Christian Marclay

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CV

  • 1955 Born in San Rafael, California
  • Lives and works in London and New York City

Education

  • 1975-1977 Geneva, Switzerland, Ecole Supérieure d'Art Visuel.
  • 1977-1980 Boston Massachusetts College of Art, Bachelor of Fine Arts.
  • 1978 Cooper Union in New York exchange student program

Selected Solo Exhibitions and Performances

2017

  • The Clock, Copenhagen Contemporary, Copenhagen
  • The Clock, Instituto Moreira Salles, Sao Paolo
  • Phones, Paula Cooper Gallery, New York
  • Sapporo International Art Festival, Japan

2016

  • The Clock, Contemporary Arts Center New Orleans, New Orleans
  • Graphic scores, Kunstraum Innsbruck, Innsbruck
  • The Clock, Museum of Fine Arts, Boston
  • ensemBle baBel, La Nuits des Images, Lausanne
  • Pub Crawl, Les Recontres D'Arles, Arles
  • Christian Marclay: Six new animations, Fraenkel Gallery, San Francisco
2015

  • Christian Marclay, Centre Cultural Suisse, Paris
  • Christian Marclay with Shelley Hirsch, Kunsthaus Aarau, Switzerland
  • Shake, Rattle and Roll, Staatsmuseum Stuttgart + Kunstmuseum Stuttgart, Stuttgart
  • The Clock, LACMA, Los Angeles
  • Guitar Drag, Art Pace, San Antonio
  • Christian Marclay, White Cube, London

2014

  • Everyday, Bern Biennale, Bern
  • The Clock, Centre Pompidou Metz
  • The Clock, Walker Art Center, Minneapolis
  • Fluxmix, Art Basel Unlimited, Basel
  • The Clock, Centre Pompidou, Paris
  • The Clock, SALT Beyoğlu, Beyoğlu
  • Cafe OTO, London
  • More Music Festival, Concertgebouw, Bruges
  • The Clock, Guggenheim Bilbao, Bilbao
  • The Clock, Le Musée d'art contemporain de Montréal, Montreal

2013

  • Christan Marclay, Paula Cooper Gallery, New York
  • The Clock, SFMoMA, San Francisco
  • Things I’ve Heard, Fraenkel Gallery, San Francisco
  • The Clock, Wexner Center for the Arts, Columbus

2012

  • The Clock, MoMA, New York
  • Every Day, Queen Elizabeth Hall, London
  • The Clock, Théâtre National de Chaillot, Paris
  • Everyday, Ruhrtriennale, Bochum
  • The Clock, Power Plant, Toronto
  • The Clock, Kunsthalle Zurich, Zurich
  • Baggage, Prom 47: Cage Centenary Celebration, Royal Albert Hall, London
  • The Clock, Lincoln Center, New York
  • Seven Windows, Palais de Tokyo, Paris

2011

  • Scrolls, Gallery Koyonagi, Tokyo
  • Cyanotypes, Fraenkel Gallery, San Francisco
  • The Clock, Paula Cooper, New York; Garage Centre for Contemporary Art, Moscow; Los Angeles County Museum of Art, Los Angeles; Israel Museum, Jerusalem; Centre Pompidou, Paris; Museum of Fine Arts, Boston

2010

  • What You See is What You Hear, LEEUM Samsung Museum of Art, Seoul
  • The Clock, White Cube, London
  • Festival, Whitney Museum of American Art, New York
  • Fourth of July, Paula Cooper Gallery, New York
  • Christian Marclay with Okkyung Lee, Café Oto, London

2009

  • Christian Marclay, Zoom Zoom with Shelley Hirsch, Louvre, Paris
  • Christian Marclay with Irène Schweizer at Gare du Nord, Basel
  • Christian Marclay with Okkyung Lee, Café Oto, London
  • Christian Marclay with Otomo Yoshihide, Café Oto, London

2008

  • Christian Marclay: Replay, DHC Art Foundation, Montreal
  • Christian Marclay: Cyanotypes, Paula Cooper Gallery, New York, NY
  • Cycloptically. Rolywholyover, Fifth Episode, Musée d’Art Moderne et Contemporain, Geneva, Switzerland
  • Christian Marclay: Solo, Parkhaus im Malkastenpark, Dusseldorf
  • Christian Marclay – SNAP!, Galerie Art and Essai, Rennes, France
  • Christian Marclay: Stereo, Fraenkel Gallery, San Francisco, CA

2007

  • Christian Marclay, The Sounds of Christmas, Musée d’Art Moderne et Contemporain, Geneva, Switzerland
  • Screenplay, The Wire 25, London
  • Up and Out, Anthology Film Archives, New York, NY
  • Up and Out, ARTPROJX and White Cube, Prince Charles Cinema, London
  • Christian Marclay, Woodruff Art Center and The High Museum of Art, Atlanta, GA
  • Christian Marclay, Michael Benevento, Los Angeles, CA
  • Replay, Cité de la Musique, Paris, France
  • Crossfire, White Cube, Hoxton Square, London
  • Video Quartet, Western Bridge, Seattle, WA

2006

  • Christian Marclay, Paula Cooper Gallery, New York, NY
  • The Bell and the Glass, Moderna Museet, Stockholm, Sweden
  • Hypervision, curated by Denise Markonish, Westport Art Center, Westport, CT
  • Mixed Reviews, MIT List Visual Art Center, Cambridge, MA

2005

  • Video Score, Eyebeam, New York, NY
  • Christian Marclay, Galerie Yvon Lambert, Paris, France
  • Works on Paper – 2005, Schmidt Contemporary Art, St. Louis, MO
  • Shake, Rattle and Roll (Fluxmix), Paula Cooper Gallery, New York, NY
  • Christian Marclay, Barbican Art Gallery, London

2004

  • The Sounds of Christmas, Tate Modern, London
  • Shake, Rattle and Roll: Christian Marclay, Franklin Art Works in collaboration with the Walker Art Center, Minneapolis, MN
  • The Listening Eyes with Christian Marclay, Telecom Italia Future Centre, Venice, Italy
  • Christian Marclay, Seattle Art Museum, Seattle; Kunstmuseum Thun, Switzerland; Collection Lambert, Avignon

2003

  • Christian Marclay: Telephones, Sprengel Museum Hannover, Hannover
  • Christian Marclay, UCLA Hammer Museum, Los Angeles, CA; The Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson,NY.
  • Christian Marclay: Video Quartet, Kunsthalle Fridericianum, Kassel, Germany
  • Christian Marclay: The Bell and the Glass, Philadelphia Museum of Art, Philadelphia, PA
  • Christian Marclay: Video Quartet, White Cube, London

2002

  • Christian Marclay: Video Quartet, Paula Cooper Gallery, NY
  • Christian Marclay: Three Compositions, Contemporary Arts Center, New Orleans
  • Look at the Music/SeeSound: Christian Marclay, Ystad Art Museum, Sweden
  • Graffiti Composition, Neue Nationalgalerie, Berlin, Germany
  • Sampling/Christian Marclay, San Francisco Museum of Modern Art, San Francisco, CA
  • Christian Marclay, November Music 2002, S-Hertogenbosch, The Netherlands
  • The Sounds of Christmas, Museum of Contemporary Art, Miami, FL

2001

  • Feature, Art, Life and Cinema, Govett-Brewster Art Gallery, New Plymouth, New Zealand
  • Video Café: E/Motion Studies, Queens Museum of Art, Long Island City, NY
  • Audible Imagery, Museum of Contemporary Photography, Chicago, IL
  • Telephones, Delaware Center for Contemporary Art, Wilmington, DE,
  • Museum of Contemporary Art, Chicago, Illinois
  • Currents: Christian Marclay, Saint Louis Art Museum, St. Louis, Missouri
  • Guitar Drag, Gallery Koyanagi, Tokyo, Japan
  • New Works, Paula Cooper Gallery, New York, NY

2000

  • Christian Marclay: The Sounds of Christmas, The New Museum of Contemporary Art / Media Z
  • Lounge
  • Christian Marclay: Cinema, Oakville Galleries, Oakville, Ontario, Canada
  • Christian Marclay: Video & Photography, Museet for Samtidskunst, Roskilde, Denmark

1999

  • Telephones, Paula Cooper Gallery, New York, NY
  • ArtPace, A Foundation for Contemporary Art/San Antonio, San Antonio

1997

  • Pictures at an Exhibition, Whitney Museum of American Art at Phillip Morris, New York, NY
  • Arranged and Conducted, Kunsthaus Zurich, Zurich

1995

  • Accompagnement Musical, Musée d'Art et d'Histoire, Geneva
  • Amplification, Venice Biennial, Chiesa San Staë, Venice

1994

  • Fawbush Gallery, New York, NY
  • Fri-Art Centre d'art contemporain Kunsthalle, Fribourg
  • daadgalerie, Berlin

1993

  • Margo Leavin Gallery, Los Angeles, CA

1992

  • The Wind Section, Galerie Jennifer Flay, Paris
  • Masks, Galleria Valentina Moncada, Rome

1991

  • Interim Art, London
  • Galerie Isabella Kacprzak, Cologne

1990

  • Hirshhorn Museum & Sculpture Garden, Washington

1989

  • Footsteps, Shedhalle, Zurich
  • Tom Cugliani Gallery, New York, NY

1988

  • Tom Cugliani Gallery, New York, NY

1987

  • The Clocktower, P.S.1 Museum, New York, NY

Selected Group Exhibitions

2017

  • Performance Process: 60 Years of Performance Art in Switzerland, Museum Tinguely, Basel
  • SoundSeen: Remix – Cage / Braxton / Marclay, Southeastern Center for Contemporary Art, Winston-Salem, NC
  • What’s in Store? University of Salford Art Collection
  • La Biennale di Venezia – 57th International Art Exhibition, Venice
  • Rock the Kasbah, Institut Culture Islam, Paris
2016

  • The Artist’s Museum, The Institute of Contemporary Art, Boston
  • Scores, Hamburger Bahnhof, Berlin
  • ECHTzeit, Kunstmuseum Bonn, Bonn
  • PUNK. Its Traces in Contemporary Art, MACBA, Barcelona

2014

  • Damage Control, Mudam Luxembourg, Kunsthaus Graz
  • Love Story, Anne & Wolfgang Titze Collection, Belvedere, Vienna
  • Summer Exhibition 2014, Royal Academy
  • “Art or Sound”, Ca’ Corner della Regina, Fondazione Prada, Venezia
  • Blow Up, Albertina, Vienna
  • A World of Its Own: Photographic Practices in the Studio, The Edward Steinchen Photography Galleries, MoMA, New York
  • Elevation 1049, Between Heaven and Hell, GSTAAD 2014

2013

  • Damage Control: Art & Destruction Since 1950, Hirshhorn Museum & Sculpture Garden, Washington
  • Blackboard - Teaching and Learning from Art, Artipelag, Gustavsberg

2012

  • Pop Politics: Activism at 33 revolutions, CA2M, Madrid
  • The Voice and the Lens: Part II, Ikon Gallery, Birmingham
  • Privacy, Schirn Kunsthalle, Frankfurt
  • Shoot! Existential Photography, Photographer’s Gallery, London
  • Shoot! Existential Photography’, Museum of Photography, Braunschweig
  • Festival Images 2012 Vevey, Vevey
  • Sounds Like Silence, Hartware MedienKunstVerein at Dortmunder U, Dortmund
  • Silence, The Menil Collection, Houston
  • I’m Losing More Than I’ll Ever Have: The Practice of Everyday Life, SMART Project Space, Amsterdam


2011

  • British Art Show 7: In The Days of the Comet, Hayward Gallery, London; Tramway, Glasgow; Plymouth Arts Centre, Plymouth
  • Our Magic Hour - How Much of the World Can We Know? Yokohama Triennale, Yokohama
  • The View from a Volcano: The Kitchen’s Soho Years 1971- 85, The Kitchen, New York
  • Illuminations, 54th International Art Exhibition, La Biennale di Venezia, Venice
  • Under Destruction, Swiss Institute, New York

2010

  • In The Days of The Comet, British Art Show 7, Nottingham Contemporary, Nottingham
  • Kupferstichkabinett: Between Thought and Action, White Cube, London
  • Les Rencontres d’Arles, Arles
  • Cage Mix: Sculpture & Sound, Baltic Centre for Contemporary Art, Gateshead
  • Furthermore, Fraenkel Gallery, New York
  • Double Bind, Villa Arson, Nice

2009

  • Yokohama International Arts & Media Festival, Yokohama
  • Platform 2009, Seoul
  • Printemps de Septembre, Toulouse, France
  • Feedbackstage, Georg Kargl Fine Arts, Vienna

2008

  • Sonic Youth etc..: Sensational Fix, curated by Roland Groenenboom, LIFE, St. Nazaire, France
  • You Dig The Tunnel, I’ll Hide The Soil, White Cube, Hoxton Square and Shoreditch Town
  • Hall, London
  • Art Vidéo Suisse des Années 70 et 80: Une Reconstruction, Kunstmuseum Luzern, Luzern,
  • Switzerland
  • KRAZY!, The Delirious World of Anime + Comics + Video Games + Art, Vancouver Art Gallery,
  • Vancouver, Canada
  • Voice & Void, Galerie im Taxispalais, Innsbruck, Austria
  • BENEFIT AUCTION, Kunsthalle Bern, Bern

2007

  • Death Becomes Her, Yvon Lambert Temporary Space, Miami, FL
  • Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection, Hessel Museum of Art, New York, NY
  • Stop, Look. Listen., Herbert F. Johnson Museum of Art, Cornell University, New York, NY
  • Intensities: Noncomformity, Impropriety and Rebellion Between Art and the Music Scene, Torre Muntades Art Centre, Barcelona
  • J’embrasse Pas, Collection Lambert, Avignon, France
  • Contemporary+Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, CT
  • Voice & Void: 2006 Hall Curatorial Fellowship Exhibition, The Aldrich Contemporary Art Museum, Ridgefield
  • Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago, IL
  • Reflection, Pinchuk Art Centre, Kyiv, Ukraine
  • Listening Awry – Kimsooja, Christian Marclay, Santiago Sierra, Su-Mei Tse, McMaster University Museum of Art, Ontario
  • The Freak Show, Musée d’Art Contemporain de Lyon, Lyon
  • RISS/LUCKE/SCHARNIER A – RIFT/GAP/HINGE A, Galerie Nächst St. Stephan/Rosemarie Schwarzwälder, Vienna
  • Music Is a Better Noise, PS1 Contemporary Art Center, New York, NY
  • All About Laughter, Mori Art Museum, Tokyo, Japan
  • Merce Cunningham: Dancing on the Cutting Edge, Museum of Contemporary Art, North Miami

2006

  • Art, Life & Confusion, organized by René Block, October Art Salon, Belgrade, Republic of Serbia
  • Without a Camera: The Photogram, curated by Toni Stooss, Museum der Moderne, Salzburg
  • New York, New York, curated by Lisa Dennison, Germano Celant and Melissa Harris, Grimaldi Forum, Monaco
  • Thank You for the Music (London Beat), Sprüth Magers, Munich, Germany; Sprüth Magers, Lee, London
  • Case Studies: Art in a Valise, curated by Suzanne Ramljak, Katonah Museum of Art, Katonah, NY
  • Upsetting the Balance, Zentrum Paul Klee, Bern, Switzerland
  • From the Audible to the Visible, Galerie Frank Elbaz, Paris, France
  • Une Vision du Monde, the video collection of Isabelle and Jean-Conrad Lemaître at La Maison Rouge, Paris
  • AUDIO, curated by Francis Baudevin, Geneva, Switzerland
  • Hypervision, curated by Denise Markonish, Westport Arts Center, Westport, CN
  • Do You Think I’m Disco, Longwood Arts Project, Bronx, NY
  • Deaf, Galerie Frank Elbaz, Paris, France
  • Kill Your Timid Notion, Dundee Contemporary Arts Music Festival, Scotland
  • CUT/ Film as Found Object in Contemporary Video, Philbrook Museum of Art, Tulsa, OK
  • The Downtown Show: The New York Art Scene 1974-1984, Grey Art Gallery, New York, NY
  • Do You Think I’m Disco?, Longwood Art Gallery, Bronx, NY

2005

  • Thank You for the Music, curated by Johannes Fricke Waldthausen, Spruth Magers Projekte
  • Radio Kills The Video Stars/ Side A, FRAC Champagne-Ardenne, Reims, France
  • Empreinte Moi: Une Exposition de Philippe Segalot, Galerie Emmanuel Perrotin, Paris, France
  • Suspended Narratives, Curated by Maureen Mahoney, Lora Reynolds Gallery, Austin, TX
  • New Acquisition, FRAC Champagne-Ardenne, Reims, France
  • AudioFiles, Contemporary Art Museum: Institute for Research in Art, University of South Florida, Tampa, FL
  • Collection Lambert en Avignon, Musée d’Art Contemporain, Avignon, France
  • Girls on Film, curated by Kristine Bell, Zwirner & Wirth, New York, NY
  • Vídeo música, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
  • CUT/Film as Found Object, Milwaukee Art Museum, Milwaukee, WI
  • Le génie du lieu [The Genius of the Place, F.R.A.C. Bourgogne, France
  • Variations on a Silence: Project for a Recycling Plant, Re-Tem Tokyo Plant, Tokyo, Japan
  • Aural Cultures, Walter Phillips Gallery, Banff, Alberta
  • Material Matters, Herbert F. Johnson Museum of Art at Cornell University, Ithaca, NY

2004

  • None of the above, curated by Cesar Marzetti, Museum of New Art, Detroit, MI
  • Realm of the Senses, James Cohan Gallery, New York, NY
  • None of the above, curated by John Armleder, Swiss Institute, New York, NY
  • Cut: Film as Found Object, Museum of Contemporary Art, North Miami, FL. Travelled to
  • Milwaukee Art Museum, Milwaukee, WI, Philbrook Museum of Art, Tulsa
  • Thinking Out Loud, presented as a part of Melbourne International Arts Festival, Heide Museum of Modern Art, Victoria, Australia
  • Audioframes 3, Centre d’arts Limelight, Kortrijk, Belgium
  • In Extremis; Printemps de septembre in Toulouse Festival of contemporary images, Les Abattoirs, Toulouse
  • Festival d’Automne à Paris 2004, Espace Topographie de l’Art, Paris
  • Sons & Lumiéres, Centre Georges Pompidou, Paris, France
  • Reactivity -unpredictable past, ICC/InterCommunication Center, Tokyo, Japan
  • The Fifth International Biennial Exhibition, Disparities and Deformations: Our Grotesque, curated by Robert Storr, SITE Santa Fe, New Mexico
  • Transmit+Transform, Santa Fe Art Institute, New Mexico
  • Genesis Sculpture, Experience Pommery #1, Domaine Pommery, Reims, France
  • Collage, Bloomberg Space, London
  • ipeg_bild.on.maschine, Künstlerhaus Bethanien, Berlin, Germany
  • I, Assassin, curated by Slater Bradely, Wallspace, New York, NY
  • Playlist, Palais de Tokyo, Paris, France
  • Ouroboros: Music of the Spheres, CCA Glasgow, Scotland
  • Sample This: The Art of Collage, University of Virginia Art Museum, Charlottesville, VA

2003

  • Pop Rock!, Caren Golden Fine Art, New York, NY
  • fast forward. Media Art Sammlung Goetz, Zentrym für Kunst und Medientechnologie, Karlsruhe, Germany
  • Night Moves, San Jose Institute of Contemporary Art, San Jose, CA
  • PLUNDER: culture as material, Dundee Contemporary Arts, Dundee, Scotland
  • Go Johnny Go!, Kunsthalle Wien, Vienna, Austria
  • The Sound of Video – Voice and Rhythm in Audiovisual Art, LAB, Copenhagen
  • Incommunicado (organized by Hayward Gallery, London for Arts Council England), Sainsbury Centre for Visual Arts, Norwich. Travelled to City Art Centre, Edinburgh; Cornerhouse, Manchester
  • Living with Duchamp, The Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY
  • Now Playing, Bluecoat Gallery, Liverpool, UK
  • Not Exactly Photographs, Fraenkel Gallery, San Francisco, CA
  • Formed to Function, John Michael Kohler Arts Center, WI
  • Extended Play, Govett-Brewster Art Gallery, New Zealand
  • Pantalla suiza, Museo Nacional Centro de Arte Reina Sofia, Madrid (organized by ARCO 2003)
  • Harlem Postcards II, The Studio Museum in Harlem, New York, NY
  • Air Guitar, Angel Row Gallery, Nottingham, UK

2002

  • Telephones, Anthony Wilkinson Gallery, London, UK
  • Stutter, Stutter, Shaheen Gallery, Cleveland, OH
  • “…Message sent…,” City Art Center, Edinburgh, Scotland
  • Mirror Image, UCLA Hammer Museum, CA
  • Shoot the Singer: Music on Video, Institute of Contemporary Art, Philadelphia, PA
  • Whitney Biennial, Whitney Museum of American Art, New York, NY
  • Rock My World, California College of Arts and Crafts, Oakland, CA
  • Media Field: Old New Technologies, Wiilliams College Museum of Art, Williamstown, MA
  • 40 Years of Fluxus events, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
  • do it (home version), online project at www.e-flux.com, curated by Hans Ulrich Obrist
  • The Second Phase: Interpretations of the Photographic Portrait, Deutsches Museum, München, Germany
  • Expo 2002, Yverdon-les-Bans, Switzerland
  • Air Guitar: Art Reconsidering Rock Music, Milton Keynes Gallery, Milton Keynes; Travelling to Turnpike Gallery, Leigh; Angel Row Gallery, Nottingham; Tullie House, Carlisle
  • Art Downtown; New Photography, Wall Street Risini, NY
  • Jack, Cinch & XLR: Amplified Images, Le Crestet Centre d’Art, Crestet, France
  • The LP Show, Andy Warhol Museum, Pittsburgh, PA
  • Something/Anything, Matthew Marks Gallery, New York, NY (Curated by Nayland Blake)
  • Fluxus und die Folgen, Kunstsommer Wiesbaden, Germany
  • Guitar Drag, Post-Fluxus Exhibition, Wiesbaden
  • The Passing, Galeria Helga de Alvear, Madrid, Spain
  • Unexpected Selections from the Martin Z. Margulies Collection: Art from 1985 to the present, The Art Museum at Florida International University, Miami, FL
  • Some Assembly Required: Collage Culture in Post-War America, Everson Museum of Art, Syracuse, NY
  • The Body in Music, Cité de la Musique, Paris, France
  • Mirror Mirror, Mass MOCA, North Adams, MA
  • Electric Body: le corps en scéne, Cité de la musique – Musée de la musique, France
  • Audible Imagery: Sound and Photography, The Museum of Contemporary Photography, Columbia College, Chicago, IL
  • Remapping the City, New Ears Festival, Kortrijk/Begium, Lille/France
  • Re:Direct, Kuenstlerhaus Stuttgart/Germany
  • Zero Visibility, Vilnius, Ljublijana and Genazzano/Rome

2001

  • Now Playing: Audio in Art, Susan Inglett Gallery, New York, NY
  • art>music, Museum of Contemporary Art, Sydney, Australia
  • In Sync, Cinema and Sound in the Work of Julie Becker and Christian Marclay, Whitney Museum of American Art, New York, NY
  • The LP Show, Exit Art, New York, NY
  • Body & Sin, Valencia Biennial, Valencia, Spain
  • Looking at You, Kunsthalle Fridericianum, Kassel, Germany
  • Video Streets, Downtown Arts Festival, New York, NY (Screening of “Mixed Reviews”)
  • Recasting the Past: Beneath the Hollywood Tinsel, Main Art Gallery, California State University
  • Fullerton, CA
  • Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield, CT
  • Wiederaufnahme (Retake), NAK Neuer Aachener Kunstverein, Frankfurt, Germany
  • Translated Acts: Performance and Body Art from East Asia 1990-2001, Queens Museum of Art, New York, NY
  • Record All-Over, 9th Biennial of Moving Images, Centre pour l’image Contemporaine, Saint-Gervais Geneva
  • Feature: Art, Life & Cinema, Govett-Brewster Art Gallery, New Plymouth, New Zealand

2000

  • Le temps, vite!, Centre Georges Pompidou, Paris, France
  • Group exhibition at Teachers Insurance and Annuity Association College Retirement Equities Fund organized by Viart
  • Group Video Exhibition, Galerie Barbara Thumm, Berlin, Germany; travelled to The Badischer Kunstverein, Karlsruhe, Germany; Gallery for Contemporary Art Bunkier Sztuki, Krakow, Poland ; House of Contemporary Arts Trafo, Budapest, Hungary; Lux Centre, London
  • Human Gender and Being, Kwangju Biennale, Kwangju, Korea
  • Sonic Boom: The Art of Sound, Hayward Gallery, London
  • Making Sense: Ellen Gallagher, Christian Marclay and Liliana Porter, Contemporary Museum, Baltimore, MD Umedalen Skulptur 2000, Galleri Stefan Andersson, Umea, Sweden
  • Group Show, Paula Cooper Gallery, New York, NY
  • Volume: Bed of Sound, P.S. 1 Contemporary Art Center, Long Island City, NY
  • Presentation House Gallery, Vancouver, British Columbia, Vancouver
  • Internationales Videoprogramm, Badischer KunstVerein, Karlsruhe, Germany,
  • La Biennale de Montreal, Centre International D’Art Contemporain de Montreal, Montreal
  • Off the Record: Music in Art, Center Gallery, Bucknell University, Lewisburg, PA
  • Berlin Open, Trafo Galeria, Budapest, Hungary
  • Print Publishers’ Spotlight, Barbara Krakow Gallery, Boston, MA
  • S.O.S.: Scenes of Sound, Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY
  • To Infinity and Beyond: Editions for the Year 2000, Brooke Alexander Gallery, New York, NY
  • Hard Pressed: 600 Years of Prints and Process, AXA Gallery, 787 Seventh Avenue, New York, NY
  • Wanted! International Video Program, Bunkier Sztuki
  • Art on Paper, Weatherspoon Art Gallery, Greensboro, NC

1999

  • dAPERtuto, La Biennale di Venezia, Venice
  • Releasing Senses, Tokyo Opera City Art Gallery, Tokyo
  • Notorious, Alfred Hitchcock and Contemporary Art, Museum of Modern Art, Oxford, England
  • Talk Show, Von der Heydt Museum, Wuppertal; Haus der Kunst Munich
  • Musique en Scène, Musée d’art contemporain, Lyon
  • Videodrome, The New Museum of Contemporary Art, New York, NY
  • The International Artist-in-Residence Program, ArtPace, San Antonio, Texas
  • Group video exhibiton, Gallerie Barbara Thumm, Berlin, Germany; Travelled to Badischer Kunstverein Karlsruhe, Karlshruhe, Germany; Gallery for Contemporary Art Bunkier Sztuki, Krakow, Poland

1998

  • I love New York, Ludwig Museum, Cologne
  • Dust Breeding, Fraenkel Gallery, San Francisco, CA
  • In vitro e altro, Cabinet des estampes, Geneva
  • Freie Sicht aufs Mittelmeer, Kunsthaus Zurich
  • Crossings, Kunsthalle Vienna; Rudolfinum, Prague
  • White Noise, Kunsthalle Bern, Bern
  • Technoculture (Computer World), Fri-Art, Fribourg
  • Archiv X, Offenes Kulturhaus, Linz, Austria
  • Composed, Angles Gallery, Santa Monica, California

1997

  • Nonchalance, Centre PasquART, Biel, Switzerland & Akademie der Kunste, Berlin
  • Rrose is a Rrose is a Rrose: Gender Performance in Photography, Solomon R. Guggenheim Museum, New York

1996

  • Art and Film Since 1945: Hall of Mirrors, Museum of Contemporary Art, Los Angeles, CA
  • Transformers: A Moving Experience, Auckland Art Gallery, New Zealand
  • Model Home, The Clocktower, New York, NY
  • It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art, Contemporary Art Center, Cincinnati

1995

  • Commercial Art, Gallery Paule Anglim, San Francisco, CA
  • Back Beat: Art Influenced by Rock & Roll, Cleveland Center for the Arts, Cleveland
  • Klangskulpturen-Augenmusik, Ludwig Museum im Deutschherrenhaus, Koblenz
  • Temporarily Possessed: The Semi-Permanent Collection, The New Museum of Contemporary Art, New York
  • Venice Biennial, Venice, Italy

1994

  • Outside the Frame: Performance and the Object, Cleveland Center for the Arts, Cleveland, Ohio. Travelling.
  • Playoff, Art & Public, Geneva
  • Synesthesia: Sound and Vision in Contemporary Art, San Antonio Museum of Art, Texas, TX
  • Transformers: The Art of Multiphrenia, Center for Curatorial Studies, Bar College, NY
  • New Delhi Triennial, New Delhi, India

1993

  • At the Edge of Chaos, Louisiana Museum, Denmark

1991

  • The Savage Garden, Fundacion Caja De Pensiones, Madrid
  • FluxAttitudes, Hallwalls, Buffalo. Travelled to The New Museum, New York, NY
  • 1991 Biennial Exhibition, Whitney Museum of American Art, New York, NY
  • Doubletake: Collective Memory and Current Art, Hayward Gallery, London
  • Hidden Refelctions, Israel Museum, Jerusalem
  • Post Human, FAE Musée d’art contemporain, Pully/Lausanne. Travelled to Castello di Rivoli, Torino; Deste Foundation for Contemporary Art, Athens; Deichtorhallen, Hamburg; Israel Museum, Jerusalem

1990

  • Status of Sculpture, Espace Lyonnais d'art contemporain, Lyon. Travelled to ICA, London;
  • Provincial Museum, Hasselt; Lion's Palais, Stiftung Starke, Berlin
  • New Works for New Spaces: Into the 1990's, Wexner Art Center, Columbus, Ohio

1989

  • Broken Music: Artist's Recordworks, Daad Galerie, Berlin. Travelled to Gemeentemuseum, Den Haag; Le Magasin, Grenoble; Musée d'Art Moderne, Montreal
  • Strange Attractors: Signs of Chaos, New Museum of Contemporary Art, New York, NY

1988

  • Group Material: Politics and Election, DIA Art Foundation, New York, NY