get brilliantly Poe-faced’, Evening Standard, 10 April 2008, p.42
  • Mollaret, Guillaume, ‘Anselm Kiefer studio robbed’, Le Figaro, 9 January 2008
  • Schama, Simon, ‘Trouble in paradise’, Guardian.co.uk, 20 January 2007
  • Un-authored, ‘Paläste aus grauem Beton’, Art Das Kunst Magazin, December 2004
  • Gillick, Liam, ‘The Power 100: 2007’, ArtReview, November 2007, pp.97-168
  • Un-authored, ‘Milano, 24 settembre: I sette palazzi Celesti’, Vogue (Italia), November 2004
  • Bartetzko, Dieter‚ ‘Gute Beispiele verderben schlechte Sitten’, Frankfurter Allgemeine Zeitung, 23 October 2004
  • Spies, Werner, ‘Beim Einsiedlerkrebs’, Frankfurter Allgemeine Zeitung, 16 October 2004
  • Iden, Peter, ‘Die sieben Türme von Bicocca’, Frankfurter Rundschau, 14 October 2004
  • Masoero, Ada, ‘Alchimi di Kiefer risvegliano l’hangar’, Il Sole 24 Ore, 3 October 2004
  • Paparoni, Demetrio, ‘Sono l’alchimista della storia’, Panorama, 30 September 2004
  • Pini, Francesca, ‘Anselm Kiefer : a Milano ha rifatto le torri di Babele’, Corriere della Sera (Magazine), 30 September 2004
  • Cherubini, Laura, ‘Le mie torri sfide al cielo’, Il Giornale, 27 September 2004
  • Panza, Pierluigi, ‘In un Hangar alla Bicocca il polo dell’arte’, Corriere della Sera, 26 September 2004
  • Sotis, Lina, ‘Dalle torri di Kiefer alla sorella del re del Marocco’, Corriere della Sera, 26 September 2004
  • Montaldo, Domenico, ‘Dalla citta alla fabbrica a quella della cultura’, Avvenire, 25 September 2004
  • Montaldo, Domenico, ‘Nell’hangar Bicocca s’innalzano le sette torri mistiche di Kiefer’, Avvenire, 25 September 2004
  • Niccolini, Carlotta, ‘Buongiomo Germania!’, Corriere della Sera, 24 September 2004
  • Ortolano, Giuseppe, ‘I sette palazzi celesti’, Il Venerdi di Repubblica, 24 September 2004
  • Corgnati, Martina, ‘Alla Bicocca Kiefer non sia solo un optional’, La Repubblica, 23 September 2004
  • Corgnati, Martina, ‘Kiefer, il mago che crea le torri della spiritualita’, La Repubblica, 23 September 2004
  • di Argentine, Chiara Beria, ‘I “sette Palazzi” di Anselm Kiefer e le storie di Martelli’, La Stampa, 22 September 2004
  • Bonazzoli, Francesca, ‘I miei palazzi tra cielo e terra’, Corriere della Sera, 22 September 2004
  • Ghezzi, Rosella, ‘Sette torri per riflettere’, Vivimilano, 22 September 2004
  • Krumm, Ermanno, ‘Kiefer guarda in cielo’, Corriere della Sera, 20 September 2004
  • Un-authored, ‘I sette palazzi celesti di Kiefer: la scalata al misticismo’, Il Giorno, 17 September 2004
  • Nicolin, Paola and Stefano Rossi, ‘Mostre, concerti, convegni. La Bicocca trova un’anima’, La Repubblica, 9 September 2004
  • Grasso, Sebastiano, ‘Kiefer: un palcoscenico di piombo’, Corriere della Sera, 14 June 2004
  • Andreotti, Roberto, and Federico De Melis, ‘Kiefer ChocOmeopatico’, Il Manifesto, 12 June 2004
  • Mammi, Allessandra, ‘Bunker Kiefer’, L’Espresso, 6 May 2004
  • Kiefer, Anselm, ‘Tintoretto? Fa mancare il terreno sotto i piedi e da le vertigini’, Corriere della Sera, 23 March 2004
  • Hastings, Stephen, ‘L’intervista’, Musica, December 2003 – January 2004
  • Ballola, Giovanni Carli, ‘Elektra Choc’, L’Espresso, 8 January 2004
  • Polczek , Dietmar, ‘Weiss ist die Farbe der Verdrängung’, FAZ, 2003
  • Un-authored, ‘La Parola all’opera’, Classic Voice, December 2003
  • Un-authored, ‘Neapel’, Das Opernglas, December 2003
  • Moreni, Carla, ‘Qui la regia si fa piccante’, Il Sole, 28 December 2003
  • Pennisi, Giuseppe, ‘L’ellisse drammatica di Elektra trionfa al San Carlo’, Italia Oggi, 27 December 2003
  • Kiefer, Anselm, ‘Arasse en détail’, Liberation, 22 December 2003
  • Ricotta Voza, Sara, ‘Trianglo della Lirica’, La Stampa, 20 December 2003
  • Sbisa, Nicola, ‘La nevrosi si addice ad Elettra’, La Gazzetta del Mezzogiorno, 16 December 2003
  • J Brembeck, Reinhard, ‘Raum, der rebelliert’, Süddeutsche Zeitung, 15 December 2003
  • Montesamo, Giuseppe, ‘Elektrica mente’, Diario, 12 December 2003
  • Pennisi, Giuseppe, ‘Quattro passi nel Novecento’, Italia Oggi, 12 December 2003
  • Ribaud, Renato, ‘La musica di Strauss conquista Napoli’, Avanti, 11 December 2003
  • Cappelletto, Sandro, ‘Elettra si vendica e muore fra i container’, La Stampa, 9 December 2003
  • Nicollini, Renato, ‘Sorella Napoli, ricordati di “Elektra”’, L’Unità, 9 December 2003
  • Un-authored, ‘C’è Elektra a Prima della Prima’, Il Mattino, 7 December 2003
  • Moreni, Carla, ‘Granditeatri : è l’ora delle “prime”’, Il Sole, 6 Décembre 2003
  • Amon, Ruben, ‘Anselm debuta como escenografo con la opera Electra’, El Mundo, 6 December 2003
  • Gargiulo, Giuliana, ‘Anteprima carica di emozioni’, Roma, 6 December 2003
  • Polaczek, Dietmar, ‘Weiss ist die Farbe der Verdrängung’, Frankfurter Allgemeine, 5 December 2003
  • Ballola, Giovanni Carli, ‘Elektra, la forza tragica delle passioni’, Il Mattino, 5 December 2003
  • Lo lacono, Massimo, ‘Elektra, un insieme di scelte vincenti’, Roma, 5 December 2003
  • Tozzi, Lorenzo, ‘Elettra sur ciglio della follia’, Il Tempo, 5 December 2003
  • Girardi, Enrico, ‘Una città morta per Elektra’, Corriere della Sera, 5 December 2003
  • Girardi, Enrico, ‘Al San Carlo trionfa Elektra, eroina di una città sventrata come Bagdad (o Secondigliano)’, Corriere del Mezzogiorno, 5 December 2003
  • Valente, Erasmo, ‘Elektra al San Carlo sogna vendetta tra le macerie d’arte di Kiefer’, L’Unità, 5 December 2003
  • Merone, Anna Paola, ‘Assalto dei disoccupati, ma l’Elektra è salva’, Corriere del Mezzogiorno, 4 December 2003
  • Longobardi, Donatella, ‘Per “Elektra “ un successo postmoderno’, Il Mattino, 4 December 2003
  • Cervasio, Stella, ‘Elektra, incidenti poi applausi’, La Repubblica, 4 December 2003
  • Lo Iacono, Massimo, ‘Meritato successo per l’Elektra’, Roma, 4 December 2003
  • Merone, Anna Paola, ‘Assalto dei disoccupati, ma l’Elektra è salva’, Corriere del Mezzogiorno, 4 December 2003
  • Longobardi, Donatella, ‘Per Elektra un successo postmoderno’, Il Mattino, 4 December 2003
  • Celletti, Virgilio, ‘Elektra Kolossal per Napoli’, Avvenire, 4 December 2003
  • Barbolini, Roberto, ‘Che tenore dei miei stivali!’, Panorama, 4 December 2003
  • Cervasio, Stella, ‘Prima al San Carlo Lucio Dalla: Sono qui per imparare’, La Reppublica, 3 December 2003
  • Un-authored, ‘L’Elektra de Strauss ouvre la saison du théâtre San Carlo de Naples’, Agence France Presse, 3 December 2003
  • Lo Iacono, Massimo, ‘Elektra, rivisitazione del mito greco’, Roma, 3 December 2003
  • Cervasio, Stella, ‘La notte di Elektra’, La Repubblica, 3 December 2003
  • Lanza Tomasi, Gioacchino, ‘Lanza Tomasi : cosi ho attratto Kiefer nel nostro progetto’, Corriere del Mezzogiorno, 3 December 2003
  • de Stefano, Stefano, ‘Le scene di Anselm Kiefer. Porto a Napoli le rovine di un conflitto senza tempo’, Corriere del Mezzogiorno, 3 December 2003
  • Longobardi, Donatella, ‘Gran galà per l’Elektra di Kiefer’, Il Mattino, 3 December 2003
  • Trione, Vincenzo, ‘Tragedia in grigio’, Il Mattino, 3 December 2003
  • Gasponi, Alfredo, ‘Al San Carlo l’Elektra con un visionario Kiefer’, Il Messagaero, 3 December 2003
  • Trione, Vincenzo, ‘Tragedia in grigio’, Il Mattion Speciale San Carlo, 3 December 2003
  • Lanza Tomasi, Gioacchino, ‘La cruda scena di Kiefer per l’Elektra’, La Reppublica, 2 December 2003
  • Martone, Mario, ‘L’Elektra della sfida’, Corriere della Sera, 1 December 2003
  • Bonazzoli, Francesca, ‘Cemento senza tempo per la mia Elektra’, Corriere della Sera, 1 December 2003
  • Bossini, Oreste, ‘Anselm Kiefer e Elektra di Strauss’, Corriere della Sera, 29 November 2003
  • Cappelletto, Sanddro, ‘Su il sipario, incomincia la stagione’, 29 November 2003
  • de Stefano, Stefano, ‘Anselm Kiefer: in scena le rovine del tempo presente’, Corriere del Mezzogiorno, 15 October 2003
  • Un-authored, ‘Am Anfang’, Stadt Leben, September 2003
  • Rath, Elisabeth, ‘Der Prozess der Geschichte’, Salzburger Nachrichten, 3 September 2003
  • Kriechbaum, Reinhard, ‘Bücher aus Blei mit gewichtigen Gedanken’, August 2003
  • Un-authored, ‘Galerien-Trip’, Stadt Leben, August 2003
  • Un-authored, ‘Gefühle und Gedanken’, Kronen Zeitung Salzburg, 27 August 2003
  • Gliewe, Gert, ‘Kiefer ist der Star der Szene’, Az Wochenende, 23-24 August 2003
  • Koechlin, Florianne, ‘Pflanzen lernen, erinnern und planen’, Woz, 21 August 2003.
  • Karcher, Eva, ‘Ich rufe die Erde zu Hilfe’, Des Tagesspiegel, 21 August 2003
  • Ehmann, Arne, ‘Kunst interessiert mich nicht’, Welt Am Sonntag, 17 August 2003
  • Sachs, Brita, ‘Kunst spendet schönen Schatten’, Frankfurter Allgemeine Zeitung, 16 August 2003
  • Mittringer, Markus, ‘Schattenspiele, Mythen und Hutarrangements’, Der Standaard, 3 August 2003
  • Hofleitner, Johanna, ‘Festspiele der Augen’, Die Presse, 1 August 2003
  • Spiegler, Almuth, ‘Schlimm und würdig’, Die Presse, 31 July 2003
  • Gugg, Anton, ‘Im fahlen Dunst der Geschichte’, 30 July 2003
  • Un-authored, ‘Kunst im 20. und 21. Jahrhundert’, Salzburger Nachrichten, 26 July 2003
  • Un-authored, ‘Kiefer: Rekurs auf Geschichte und Mythen’, Wirtschafts Blatt, 25 July 2003
  • Nakamura, Marie-Pierre, ‘Un Voyage Spirituel’, Art Actuel, January – February 2003
  • Kuspit, Donald, ‘The Spirit of Gray’, Artnet, December 2002
  • Halle, Howard, ‘Far from Heaven’, Time Out, 28 December 2002
  • Cotter, Holland, The New York Times, 6 December 2002
  • Robinson, Walter, Artnet, 12 November 2002
  • Dattenberger, Simone, ‘Wo die drei Busen schweben’, Munchner Merkur, 22 August 2002
  • Willems, Sophia, ‘Wer sehen will, muss rätseln’, Westdeutsche Zeitung, 16 August 2002
  • Un-authored, ‘Kulturimpuls für Salzburg’, Salzburger Nachrichten, 8 August 2002
  • Un-authored, ‘Halb Salzburg ist jetzt eine Kunstgalerie’, Kurier, 2 August 2002
  • Karcher, Eva, ‘Ich wollte nie provizieren’, Focus, July 2002
  • Un-authored, ‘Anselm Kiefers Salzburger Hommage an Ingeborg Bachmann’, Frankfurter Rundschau, 31 July 2002
  • Wagner, Anselm, ‘Wenn Attitüde Form wird’, Der Standaard, 30 July 2002
  • Spiegler, Almuth, ‘Alter der Welt im Raum der Erinnerung’, Die Presse, 27 July 2002
  • Wild, Doris, ‘Ein wilder Walzer’, Salzburger Nachrichten, 27 July 2002
  • Thuswaldner, Werner, ‘Zugewinn für die Stadt’, Salzburger Nachrichten, 26 July 2002
  • Un-authored, ‘Anselm Kiefer honoré’, Midi-Libre, 25 March 2002
  • Bellet, Harry, ‘Anselm Kiefer, peintre monumental célèbre et inconnu’, Le Monde, 5 January 2002
  • Levy, Hervé, ‘Les soleils noirs d’Anselm Kiefer’, Polystyrene, December 2001
  • Kayser, Lucien, ‘Des espaces ouverts sur les ciels kiefériens’, d’Land Kultur, 21 December 2001
  • Doré, François, ‘La fondation Kiefer vacille sur ses bases’, Midi-Libre, 9 December 2001
  • Dagen, Philippe, ‘Kiefer, dans l’obsession de l’histoire’, Le Monde, 7 December 2001
  • Engler, Martin, ‘Vom Dachstuhl in den Kosmos’, Die Zeit, 6 December 2001
  • Wagner, Thomas, ‘Hinauf und hinab führt der Weg’, Frankfurter Allgemeine Zeitung, November 2001
  • Iden, Peter, ‘Die monumentalen Bildwerke Anselm Kiefers in der Fondation Beyeler in Riehen’, Frankfurter Rundschau, November 2001
  • Un-authored, ‘Eeriness and fear by enigmatic artist’, Turkish News, 27 November 2001
  • Winkler, Willi, ‘Osama bin Laden züchtet Sonnenblumen in der Macchie’, Süddeutsche Zeitung, 12 November 2001
  • Tasset, Jean-Marie, ‘Anselm Kiefer apocalypse now’, Le Temps, 9 November 2001
  • Vogel, Matthias, ‘Vom Mythomanen zum Mystiker’, Neue Bürcher Zeitung, 3-4 November 2001
  • Tolksdorf, Stefan, ‘Die Jakobsleiter führt ins Nichts’, Rheinischer Merkur, 2 November 2001
  • Mack, Gerhard, ‘Es ist ein Irrtum, dass irgendetwas bleibt. Nichts bleibt’, Die Weltwoche, 1 November 2001
  • Mathonnet, Philippe, ‘Anselm Kiefer, le créateur qui cherche à relier l’être humain au cosmos’, Le Temps, 1 November 2001
  • Guégan, Stéphane, Beaux-Arts, October 2001
  • Czoppan, Gabi, ‘Architekt von Geschichte(n)’, Focus, 29 October 2001
  • Müller, Hans-Joachim, ‘Von grossen Bildern, grossen Worten und bellenden Hunden’, Basler Zeitung, 27-28 October 2001
  • Bauermeister, Volker, ‘Süsses Grauen und bitterer Honig’, Badische Zeitung, 27 October 2001
  • Müller, Dorothee, ‘Der Berg, der Boden und die Stadt’, Süudeutsche Zeitung, 11 August 2001
  • Froelig, Caroline, ‘Anselm Kiefer rêve et crée sa monumentale fondation’, Midi-Libre, 24 June 2001
  • Schwerfel, Heinz-Peter, ‘Inch wollte noch einmal neu angangen’, Art Dans Kunst Magazin, July 2001
  • Langwallner, Hans, ‘Schiller schaut grimmig auf das strenge Haus’, Kronen Zeitung, 21 July 2001
  • Schwerfel, Heinz Peter, ‘Interview’, Art, June 2001
  • Kampianne, Harry, ‘Anselm Kiefer, Femmes de France, d’ailleurs et d’avant’, Art Actuel, March – April 2001
  • Riding, Alan, ‘Unseen as He Stares Down History’, The New York Times, 3 April 2001
  • Jean Périlhon “Kiefer invite à un bal lyonnais”, La Croix, 5 Mars 2001
  • Bethemont, Hauviette, ‘Des jupons sans tête’, Affiches Lyonnaises, 21-23 February 2001
  • Tillet, Pierre, ‘Avec un peu d’humour, l’humanité devient supportable’, Lyon Capitale, 14-20 February 2001
  • S Tran, David, ‘Le couronnement d’Anselm Kiefer’, Le Progrès, 12 February 2001
  • Gabriel, Nelly, ‘La fabrique de l’artiste’, Lyon Figaro, 10 February 2001
  • S Tran, David, ‘Le seigneur de Barjac’, Le Progrès, 9 February 2001
  • Cumming, Laura, ‘Kiefer’s wallsized pictures take Pollock to the limit’, The Observer, 3 December 2000
  • Un-authored, ‘Dead flowers, delicate wood and a taste of things past’, The Independent on Sunday, 3 December 2000
  • Kayser, Lucien, ‘Des peintures cabalistiques chez Saint-Louis’, d’Land Kultur, 17 November 2000
  • Jones, Jonathan, ‘Mao and the magic realist’, The Guardian, 9 November 2000
  • Bishop, Claire, ‘Mao pulled up by the roots’, Evening Standard, 7 November 2000
  • Spies, Werner, ‘Der Bruch der Gefässe’, Frankfurter Allgemeine Zeitung, 1 November 2000
  • Cascaro, David, ‘Le sacre de l’ art contemporain autour de quelques chapelles’, Post, October 2000
  • Un-authored, ‘Shebirat Kelim- le bris des vases divins’, A Nous Paris, 16-22 October 2000
  • Un-authored, La Gazette de l’Hotel Drouot, 20 October 2000
  • Debailleux, Henri-Francois, ‘Ne pas être avalé par l’aglise’, Liberation, 10 October 2000
  • Un-authored, ‘Start-system’, Les Inrockuptibles, 3-9 October 2000
  • Gignoux, Sabine, ‘Un grandiloquent Anselm Kiefer’, La Croix, 5 October 2000
  • Pinte, Jean-Louis, ‘Au-delà des ténèbres’, Figaroscope, 27 September – 3 October 2000
  • Nuridsany, Michel, ‘Anselm Kiefer : les années de pomb’, Le Figaro, 1 October 2000
  • Un-authored, ‘Anselm Kiefer à la chapelle de la Salpêtrière’, Connaissance des Arts, September 2000
  • Huser, France, ‘Le sorcier Kiefer’, Le Nouvel Observateur, 21-27 September 2000
  • Cena, Olivier, ‘Anselm Kiefer dans le jardin du bien et du mal’, Telerama, 20 September 2000
  • Dagen, Philippe, ‘Une après-midi chez Anselm Kiefer’, Le Monde, 16 September 2000
  • Albrecht, Jörg, ‘Vom Blei zur digitalen Tinte’, Die Zeit, 17 August 2000
  • Smith, Roberta, The New York Times, 24 March 2000
  • Auping, Michael, ‘Satanic Reverses’, ARTNews, January 2000
  • Herchenröder, Christian, ‘Die neue Wucht eines alten Mystagogen’, Handelsblatt, 1999
  • Kramer, Hilton, ‘Delusions of Grandeur’, Art & Antiques, 1999
  • C Morgan, Robert, ‘Reappraisal’, Review, 1999
  • Wauthier, Ingrid, ‘Die verstummten Wächterinnen der Antike’, Kulturmagazin, 13 December 1999
  • Dagen, Philippe ‘Le spectacle ou la nécessité’, Le Monde, 29 November 1999
  • Kayser, Lucien, ‘Ballet des dames du temps jadis’, d’Land Kultur, 26 November 1999
  • Vogel, Matthias, ‘Rollenspiel und Unentschiedenheit’, Neue Burcher Zeitung, 21 November 1999
  • Un-authored, ‘400 personnes ont rendu hommage à Anselm Kiefer’, Midi-Libre, 5 October 1999
  • Boucomont, Arnaud, ‘Anselm Kiefer ou la plongée dans l’alchimie de l’esprit’, Midi-Libre, 3 October 1999
  • Un-authored, ‘Ein Jahrhundert Kunst in Deutschland’, Art Das Kunstmagazin, September 1999
  • Handke, Peter, ‘Anselm Kiefer oder Die andere Höhle Platons’, Die Zeit, 9 September 1999
  • Bonfiglioli, Giuditta, ‘Kiefer’s falling stars, The Art Newspaper, June1999
  • Dietrich, Dorothea, ‘Works on paper: MET’, Art on Paper, March – April 1999
  • Bonfiglioli, Giuditta, ‘Stelle cadenti’, Il Giornale dell’Arte, April 1999
  • Dotti, Bea, ‘Anselm Kiefer. Agli Inferi. Andata e ritorno’, Arte, April 1999
  • Kuspit, Donald, ‘Metropolitan Museum of Art’, Artforum, April 1999
  • Cucco, Claudio, ‘L’uomo di Kiefer’, L’Adige, April 1999
  • Trione, Vincenzo, ‘Kiefer, guardando a Mao verso il nuovo Millennio’, Il Mattino, 27 April1999
  • Un-authored, ‘Anselm Kiefer: comete su Teutoburgo’, Il Giornale dell’Arte, 17 April 1999
  • Sciaccaluga, Maurizio, ‘Anselm Kiefer : L’eterno gioco perverso tra vittime e carnefici’, L’unione Sarda, 15 April 1999
  • Coen, Ester, ‘Anselm Kiefer : tra i miti e la storia’, La Repubblica, 12 April 1999
  • Fiz, Alberto, ‘Brilla la stella di Anselm’, Milano Finanza, 3 April 1999
  • Krumm, Ermanno, ‘L’ultimo alchimista: un’opera al nero’, Corriere della Sera, 29 March 1999
  • Vallora, Marco, ‘L’erbario del Diluvio’, La Stampa, 3 March 1999
  • Jordan, Patrick, ‘Out of the ashes’, Commonweal, 12 February 1999
  • Lueken, Verena, ‘Amerika blickt in die deutsche Seele’, Frankfurter Allgemeine Zeitung, 12 February 1999
  • Saltz, Jerry, ‘Boom and Bust’, Village Voice, 2 February 1999
  • Un-authored, ‘History and seeing’, The Art Newspaper, January 1999
  • Herms Dratt, Viola, ‘Der tiefere Sinn entzieht sich dem Besucher’, Handelsblatt, 29 January 1999
  • Graaf, Vera, ‘Unheimlich deutsch’, Süddeutsche Zeitung, 25 January 1999
  • Trippl, Norbert, ‘Der grosse Ruhm um Anselm Kiefer’, Südkurier, 23 Janvier 1999
  • Goodrich, John, ‘MET’, Revieux, 15 January 1999
  • Chagas, Tonica, ‘Retrospectiva de Kiefer é liçao de historia alema’, Caderno2, 9 January 1999
  • Stadelmann, Egon, ‘Künstler Anselm Kiefer – Malerei zum Nachdenken’, New Yorker Staats-Zeitung, 26 December 1998 – 8 January 1999
  • Kramer, Hilton, ‘My Love for Anselm Kiefer slowly turns to dismay’, New York Observer, 28 December – 4 January 1999
  • Un-authored, ‘Prussian Blues’, New York Magazine, 4 January 1999
  • Prose, Francine, ‘The Galery: Anselm Kiefer at the MET’, The Wall Street Journal, 4 January 1999
  • Schwendener, Martha, ‘Confronting History’, Village Voice, 1 January 1999
  • C Morgan, Robert, ‘Painting and the Deep Space of Time’, 1998
  • Rose, Barbara, ‘Kiefer’s Cosmos’, Art in America, December 1998
  • J Fressola, Michael, ‘Anselm Kiefer exhibit at the Metropolitan’, Staten Island Advance, 18 December 1998
  • Russel, John, ‘Inventing His Own Germany’, The New York Times, 17 December 1998
  • Scott, Whitney, ‘Sunless, gloomy-and beautiful’, New York Post, 17 December 1998
  • Un-authored, Beaux-Arts (Paris), July 1998
  • Alvarez, José, Connaissance des Arts (Paris), June 1998
  • Schumacher, Rainald, Flash Art, June 1998
  • Böhme, Harmut, ‘Mit einem Steingefühl, alterslos’, Neu Bürcher Zeitung, 6-7 June 1998
  • Frankel, David, Artforum (New York), May 1998 Isé, Claudine, Los Angeles Times, 9 April 1998 Un-authored, ‘Sao Paulo se vê na mostra de Kiefer’, Journal do Brasil, 5 April 1998
  • Worth, Alexi, ARTnews, March 1998
  • Gonçalves Filho, Antonio, ‘Kiefer abre seu oratorio de ruinas na cidade’, Caderno2, 26 March 1998
  • Fioravante, Celso, ‘Anselm Kiefer constroi com mitos sua arte’, Folha de S Paulo, 25 March 1998
  • Fioravante, Celso, ‘Kiefer revela tragédia de homens e cidades’, Folha Illustrada, 24 March 1998
  • de Moraes, Angelica, ‘Kiefer faz primeira individual em Sao Paulo’, Caderno2, 21 March 1998
  • Kimmelman, Michael, ‘Your Age and Mine and the Age of the World’, The New York Times, 20 February 1998
  • Schjeldahl, Peter, ‘Come again’, Village Voice, 17 February 1998
  • Attias, Laurie, ARTnews (New York), June 1997
  • Caroli, Ela, ‘Kiefer, girasoli ‘alle stele’’, Corriere del Mezzogiorno, 25 June 1997
  • Bossaglia, Rossana, ‘E sotto is grandi cieli stellati trionfano I simboli di Kiefer’, Corriere della Sera, 23 June 1997
  • Hyman, James, Tate: The Art Magazine, Spring 1997
  • de Moraes, Angelica, ‘Anselm Kiefer fara duas exposiçoes em SP’, Caderno2, February 1997
  • Coutinho, Wilson, ‘O pintor alemao Anselm Kiefer ganha o grande prêmio da 27a Bienal de Veneza’, Caderno2, February 1997
  • Kent, Sarah, ‘Dying to live’, Time Out, January 1997
  • McEwen, John, ‘Big and very Teutonic’, The Sunday Telegraph, January 1997
  • Feaver, William, ‘My first response was: Oh my god, he’s flipped’, The Observer, January 1997
  • Ebner, Jörn, ‘Anselm Kiefers neue Kosmologie bei D’Offay in London’, Frankfurter Allgemeine, 25 January 1997
  • Cork, Richard, ‘Ploughing a new furrow’, The Times, 7 January 1997
  • Donn, Chiara, ‘Etornato l’Esorcista’, Tate Magazine, 1996
  • Fonseca, Gabriela, ‘Del paisaje a la metafora’, Humboldt, 1996
  • Lotz, Corinna, ‘Dark light falling from the stars’, Socialist Future, December 1996
  • Dorment, Richard, ‘Painter of the unpaintable’, The Daily Telegraph, 18 December 1996
  • Searle, Adrian, ‘Anselm Kiefer paints big pictures about big subjects. Typical German genius, really’, The Guardian, 10 December 1996
  • Hofmann, Michael, ‘Kiefer in French?’, Modern Painters, Winter 1996
  • Kayser, Lucien, ‘Les noires fulgurances d’Anselm Kiefer’, D’Letzeburger Land, 25 October 1996
  • Comment, Bernard, ‘Cette obscure clarté qui tombe des étoiles’, Art Press (Paris), September 1996
  • Salvy, Gérard Julien, ‘Interview France’, Culture (Radio), 31 August 1996
  • Un-authored, ‘The eyes of the beholder’, The Independent on Sunday, 19 May 1996
  • Taki, Koji, ‘Les femmes snas la profondeur de l’histoire – ‘Les femmes dans la Revolution’ de Kiefer’, Hermes, No.48, 1994
  • Yoshiie, Chieko, ‘Angels’, Brutus Magazine, December 1994
  • Brenken, Anna, ART, June 1994
  • Stoeber, Michael, FORTE, June 1994
  • Backes, Susanna, Frankfurter Rundschau, 10 June 1994
  • Nobis, Beatriz, Süddeutsche Zeitung, 6 June 1994
  • Kipphoff, Petra, Die Zeit, 3 June 1994
  • Straus, Cees, Trouw, 2 June 1994
  • Bessling, Rainer, Verdener Aller-Seitung, 1 June 1994
  • Brenken, Anna, Kunst & Kultur, May 1994
  • Trappschuh, Elke, Handellsblatt, 31 May 1994
  • Jager, Maarten, De Telegraaf, 31 May 1994
  • Die Welt, 31 May 1994
  • Roth, Gerd, Südwest Presse, 28 May 1994
  • Roth, Gerd, Augsburger Allgemeine, 28 May 1994
  • Roth, Gerd, Aachener Nachrichten, 27 May 1994
  • BZ Berlin, 27 May 1994
  • Landeszeitung für die Lüneburger Heide, 26 May 1994
  • Der Spiegel, 23 May 1994
  • Straus, Cees, Trouw, 21 May 1994
  • Brenken, Erika, Kölner Stadt-Anzeiger, 3 May 1994
  • Smith, Roberta, ‘Anselm Kiefer, Emigré, In Two-Part Installation, The New York Times, 5 July 1993
  • Wallach, Amei, ‘Exploration of the Creative Power of Waste’, New York Newsday, 5 May 1993
  • Huyssen, Andreas, ‘Anselm Kiefer - Okrucienstwa Historii, Pokusy Mitu’, Flash Art (Poland), No.3, 1992
  • Lind, Ingela, ‘Anselm Kiefer’, Månads Journalen (Stockholm), No.12, December 1992
  • Watson, Browyn, ‘German quartet helps maintain program’s confrontationist style: The Biennale of Sydney, The Sydney Morning Herald, 15 December 1992
  • Hecht, Axel, ‘Bleierne Betten für die Frauen der Revolution, ART, No.9, September 1992
  • Tanigawa, Atsushi, Studio Voice Magazine (Japan), 24 June 1992
  • Yamanashi, Toshio, Sankei Shimbun Newspaper (Japan), 1 June 1992
  • Sugawara, Norio, Yomiuri Shimbun Newspaper, 1 June 1992
  • Ichikawa, Kentaro, Brutus (Japan), 1 June 1992
  • Un-authored, ‘Anselm Kiefer: Boundaries, Tracks, Traces, Songs’, Art Australia, Vol.30, No.2,
  • Summer 1992
  • Yamamoto, Kazuhiro, PIA Magazine (Japan), 28 May 1992
  • Shalala, Nancy, ‘Artist sifts history’s ashes’, The Japan Times, 24 May 1992
  • Tanaka, Sanzo, Asahi Shimbum Newspaper (Japan), 19 May 1992
  • Sanada, Harudo, Mainichi Shumbun Newspaper (Japan), 15 May 1992
  • Rothwell, Nicolas, ‘The genius of the dark zone’, The Weekend Review (Australia), 7-8 March 1992
  • Marx, Katja, ‘Plötzlich ist das Geld wie ein Geschwür’, Die Zeit, No. 9, 21 February 1992
  • Flam, Jack, ‘The Alchemist’, The New York Review of Books, 13 February 1992
  • Schmidt-Mühlisch, Lothar and Mariana Hanstein,’Anselm Kiefer : Aus dem Absturz heraus entsteht der Gesang’, Die Welt, No. 52, 3 February 1992
  • Vejlstrup, Tove, ‘Fra Louisianas samling: Anselm Kiefer. Veje til verdens visdom: Hermanns-slaget’, 1988-90’, Louisiana Klubben, January 1992
  • W Haxthausen, Charles, ‘The World, the Book, and Anselm Kiefer, The Burlington Magazine, 1991
  • Inuhiko, Yomota, ‘Kiefer and the Mythos’, Mizue (Japan), No.958, 1991
  • Pleschinski, Hans, ‘Auf dem Weg zu Anselm Kiefer’, Pan, No.3, 1991
  • Piguet, Philippe, ‘Anselm Kiefer – Histoire, Mythe et Mémoire’, L’Oeil, October 1991
  • Brock, Bazon, ‘Ist Anselm Kiefer ein Neofaschist?’, Pan, 25 October 1991
  • Heinick, Angelika, ‘Teutonischer Alteisenhändler’, Frankfurter Allgemeine Zeitung, 18 October 1991
  • Rein, Ingrid, ‘Berlin - Anselm Kiefer - Neue Nationalgalerie’, Artforum, September 1991
  • Cornand, Brigitte, ‘Anselm Kiefer-le soufre et la douleur’, Vogue, September 1991
  • Rein, Ingrid, ‘Anselm Kiefer – Neue Nationalgalerie Berlin, Artforum International, September 1991
  • Dagen, Philippe, ‘Un pathos trop troublant’, Le Monde, 15 September 1991
  • W Duffy, Robert, ‘A sculpture sparked by myth’, St Louis Post-Dispatch, 21 July 1991
  • Simons, Riki, ‘Kiefer’s Brandenburg’, Intermediair (The Netherlands), 14 July 1991
  • Schneider, Angela, ‘Anselm Kiefer: 10 März - 20 Mai 1991 - Nationalgalerie Berlin’, Atelier Magazine of International Art (Japan), June 1991
  • Schmied, Wieland, ‘Ein Alchemist in Bleigewittern’, Kunst Presse, No.3, June 1991
  • Wulffen, Thomas, ‘Anselm Kiefer’, Flash Art, Summer 1991
  • Pencenat, Corinne, ‘Loeuvre Ambiguë d’Anselm Kiefer’, BAM, No.90, May 1991
  • Makovic, Zvonko, ‘Landkarten des Todes, UNI Press: Magazine of the University of Augsburg, April 1991
  • E Nesbitt, Lois, ‘Anselm Kiefer’, Tema Celeste Arte Contemporanea (Italy), March – April 1991
  • LeVitté-Harten, Doreet, ‘Anselm Kiefer: Johannis-Nacht. Fotos einer Installation im Mönchehaus-Museum Goslar’, Das Plateau, 2 April 1991
  • Felix, Zdenek, ‘Geschichte aus der Vogel perspektive’, Noemaart Journal, No.34, January – March 1991
  • Codrington, Andrea, ‘History in Ruins: Germany’s Past and Present’, The Journal of Art, March 1991
  • Schaub, Martin, ‘Totems von Odenwald’, Das Magazin, No.9, March 1991
  • Hans Göpfert, Peter, ‘Mit dem Hebekran ins Museum’, ART, No.3, March 1991
  • Beaucamp, Eduard, ‘Der Prophet und sein Bildertheater, Frankfurter Allgemeine Zeitung, 28 March 1991
  • Müller, Hans-Joachim, ‘Der Alchemist, der Erlöser’, Die Zeit, 22 March 1991
  • B Forstbauer, Nikolai, ‘Das Ende vom Mythen-Lied: Ein Blick vom Wachturm’, Nord-Stuttgarter Rundschau, 20 March 1991
  • Hohmeyer, Jurgen, ‘Kunersdorf im Nebelmeer’, Der Spiegel, 18 March 1991
  • Glozer, Laszlo, ‘Spiel mit das Lied vom Tod, Süddeutsche Zeitung, 16 March 1991
  • Ziegler, Ulf Erdmann, ‘Erschauern wir auch’, Die Tageszeitung (Berlin), 11 March 1991
  • Beckelmann, Jürgen, ‘Crobschmied mit dem Feingegühl eines Juweilers’, Volksblatt Berlin und Spandauer Boksblatt, 10 March 1991
  • Kuhn, Nicola, ‘Das Ende des Seins’, Tagesspiegel (Berlin), 10 March 1991
  • Warnhold, Birgit, ‘Bleierne Urgewalt in Berling’, Berliner Morgenpost, 9 March 1991
  • Richter, Manfred, ‘Saturn im Horizont der Kabbala’, Blickpunkt Prag, (Kunst und Kirche), February 1991
  • Meinhardt, Johannes, ‘Tübingen-Anselm Kiefer-Kunsthalle’, Artforum, December 1990
  • Nesbitt, Lois E, ‘Anselm Kiefer’, Tema Celeste, November – December 1990
  • Felix, Zdenek, ‘Anselm Kiefer: Die Bucher von Babel’, Pan, November 1990
  • Kämmerling, Christian and Peter Pursche, ‘Nachts fahre ich mit dem Fahrrad von Bild zu Bild’, Suddeutsche Zeitung Magazin, No.46, 16 November 1990
  • Un-authored‚ ‘Nachts fahre ich mit dem Fahrrad von Bild zu Bild’, Süddeutsche Zeitung Magazin, No.46, 16 November 1990
  • Dienst, Rolf-Gunter, ‘Die Bibliothek der Bilder’, Frankfurter Allgemeine Zeitung, 8 November 1990
  • Bühler, Dietrich, ‘Anselm Kiefr : Die Bücher- Requisiten der Mythologie’, Zyma Art Today, No.4, September – October 1990
  • Barber, Fionna, ‘The postmodern sublime-Kiefer in Dublin’, Circa Art Magazine, No.53, September – October 1990
  • Hesler, Gerhard, ‘Spiel mit dem Feuer, Stuttgarter Zeitung, 9 October 1990
  • Hübl, Michael, ‘Mit der Asche des Weltbrands’, Badische Neueste Nachrichten, 2-3 October 1990
  • B Forstbauer, Nikolai, ‘Abschied vom Donnerhall des Mythischen’, Stuttgarter Nachrichten, 1 October 1990
  • Peine, Sibylle, ‘Ein unbekannter Anselm Kiefer’, Badisches Tageblatt, 1 October 1990
  • Peine, Sibylle, ‘Ausstellung zeigt Anselm Kiefer als Buchgestalter’, Ludwigsburger Kreiszeitung, 1 October 1990
  • Jones, Bill, ‘Anselm Kiefer’, Arts Magazine, September 1990
  • Lewis, James, ‘Anselm Kiefer: Marian Goodman Gallery’, Artforum, September 1990
  • B Forstbauer, Nikolai, ‘Mythen sind allgegenwärtig’, Stuttgarter Nachrichten, 29 September 1990
  • Meier-Grolman, B, ‘Geschichte für die Kunst präpariert’, Schwäbische Donauzeitung (Ulm), 28 September 1990
  • Un-authored, ‘Anselm Kiefer erhält den Goslarer Kaiserring’, Fränkische Nachrichten (Tauberbischofsheim), 26 September 1990
  • Ronnen, Meir, ‘A museum come of age’, The Jerusalem Post Entertainment Magazine, 31 August 1990
  • Skupin, Bend, ‘Anselm Kiefer’, Vogue, July 1990
  • Hecht, Axel and Alfred Nemeczek, ‘Die “Macht der Geschichte”’, Kunkkolleg Moderne Kunst, July 1990
  • Hutchinson, John, ‘A modest affair but too imposing to ignore’, Sunday Press (Dublin), 17 June 1990
  • Dunne, Aidan, ‘Message from another world bearing the weight of ages’, Sunday Tribune (Dublin), 17 June 1990
  • Fallon, Brian, ‘The world messengers of Anselm Kiefer’, The Irish Times, 15 June 1990
  • Fallon, Brian, ‘The fight of the Argonauts’, The Irish Times, 13 June 1990
  • Czöppan, Gabi, ‘Anselm Kiefer’, PAN, May 1990
  • Windhöfel, Lutz, ‘Geschichte als Ende im Fragment oder als monumentale Perspektive. Heiner Müllers Dramen und Anselm Kiefers Bilder’, Musik & Theater, May 1990
  • Russel, John, ‘Lilith casts her shadow over images by Kiefer’, The New York Times, 27 May 1990
  • Ronnen, Meir, ‘The Impossibility of making an image: Kiefer on Kiefer’, The Jerusalem Post, 21 May 1990
  • Ronnen, Meir, ‘Decoding Kiefer’, The Jerusalem Post Magazine, 20 May 1990
  • Kimmelmann, Michael, ‘Anselm Kiefer Explores and Confronts the Past’, The New York Times, 11 May 1990
  • Schnelle-Schneyer, Marlene, ‘Anselm Kiefer: Der Weg zur Nähe des Zentrums’, Kultur, Leben, Natur (Baden-Württemberg), April 1990
  • M Jalon, Allan, ‘German Memory: The Art of Anselm Kiefer’, South West Review, Vol.75, No.2, Spring 1990
  • Petri, Kristian, ‘Ansel Kiefer rotar I Tysjlands sar’, Dn Kultur & Nöjen (Denmark), 18 February 1990
  • Loimeier, Manfred, ‘Menschengeschichte aus gebrannten Ton’, Fränkische Nachtrichten (Tauberbischofsheim), 13 February 1990
  • Panicelli, Ida, ‘Theory of Flight’, Artforum (New York), January 1990
  • Echt, Axel and Alfred Nemeczek, ‘Bei Anselm Kiefer im Atelier’, ART (Hamburg), January 1990, p.1
  • Glozer, Laszlo, ‘Geschichten aus Asche und blei, Suddeutsche Zeitung (Munich), 14 January 1990
  • B Fostbauer, Nikolai, ‘Mit Stuka-Wracks gegen die deutsche Euphorie’, Stuttgarter Nachrichten, 10 January 1990
  • Reindl, uta Maria, ‘Auseinandersetzung mit der Vergangenheit’, Neue Zürcher Zeitung (Zürich), 6-7 January 1990
  • LeVitté Harten, Doreet, ‘Szlaki Anselm Kiefera’, Odra (Warsaw), No.12, 1989
  • Trommler, Frank, ‘Germany’s Past as an Artifact’, Journal of Modern History (Chicago), No.61, December 1989
  • Hollenstein, Roman, ‘Französische Revolution im Spiegel der Gegenwartskunst’, Neue Zürcher Zeitung (Zürich), 30-31 December 1989
  • Kuspit, Donald, ‘Anselm Kiefer’s will to Power’, Contemporanea, November – December 1989
  • Kiliszek, Joanna, ‘Prace Kiefera w Warszawie’, Slowd Powszechne (Warsaw), 29 December 1989
  • von Berg, Robert, ‘Engel der nazistischen Apokalypse’, Süddeutsche Zeitung (Münich), 7 December 1989
  • Fisher, Jean, ‘London: Anselm Kiefer – Anthony d’Offay Gallery’, Artforum, November 1989
  • Huyssen, Andreas, ‘Anselm Kiefer: The Terror of History, the Temptation of Myth’, The MIT press, October 1989
  • Renton, Andrew, ‘Anselm Kiefer: An immense gesture towards the impossible sum of human knowledge’, Flash Art (Milan), No.148, October 1989
  • Grasskamp, Walter, ‘Anselm Kiefer’, Flash Art (- Russian Edition- Milan), No.1, October 1989
  • Schächterle, Beatrice, ‘Bleierne Zeit’, Wolkenkratzer Art Journal (Frankfurt), No.5, September
  • October 1989
  • J Barron, Eric, ‘Earth’s shrouded Future’, The Sciences (New York), September – October 1989
  • LeVitté Harten, Doreet, ‘Anselm Kiefer’, Kunst und Kirche (Linz), No.3, September 1989
  • Hecht, Axel, ‘Chronik in Blei’, Art (Hamburg), September 1989
  • LeVitté Harten, Doreet, ‘Anselm Kiefer’, Nike (Münich), July – September 1989
  • Rein, Ingrid, ‘Blinde Fenster zur Vergangenheit’, Süddeutsche Zeitung (Münich), 9-10 September 1989
  • Bühler, Dietrich, ‘Bühler: Ewigkeitsskulptur “Zweistromland”’, Zyma Kunstmagazin (Stuttgart), May – August 1989
  • Bürklin, Heidi, ‘Die Bibliothek, in der keiner lesen kann’, Die Welt (Bonn), 29 July 1989
  • Kipphoff, Petra, ‘Das bleierne Land’, Die Zeit (Hamburg), 28 July 1989
  • Gliewe, Gert, ‘Das Gewissen der Welt in Blei’, Abendzeitung (Münich), 12 July 1989
  • Dorment, Richard, ‘Painting by the book’, The Daily Telegraph (London), 4 July 1989
  • Vaizey, Marina, ‘Terror brought to book;, The Sunday Times, 2 July 1989
  • Feaver, William, ‘Books of Babel’, The Observer, 25 June 1989
  • Graham-Dixon, Andrew, ‘Anselm Kiefer’, Vogue , June 1989
  • Yamamoto, Kazuhiroo, ‘Anselm Kiefer: Wille zum Neuleben’, Atelier Fine Arts Magazine (Japan), May 1989
  • Rudomino, Tomasz, ‘Anselm Kiefer: Jeszcze Polska nie zginela’, Projekt (Warsaw), April 1989
  • Kehr, Wolfgang, ‘“Deutsche Motive“ in der bundesdeutschen Gegenwartskunst, Kunst + Unterricht (Seelze-Velber), April 1989
  • Kaido, Kazu, ‘You’re a painter: Anselm Kiefer’, Bijutsu Techo (Tokyo), April 1989
  • Messler, Norbert, ‘Bilderstreit’, Wolkenkratzer Art Journal (Frankfurt), No.2, March – April 1989
  • Kiphoff, Petra, ‘die Bilder schlagen zurück. Labyrinth und Markt: die Ausstellung “Bilderstreit” in Köln,’ Die Zeit (Hamburg), 21 April 1989
  • Rein, Ingrid, ‘Entdeckungsreise ohne Kompass. Bilderstreti- worum, wofür?’, Süddeutsche Zeitung (Münich), 15-16 April 1989
  • Loimeier, Manfred, ‘eine bleierne Bibliothek für die Ewigkeit’, Frankischen Nachrichten (Heidelberg), 18-19 March 1989
  • Nilsen, Richard, ‘Bridge to nowhere’, The Arizona Republic, 14 March 1989
  • Werner Haxthausen, Charles, ‘Kiefer in America’, Kunstchronik (Nuremberg), January 1989
  • Spies, Werner, ‘Gebrochener Zauber’, Frankfurter Allgemeine Zeitung, 28 January 1989
  • Sayah, Amber, ‘Keine Angst vorm Vakuum’, De Zeit (Hamburg, 6 January 1989
  • C Danto, Arthur, ‘Anselm Kiefer’, The Nation, 2 January 1989
  • West, Thomas and Peter Winter, ‘Evaluating Anselm Kiefer’, At International (Paris), 1988
  • Azara, Pedro, ‘El Arte Degeneraado de Anselm Kiefer’, Ajoblanco (Barcelona), 1988
  • Wallach, Amei, ‘Der Mystiker, der (noch) nichts in seinem Land gilt: der Maler Anselm Kiefer’, Esquire (Münich), 1988
  • Taki, Koji, ‘Violence or materiality of painting: the Apocapyptic World of Anselm Kiefer’, Hermes (Tokyo), 1988
  • C Gilmour, John, ‘Original Representation and Anselm Kiefer’s Postmodernism, The Journal of Aesthetics and Art Criticism (USA), 1988
  • Storr, Rob, ‘Anselm Kiefer’, Galleries Magazine (Paris), 1987-1988
  • Perl, Jed, ‘A dissent on Kiefer’, The New Criterion, December 1988
  • Moraes, Marina, ‘O Arquiteto e o Destruidor de Mitos, Guia das Artes (São Paulo), December 1988
  • Gopnik, Adam, ‘Alchemist’, The New Yorker, 21 November 1988
  • Schjeldahl, Peter, ‘Kieferville’, 7 Days (New York), 2 November 1988
  • Hüllenkremer, Marie, ‘Märkischer Sand in Manhattan’, Kölner Stadtanzeiger (Cologne), 29-30 Octobe1988
  • Kramer, Hilton, ‘Kiefer exhibit at MoMA reveals why some of the magic is fading’, The New York Observer, 24 October 1988
  • Meister, Hanns, ‘Prophet im fremden Land’, Stern (Hamburg), 20 October 1988
  • Taylor, Paul, ‘Painter of the Apocalypse’, The New York Times Magazine, 19 October 1988
  • Smith, Roberta, ‘Provocative Paintings from Anselm Kiefer’, The New York Times, 10 October 1988
  • Neidel, Heinz, ‘Vom kalten Norden in erotische Wärmezonen’, Deutsches Allgemeines Sonntagsblatt, 9 October 1988
  • Huth, Volkhard, ‘Geschichte, Trauer, Weltenbrand- Die Kunst des Anselm Kiefer’, Südkurier, 16
  • July 1988
  • Wilson, William, ‘Anselm Kiefer: Heart and Soul of Germany Past’, Los Angeles Times, 12 June 1988
  • Knight, Christopher, ‘The next big things by Kiefer’, Los Angeles Herald Examiner, 12 Jue 1988
  • Rombold, Günter, ‘Kunst aus Kompensation der Religion’, Kunst und Kirche (Linz), April 1988
  • Beuth, Reinhard, ‘Grosser Bahnhof für einen Deutschen Helden’, Madame (Münich), March 1988
  • Kramer, Hilton, ‘The Anselm Kiefer Retrospective’, The New Criterion (New York), February 1988
  • Stevens, Mark, ‘A Poet of the Apocalypse’, The New Republic, 8 February 1988
  • Wallach, Amei, ‘Kiefer’s Kultur’, Vanity Fair (New York), January 1988
  • Beuth, Reinhard, ‘Weg ohne Wiederkehr in Sibiriens Totenhäuser’, Die Welt (Frankfurt), January 1988
  • von Uthman, Jörg, ‘Der Exorzist’, Frankfurter Allgemeine Zeitung (Frankfurt), 25 January 1988
  • Kroll, Jack, ‘An Epic Artist of Desolation’, Newsweek (New York), 18 January 1988
  • De Mendonca, Casimiro Xavier, ‘Kiefer: Paisagens de chumbo’, Galeria Revista de Arte (São Paulo), 1987
  • Watspm, Scott, ‘Anselm Kiefer: Bilder 1980-1986’, Wolkenkratzer Art Journal (Frankfurt), 1987
  • Bonito Oliva, Achille, ‘Spostamenti Allegorici dell’Arte’, Tema Celeste (Syrakus), 1987
  • Kleyn, Robert, ‘Anselm Kiefer’, Tema Celeste (Syrakus), 1987
  • Hughes, Robert, ‘Germany’s Master in the Making’, Time (New York), 1987
  • Hohmeyer, Jürgen, ‘Bleigewichte für die Ordnung der Engel’, Der Spiegel (Hamburg), 1987
  • Groot, Paul, ‘Anselm Kiefer’, Artforum (New York), 1987
  • Von Graevenitz, Antje, ‘Anselm Kiefer, artifex’, Archis, 1987
  • Un-authored, ‘Docuenta spezial’, Wolkenkratzer Art Journal (Frankfurt), No.4, 1987
  • Un-authored, ‘Documenta 8: Kunst auf dem Prüfstand’, Kunstforum International (Köln), 1987
  • Perrée, Rob, ‘Anselm Kiefer: Een dramatische herinterpretatie van het verleden’, Kunstbeeld: Tijdschrift voor Beeldende Kunst (Brussels), 1986-1987
  • Ratcliff, Carter, ‘Kiefer’s Heart of Darkness’, Harper’s Bazaar (New York), December 1987
  • Flam, Jack, ‘Asessing an Enigmatic Painter’, The Wall Street Journal (New York), 16 December 1987
  • Russell, John, ‘From the Particular to the Sublime’, The New York Times, 13 December 1987
  • Bentley Mays, John, ‘As Magnificent as Any Postwar Art’, The Globe and Mail (Toronto), 12 December 1987
  • Russell, John, ‘A Kiefer Retrospective’, The New York Times, 5 December 1987
  • Madoff, Steven Henry, ‘Anselm Kiefer: A Call to Memory’, ARTnews (New York), October 1987
  • Henrique Fabre Rolin, J, ‘Na Bienal, a pintura enigmatica de Kiefer’, A Tribuna, 28 October 1987
  • Tassinari, Alberto, ‘Kiefer traz a nostalgia do infinito à Bienal’, Folha de São Paulo, 26 October 1987
  • Magalhaes-Ruether, Graca, ‘A estética selvagem’, Segundi Caderno o Globo, 4 October 1987
  • Carelli, Wagner, ‘Kiefer instala seus objetons-paradoxos em SP. Ilustrada (São Paulo), 29 September 1987
  • Restany, Pierre, ‘Documenta 8, il romanticismo e la maniera’, D’Ars (Paris), July 1987
  • Spies, Werner, ‘Lobgesang der Skepsis’, Frankfurter Allgemeine Zeitung (Frankfurt), 9 June 1987
  • Wallach, Amei, ‘The Power of Painting’, New York Newsday, 24 May 1987
  • Russell, John, ‘A Painter Who Lends Fire to the Gods’, The New York Times, 24 May 1987
  • Krüger, Werner, ‘Moralist, Seher, Aufklärer’, Kölner Stadtanzeiger (Köln), 23 January 1987
  • Illés, Vera, ‘Duits getob’, Elseviers Magazine, 10 January 1987
  • Beuth, Reinhard, ‘Und eine Rose für Marie Antoinette’, Frankfurter Allgemeine Zeitung (Frankfurt), 7 January 1987
  • Brenson, Michael, ‘Is Neo-Expressionism an idea whose time has passed?’, The New York Times, 5 January 1987
  • Zweite, Armin, ‘Malerei ohne Horizont im Blickpunkt’, Kunst und Antiquitäten (Münich), 1986
  • Welling, Wouter, ‘Kiefer en zijn mythe(n), Pulchri (Den Haag), 1986
  • Tekelenburg, Peter, ‘“Innenraum”: Kiefer en het Atelier van de Kunstenaar’, Beeld, 1986
  • Taylor, Paul, ‘Neoexpressionism and After’, ARTNews (New York), 1986
  • Lebrero Stals, José, ‘En torno a Anselm Kiefer. Paisaje después de la batalla’, Lapiz (Madrid), 1986
  • Schwartz, Sanford, ‘The Saatchi Collection – A Generation Comes into Focus’, The New Criterion (New York), 1986
  • LeVitté Harten, Doreet, ‘Bribes du discours donné sur le mont Thabor pour la réunionde la Société saturnienne en cette année de notre Seigneur ou bien Anselm Kiefer’, ArtStudio (Paris), 1986
  • Janssen, Hans, ‘Onzichtbare uitstraling. Noities bij werk van Anselm Kiefer’, Museumjournaal (Amsterdam), 1986
  • Harrison, Charles, ‘Importance: Kiefer and Serra at the Saatchi Collection’, Artscribe International (London), 1986
  • Guldemond, Jaap, ‘Anselm Kiefer’, Bulletin Stedelijk Museum, 1986
  • Fussman, Klaus, ‘The Colors of Dirt’, Artforum (New York), 1986
  • Conte, Giuseppe, ‘L’ispirazione’, Tema Celeste (Syracuse), 1986
  • Tilroe, Anna, ‘Mokerslagen van een Krachtpaster’, De Volkskraint (Amsterdam), 19 December 1986
  • Lamoreee, Jhim, ‘Malen ist Krieg’, HP (Amsterdam), 13 December 1986
  • Rothuizen, William, ‘Anselm Kiefer’, Vrij Nederland (Haarlem), 31 December 1986
  • Pomian, Krzysztof, ‘La terre calcinée d’Anselm Kiefer’, Esprit, February 1986
  • Schwarz, Arturo, ‘La luce dell’amore’, Tema Celeste (Syracuse), 1985
  • Schwarz, Michael, ‘Anselm Kiefer: Varus, 1976’, Kunst und Unterricht, 1985
  • Steevensz, Bert, ‘De dramatiek van een lege ruimte’, Kunstlicht, 1985
  • Ronnen, Meir, ‘Jerusalem: The Mysterious Professor Daoud’, ArtNews (New York), 1985
  • Ottman, Klaus, ‘The Solid and Fluid Bartlett, Laib, Kiefer’, Flashart (Milan), 1985, pp.122-123
  • Landau, Suzanne, ‘Landscape as Metaphor: Anselm Kiefer’s “Aaron”’, The Israel Museum Journal (Jerusalem), 1985
  • Lamoree, Jhim, ‘De Schilder als Onbekende Soldaat’, HP (Amsterdam), 1985
  • Fuchs, Rudi, ‘Chicago Lecture’, Tema Celeste (Syracuse), 1985
  • Fischer, Jean, ‘A tale of the German and the Jew’, Artforum (New York), 1985
  • Büttner, Werner, ‘Albert Oehlen: Defending Kiefer Against His Devotees’, Artscribe (London), 1985
  • Schjeldahl, Peter, ‘Anselm Kiefer and the Exodus of the Jews’, Art + Text (South Yarra, Australia), 1985, p.19
  • Russell, John, ‘Anselm Kiefer’s Paintings Are Inimitably His Own’, The New York Times, 21 April 1985
  • Kuspit, Donald B, ‘Transmuting Externalization in Anselm Kiefer’, Arts Magazine (New York), 1984
  • Thomas, Karin, ‘Bilder aus Mythos und Geschichte’, Weltkunst (Münich), 1984
  • Syring, Marie-Louise, ‘die Heroisierung des Scheiterns’, DU (Zürich), 1984
  • Simmen, Jeannot L, ‘Paraphrases or Key Pictures’, Flash Art (Milan), 1984
  • Pohlen, Annelie, ‘Anselm Kiefer’, Artforum (New York), 1984
  • Kuspit, Donald B’, ‘Anselm Kiefer – l’art moderne et le mythe’, Art Press (Paris), 1984
  • Lamoree, Jhim, ‘Het noodlot bij Anselm Kiefer’, Metropolis M, 1984
  • Lamoree, Jhim, ‘Malen ist Krieg’, Haagse Post (Den Haag), 1984
  • Paparoni, Demetrio, ‘Le sorti della battaglia’, Tema Celeste (Syrakus), 1984
  • Kuspit, Donald B, ‘Transmuting Externalization in Anselm Kiefer’, Arts Magazine (New York), 1984
  • Hopper-Sailer, Richard, ‘Anselm Kiefer: Peinture et Histoire’, Artistes (Paris), 1984, pp.22-23
  • Hecht, Axel, ‘Macht der Mythen’, Art Das Kunstmagazin (Hamburg), 1984
  • Godfrey, Tony, ‘Anselm Kiefer at the Israel Museum’, Burlington Magazine, 1984
  • Caldwell, John, ‘Anselm Kiefer’s “Dem unbekannten Maler”’, Carnegie Magazine (Pittsburgh), 1984
  • Le Bot, Marc, ‘La modernité d’Anselm Kiefer’, La Quinzaine Litteraire, 1984
  • Bell, Jane, ‘What is German about the New German Art?’, ARTNews (NewYork), 1984
  • Ronnen, Meir, ‘Kiefer’s Twilight of the Gods’, The Jerusalem Post Magazine, 27 July 1984
  • Hahn, Otto, ‘L’Oratorio des ruines’, L’Express (Paris), 1 July 1984
  • Bouisset, Maiten, ‘Anselm Kiefer: Allemagne, mere blafarde’, Le Matin (Paris), 15 May 1984
  • Kipphoff, Petra, ‘Verbrannte Erde und gestürzter Trommler’, Die Zeit (Hamburg), 13 April 1984
  • Beaucamp, Eduard, ‘Die verbrannte Geschichte’, Frankfurter Allgemeine Zeitung, 11 April 1984
  • Stevens, Mark, ‘A Renaissance for European Artists’, Newsweek (New York), 2 January 1984
  • Schwartz, Sanford, ‘Anselm Kiefer, Joseph Beuys, and the Ghosts of the Father land’, The New Criterion (New York), 1983
  • Schjedahl, Peter, ‘Up Against The Wall: A Berlin Story’, Vanity Fair (New York), 1983
  • Marano, Lizbeth, ‘Anselm Kiefer: culture as Hero’, Portfolio (New York) 1983
  • Martin, Rupert, ‘Anselm Kiefer’, Artscribe (London), 1983
  • Kuspit, Donald B, ‘Acts of Aggression: German Painting Today, Part II’, Art in America (New York), 1983
  • Kerber, Bernhard, ‘Zeitgeist’, Art International (Lugano), 1983
  • Hovdenakk, Per, ‘I Kiefer Land’, Prisma-Nytt (Oslo), 1983
  • Feuk, Douglas, ‘Anselm Kiefer’, Tidskriften Moderna Museet (Stockholm), 1983
  • Hughes, Robert, ‘German Expressionism Lives’, Time (New York), 8 August 1983
  • Russel, John, ‘The New European Painters’, The New York Times Magazine, 24 April 1983
  • Ferron, Louis, ‘Nero schildert. De beeldenstrijd van Anselm Kiefer’, New Foundland, 1982
  • Francklin, Catherine, ‘La peinture dans les chaînes’, Art Press (Paris), 1982
  • Gohr, Siegfried, ‘The Situation and the Artists’, Flash Art (Milan), 1982
  • Winter, Peter, ‘Anselm Kiefer’, Das Kunstwerk (Baden-Baden), 1982
  • Liebmann, Lisa, ‘Anselm Kiefer’, Artforum (New York), 1982
  • Kuspit, Donald B, ‘the Night Mind’, Artforum (New York), 1982
  • Smith, Roberta, ‘Kieferland’, Voice (New York), 30 November 1982
  • Januszszek, Waldemar, ‘Beuys/Kiefer at Whitechapel and d’Offay’, The Guardian (Manchester), 3 April 1982
  • Felix, Zdenek, ‘Anselm Kiefer – “Margarethe-Sulamith”’, Domus (Milan), January 1982
  • Zütter, Jörg, ‘Brief aus den Niederlanden: Anselm Kiefer, Gilbert & George, Junge Italiener und Peter Struycken’, Kunstforum International (Cologne), 1981
  • Un-authored, ‘Gilgamesch und Enkidu im Zedernwald’, Artforum, No.19, 1981, p.10
  • Gohr, Siegfried, ‘The Situation and the Artists’, Flash Art (Milan), 1981
  • Brock, Bazon, ‘The end of the avant-garde? And so the end of tradition. Notes on the Present “Kulturkampf” in West Germany’, Artforum (New York), 1981
  • Catoir, Barbara, ‘Die neuen Ekstasen’, Frankfurter Allgemeine Zeitung, 11 December 1981
  • Stachelhaus, Heiner, ‘Botschaft aus Landschaft’, Neue Ruhr Zeitung (Essen), 30 October 1981
  • Kayser, Lucien, ‘La palette salutaire d’Anselm Kiefer’, D’Letzeburger Land (Luxemburg), 6 May 1981
  • Wagenbach, Klaus, ‘Neue Wilde-teutonisch, faschistisch?’, Freibeuter (Berlin), 1980
  • Fuchs, Rudi, ‘Kiefer schildert’, Museumjournaal (Amsterdam), 1980
  • Hecht, Axel, ‘Werner Krüger: Venedig 1980. Aktuelle Kunst made in Germany’, Art Das Kunst Magazin (Hamburg), 1980.
  • Hecht, Axel, ‘Werner Krüger: L’Art actuel Made in Germany: Anselm Kiefer, un bout de chemin... avec la démence’, Artpress (Paris), 1980
  • Hohmeyer, Jürgen, ‘Schwieriger Siegfried’, Der Spiegel (Hamburg), 1980
  • Janssen, Hans, ‘Victor Schmidt: Kiefer’, AKT, 1980
  • Brock, Bazon, ‘Avantgarde und mythos’, Kunstforum International (Cologne), 1980
  • Diemer, Karl, ‘Die Seeschlacht in der Badewanne’, Stuttgarter Nachrichten (Stuttgart), 6 June 1980
  • Kipphoff, Petra, ‘Die Lust an der Angst – der deutsche Holzweg’, Die Zeit (Hamburg), 6 June 1980
  • Bode, Ursula, ‘So deutsch!’, Hannoversche Allgemeine Zeitung, 4 June 1980
  • Spies, Werner, ‘Überdosis an Teutschem’, Frankfurter Allgemeine Zeitung (Frankfurt), 2 June 1980
  • Gachnang, Johannes, ‘Anselm Kiefer’, Kunstnachrichten (Zürich), 3 May 1979
  • Zutter, Jörg, ‘Drie vertegenwoordigers van een nieuwe Duitse schilderkunst’, Museumjournaal (Amsterdam), 1978
  • Kneubühler, Theo, ‘Malerei als Wirklichkeit – Baselitz, Kiefer, Lüpertz, Penck’, Kunstbulletin (Zurich), 1978
  • Schwarz, Michael, ‘Spontanmalerei: Über das Verhältnis von Farbe und Gegenstand in der neueren Malerei’, Kunstforum International (Cologne), 1977, p.20
  • Pillet, Micky, ‘De Duitse avant-garde: 1. De Censuur van het nazisme; 2. De negers van Europa; 3. Regressie of vernieuwing?’, Haagse Post (Den Haag), 1977, pp.48-50