Cerith Wyn Evans

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CV

  • 1958 Born in Wales
  • Lives and works in London

Education

  • 1984 MA, Film and Video, Royal College of Art, London
  • 1980 Graduated, St Martin’s School of Art, London

Solo Exhibitions and Film Screenings

2017

  • as if, seeing in the manner of listening...hearing, as if looking, Marian Goodman Gallery, Paris
  • Forms in Space...by Light (in Time), Tate Britain, London
  • Cerith Wyn Evans, Haus Konstruktiv, Zurich


2016

  • Flare/shrine, Michael Lett Gallery, Auckland
  • Galerie Neu, Berlin 
  • Shade/frequency, Galerie Bucholz, New York

2015

  • Cerith Wyn Evans, Museion Bolzano, Bolzano
  • Cerith Wyn Evans, White Cube Bermondsey, London
  • c=l=e=a=v=e, Galerie Buchholz, Berlin
  • Cerith Wyn Evans, Taka Ishii Gallery, Tokyo

2014

  • Cerith Wyn Evans, Serpentine Sackler Gallery
  • transmit/receive, Hopkinson Mossman/Michael Lett Gallery, Auckland

2013

  • With the Advent of Radio Astronomy ...,The Poetry Library, Southbank Centre, London
  • The What If?... Scenario (after LG), TBA-21 Augarten, Vienna
  • ... They are later on in a garden ..., Kunst-Station, Sankt Peter, Cologne

2012

  • Grace to be born and live as variously as possible… White Cube, Hong Kong
  • Derive, Yvon Lambert, Paris
  • Detourne, Schinkel Pavilion, Berlin
  • Derive, Galerie Daniel Bucholz, Berlin
  • Constructed Situation, Galerie Neu Mehringdamm , Berlin
  • De La Warr Pavilion, Bexhill on Sea

2011

  • Incarnation Sao Paulo, Galeria Fortes Vilaca, Sao Paulo
  • Safety Curtain Commission, Vienna State Opera, Vienna
  • 9 x 9 x 9, White Cube, London
  • Permit Yourself…, (commission), Locus+, Newcastle
  • Cerith Wyn Evans, Taka Ishii Gallery, Tokyo
  • Assemblage, Galerie Neu, Berlin
  • Cerith Wyn Evans, Kunsthall Bergen, Norway

2010

  • To Know Him Is To Love Him, Casa Luis Barragán, México City, Mexico
  • Everyone's Gone to the Movies, Now We're Alone At Last, White Cube, London

2009

  • Cerith Wyn Evans, De Singel Internationale Kunstkampus, Antwerp
  • Cerith Wyn Evans, Galleria Lorcan O'Neill, Roma
  • A=P=P=A=R=I=T=I=O=N, Tramway, Glasgow
  • Cerith Wyn Evans, Inverleith House, Edinburgh
  • Cerith Wyn Evans, Galerie Daniel Buchholz, Cologne
  • A Billboard for Edinburgh, Ingleby Gallery, Edinburgh
  • Salon di Mobile, Cosmit, Palazzo Reale, Milan

2008

  • Cerith Wyn Evans, Galpão Fortes Vilaça, Sao Paulo
  • …visibleinvisible, MUSAC, Leon
  • Cerith Wyn Evans, Galerie Neu, Berlin

2007

  • Socle Du Monde, Daniel Buchholz, Cologne
  • Remote Viewing, CCA Kitakyushu Project Gallery, Kitakyushu
  • Futa Omote (double face), Taka Ishii, Tokyo
  • Bubble Peddler, Kunsthaus Graz, Graz
  • Signatures of the Invisible, White Cube, London

2006

  • Cerith Wyn Evans, Kunstbau Lenbachhaus, Munich
  • Take my eyes and through them see you, Institute of Contemporary Arts, London
  • …in which something happens all over again for the very first time, Musée d’Art Moderne de la Ville de Paris/ARC, Paris
  • The Curves of the Needle, White Cube, London

2005

  • The Sky is Thin As Paper Here, Kunsthaus Graz - BIX Media Façade, Graz
  • Eaux d’artifice (after K.A.), The Conservatory, Barbican Centre, London
  • Once a Noun, Now a Verb…, Galerie Neu, Berlin
  • 299792458m/s, BAWAG Foundation, Vienna

2004

  • Thoughts unsaid, now forgotten…, MIT Visual Arts Center, Boston
  • Cerith Wyn Evans, Museum of Fine Arts, Boston
  • Cerith Wyn Evans, Centre Georges Pompidou, Paris
  • Cerith Wyn Evans, Kunstverein Frankfurt, Frankfurt
  • The Sky is Thin as Paper Here…, Galerie Daniel Buchholz, Cologne
  • Meanwhile Across Town, Centre Point, London
  • Rabbit’s Moon, Camden Arts Centre, London

2003

  • Look at that picture… How does it appear to you now? Does it seem to be Persisting?, White Cube, London
  • Cerith Wyn Evans, Galerie Neu, Berlin
  • Take your desires for reality, Cerith Wyn Evans/MATRIX 201c, UC Berkeley Art Museum and Pacific Film Archive, Berkeley

2002

  • Cerith Wyn Evans Screening, Galerie Daniel Buchholz, Cologne

2001

  • Cerith Wyn Evans, Galerie Daniel Buchholz, Cologne
  • Cerith Wyn Evans, Kunsthaus Glarus, Glarus
  • Cerith Wyn Evans, Georg Kargl Gallery, Vienna
  • Cerith Wyn Evans The Art Newspaper project: Venice Biennale, Venice

2000

  • Cleave 00. Art Now, Tate Britain, London
  • Cerith Wyn Evans, fig-1, London
  • “Has the film already started?’’, Galerie Neu, Berlin

1999

  • Cerith Wyn Evans, Asprey Jacques Contemporary Art Exhibitions, London

1998

  • Cerith Wyn Evans, The British School at Rome in collaboration with Asprey Jacques Contemporary Art Exhibitions, Rome
  • Cerith Wyn Evans, Centre for Contemporary Art, Kitakyushu

1997

  • Cerith Wyn Evans, Deitch Projects, New York

1996

  • Inverse Reverse Perverse, White Cube, London
  • Cerith Wyn Evans, Studio Casa Grande (Part of British Art in Rome), Rome

1993

  • Les Visiteurs du Soir, London Film Festival, London

1992

  • Crossoverworkshop, HFAK, Vienna

1990

  • Sense and Influence, Kijkhuis, The Hague

1989

  • Solo Exhibition 79-89, ICA, London

1983

  • Solo Project, London Film Makers Co-op, London

1982

  • Solo Project, Film excerpts shown on Riverside, BBC2

1981

  • Solo Project, London film Makers Co-op, London
  • A Certain Sensibility, ICA Cinematheque, London

1980

  • ...And Then I ‘Woke Up’, London Film Makers Co-op, London

Selected Group Exhibitions and Film Screenings

2017

  • Skulptur Projekte Münster 2017
  • La Biennale di Venezia – 57th International Art Exhibition, Venice
  • The Arcades: Contemporary Art and Walter Benjamin, The Jewish Museum, New York

2016

  • Question the Wall Itself, Walker Art Center, Minneapolis 
  • Let There Be (More) Light, Jessica Silverman Gallery, San Francisco
  • LAST YEAR IN MARIENBAD, Galerie Rudolfinum, Prague 
  • NEON: The Charged Line, Grundy Art Gallery, Blackpool 
  • 30th Anniversary, Inverleith House, Edinburgh 
  • The Tale That All But Shapes Itself, Greene Naftali, New York
  • In one's own time, San Giuseppe delle Scalze, Naples
  • Nobuya Hoki, Yasuhiro Ishimoto, Yuki Kimura, Cerith Wyn Evans, Taka Ishii, Tokyo 
  • Accrochage, Punta della Dogana, Venice

2015

  • Last Year in Marienbad: A Film as Art, Kunsthalle Bremen, Bremen
  • Presque rien, Marian Goodman Gallery, Paris
  • Vista Guiada: artista, museo, espectador, MUSAC, Léon
  • The Way We Live Now, Modernist Ideologies at Work, Harvard University
  • Contruire un collection, Villa Paloma, Monaco

2014

  • do it Moscow, Garage Museum of Contemporary Art, Moscow
  • Play What's Not There, Raven Row, London
  • UPSTAIRS/DOWNSTARS, Galerie Neu, Berlin

2013

  • Galerie Jürgen Becker, Hamburg
  • If Not Always Permanently, Memorably, Spike Island, Bristol
  • Cloud Illusions I Recall, The Irish Museum of Modern Art, Dublin
  • SNAP: Art at The Aldeburgh Festival, Suffolk
  • A Very Light Art, Ca' Rezzonico Museum, Venice
  • Dark Stars, MOCA Cleveland, Cleveland
  • FOR MY EYES ONLY, UGM Maribor Art Gallery, Slovenia
  • Dreams of Venice, Bernard Magrez Cultural Institute, Bordeaux
  • Collection Sandretto Re Rebaudengo: A Love Meal, Whitechapel Gallery, London
  • Light Show, Hayward Gallery, London

2012

  • Only Parts of Us Will Ever Touch Parts of Others, Galerie Thaddaeus Ropac, Paris
  • Castle In The Air, Centre of Culture ZAMEK, Poznań
  • Freedom not Genius: Works from Damien Hirst’s Murderme Collection, Pinacoteca Giovanni e Marella Agnelli, Turin
  • néon, who’s afraid of red, yellow and blue? la Maison Rouge, Paris
  • La Décadence, Yvon Lambert, Paris

2011

  • A Darkness More Than Night, Quad, Derby
  • In Deed: Certificates of Authenticity in Art, De Vleeshal, Middelberg, The Netherlands; Fondazione Bevilacqua, La Masa, Venice
  • Paysage Fautif (Wayward Landscape), Museum Show Part 1, Arnolfini, Bristol
  • Rewriting Worlds, Moscow Biennial, Moscow
  • Ventajas de Viajar en Tren, Parra & Romero, Madrid
  • Mystics or Rationalists, Ingleby Gallery, Edinburgh
  • In Other Words, Lewis Glucksman Gallery, Cork
  • Incidents of Travel, Museo Tamayo, Mexico
  • Outrageous Fortune, Focal Point Gallery, Southend-on-Sea; Queens Hall Art Centre, Hexham
  • Secret Societies, Kunsthalle Schirn, Frankfurt; CAPC, musée d'art contemporain de Bordeaux
  • Snap, Aldeburgh Festival, Suffolk
  • WIld Sky, Edith Russ Haus, Oldenburg
  • At Least You Haven't Changed, Hotel, London
  • True Faith, Anderson's Contemporary, Denmark
  • The State: Works from the Farook Collection, Traffic, Dubai
  • L’insoutenable Légèreté De L’être, Yvon Lambert, Paris & New York

2010

  • Plus Ultra, Macro, Rome
  • Passages. Travels in Hyper-Space: Works from the collection of TBA- 21, Laboral Centro de Arte y Creación, Gijon
  • “…”, Galerie Neu. Berlin
  • Contemporary Eye: Crossovers, Pallant House Gallery, Chicester
  • Marcel Broodthaers and Today, Düsseldorf Kunstverein, Düsseldorf
  • People Meet in Architecture, Biennale Architettura di Venezia, Venice
  • Arts and Cities, Aichi Triennale, Nagoya, Japan
  • The Milkplus Bar, Josh Lilley Gallery, London
  • Kupferstichkabinett: Between Thought and Action, White Cube, London
  • Emporte-moi/ Sweep me off my feet , Musée d’Art Contemporain du Val de Marne, Vitry-Sur-Seine
  • Galerie Daniel Buchholz , Cologne
  • Radical Conceptual , MMK Frankfurt, Frankfurt
  • Double Bind, Villa Arson, Nice
  • Contemplating the Void, Solomon R. Guggenheim Museum, New York
  • Crash, Gagosian Gallery, London
  • Novel Two , International Project Space, Birmingham
  • The Future Demands Your Participation; 30 Years of Contemporary Art from the British Council Collection, Minsheng Art Centre, Shanghai

2009

  • Session_7 Words, Am Nuden Da, London
  • Where Do We Go From Here? , Bass Museum of Art, Florida
  • Lets Take Back Our Space, Focal Point Gallery, Southend Library, Essex
  • Romancing the Frame , Kunsthalle Zurich, Zurich
  • The Dark Monarch:Magic & Modernity in British Art, Tate St. Ives, UK
  • Panorama da Arte Brasileira , Museu de Arte Moderna de São Paulo, São Paulo
  • Emporte-moi/ Sweep me off my feet , Musée National des Beaux-Arts de Québec, Quebec
  • Past Present, Nunnington Hall, North Yorkshire
  • In the Between , Istanbul Biennial, Istanbul
  • Black Hole, CCA Andratx, Mallorca
  • The Splendour Of Fear, Michael Benevento, Los Angeles
  • Universal Code, Power Plant, Toronto
  • No Night, No Day, Cerith Wyn Evans & Florian Hecker, Thyssen- Bornemisza Art Contemporary, Teatro Goldoni, Venice
  • Faye Greener, IPS (International Project Space), School of Art Bournville, Birmingham Institute of Art and Design, Birmingham
  • FAX, Drawing Room, New York
  • The Kaleidoscopic Eye. Thyssen-Bornemisza Art Contemporary Collection, Mori Art Museum, Tokyo
  • STILL/MOVING/STILL Cultuurcentrum Knokke-Heist, Belgium
  • Nothing to say and I am saying it, Kunstverein Freiburg, Freiburg
  • Two Horizons Works from the Collections of Charles Asprey and Alexander Schröder Scottish National Gallery
  • Nous Tournons Dans La Nuit ,Musée Départemental d’Art Contemporain, Rochechouart
  • Six Tuesdays After Film as a Critical Practice,Lux 28, London
  • Audio, Video, Disco, Kunsthalle Zurich

2008

  • Fade In / Fade Out, Bloomberg Space, London
  • Conversations, Kettles Yard, Cambridge
  • Peter Saville Accessories to an Artwork, Paul Stolper, London
  • Endless Sphere, Center for Contemporary Art, Ukraine
  • Punk. No One is Innocent, Kunsthalle Wien, Vienna
  • [SCENE MISSING], Galerie Thomas Schulte, Berlin
  • [SCENE MISSING], Georg Kargl Gallery, Vienna
  • Always Begins by Degrees, The Common Guild, Glasgow
  • In The Beginning, University Art Gallery, UC San Diego, California
  • Martian Museum of Terrestrial Art, Barbican, London
  • You Dig The Tunnel – I’ll Hide The Soil, White Cube Hoxton Square and Shoreditch Town Hall, London
  • Typed, Sadie Coles HQ, London
  • Voice and Void, Galerie im Taxispalais, Innsbruck
  • Sound of Music, Centre for Contemporary Culture, Maastricht
  • Leigh Bowery, Kunstverein, Hanover
  • Everstill, Casa-Museo Federico Garcia Lorca, Granada
  • The Wizard of Oz, CCA Wattis Institute for Contemporary Art, San Francisco, CA
  • Yokohama Triennale, Yokohama, Japan
  • This Is Not A Void, Galerie Luisa Strina, Sao Paulo
  • I Am Making Art. 4 Studies on the Artist’s Body, Centro Huarte de Arte Contemporaneo, Huarte, Navarra, Spain

2007

  • Voice and Void, The Aldrich Contemporary Art Museum, Ridgefield
  • Ian Hamilton Finlay & Cerith Wyn Evans, Ingleby Gallery, Edinburgh
  • Sculpture in the Close, Jesus College, Cambridge
  • The Projection Project: Budapest episode, Műcsarnok Kunsthalle, Budapest
  • Panic Attack! Art in the Punk Years, Barbican Art Gallery, London
  • Before the advert of radio astronomy, Kunsthaus Bregenz, Bregenz
  • This is the love of these, Magazin 4, Bregenz
  • Romantic Conceptualism, Kunsthalle Nürnberg, Nürnberg ; BAWAG Foundation, Vienna
  • The Secret Public: The Last Days of the British Underground 1978-1988, Institute of Contemporary Art, London,
  • Pale Carnage, Arnolfini, Bristol; Dundee Contemporary Arts, Dundee
  • I Am Making Art. 4 Studies on the Artist’s Body, Centre d’Art Contemporain Geneve, Geneva

2006

  • All Hawaii entrées / Lunar Reggae, Irish Museum of Modern Art, Dublin
  • How To Improve The World, Hayward Gallery, London
  • 'Nach Rokytnik', Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
  • Thank you for the music (London Beat), Sprüth Magers Lee, London
  • The Expanded Eye, Kunsthaus Zürich, Zurich
  • Stage of Life-Rhetorics of Emotion, Lenbachhaus, Munich
  • Tate Triennial 2006: New British Art, Tate Britain, London

2005

  • Flourish, Moravian Gallery, Brno, Czech Republic
  • Thank you for the music, Sprüth Magers Project, Munich
  • Light Art from Artificial Light, ZKM, Karlsruhe
  • Pasolini E Roma, Museo di Roma, Trastevere
  • 9th International Istanbul Biennial, Istanbul Foundation for Culture and Arts, Istanbul
  • Seoul Film Festival, Seoul
  • London in Six Easy Steps, ICA, London
  • The Vanity of Allegory, Deutsche Guggenheim, Berlin
  • I Really Should…, Lisson Gallery, London
  • Summer Exhibition 2005, Royal Academy, London
  • Bidibidobidiboo: La Collezione Sandretto Re Rebaudengo, Palazzo Re Rebaudengo, Piazza del Municipio, Guarene d’Alba. Fondazione Sandretto Re Rebaudengo, Turin. Cavallerizza Chiablese e Salone delle Guardie, Turin.
  • Light Lab, MUSEION, Bolzano
  • Can Buildings Curate, AA School of Architecture, London
  • Ice Storm, Kunstverein Münich, Munich
  • I’d Rather Jack, National Galleries of Scotland, Edinburgh
  • E-Flux Video Rental Store, KW Institute for Contemporary Art, Berlin
  • Ellen Cantor, Cerith Wyn Evans, Prince Charles Cinema, London

2004

  • Bazar de Verão, Galeria Fortes Vilaça, São Paulo
  • Modus Operandi, Thyssen-Bornemisza Art Contemporary, Vienna
  • Curating The Library, DE Singel, Antwerp
  • Schöner Wohnen (Living Nicely), Platform voor Actuele Kunst, Waregem
  • Utopia Station, Haus der Kunst, Munich
  • Uses of the Image: Photography, Film and Video In The Jumex Collection, Malba, Buenos Aires
  • Quodlibet, Galerie Daniel Buchholz, Cologne
  • Trafic d’influences: Art & Design, Tri Postal, Lille
  • The Future Has A Silver Lining: Genealogies of Glamour, Migros Museum for Contemporary Art, Zurich
  • Einleuchten, Museum der Moderne, Salzburg
  • Eclipse: Towards the Edge of the Visible, White Cube, London
  • Black Friday: Exercises in Hermetics, Revolver, Frankfurt
  • The Ten Commandments, Deutsches Hygiene-Museum, Dresden
  • Drunken Masters, Galeria Fortes Vilaça, São Paulo
  • Making Visible, Galleri Faurschou, Copenhagen
  • Marc Camille Chaimowicz, Angel Row Gallery, Nottingham
  • Doubtiful Dans Les Plis Du Reel, Galerie Art & Essai, Rennes
  • Hidden Histories, New Art Gallery Walsall, Walsall
  • Ulysses, Galerie Belvedere, Vienna
  • Sans Soleil, Galerie Neu, Berlin

2003

  • Take a Bowery: The Art and (larger than) Life of Leigh Bowery, MCA Sydney, Sydney
  • Wittgenstein Family Likenesses, Institute of Visual Culture, Cambridge
  • Heiliger Sebastian: A Splendid Readiness For Death, Kunsthalle Vienna, Vienna
  • Further: Artists from Wales, 50th International Venice Biennale, Venice; Aberystweth Arts Centre, Aberystweth; Glynn Vivian Art Gallery, Swansea and National Museum & Gallery of Wales, Cardiff
  • Utopia Station, 50th International Venice Biennale, Venice
  • Adorno, Frankfurter Kunstverein, Frankfurt
  • Galleria Lorcan O’Neill, Rome
  • Independence, South London Gallery, London
  • Addiction, 15 Micawber Street, London
  • Light Works, Taka Ishii Gallery, Tokyo
  • Someone to Share My Life With, The Approach, London
  • The Straight or the Crooked Way, Royal College of Art Galleries, London
  • Cardinales, MARCO, Vigo
  • Edén, La Colección Jumex, Mexico City

2002

  • Documenta11, Kulturbahnhof, Museum Fridericianum, Documenta-Halle, Orangerie/Karlsaue and Binding-Brauerei, Kassel
  • Mirror: Its Only Words, London College of Printing, The London Institute, London
  • Shine, The Lowry Centre, Manchester
  • My Head is on Fire but My Heart is Full of Love, Charlottenborg Museum, Copenhagen
  • Lost Past/2002-1914, Merghelynck Museum, Ypres
  • Screen Memories, Contemporary Art Centre, Art Tower Mito, Ibaraki
  • Iconoclash. Image Wars in Science, Religion and Art, Center for Art and Media, Karlsruhe
  • Void Archive, Centre for Contemporary Art, Kitakyushu
  • It’s Only Words, Mirror Gallery, The London Institute, London
  • ForwArt, Palais des Beaux-Arts, Brussels
  • In the Freud Museum, Freud Museum, London

2001

  • “Wales”: Unauthorized versions, part of “Welsh days festival”, Extended Media Gallery and House of the Croatians Artists, Zagreb
  • Yokohama 2001: International Triennale of Contemporary Art, Yamashita Pier, Yokohama
  • There is something you should know: Die EVN Sammlung im Belvedere, Österreichische Galerie Belvedere, Vienna
  • Gymnasion, Bregenzer Kunstverein, Bregenz
  • My Generation 24 Hours of Video Art, Atlantis Gallery, London
  • Wir, Comawoche. Film Screening, Metropolis Cinema, Hamburg
  • How do you change …., Institute of Visual Culture, Cambridge
  • Bridge the Gap, Industrial Club of the West of Japan/Centre for Contemporary Art, Kitakyushu
  • Dedalic Convention, Museum für angewandte Kunst, Vienna
  • Zusammenhänge in Biotop Kunst, Kunsthaus Muerz, Muerzzuschlag
  • Video Screening, Anthony Wilkinson Gallery, London
  • The Stunt/The Queel, London Institute, RAMC, London
  • What’s Wrong?, Trade Apartment, London
  • Diesseits und jenseits des Traums, Sigmund Freud Museum, Vienna

2000

  • Sensitive, Printemps de Cahors, Saint-Cloud
  • Rumours, Arc en Reve Centre d’Architecture, Bordeaux
  • La Ville, le Jardin, la Mémoire 1998-2000, The French Academy at Rome, Villa Medici, Rome
  • Ever get the feeling you’ve been…, A22 Projects, London
  • There is something you should know, Die EVN Sammlung im Belvedere, Vienna
  • Out There, White Cube², London
  • The British Art Show 5, The Scottish National gallery of Modern Art, Edinburgh
  • The Greenhouse Effect, Serpentine Gallery in collaboration with The Natural History Museum, London
  • Lost, Ikon Gallery, Birmingham

1999

  • Group exhibition, Re Rebaudengo Collection, Re Rebaudengo Gallery, Turin
  • 54x54, Financial Times Building, London
  • Group exhibition, Galerie Neu, Berlin
  • Retrace your steps: Remember Tomorrow, Sir John Soane’s Museum, London
  • La Memoire, The French Academy in Rome, Rome
  • Fourth Wall, Public Art Development Trust, Royal National Theatre, London
  • Essential Things, Robert Prime, London

1998

  • How will we behave?, Robert Prime, London
  • From the Corner of the Eye, Stedelijk Museum, Amsterdam
  • View Four, Mary Boone Gallery, New York
  • Ray Rapp, Tz’Art & Co., New York
  • Close Echos: Public Body and Artificial Space, City Art Gallery, Prague and Kunsthalle, Krems

1997

  • 7th International Video Week, Geneva
  • Sensation, Royal Academy of Arts, London and Hamburger Bahnhof, Berlin, 1998-99
  • A Print Portfolio from London, Atle Gerhardsen, Oslo
  • Gothic, ICA Boston, Boston
  • False Impressions, The British School at Rome, Rome
  • Material Culture, Hayward Gallery, London

1996

  • Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris and Centro de Exposições do Centro Cultural de Belém, Lisbon
  • Against, Anthony d’Offay, London
  • Some Drawings From London, 20 Princelet Street, London
  • British Artists in Rome, Studio Casagrande, Rome
  • Kiss This, Focal Point Gallery, Southend

1995

  • Sick, 152 Brick Lane, London
  • Stoppage, FRAC Tours, Tours
  • General Release: Young British Artists, Scuola di San Pasquale, Venice
  • Faction Video, Royal Danish Academy of Fine Arts, Copenhagen
  • Future Anterior, Eigen + Art’s/IIAS - Young British Artists, London

1994

  • Potato, IAS, London
  • Olive Tree Installation, The Orangery, Holland Park, London
  • Superstore Boutique, Laure Genillard Gallery, London
  • People Must Bed God to Stop..., Performance at Fete Worse than Death, London
  • Flux, Minema Cinema, London
  • Liar, Hoxton Square, London
  • 5th Oriel Mostyn Open Exhibition, Oriel Mostyn, Llandudno

1993

  • Modern Medicine, Installation/event at the Barley Mow with Angus Fairhurst and Leigh Bowery in association with Factual Nonsense Gallery, London
  • Speaking of Sofas, Tate Gallery, London and Gavin Brown’s Enterprise, New York

1992

  • 240 Minutes, Galerie Esther Schipper, Cologne
  • Cerith Wyn Evans and Gaylen Gerber, Wooster Gardens Gallery, New York

1990

  • Sign of the Times, MOMA, Oxford
  • Image and Object in Current British Art, Centre Georges Pompidou, Paris

1988

  • Degrees of Blindness, Edinburgh Film Festival, Edinburgh
  • The Melancholy Imaginary, In collaboration with Jean Mathee, London Film Makers Co-op, London

1987

  • The Elusive Sign, Tate Gallery, London

1985

  • Syncronisation of the Senses, ICA, London
  • The New Pluralism, Tate Gallery, London

1984

  • The Salon of 1984, ICA, London
  • Artist as Film Maker, National Film Theatre, London

1983

  • The New Art, Tate Gallery, London

1982

  • Riverside – Film excerpts, BBC2 Television, London