Christian Marclay

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Bibliography



Monographs, solo exhibition catalogues and artist books

  • Fraenkel Gallery & Paula Cooper Gallery Christian Marclay: Things I’ve Heard (Artbook DAP, New York 2013)
  • Kalonsnet, (ed.) Christian Marclay: Scrolls (Gallery Koyanagi, Tokyo 2011)
  • Noor, David Louis (ed.), Cyanotypes: Christian Marclay (JRP Ringier, Zurich 2011); texts by Noam Elcott and Margaret A. Miller
  • Criqui, Jean-Pierre, Christian Marclay: Fourth of July (Paula Cooper Gallery and PJC, New York 2011)
  • Barliant, Claire (ed.), Christian Marclay: Festival (Whitney Museum of American Art, New York 2010); interview with the artist by Russell Ferguson
  • Leader, Darian, Christian Marclay – The Clock (White Cube, London 2010)
  • Christian Marclay: Snap! (Les Presses du Réel 2009)
  • Marclay, Christian (ed.), Christian Marclay: Stereo (Fraenkel Gallery, San Francisco 2008)
  • Morton, Tom, Christian Marclay: Crossfire (White Cube, London 2007)
  • Criqui, Jean-Pierre, Christian Marclay: Replay (Cité de la musiqe and Réunion des musées nationaux, Paris 2007)
  • Christian Marclay (UCLA Hammer Museum, Steidl, Los Angeles 2003)
  • Anastas, Rhea, Christian Marclay: Video & Fotografi (Museet for Samtisdskunst Roskilde, Denmark 2000)
  • Portis, Ben, Christian Marclay: Cinema (Oakville Galleries, Ontario, Canada 2000)
  • Frankel, David, Christian Marclay (ArtPace, A Fouundation for Contemporary Art, San Antonio 1999)
  • Ferguson, Russell, Christian Marclay: Amplification (Chiesa San Staë, Venice 1995)
  • Gleismeier, Michael, and Douglas Kahn, Christian Marclay (DAAD Galerie, Berlin and Fri-Art Kunsthalle, Fribourg 1994)
  • Cruz, Amada, Christian Marclay: Directions (Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC 1990)

Cooper, Dennis and Harm Lux, Christian Marclay (Shedhalle, Zürich 1989)


General publications and group exhibition catalogues

  • Coultas, Helen, Becky Gee (ed.), Why it Does Not Have to be in Focus: Modern Photography Explained (Thames & Hudson, London 2013)
  • Kiasma Hits (Museum of Contemporary Art Kiasma, Helsinki 2013); texts by Pirkko Siitari, Leevi Haapala, Arja Miller, Juan Vicente Aliaga, Eija Aarnio, Jonna Strandberg and Sanna Hirvonen
  • Ulrich Obrist, Hans (ed.), do it: the compendium, (Independent Curators International, New York/DAP, 2013)
  • Kamps, Tony, Steve Seid, Silence (The Menil Collection, Houston 2012)
  • Weinhart, Martina and Max Hollein (eds.), Privat/Privay (Schirn Kunsthalle Frankfurt, DISTANZ Verlag, Berlin 2012)
  • Reynolds, Simon, Centro de Arte Dos de Mayo (CA2M): Pop Politics: Activismos a 33 Revoluciones (Consejera de Empleo (Turismo y Cultura), Bellas Artes (del Libro y de Archivos), BOCM, Madrid 2012); texts by Amparo Lasén, Ferrán Barenblit, Greil Marcus, Ivan López Munuera, José Manuel Costa, Kim Gordon, Lucy O’Brien, Peio Aguirre and Simon Reynolds
  • Hodge, Susie, Why your five year old could not have done that: Modern art explained (Thames & Hudson, London 2012)
  • The Art Book (Phaidon, London 2012); texts by various authors
  • Brüderlin, Markus (ed.) ‘The Art of Deceleration. Motion and rest in Art from Caspar David Friedrich to Ai Weiwei’, (Kunstmuseum Wolfsburg, Munich 2011), Texts by: Hartmut Böhme, Markus Brüderlin, Byung-Chul Han, Stefan Klein, Ulrich Ott, Stephan Rammler, Fritz Reheis, Hartmut Rosa, Uta Ruhkamp
  • Things are Queer: Highlights of Art Collection UniCredit (Marta Herford, Kerber, Germany 2011); texts by Barbel Kopplin, Dieter Rampl, Roland Nachtigaller and Walter Guadagnini
  • Olivares, Rosa (ed.), 100 Video Artists (Exit Publications, Spain 2010); text includes essays by David A Ross and Christine Van Assche
  • May, Susan, Kupferstichkabinett: Between Thought and Action (White Cube, London 2010)
  • Un-authored, Les Rencontres d’Arles (Actes Sud, Arles 2010)
  • Un-authored, Platform Kimusa 2009, (Samuso, Seoul 2009)
  • Un-authored, For øjeblikket - Samtidskunst til Billedkunst C (L&R Uddannelse 2009); texts by Jesper Bek, Andreas Brøgger, Jannie Dam, Ditte Vilstrup Holm, Kirsten Windfeldt Jensen and Uwe Timm
  • O’Reilly, Sally, Collage: Assembling Contemporary Art (Black Dog Publishing, London 2008)
  • Un-authored, Miller, Harland, You dig the tunnel, I’ll hide the soil (White Cube, London 2008)
  • Grenville, Bruce and Scott Steedman, Krazy! The Delirious world of anime + comics + video games + art (Vancouver Art Gallery and University of California Press 2008)
  • Withey, Lynne, Fall (University of California Press, Berkeley 2008)
  • Un-authored, Christian Marclay: Shuffle (Aperture, New York 2007)
  • Un-authored, Coontemporary+Cutting Edge:Pleasures of Collecting, Part III (Bruce Museum, Greenwich, CT 2007)
  • Un-authored, The Freak Show (Musée d’Art Contemporain de Lyon 2007)
  • Un-authored, All About Laughter: Humor in Contemporary Art (Mori Art Museum, Tokyo 2007)
  • Un-authored, 34th International Film Festival Rotterdam (Catalogue: Rotterdam, The Netherlands 2005)
  • Gonzalez, Jennifer, Kim Gordon and Matthew Higgs, Christian Marclay (Phaidon Press 2005)
  • Un-authored, Material Matters (Herbert F Johnson Museum of Art , Cornell University, New York 2005)
  • Un-authored, .ipeg (Kunstlerhaus, Bethanien, Berlin 2004)
  • Basilico, Stefano (ed.), CUT Film as Found Object in Contemporary VideoU (Milwaukee Art Museum, Wisconsin 2004)
  • Un-authored, Disparities and Deformations: Our Grotesque (SITE Santa Fe, New Mexico 2004)
  • Doronick, Jim (ed.), Aural Cultures (YYZ Books, Toronto 2004)
  • Un-authored, In Extremis; Printemps de septembre in Toulouse Festival of contemporary images (Les Abattoirs, Toulouse 2004)
  • Lovejoy, Margot, Digital Currents: Art in the Electronic Age (Routledge, New York 2004)
  • Un-authored, Playlist (Palais de Tokyo – Site de Création Contemporaine and Éditions Cercle d’Art, France 2004)
  • Un-authored, Reactivity: Unpredictable Past (NTT Publishing, Tokyo, 2004)
  • Un-authored, Sons & Lumières (Centre Pompidou, Paris 2004)
  • Taylor, Terry, Altered Art (Lark Books, New York 2004)
  • Un-authored, The Bell and the Glass (Philadelphia Museum of Art and Relache Pennsylvania 2003)
  • Un-authored, Go Johnny Go (Kunsthalle Wien 2003)
  • Goetz, Ingvild and Stephan Urbasczek, fast forward: Media Art Sammlung Goetz (Kunstverlag Goetz GmbH, Karlruhe 2003)
  • Un-authored, Incommunicado (Hayward Gallery, London 2003)
  • Neri, Louise (ed.), ANTIPODES: Inside the White Cube (White Cube, London 2003)
  • The Sound of Video – Voice and Rhythm in Audiovisual Art (LAB, Copenhagen 2003)
  • Air Guitar: Art Reconsidering Rock Music (Milton Keynes Gallery, UK 2002)
  • Das Zweite Gesicht: The Other Face (Deutches Museum, Munich 2002)
  • Electric Body: Le Corps en Scéne (Cité de la musique, France 2002)
  • Kemp, Cornelia, and Susanne Witzgall (eds.), Metamorphoses of the Photographic Portrait (Prestel/Deutsches Museum, Munich 2002)
  • Look at the Music/SeeSound (Ystad Art Museum, Sweden 2002)
  • Pécoil, Vincent (ed.), Prières américaines (Les Presses du Réel, Dijon 2002)
  • Rock My World (California College of Arts and Crafts, Oakland 2002)
  • Some Assembly Required: Collage Culture in Post-War America (Everson Museum of Art, Syracuse, New York 2002)
  • Stewart, Mary, Launching the Imagination, a comprehensive guide to basic design (McGraw Hill, New York 2002)
  • Getlein, Mark, Gilbert’s Living with Art (McGraw Hill 2001)
  • Groos, Ulrike, and Suzanne Titz, Wiederaufnahme (Retake (Neuer Aachener Kunstverein 2001)
  • 9e Biennale de l’Image en Mouvement (Centre pour l’image contemporaine Saint Gervais, Geneva 2001)
  • Feature: Art, Life & Cinema (Govett-Brewster Art Gallery, New Plymouth, New Zealand 2001)
  • Schaffner, Ingrid, Fred Wilson and Werner Muensterberger, Pictures, Patents, Monkeys, and More…on Collecting (Independent Curators International, New York 2001)
  • Beauvais, Yann and Jean-Michel Bouhours (eds.), Monter, Sampler: l’échantillonnage generalise (Centre Pompidou/Scratch 2000)
  • Art i Temps (Centre de Cultura Contemporania de Barcelona 2000)
  • Art on Paper 2000 (Weatherspoon Art Gallery, Greensboro, Carolina 2000)
  • Beil, Ralf and Marc Fehlmann, Eiszeit: Kunst der Gegenwart Aus Berner Sammlungen (Kunstmuseum Bern, Switzerland, July 21 - October 1, 2000)
  • Bradley, Fiona, Sonic Boom: The Art of Sound (Hayward Gallery, London 2000)
  • Platzker, David and Elizabeth Wyckoff, Hard Pressed: 600 Years of Prints and Process (Hudson Hills Press, New York 2000)
  • Soutif, Daniel, Le Temps, Vite! (Centre Georges Pompidou, Paris 2000)
  • Tempo! (Palazzo delle Espositioni, Rome 2000)
  • Tout le temps: Every Time (Biennale de Montréal 2000)
  • Umedalen Skulptur 2000 (Galleri Stefan Andersson, Umeå 2000)
  • Doswald, Christoph, Missing Link: Menschen-Bilder in der Fotografie (Kunstmuseum Bern, Switzerland 1999)
  • Meyer-Bueser, Susanne und Bernhart Schwenk, Talk Show: Die Kunst der Kommunication in den 90er Jahren (Von der Heydt-Museum, Wuppertal and Haus Der Kunst, Munich 1999)
  • Curiger, Bice, Freie Sicht aufs Mittelmeer (Kunsthaus Zürich 1998)
  • Fibicher, Bernhard, White Noise (Kunsthalle Bern 1998)
  • Godfrey, Tony, Conceptual Art (Phaidon Press 1998)
  • Goldberg, RoseLee, Performance: Live Art Since 1960 (Harry N. Abrams, New York 1998)
  • Gross, Ulrike, Make it Funky: Crossover zwischen Musik, Pop, Avantgarde und Kunst (Oktagon Press, Cologne 1998)
  • Crossings: Kunst zum Hören und Sehen (Kunsthalle Wien 1998); text includes essays by Cathrin Pichler and René Bloc)
  • Poetter, Jochen, I love New York: Crossover der aktuellen Kunst (Ludwig Museum Koln, Germany 1998)
  • Arranged and Conducted (Kunsthaus Zurich 1997); texts by Tobia Bezzola, Dan Cameron, Simon Maurer, Catherine Quéloz, Philip Ursprung and Birgitt Wiens
  • Blessing, Jennifer, Rrose is a Rrose is a Rrose: Gender Performance in Photography (Solomon R Guggenheim Museum, New York 1997)
  • Damsch-Wiehager, Renate, Helvetia Sounds (Galerie der Stadt Esslingen - Villa Merkel, Germany 1997)
  • Doswald, Christoph and Andreas Meyer, Nonchalance (Centre PasquART, Bienne/Biel 1997)
  • Obrist, Hans Ulrich and Guy Tortosa, Unbuilt Roads: 107 Unrealized Projects, Gerd Hatje, Germany 1997)
  • Brougher, Kerry, Art and Film Since 1945: Hall of Mirrors (MOCA Los Angeles 1996)
  • Ferguson, Russell, Amplification (San Stae, Venice Biennial 1995)
  • Rugoff, Ralf, Transformers (Exhibition Management, Victoria, Australia 1994)
  • Bourriaud, Nicolas, Not Quiet (Galerie Jennifer Flay, Paris 1992)
  • Cooke, Lynne, Bice Curiger, and Greg Hilty, Doubletake: Collective Memory and Current Art (Parkett and The South Bank Centre, London 1992)
  • Deitch, Jeffrey, Post Human (Pully/Lausanne: FAE Musée d’Art Contemporain, Torino, Athens and Hamburg 1992)
  • Koestenbaum, Wayne, Masks (Galeria Valentina Moncada, Rome 1992)
  • 1991 Whitney Biennial (Whitney Museum of American Art, New York 1991)
  • Cameron, Dan, The Savage Garden (Fundación Caja de Pensiones, Madrid 1991)
  • Brunon, Bernard, Status of Sculpture (Espace Lyonnais d'Art Contemporain 1990)
  • Concannon, Kevin, Dan Lander and Micah Lexier (eds.), Sounds by Artists (Art Metropole, Canada 1990)
  • Block, Ursula, and Michael Glasmeier, Broken Music: Artists' Recordworks (DAAD Galerie, Berlin 1989)
  • Trippi, Laura, Strange Attractors: Signs of Chaos (The New Museum of Contemporary Art, New York 1989)


Newspaper and magazine articles

  • Bellman, Erica, ‘Christian Marclay’s ‘Things I’ve Heard’’ The New YorkTimes Style Magazine, 28 March 2013
  • Curiel, Jonathan, ‘Christian Marclay’s “The Clock” is the World’s Most Elaborate Timepiece’, sfweekly.com, 17 April 2013
  • Bigman, Alex, ‘Watching Christian Marclay’s ‘The Clock’ at SFMOMA’ 7x7SF, 10 April 2013
  • Curiel, Jonathan, ‘Christian Marclay’s “The Clock” is the world’s most elaborate timepiece’, Sfweekly.com, 17 April 2013
  • Bigman, Alex, ‘Watching Christian Marclay’s ‘The Clock’ at SFMOMA’, 7×7.com, 10 April 2013
  • Bellman, Erica, 'Christian Marclay's Things I've Heard', Tmagazine.blogs.nytimes.com, 28 March 2013
  • Un-authored, ‘Christian Marclay takes to the air’, Phaidon.com, 25 March 2013
  • Davidson, Rose, ‘Josiah McElheny, Christian Marclay video exhibits aim to broaden appeal for Wexler Center audience’, Thelantern.com, 27 January 2013
  • Zinman, Gregory, ‘Does Anybody Really Know What Time It Is?’, Art Papers, January-February 2013, pp.10-13
  • Duggan, Bob, ‘Is Christian Marclay’s “The Clock” still a modern masterpiece if nobody’s seen it?’, Bigthink.com, 3 January 2013
  • Weintraub, Max, ‘On view now Christian Marclay’s “The Clock”’, blog.art21.org, 3 January 2013
  • Clark, Patrick, ‘Ringing in the new year at MoMA with Christian Marclay’s The Clock’, Observer.com, 1 January 2013
  • Pollack, Maika, ‘Christian Marclay: The Clock at the Museum of Modern Art’, galleristny.com, 1 January 2013
  • Un-authored, ‘The Clock: Christian Marclay’, Designenvy.aiga.org, 31 December 2012
  • Mantey, Jackie, ‘Christian Marclay’s famous video work “The Clock” to tick at the Wex’, Columbusalive.com, 10 December 2012
  • Fishbein, Rebecca, ‘Christian Marclay’s The Clock will be at MoMA starting this month’, Gothamist.com, 5 December 2012
  • Davis, Ryan, ‘Work of Christian Marclay comes to Cantor Center’. Examiner.com, 11 November 2012
  • Un-authored, ‘Real time’, Aqnb.com, 18 October 2012
  • Howell, Peter, ‘Watching the clock watch us: Howell’, Thestar.com, 5 October 2012
  • Halperin, Julia, ‘Christian Marclay has a new project, and there’s a marching band involved’, Blogs.artinfo.com, 1 October 2012
  • Luke, Ben, ‘Music to the ears of the post-war avant garde’, The Art Newspaper, No.238, September 2012, pp.46-47
  • Pietsch, Hans, ‘Der clipschnipsler’, Art, September 2012
  • Davies, Lucy, ‘Art’s man of the moment’, The Sunday Telegraph (Seven), 30 September 2012, pp. 16 and 17
  • Jager, David, ‘Tests of time’, Nowtoronto.com, 20-27 September 2012
  • Bredin, Simon, ‘Watching the clock’, Thevarsity.ca, 23 September 2012
  • Sclark, ‘The 100 most iconic artworks from the last five years’, Zimbio.com, 21 September 2012
  • Gokcen, Senay, ‘The clock: Christian Marclay’s 24-hour video installation to have month-long run at MoMA’, Dexigner.com, 12 September 2012
  • Un-authored, ‘Announcing around the clock: 24 hour donut city II, LACMA’s choice at ForYourArt at 6020 Wilshire Blvd’, Foryourart.com, 10 September 2012
  • Whyte, Murray, ‘Partons in Time’, Canadian Art, Fall 2012, pp.126-131
  • Pollack, Barbara, ‘It’s About Time’, ARTnews, Summer 2012
  • Schefer, Olivier, ‘Christian Marclay, The Clock: 24 heures (syn)chrono’, Les Cahiers du Mnam, Summer 2012, pp.92-117
  • Zalewski, Daniel, ‘The Hours. How Christian Marclay created the ultimate digital mosaic’, The New Yorker,, 12 March 2012, pp.48-63
  • Hinrichsen, Jens, ‘Die Kunst geht ins Kino’, Monopol, No.2, February 2012, pp. 48, 49, 50, 51, 52, 53 and 54
  • Bovier, Lionel, ‘Christian Marclay interview’, JRP-Ringier, Issue 2, Fall 2011, p.8 and 9
  • H. Miller, Michael, ‘The New Yorker profiles Chirsitan Marclay, almost gives a full plot description of The Clock’, galleristny.com, 9 March 2012
  • Un-authored, ‘Christian Marclay’, Vernissage, Spring 2012
  • Young, Rob, ‘Christian Marclay Out Loud’, Wallpaper*, October 2011, pp.251-274
  • Cornell, Lauren, Varnelis, Kazys, ‘Down the Line’, Frieze, September 2011, pp.170-175
  • Velasco, David, ‘Close-up: Borrowed Time’, Artforum, February 2011
  • Denson, G Roger, ‘Christian Marclay’s ‘The Clock’: In Search for the Epiphany of Parody’, huffingtonpost.com, 7 February 2011
  • ‘Sans titre’, Horsd’oeuvre, September 2011, pp.5-7
  • Lorch, Catrin, ‘Ja, schon so spat’, Suddeutsche Zeitung, No.136, 15 June 2011, p.12
  • Williams, Gilda, ‘British Art show 7 , Hayward Gallery’, ARTFORUM, May 2011, pp.296-297
  • Romney, Jonathen, ‘What time is it where?’, Sight & Sound, May 2011, pp. 30-31
  • Smith, Roberta, ‘As in Life, Timing Is Everything in the Movies’, The New York Times, 4 February 2011, C26
  • Spencer, Charles, ‘One of my favourite artworks of all time’, telegraph.co.uk, 31 January 2011
  • Yablonsky, Linda, ‘Tick, Tick, Tick’, tmagazine.blogs.nytimes.com, 28 January 2011
  • Laster, Paul, ‘Conversation: Christian Marclay’, observer.com, 19 January 2011
  • Appleyard, Bryan, ‘Give him a big hand’, The Sunday Times (Culture), 21 November 2010, pp.10-11
  • Jones, Alice, ‘The Diary: Foster's Edinburgh Comedy God poll; Jesse Eisenberg; Nick Relph; Wonderland; Christian Marclay's The Clock’, The Independent (Arts & Books), 12 November 2010, p.7
  • Coxhead, Gabriel, ‘Clock works’, Time Out, 4-10 November 2010, p.51
  • Un-authored, ‘Critics’ choice: the five best exhibitions this week’, Time Out, 4-10 November 2010, p.55
  • Hubbard, Sue, ‘Light and Time: James Turrel at Gagosian Gallery and Christian Marclay’s The Clock at White Cube’, 3quarqsdaily.com, 8 November 2010
  • Wullschlager, Jackie, ‘Visual arts’, The Financial Times (Life&Arts), 6-7 November 2010, p.17
  • Sooke, Alastair, ‘Where to go, what to see’, The Daily Telegraph (Review), 6 November 2010, p.17
  • Sutcliffe, Tom, ‘It’s time to queue for conceptual art’, The Independent (Arts & Books), 5 November 2010, p.3
  • Dowd, Vincent, ‘Watching The Clock, minute by minute’, Bbc.co.uk/news, 4 November 2010
  • Hodgson, Francis, ‘Close Encounters of the Anonymous Kind’, The Financial Times, 2 November 2010, p.15
  • Dorment, Richard, ‘A celebration of stuffing and nonsense’, The Daily Telegraph, 2 November 2010, p.29
  • Basciano, Oliver, ‘Christian Marclay: The Clock, White Cube Mason’s Yard’, Art Review, October 2010, p.94
  • Wullschlager, Jackie, ‘Caviar and chewing gum’, The Financial Times (Life & Arts), 30-31 October 2010, p.11
  • Cumming, Laura, 'Comic, historic, poetic, clever’, The Observer (The New Review), 31 October 2010, p.41
  • Januszczak, Waldemar, ‘The British Art Show, touring’, The Sunday Times (Culture), 31 October 2010, p.20
  • Sooke, Alastair, ‘Where to go, what to see’, The Daily Telegraph (Review), 30 October 2010, p.16
  • Wullschlager, Jackie, ‘British Art Show 7’, The Financial Times, 29 October 2010 – p.11
  • Taylor, Rebecca, ‘Christian Marclay Conquers Time’, huffingtonpost.com, 28 October 2010
  • Un-authored, ‘Pick of the Week’, The Guardian (The Guide), 23-29 October 2010, p.36
  • Searle, Adrian, ‘British Art Show 7: have I got spews for you’, The Guardian (G2), 26 October 2010, pp.20-21
  • Farquharson, Alex, ‘Clock on to how people have embraced contemporary visual art scene’, Nottingham Evening Post, 23 October 2010
  • Sooke, Alastair, ‘Exhibitions’, The Daily Telegraph (Review), 23 October 2010, p.19
  • Sooke, Alastair, ‘Bread and pistols as the clocks keep ticking’, The Independent, 19 October 2010, p.25
  • Sooke, Alastair, ‘Frieze week exhibitions round-up, reviews’, telegraph.co.uk, 18 October 2010
  • Un-authored, ‘Frieze Art Fair and other openings’, The Guardian (The Guide), 9-15 October 2010, p.39
  • Jones, Alice, ‘All the Fun of The Frieze’, The Independent, 16 October 2010, pp.16-17
  • Un-authored, ‘The Big Frieze’, Evening Standard, 14 October 2010, pp.35-41
  • Clark, Robert and Skye Sherwin, ‘This week’s new exhibitions’, The Guardian (The Guide), 9 October 2010, p.39
  • Un-authored, ‘Ten things not to miss in Frieze week’, The Independent (Arts & Books), 8 October 2010, pp.4-6
  • Teasdale, Paul, ‘Christian Marclay’s ‘The Clock’: Live!’, frieze.com/blog, 2010
  • Un-authored, ‘The 50 best autumn arts events’, The Independent (The Information), 11 September 2010, p.7
  • Shmitz, Edgar, ‘British Art Show 7: in the days of the comet at New Art Exchange’, New Art Exchange (Events Programme), Autumn-Winter 2010, p.3
  • Gavin, Francesca, ‘Tick Tock’, AnOther Magazine, Autumn-Winter 2010, pp.192-195
  • De Cruz, Gemma, ‘Time is of the Essence’, Art & Music, Autumn 2010, p.6
  • Thornton, Sarah, ‘Slave to the rhythm’, economist.com, 25 August 2010
  • Schwabsky, Barry, ‘An Art of Time’, thenation.com, 25 August 2010
  • Mack, Joshua, ‘Christian Marclay’, Simon de Pury MUSIC, November 2009, p.48
  • Un-authored, ‘Christian Marclay new work’, wallpaper.com, 19 November 2009
  • Rahman, Ali, ‘Christian Marclay finds the sounds that make the world go round’, Hour, 11-17 December 2008, p. 8 and cover
  • Fadden, Robyn, ‘Christian Marclay’s replay at DHC/ART’, Hour, 11-17 December 2008, p.8 and cover
  • Troncy, Eric, ‘Art of noise’, Numero, 2008, pp.214-217 and cover
  • Wilson, Michael, ‘Cyanotypes’, Time Out, 2-7 October 2008
  • Olson, Marisa, ‘Kind of blue’, thizome.org, 18 September 2008
  • Un-authored, ‘A feel for feedback’, The Art Newspaper, May 2008
  • Cacciari, Paola, ‘You dig the tunnel, I’ll hide the soil’, exibart.com, 14 May 2008
  • Ward, Ossian, ‘You dig the tunnel, I’ll hide the soil’, Time Out, 24-30 April 2008, p.67
  • Genzken, Isa, ‘Arts stars get Poe-faced’, thisislondon.co.uk, 24 April 2008
  • Coomer, Martin, ‘On the dark side’, The Big Issue, 14 April 2008, p.30
  • Lewis, Ben, ‘Art stars get brilliantly Poe-faced’, Evening Standard, 10 April 2008, p.42
  • O’Hagan, Sean, ‘Horror, horror on the wall’, The Observer, 6 April 2008, p.17-18
  • Dehn, Georgia, ‘Playing with the history of rock and roll’, The Telegraph (Review), 1 March 2008, p.12
  • McGeoch, Callum, ‘Christian Marclay: Artist and composer loses himself in The Museum of Childhood’, AnOther Magazine, Autumn – Winter 2007, p.104
  • Un-authored, ‘Christian Marclay: Up and Out – London’, The Guide, 13-19 October 2007, p.36
  • Toop, David, ‘Sound Art in London’, Art Press 2, No.6, August/September/October 2007, pp.72-78
  • Wood, Tony, ‘Christian Marclay’, Art Monthly, March 2007, pp.32-33
  • Gavin, Francesca, ‘Christian Marclay’, Dazed & Confused, March 2007, p.215
  • Lubbock, Tom, ‘Five best London shows’, The Independent (The Information), 10 March 2007, p.12
  • Un-authored, ‘Critics’ choice’, Time Out, 7 March 2007, p.42
  • Un-authored, ‘Five best exhibitions’, The Independent, 6 March 2007, p.21
  • Lubbock, Tom, ‘Five best London shows’, The Independent (The Information), 24 February – 2 March 2008, p.12
  • Un-authored, ‘Critics pick of the week’, The Guardian (The Guide), 17 February 2007, p.33
  • Sumpter, Helen, ‘Private View: Christian Marclay’, Time Out, 14 February 2007, p.42
  • Falconer, Morgan, ‘Try a bit of target practice…’, The Times (T2), 7 February 2007, p.15
  • Wood, Tony, ‘Christian Marclay’, Crossfire, February-March 2007
  • Wilson, Michael, ‘Christian Marclay – Musee de la musique’, Artforum, January 2007, p.122
  • Hedditch, Emma, ‘Christian Marclay: The Sounds of Christmas’, Contemporary, No.72, 2005
  • Guener, Fisun, ‘Tina Barney: The Europeans - Christian Marclay’, MetroLife, 18 February 2005, p.33
  • Frankel, David, ‘International Artist-in-residense’, artspace.org, 5 September 2005
  • Sherburne, Philip, ‘Christian Marclay’s cochlear implants’, Parkett, No. 70, 2004, pp.20-33
  • Schaffner, Ingrid, ‘Wise Cracks’, Parkett, No. 70, 2004, pp.34-45
  • Vergne, Philippe, ‘The Bride, revived by her bachelors…’, Parkett, No. 70, 2004, pp.46-57
  • Licht, Alan, ‘Mixmaster: Christian Marclay’s spin on sound and vision’, Modern Painters, March 2005, pp.31-33
  • Pointurier, Marie, ‘Rebel, rebel’, Vogue Paris, August 2005, pp.183-185
  • Toop, David, ‘The Art of Noise’, Tate Etc., No. 3, Spring 2005, pp.62-69
  • Kent, Sarah, ‘Sounds of silence’, Time Out, 23-30 March 2005, p.53
  • Sherburne, Philip, ‘Interview - Christian Marclay: this artist makes music like you’ve never seen before and art like you’ve never heard before’, Findarticles.com, March 2005
  • Wei, Lilly, ‘Christian Marclay – Paula Cooper’, ARTnews, April 2005, p.126
  • Schori, Anna, ‘All the right notes’, Art review, May 2005, pp.60-65
  • Giraudi, Francesca, ‘Christian Marclay’, Juliet Art Magazine, No.120, December 2004
  • Moran Caitlin, ‘Well I’ll be Wombled – Tate’s festive fare is Swiss cheese’, The Times 2, 10 December 2004, p.16
  • Pollack, Barbara, ‘Art Reviews: Christian Marclay, ‘Video Quartet’, Time Out (New York), 9-16 January, 2003, p.50
  • Un-authored, ‘Art Galleries Chelsea: Christian Marclay’, The New Yorker, 13 January, 2003, p. 17-18.
  • Smith, Roberta, ‘Art in Review: Christian Marclay ‘Video Quartet’ Paula Cooper Gallery’, The New York Times, 3 January 2003, E44
  • Myers, R Terry, ‘Christian Marclay’, Art Review, October 2003, p.112
  • Neill, Ben, ‘Christian Marclay, Bomb, No.84, Summer 2003, pp.44-51
  • Higgs, Matthew, ‘Best of 2002’, Artforum, December 2002, p.110
  • Pollack, Barbara, ‘Art Rocks’, ARTnews, December 2002, pp.98-101
  • Un-authored, ‘Arbres de Noël’, La Tribune de Genève, 14 December 2002, p.19
  • Un-authored, ‘Well-Hung Art’, Empire, Winter 2002, p.23
  • Helfand, Glen, ‘Christian Marclay’, Artforum, October 2002, p. 159
  • Un-authored, ‘Membership’, Chinati Foundation Newsletter, Vol.7, October 2002, p.42
  • Sherburne, Philip, ‘Christian Marclay: San Francisco Museum of Modern Art’, Frieze, October 2002, p.89
  • Un-authored, ‘Information layers and memories and Marclay’, citysound.com, 23 June 2002
  • Honigman, Ana, ‘The Whitney Biennial’, Contemporary, May 2002, pp.100-101
  • Trainor, James, ‘Stephen Vitiello: The Project, New York’, Frieze, No.67, May 2002, pp.101-102
  • Nickas, Bob, ‘Mutiple Voice’, Artforum, May 2002, pp.163-164
  • Helfand, Glen, ‘Pop-Pop-Pop-Pop-Culture Video’, Wired.com, 10 May 2002
  • Helfand, Glen, ‘Sound Effects’, San Francisco Bay Guardian, 8 May 2002, p.43
  • Un-authored, ‘Canvas: Christian Marclay’, ARTnews, April 2002, p.32
  • Un-authored, ‘Bitstream: News and More from Under the Radar’, The Wire, April 2002
  • Adler, Scott, ‘The Scene: Up & Out’, San Francisco Magazine, April 2002, p.111
  • Alford, Henry, ‘Fanfair’, Vanity Fair, April 2002, p.158
  • Elms, Anthony, ‘Audible Imagery’, New Art Examiner, March – April 2002, p.70
  • Ashley, Beth, ‘A New Vision of Music’, Marin Independent Journal, 23 April 2002
  • Görgen, Vera, ‘Der Ton Macht das Bild’, Financial Times (Deutschland), 14 April 2001
  • Sullivan, James, ‘Symphony of Sights and Sounds’, The San Francisco Chronicle, 11 April 2002, D1 and D7
  • DeLuca, Dan, ‘Music is visual at Penn show’, The Philadelphia Inquirer, 7 April 2002, H10
  • Sullivan, James, ‘How Rock ‘n’ Roll’s Rumbles Have Shaken the Earth’, The San Francisco Chronicle, 1 April 2002, D1 and D5
  • Coupland, Ken, ‘Critic’s Choice: Rock My World’, The East Bay Monthly, March 2002
  • Un-authored, ‘The California College of Arts and Crafts Wattis Institute Presents ‘Rock My World’…’, San Francisco Arts Monthly, March 2002
  • Un-authored, ‘Taglia & Incolla’, Flash Art, February – March 2002, p.53
  • Schjeldahl, Peter, ‘Do It Yourself: Biennial follies at the Whitney’, The New Yorker, 25 March 2002, pp.98-99
  • Friday, S, ‘Show Looks at Rock ‘n’ Roll on Canvas’, The San Fransisco Chronicle, 22 March 2002
  • Beeler, Monique, ‘50 Rockin’ Years—and More’, San Mateo County Times, 21 March 2002
  • Stevens, Mark, ‘Irony Lives’, New York Magazine, 18 March 2002, pp.55-56
  • Gagnon, Adrienne, ‘Sights and Sounds: A Small Show at SFMoMA Produces Big Thrills’, SF Weekly, *date
  • Colpitt, Frances, ‘Jewel in the Rough: Report from San Antonio’, Art in America, February 2002, pp.59-65
  • Perra, Daniele, ‘Biennale de l’image en mouvement 2001’, Tema Celeste, January – February 2002, p.105
  • Huber, Gauthier, ‘9e biennale de l’image en mouvement’, ArtPress, January 2002, p.70
  • Söderkvist, Lars and Philip von Zweck, ‘Turning the Tables on Music and Art: A Conversation with Christian Marclay’, Ten by Ten magazine, Vol.1, No.3, 2001, pp.10-13
  • Robecchi, Michele, ‘The 1st Valencia Biennial’, Flash Art, November – December 2001, p.58
  • Mansart, Guillaume, ‘L’éspace d’un instant’, Hors d’Oeuvre, September – December 2001, p.9
  • Bosco, Roberta, ‘The Valencia Biennale: A body of art’, The Art Newspaper, October 2001
  • Mendenhall, Lauri, ‘Transparent Tinsel: Recasting the Art of Hollywood’, Coast, October 2001, p. 104.
  • Elms, Anthony, ‘Christian Marclay, MCA Chicago’, New Art Examiner, September – October 2001, p.93
  • Estep, Jan, ‘Words and Music: Interview with Christian Marclay’, New Art Examiner, September – October 2001, pp.78-83
  • Un-authored, ‘Best Museum Exhibit of 2001: Christian Marclay’, Riverfront Times, 26 September – 2 October 2001
  • Aukeman, Anastasia, ‘Christian Marclay at Paula Cooper’, Art in America, September 2001, p.147
  • Chiara, Federico and Olivier Rohrbach, ‘Musica e design… musica/arte’, Vogue (Italy), September 2001, pp.252-259
  • Un-authored, ‘Goings On About Town: The LP Show’, The New Yorker, 20-27 August 2001, p.36
  • Schwendener, Martha, ‘Behind the music’, Time Out (New York), 2-9 August 2001, pp.52-53
  • Gomez, Edward, ‘For Six Decades, a Colorful Mirror of Popular Culture’, The New York Times (Arts), 1 July 2001, p.29
  • Wahler, Mark-Olivier, ‘Ghost in the shell’, Kunst-Bulletin, June 2001, pp.24-29
  • Ress, Simon, ‘Art Music MCA Sydney’, Flash Art, May – June 2001, p.96
  • Mendelssohn, Joanna, ‘ART>MUSIC: rock, pop, techno’, Tema Celeste, Summer 2001, p.110
  • Andrews, Max, ‘Christian Marclay’, Contemporary Visual Arts, May 2001, p.83
  • Un-authored, ‘In Sync: Cinema and Sound in the Work of Julie Becker and Christian Marclay’, Eyestorm.com, 29 May 2001
  • Goldberg, RoseLee, ‘Christian Marclay - Paula Cooper Gallery’, Artforum, April 2001, p.138
  • Harris, Jane, ‘Christian Marclay’, Artpress, April 2001, p.66
  • Mahoney, Robert, ‘Christian Marclay’, Art International, Vol.4, No.2, Spring 2001, p.42
  • Griffin, Tim, ‘Christian Marclay’, Time Out (New York), 15-22 February 2001, p.55
  • Newhall, Edith, ‘Instruments of Change’, New York Magazine, 12 February 2001, p.92
  • Un-authored, ‘Christian Marclay: Video og fotografi’, Billedpadagogish, No.1, 2000
  • Berwick, Carly, ‘Here We Go A-Mixing’, ARTnews, December 2000, p.42
  • Frey, Pascale, ‘Anne Bony et sa legende du siecle’, Elle, 11 December 2000, p.119-120
  • Un-authored, ‘Sonic Boom: Hayward Gallery, London’, Frieze, September – October 2000, pp.130-131
  • Vincentelli, Elisabeth, ‘Batofar on the Hudson: New French Electronica’, Time Out (New York), 14-21 September 2000, p.169
  • Lannin, Steve, ‘Sonic Boom: Hayward Gallery: London, England’, zingmagazine, No.13, Autumn 2000, p.232
  • Tallman, Susan, ‘Always This Tüdelditüt: Christian Marclay’s ‘Graffiti Composition’’, Art On Paper, July – August 2000, pp.28-34
  • Diehl, Carol, ‘Christian Marclay at Paula Cooper’, Art in America, June 2000, p.128
  • Khazam, Rahma, ‘Jumpcut Jockey’, The Wire, No.195, May 2000, pp.28-33
  • Gardner, Lee, ‘Sense and Sensibility : The Contemporary Explores the Meaning of Meaning’, Baltimore City Paper, 5 May 2000
  • Un-authored, ‘Another interesting work on display at the Contemporary’, Baltimore City Paper, 5 May 2000
  • Verzotti, Giorgio, ‘Le Temps, Vite!, Centre Georges Pompidou’, Artforum, May 2000, p.175
  • Un-authored, ‘Christian Marclay’, Tempo, April 2000
  • Kem, Kristine, ‘Musikalske unoder’, Politiken, April 2000
  • Un-authored, ‘Kunst’, Berlingska Trindne, 24 April 2000
  • Un-authored, ‘Kunstneriske telefonsamtaler’, Tidsleniftet Blender, 4 April 2000
  • Un-authored, ‘Marclay udestiller video og fotografi’, Dagbladet, 21 March 2000
  • Un-authored, ‘Christian Marclay’, Kunstmagasine, Spring – Summer 2000
  • Baehrenz, Louise, ‘Christian Marclay’, Katalog, Spring 2000, pp.58-59
  • Un-authored, ‘Christian Marclay - Gary Hill : Conversation’, Annandale, Spring 2000, pp.2-9
  • Un-authored, ‘Voice Choices - Christian Marclay’, Village Voice, 25 January 2000, p.90
  • Un-authored, ‘Goings On About Town : Christian Marclay’, The New Yorker, 24 January 2000, p.14
  • Levin, Thomas Y, ‘Indixicality Concrète: The Aesthetic Politics of Christian Marclay’s Gramophonia’, Parkett, No.56, 1999, pp.162 -177
  • Castant, Alexandre, ‘Musiques en scène/la voix’, ArtPress, May 1999, pp.78-9
  • Krasnow, David, ‘Spin Doctor’, Artforum, November 1998
  • Stock, Ulrich, ‘Christian Marclay: Records’, Die Zeit (Hamburg), 10 September 1998
  • Geisenhanslüke, Ralph, ‘Die Weltempfänger: Christian Marclay und Shelley Hirsh in der Akademie der Künste’, Tagesspiegel (Berlin), 31 August 1998
  • Tsai, Eugenie, ‘Pictures at an Exhibition’, Exhibition Brochure: Whitney Museum of American Art at Philip Morris, 24 October 1997 – 25 January 1998
  • Gross, Jason, ‘Interview: Christian Marclay’, Furious.com, March 1998
  • Groom, Carl VP, ‘The Curious Mixology of Turntable Artist Christian Marclay’, Ray Gun, No.52, 1997
  • Vogel, Sabine B, ‘Christian Marclay-Interview’, Kunstforum, May – September 1996
  • Diederichsen, Diedrich, ‘Verbrannte CD's sind geruchslos’, Kunst-Bulletin, No 6, June 1995
  • Katz, Vincent,’Christian Marclay – Galerie Fawbush’, Art Press, 1995
  • Sinker, Mark and Ed Baxter, ‘Artefacts and Fictions’, The Wire, No.128, October 1994
  • Stock, Ulrich and S Doblinger, ‘Völker, seht die Signale!’, Die Zeit (Hamburg), 6 August 1993
  • Christov-Bakargiev, Carolyn, ‘Christian Marclay: Valentina Moncada’, Flash Art, Summer 1992
  • Petrini, Andrea, ‘Christian Marclay: le vinyl récupéré’, Libération, 17-18 September 1992
  • Seliger, Jonathan, ‘An Interview with Christian Marclay’, Journal of Contemporary Art, Spring 1992
  • Avgikos, Jan, ‘Christian Marclay: Der bedeutende Klang von Schritten’, Du, June 1991
  • Vogel, Sabinem, ‘In Record Time’, Artforum, May 1991
  • Archer, Michael, ‘Christian Marclay’, Art Monthly, April 1991
  • Katz, Vincent, ‘Interview with Christian Marclay’, The Print Collector's Newsletter, March – April 1991
  • Risatti, Howard, ‘Christian Marclay, Hirshhorn Museum’, Artforum, December 1990
  • Sinker, Mark, The Wire, No.77, July 1990
  • Saltz, Jerry, Art Today, Vol.2, No. 3, March 1990
  • Saltz, Jerry, ‘Notes on a Sculpture’, Arts Magazine, December 1989
  • Cameron, Dan, ‘Pop 'n Rock’, Art Issues, November 1989
  • Legrange, Al, ‘Bring the Noise’, The Village Voice, 14 November 1989
  • Watrous, Peter, ‘Hip Hop Meets the Modernists’, The New York Times, 5 November 1989
  • Rockwell, John, ‘Sound and Fury’, The New York Times, 22 October 1989
  • Nesbitt, Lois E, ‘Christian Marclay: Tom Cugliani Gallery’, Artforum, September 1989
  • Rubinstein, Raphael and Daniel Wiener, ‘Christian Marclay’, Flash Art, Summer 1989
  • Smith, Roberta, The New York Times, 20 May 1988
  • Smith, Roberta, The New York Times, 26 June 1987
  • Illic, David, ‘Christian Marclay: Record Without a Cover’, The Wire, April 1987
  • Morgan, Robert C, High Performance, No.34, 1986
  • Smith, RJ, ‘Christian Marclay: Album Without a Cover’, Spin, 1986
  • La Barbara, Joan, ‘Recordings on the Cutting Edge’, High Fidelity, Vol.36, No.4, April 1986
  • Rockwell, John, ‘Dead Stories’, The New York Times, 23 March 1986
  • Freund, Michael, ‘Musikspiele uas dem Mull’, Falter, November 1985
  • Sandow, Gregory, ‘Artists Meet at Bowery and Grand’, The Village Voice, 15 March 1983


Other media – The Clock

  • Digital Planet, BBC World Service, 16 November 2010; conversation with Gareth Mitchell http://www.bbc.co.uk/iplayer/episode/p00bt8mc/Digital_Planet_16_11_2010/http://www.bbc.co.uk/iplayer/episode/p00bt8mc/Digital_Planet_16_11_2010/
  • De Botton, Alain, The Culture Show, BBC 2, 12 November 2010 http://www.bbc.co.uk/iplayer/episode/b00w0zv6/The_Culture_Show_2010_2011_Episode_13/
  • Gompertz, Will, BBC News at Ten, BBC 1, 4 November 2010 http://videos.wittysparks.com/id/639820491
  • The World Today; interview with the artist by Vincent Dowd, BBC World Service, 4 November 2010 http://www.bbc.co.uk/iplayer/episode/p00bqsxh/The_World_Today_04_11_2010/
  • Sinclair, Iain, Front Row, Marilyn Monroe remembered; Africa United: The Clock (Chapter 3), BBC Radio 4, 14 October 2010 http://www.bbc.co.uk/programmes/p00bp0ng