‘Art for all’ is the belief that underpins Gilbert & George’s art.
Gilbert & George began creating art together in 1967 when they met at St Martins School of Art, and from the beginning, in their films and ‘LIVING SCULPTURE’ they appeared as figures in their own art. The artists believe that everything is potential subject matter for their art, and they have always addressed social issues, taboos and artistic conventions. Implicit in their art is the idea that an artist’s sacrifice and personal investment is a necessary condition of art. They have depicted themselves as naked figures in their own pictures, recasting the male nude as something vulnerable and fragile rather than as a potent figure of strength. The backdrop and inspiration for much of their art is the East End of London where Gilbert & George have lived and created art for nearly 50 years. From street signs to Ginkgo trees, from chewing gum stains on the pavements to vistas of urban grandeur and decay, their work is both an ongoing portrait of a city and a reflection on the human condition. Gilbert & George have confronted many of the fundamental issues of existence: sex, religion, corruption, violence, hope, fear, racial tension, patriotism, addiction and death.
‘Our subject matter is the world. It is pain. Pain. Just to hear the world turning is pain, isn’t it? Totally, every day, every second. Our inspiration is all those people alive today on the planet, the desert, the jungle, the cities. We are interested in the human person, the complexity of life.’
Gilbert & George
Gilbert was born in the Dolomites, Italy in 1943; George was born in Devon in 1942 and both live and work in London. Together they have participated in many important group and solo exhibitions including 51st International Venice Biennale (2005), Turner Prize (1984) and Carnegie International (1985). They have had extensive solo exhibitions, including Whitechapel Gallery (1971-1972), National Gallery, Beijing (1993), Shanghai Art Museum (1993), Stedelijk Museum, Amsterdam (1995-1996), Musée d’Art Moderne de la Ville de Paris (1998), Serpentine Gallery, London (2002), Kunsthaus Bregenz (2002), Kestnergesellschaft, Hannover (2004-2005), Tate Modern, London, Haus der Kunst, Munich (both 2007), Brooklyn Museum of Art, New York, Philadelphia Museum of Art (both 2008), ‘Jack Freak Pictures’, CAC Malaga, Museum of Contemporary Art, Zagreb, Palais des Beaux Arts, Brussels (all 2010), Deichtorhallen, Hamburg, Kunstmuseum Linz (both 2011), Laznia Centre for Contemporary Art, Gdansk (2011-2012), Museum Kuppersmuhle, Duisberg (2012).