Print

CV

  • 1940 Born in Monroe, Washington
  • Lives and works in New York


Solo Exhibitions

2017

  • Chuck Close: Photographs, Pennsylvania Academy of Fine Arts 

2016

  • Chuck Close Photographs, Henry Art Gallery, Seattle
  • Chuck Close: Fingerprint paintings & drawings, 1978 -1986, Craig F. Starr Gallery, New York

2014

  • Chuck Close: Prints, Process and Collaborations, Museum of Contemporary Art Australia, Sydney
  • NUDES 1967 - 2014, Pace Gallery, New York

2013

  • Chuck Close: About Face, Westport Arts Center, Westport
  • Chuck Close and his Turnaround Arts Kids, Burt Chernow Galleries, The Housatonic Museum of Art, Connecticut
  • A Couple of Ways of Doing Something: Photographs by Chuck Close, Poems by Bob Holman, Tarble Arts Center, Illinois
  • Chuck Close Prints: Process and Collaboration, Museo de Arte Contemporáneo Esteban Vicente, Segovia
  • Chuck Close Photo Maquettes, Eykyn Maclean, New York
  • Chuck Close Prints: Process and Collaboration, White Cube, London

2012

  • Chuck Close, Galerie Thomas Modern, Munich
  • Chuck Close Prints: Process and Collaboration, Museum der Moderne, Salzburg, Austria
  • Chuck Close, Pace, 534 W 25th St, New York
  • Chuck Close Prints: Process and Collaboration, Kunsthal Rotterdam
2011

  • Chuck Close: Photographs, Prints and Tapestries, Galeries de Bellefeuille, Montreal
  • Chuck Close, Blum & Poe, Los Angeles
  • Chuck Close: Self Portraits on Paper, Galerie Haas & Fuchs, Berlin
  • Chuck Close; A Couple Ways of Doing Something, Arkansas Art Center, Little Rock, Arkansas

2010

  • Chuck Close: Portraits, Virginia Museum of Fine Arts, Richmond, Virginia
  • Chuck Close: Prints: Process and Collaboration, Scottsdale Museum of Contemporary Art, Scottsdale: Corcoran Gallery of Art, Washington D.C.
  • Chuck Close: A Couple Of Ways Of Doing Something, Ball State University Museum of Art, Muncie, Indiana: Joseloff Gallery, University of Hartford, West Hartford, Connecticut

2009

  • Familiar Faces: Chuck Close in Ohio Collections, Akron Art Museum, Akron, Ohio
  • Faces: Chuck Close and Contemporary Portraiture, Nevada Museum of Art, Nevada
  • Chuck Close: A Couple Of Ways Of Doing Something Louisiana Art and Science Museum,
  • Baton Rouge, Louisiana: Palmer Museum of Art, Penn State University Park, Austin Museum of Art Austin, Texas
  • Chuck Close:Prints: Process and Collaboration, Frist Center for the Visual Arts, Nashville, Tennessee
  • Paintings and Tapestries 2005 –2009, Pace Wildenstein, New York
  • Maquettes and Multi-Part Work (1966-2009), Pace/MacGill Gallery, New York

2008

  • Chuck Close: Seven portraits, The State Hermitage Museum, Winter Palace, St. Petersburg.
  • Chuck Close: Self Portrait / Scribble / Etching Portfolio 2000, Colby College Museum of Art, Waterville, ME.
  • Chuck Close Prints: Process and Collaboration, Sungkok Art Museum, Seoul, Korea.
  • Chuck Close: A Couple Of Ways Of Doing Something, Tacoma Art Museum, Washington: Pontificia Universidad Católica de Chile, Santiago.

2007

  • Chuck Close: Prints, Process And Collaboration, Orange County Museum of Art, Newport Beach, CA.
  • Chuck Close: Pinturas, Museo Nacional Centro de Arte Reina Sofia, Madrid.
  • Chuck Close Prints: Process and Collaboration, Boise Art Museum, Boise, ID.
  • Chuck Close: Portraits 1969 - 2006, Ludwig Forum fur Internationale Kunst, Aachen.
  • Chuck Close: Self Portrait / Scribble / Etching Portfolio 2000, Picker Art Gallery, Colgate University, Hamilton, NY.
  • Chuck Close: Family and Others, White Cube Gallery, Mason’s Yard.
  • Chuck Close Prints: Process and Collaboration, Portland Art Museum, Portland, OR.
  • Chuck Close & Bob Holman: A Couple of Ways of Doing Something, Art Gallery of Ontario, Toronto.

2005–2006

  • Chuck Close: Self Portraits 1967–2005, Walker Art Center, Minneapolis, Minnesota: San Francisco Museum of Modern Art, California, High Museum of Art, Atlanta, Georgia, Albright-Knox Art Gallery, Buffalo, New York.

2005

  • Chuck Close: Face to Face, Jerald Melberg Gallery, Charlotte, North Carolina.
  • Chuck Close: Recent Paintings, PaceWildenstein, 534 West 25th Street, New York.

2004

  • Chuck Close: Drawings, Photographs, Prints, Craig F. Starr Associates, New York.

2003–2008

  • Chuck Close Prints: Process and Collaboration, Blaffer Gallery, University of Houston; Metropolitan Museum of Art, New York, Miami Art Museum; Knoxville Museum of Art,; Mint Museum of Art, Charlotte, North Carolina; Addison Gallery of American Art, Andover, Massachusetts; Modern Art Museum of Fort Worth, Texas; Madison Museum of Contemporary Art, Wisconsin; Orange County Museum of Art, Newport Beach, California; Boise Art Museum, Idaho; Portland Art Museum, Oregon; Colby College Museum of Art, Waterville, Maine; and Virginia Museum of Fine Arts, Richmond.

2002–2003

  • Chuck Close: New Paintings, PaceWildenstein, 534 West 25th Street, New York.
  • Chuck Close - Daguerrotypes, Pace/McGill, New York.
  • Chuck Close - Recent Paintings, White Cube, London.
  • Clark Fine Art, Southampton, New York.
  • Daguerreotype to Digital. Texas Gallery, Houston.

2002

  • Pace/Prints, New York.
  • Chuck Close ritratti, American Academy in Rome.
  • Chuck Close: New Editions, Pace/Prints, New York.

2001

  • Chuck Close: Self Portraits 1967–2001, Fraenkel Gallery, San Francisco.
  • Worcester Art Museum, Massachusetts, December 9.

2000

  • Chuck Close: Recent Paintings, PaceWildenstein, 142 Greene Street, New York
  • PaceWildensteinMacGill, New York
  • Chuck Close: Paintings of Agnes/Prints and Drawings, Harwood Museum of Art, University of New Mexico, Taos
  • Daguerreotypien, Galerie Daniel Blau, Munich

1999

  • Photographs by Chuck Close, White Cube, London

1998–1999

  • The Museum of Modern Art, New York: Museum of Contemporary Art, Chicago, IL; Hirshhorn Museum and Sculpture Garden, Washington, D.C; Seattle Art Museum, Seattle, WA; Hayward Gallery, London

1998

  • Chuck Close: Translations, Akus Gallery, Eastern Connecticut State University,
  • Edition Works, The Butler Institute of American Art, Youngstown, Ohio
  • Prints 1978–1997, Georg Kargl Gallery, Vienna
  • Focus: Chuck Close Editioned Works, The Museum of Modern Art, New York
  • Self–Portraits, The Martin Weinstein Gallery, Minneapolis
  • Chuck Close: Prints, Virginia Lynch Gallery, Tiverton, Rhode Island

1997

  • Large Polaroids, Galerie Daniel Blau, Munich
  • Henry Art Gallery, Seattle
  • Chuck Close: Large Scale Black and White Photographs, PaceWildenstein, Los Angeles

1996–1997

  • Chuck Close: A Personal Portrait, Works and Papers, Archives of American Art, Smithsonian Institution, New York

1996

  • Chuck Close: Large Scale Black and White Photographs, PaceWildensteinMacGill, New York

1995–1996

  • Chuck Close: Alex/Reduction Block, Lannan Foundation, Los Angeles
  • Chuck Close Recent Paintings, PaceWildenstein Los Angeles: PaceWildenstein, New York

1995

  • Chuck Close: The Graphics, Dean Jensen Gallery, Milwaukee, WI
  • Chuck Close Recent Editions: Alex—Chuck—Lucas, Pace Editions

1994

  • Chuck Close: 8 peintures récentes, Fondation Cartier pour l'art contemporain, Paris
  • Chuck Close: Visible and Invisible Portraits, Kaohsiung Museum of Fine Arts, Taiwan
  • Chuck Close: Retrospektive, Staatliche Kunsthalle, Baden–Baden, Germany: Kunstbau Lenbachhaus, Munich

1993

  • A Print Project by Chuck Close, The Museum of Modern Art, New York
  • Chuck Close Editions, Pace Editions, New York
  • Chuck Close Recent Works, The Pace Gallery, 142 Greene Street, New York
  • Chuck Close: Portraits, Virginia Museum of Fine Arts, Richmond, Virginia

1991

  • Chuck Close: Large Color Polaroid Photographs, William Twigg–Smith Gallery, The Contemporary Museum, Honolulu, Hawaii
  • Chuck Close Up Close, Guild Hall Museum, East Hampton, New York
  • Chuck Close: Recent Paintings, The Pace Gallery, New York

1989–1990

  • Chuck Close: Works on Paper from the Collection of Sherry Hope Mallin, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
  • Art Institute of Chicago, Chicago, Illinois: The Friends of Photography, Ansel Adams Center, San Francisco, California

1989

  • Chuck Close Editions. A Catalogue Raisonné and Exhibition, The Butler Institute of American Art, Youngstown, Ohio

1988

  • Chuck Close: Photographs, Fendrick Gallery, Washington
  • Chuck Close: A Survey, Pace/MacGill Gallery, New York
  • Chuck Close: Prints and Photographs, Pace Editions, New York
  • Chuck Close: New Paintings, The Pace Gallery, New York

1987

  • Chuck Close Drawings, 1974–1986, The Pace Gallery, New York
  • Chuck Close–Large Scale Self–Portraits, Pace MacGill Gallery
  • Chuck Close: Photographs, The Pace Gallery, New York

1986

  • Chuck Close: Maquettes, Pace/MacGill Gallery, New York
  • Chuck Close: Recent Work, The Pace Gallery, New York
  • Chuck Close: New Editions, Pace Editions, New York

1985

  • Chuck Close: Works on Paper, Contemporary Arts Museum, Houston, Texas
  • Chuck Close: Large Scale Photographs, Fraenkel Gallery, San Francisco, California
  • Chuck Close, Fuji Television Gallery, Tokyo
  • Chuck Close: Photographs, Pace/ MacGill Gallery, New York

1984–1985

  • Chuck Close: Paper Works, Herbert Palmer Gallery, Los Angeles, California: Spokane Center of Art, Cheney, Washington, April 5–May 12, 1984; Milwaukee Art Museum, Milwaukee; Columbia Museum, Columbia, South Carolina

1983

  • Chuck Close: Recent Work, The Pace Gallery, New York
  • Chuck Close: Recent Editions, Pace Editions, New York

1982–1983

  • Chuck Close: Paperworks, Richard Gray Gallery, Chicago: John Stoller Gallery, Minneapolis; Jacksonville Art Museum, Jacksonville, Florida; Greenberg Gallery, St. Louis

1982

  • Chuck Close. Matrix/Berkeley 50,University Art Museum UCA, Berkeley, California
  • Chuck Close: Photographs, California Museum of Photography, University of California, Riverside, California

1981

  • Etchings, Lithographs and Handmade Paper, Pace Editions, New York

1980–1981

  • Close Portraits, The Walker Art Center, Minneapolis, Minnesota: St. Louis Art Museum, St. Louis, Missouri; Museum of Contemporary Art, Chicago, Illinois; Whitney Museum of American Art

1979

  • Chuck Close: Copie/Conforme? Musée national d'art moderne, Centre Georges Pompidou, Paris
  • Kunstraum München, Munich, Germany
  • Chuck Close: Recent Work, The Pace Gallery, New York

1977–1978

  • Chuck Close/Matrix 35, Wadsworth Athenaeum, Hartford, Connecticut

1977

  • Chuck Close: Recent Work, The Pace Gallery, New York

1976

  • Baltimore Museum of Art, Baltimore, Maryland

1975–1976

  • Chuck Close: Dot Drawings 1973–75, Laguna Gloria Art Museum, Austin, Texas: the Texas Gallery, Houston; Art Museum of South Texas, Corpus Christi; San Francisco Museum of Modern Art; The Contemporary Arts Center, Cincinnati

1975

  • Bykert Gallery, New York.
  • The Portland Center for the Visual Arts, Portland, Oregon."
  • Chuck Close: Keith, Organized by Parasol Press, Ltd., New York: Mint Museum of Art, Charlotte, North Carolina; Ball State University Art Gallery, Muncie, Indiana; Phoenix Art Museum, Arizona; The Minneapolis Institute of Art, Minnesota

1973

  • Akron Art Museum, Akron, Ohio
  • Chuck Close: Recent Work, Bykert Gallery, New York
  • Projects 11: Chuck Close/Lilliana Porter, The Museum of Modern Art, New York

1972

  • Museum of Contemporary Art, Chicago, Illinois

1971–1972

  • Chuck Close: Recent Work, Bykert Gallery, New York

1971

  • Chuck Close: Recent Work, Los Angeles County Museum of Art, Los Angeles, California

1970

  • Bykert Gallery, New York

1967

  • University of Massachusetts, Amherst, Massachusetts, Art Gallery


Group Exhibitions

2017

  • Monochrome, The National Gallery, London

2016

  • Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York
  • FACE to FACE to FACE, Thomas Amman Fine Art, Zurich

2013

  • Nancy Graves Project & Special Guests, Ludwig Forum Aachen, Aachen
  • Images of people from the Essl Collection, Essl Museum, Vienna

2012

  • PHOTOREALISM: Painting with a Camera, Kunsthalle Tübingen, Tübingen

2010

  • Kupferstichkabinett: Between Thought and Action, White Cube, London

2009

  • Fotografia Bogota 2009, (Pace/MacGill) Quinta Gallery, Bogota
  • The Missing Peace: Artists consider the Dalai Lama, Fundación Canal, Madrid, Spain
  • Picturing America: Fotorealismus der 70er Jahre, Deutsche Guggenheim, Berlin

2008

  • The Missing Peace: Artists consider the Dalai Lama, Hillside Terrace, Tokyo

2007

  • Mr. President, University Art Museum, Albany, New York
  • Not For Sale, P.S. 1 Contemporary Art Center, Long Island City, New York
  • An Incomplete World: Works from The UBS Art Collection, Art Gallery of New South Wales, Sydney,
  • Chuck Close: A Couple of Ways of Doing Something, Aperture Gallery, New York
  • Chuck Close: From the Collection of Sherry Mallin, Nassau County Museum, Roslyn Harbor, New York
  • Chuck Close: Pinturas 1968–2006, Museo Nacional Centro de Arte Reina Sofia, Madrid
  • Chuck Close, Galerie Xippas, Paris

2006–2008

  • LeWitt x 2: Structure and Line / Selections from the LeWitt Collection, Madison Museum of Contemporary Art, Wisconsin, November 5; Miami Art Museum, Florida; Weatherspoon Art Museum, The University of North Carolina at GreensboroAustin Museum of Art, Texas

2006–2007

  • The Odyssey Continues: Masterworks from the New Orleans Museum of Art and from Private New Orleans Collection, Wildenstein, New York
  • Winter group show, Barbara Krakow Gallery, Boston

2006

  • Inventive Fashion Photography, Danziger Projects, New York
  • The Kirk Varnedoe Collection, Telfair Museum of Art
  • Full House: Views of the Whitney’s Collection at 75, Whitney Museum of American Art, New York
  • New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco
  • Self/Image: Portraiture from Copley to Close, Reynolda House Museum o fAmerican Art, Winston-Salem, North Carolina
  • Dieu Donné Papermill: The First 30 Years, C.G. Boerner, New York
  • Cities in Transition, Madison Square Park, New York
  • Tapestries, Sullivan-Goss, Santa Barbara, California
  • New Frontiers: American Art Since 1945, Oberlin College Allen Memorial Art Museum, Ohio
  • Out of Darkness: The Contemporary Revival of Early Photography, University of Central Florida Art Gallery, Orlando

2005–2006

  • Contemporary Voices: Works from the UBS Art Collection, The Museum of Modern Art, New York: The Fondation Beyeler, BaselSelf Portrait: Renaissance to Contemporary, National Portrait Gallery, London: Art Gallery of New South Wales, Sydney
  • From Pollock to Pop: America’s Brush with Dalí, Salvador Dalí Museum, St. Petersburg, Florida

2005

  • Logical Conclusions: 40 Years of Rule Based Art, PaceWildenstein, 534 West 25th Street, New YorkChuck Close/Franz Gertsch, Galerie Haas & Fuchs, Berlin
  • Double Take: Photorealism From The 1960s and ‘70s, the Rose Art Museum, Brandeis University, Waltham, Massachusetts
  • Patterns and Grids, Pace Prints, New Yor
  • The 237th Royal Academy of Arts Summer Exhibition

2004–2005

  • An American Odyssey 1945/1980, Circulo de Bellas Artes, Madrid: Salamanca, “Kiosco Alfonso,” A Coruna; Queensborough Community College/CUNY, Queens, New York
  • Contemporary Art: Floor to Ceiling, Wall to Wall, Wadsworth Atheneum Museum of Art, Hartford, Connecticut
  • White Christmas, white 8 Galerie Dagmar Aichholzer, Villach, Austria

2004

  • A Celebration of the Guild Hall Academy of the Art, Guild Hall, East Hampton, New York
  • North Fork/South Fork: East End Art Now (Part 2), The Parrish Art Museum, Southampton, New York

2003–2005

  • Supernova: Art of the 1990s from the Logan Collection, San Francisco Museum of Modern Ar
  • An International Legacy: Selections from Carnegie Museum of Art, Oklahoma City Museum of Art: Nevada Museum of Art, Reno, Nevada Museum of Art

2003–2004

  • Imagination-On Perception In Art, Landesmuseum Johanneum, Graz, Austria

2003

  • Pittura/Painting: From Rauschenberg to Murakmi, 1964–2003, La Biennale di Venezia, Museo Correr
  • Les Hyperréalismes 1965–75, Musée d’art moderne et contemporain, Strasbourg
  • Chuck Close/Joel Shapiro, Clark Fine Art, Southampton, New York

2002–2003

  • An American Legacy, A Gift to New York, Whitney Museum of American Art

2002

  • I Love New York Benefit, Seventh Regiment Armory, New YorkPainting on the Move: After Reality—Realism and Current Painting, Kunsthalle BaselArt Downtown: New York Painting and Sculpture, Organized by Wall Street Rising, New York
  • Watercolor, New York Studio School, New York

2001–2003

  • Under Pressure: Prints from Two Palms: Lyman Allyn Museum of Art, Connecticut College, New London, Connecticut; Schick Art Gallery, Skidmore College, Saratoga Springs, New York; Meadows Museum, Southern Methodist University, Dallas; University Gallery, University of Massachusetts, Amherst; Kent State University Art Gallery, Ohio; Arthur A. Houghton Jr. Gallery, Cooper Union, New York; Sonoma Museum of Visual Art, Santa Rosa, California

2001–2002

  • Tele[visions], Kunstalle Vienna

2001

  • The Sight of Music, New York Historical SocietyAbout Faces, C&M Arts, New YorkPrints and Multiples, Senior & Shopmaker Gallery, New York
  • About Face: Selections from the Department of Prints and Illustrated Books, The Museum of Modern Art, New York
  • Self Made Men, DC Moore Gallery, New YorkDigital: Printmaking Now, Brooklyn Museum of Art, Brooklyn, New YorkPop! Painting and Sculpture from the Collection, The Saint Louis Art Museum, St. LouisABBILD: recent portraiture and depiction, Landesmuseum Joanneum, Graz, Austria

2000–2001

  • The Figure: Another Side of Modernism, Newhouse Center for Contemporary, Snug Harbor Cultural Center, Staten Island, New York.
  • Van Gogh: Face to Face, The Detroit Institute of Arts: Museum of Fine Arts, Boston, July 2–September 24, 2000; Philadelphia Museum of Art

2000

  • Art at Work: Forty Years of the Chase Manhattan Collection, Queens Museum of Art, Flushing Meadows, New York
  • Prints, Senior & Shopmaker Gallery, New York
  • About Face, Bernarducci Meisel Gallery, New York
  • Conceptual Realism, Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia

1999–2000

  • The American Century: Art & Culture 1950–2000, Whitney Museum of American Art, New York

1999

  • Art at Work: Forty Years of The Chase Manhattan Collection, The Museum of Fine Arts, Houston and Contemporary Arts Museum
  • Face to Face: From Cezanne to Cyberspace, Fondation Beyeler, Basel
  • Drawn From the Artists’ Collections, The Drawing Center, New York: Hammer Museum of Art, University of California, Los AngelesThe Self, Absorbed, Bellevue Art Museum, Bellevue, Washington

1998

  • Art City: Making it in Manhattan, Produced by Chris Maybach and Paul Gardner. The Kitchen, New York, January 31st. New York Premiere Screening.
  • Then and Now: Art Since 1945 at Yale, Yale Univeristy Art Gallery, New Haven
  • PAPER + works on Dieu Donné paper, The Gallery at Dieu Donné Papermill, New York
  • Dreams for the Next Century, The Parrish Art Museum, Southampton, New York
  • Artists in Collaboration with Art Resources Transfer, New York, The Vedanta Gallery, Chicago
  • American Academy of Arts and Letters Centennial Portfolio, Pace Prints, New York

1997–1998

  • The Hirshorn Collects: Recent Acquisitions, The Hirshhorn Museum and Sculpture Garden, Washington, D.C
  • Twenty-Five Years at Crown Point Press: Making Prints, Doing Art, National Gallery of Art, Washington, DC, June 8–September 1, 1997, Traveled to: the Fine Arts Museum of San Francisco, California Palace of the Legion of Honor
  • Concept/Image/Object: Recent Gifts for the Lannan Foundation, The Art Institute of Chicago, Department of Prints and Drawings, Kovler Gallery, Chicago

1997

  • One Collection, 13 Curators, Art Lab. Selections from the Rivendell Collection of Late 20th Century Art, Center for Curatorial Studies Bard College, Annadale-on-Hudson, New York
  • Birth of the Cool. Deichtorhallen, Hamburg: Kunsthaus, Zurich, Switzerland
  • Chuck Close 'Großformatige Polaroids,' Galerie Daniel Blau, Munich, March 7–April 26, 1997.
  • Chuck Close/Paul Cadmus: In Dialogue. Philadelphia Museum of Art, Philadelphia
  • The Age of Modernism—Art in the 20th Century, Martin–Gropius–Bau, Berlin, GermanyPortrait im 20. Jahrhundert, Raab Galerie, Berlin, Germany
  • Seattle Collects Paintings, Seattle Art Museum, Seattle
  • In-Form, Bravin Post Lee Gallery, New York
  • Views from Abroad: European Perspectives on American Art 3: American Realities, Whitney Museum of American Art, New York
  • Painting Project, Basilico Fine Arts and Lehmann Maupin, New York
  • Photorealists, Exhibit A Gallery, Savannah College of Art and Design, Savannah, GA
  • Thresholds: Limits of Perception, Curated by Denis Pelli and Ana Maria Torres. Eighth Floor Gallery, October 14–25.Included a day-long symposium, Theories of, New York University Cantor Film Center.

1996-1999

  • Landfall Press: Twenty-five Years of Printmaking, Milwaukee Art Museum, Milwaukee, Wisconsin, September Chicago Cultural Center; Davenport Museum of Art, Davenport, Iowa; Springfield Museum of Art, Springfield, Ohio

1996–1997

  • Art Works: The PaineWebber Collection of Contemporary Masters, The Minneapolis Institute of Arts, Minneapolis, Minnesota; Museum of Fine Arts, Boston, San Diego Museum of Art, Center for the Fine Arts, Miami, FloridaCollection Highlights: 1945 to the Present, Seattle Art Museum, Seattle, WashingtonHidden in Plain Sight: Illusion and the Real in Recent Art, Los Angeles County Museum of Art, Los Angeles, CaliforniaSome Recent Acquisitions, The Museum of Modern Art, New York, November 15Painting into Photography/Photography into Painting, Museum of Contemporary Art, Miami

1996

  • Narcissism: Artists Reflect Themselves, California Center for the Arts Museum, EscondidoMaster Printers and Master Pieces, Kaohsiung Museum of Fine Arts, TaiwanAttention to Detail (Realism in All Forms), Louis K. Meisel Gallery, New YorkNew in the 90's, Katonah Museum of Art, Katonah, NY, Fractured Fairy Tales, Art in the Age of Catagorical Disintegration, SoHo at Duke, Duke University Museum of Art, Durham, North Carolina
  • Intersticies: The A(a)rtist, A(a)rt and the A(a)udience, Duke University, Durham, NC, April 12–May 25, 1996.
  • Affinities: Chuck Close and Tom Friedman, The Art Institute of Chicago, Chicago, Illinois
  • Annual Exhibition 1996, American Academy in Rome, Rome, ItalyThinking Print: Books to Billboards, 1980–1995, The Museum of Modern Art, New York
  • A Decade of Giving: The Apollo Society, The Toledo Museum of Art, Toledo, Ohio
  • Joe Wilfer Remembered, Chuck Close, Mary Heilmann, Alan Shields, Dieu Donne Papermill, New York, New York
  • Chuck Close, Jim Dine, Louise Nevelson, Concordia College, Bronxville, New York
  • Portraits, James Graham & Sons, New York
  • Celmins, Close, Salle Works on Paper, Department of Visual and Environmental Studies, Harvard University, Cambridge, Massachusetts,.

1995–1996

  • Face Value: American Portraits, The Parish Art Museum, Southampton, New York: Wexner Center for the Arts, The Ohio State University, Columbus; Tampa Museum of Art, Tampa.
  • Printmaking in America: Collaborative Prints and Presses 1960–1990, Mary and Leigh Block Gallery, Northwestern University, Evanston, Illinois: The Jane Vorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, New Brunswick, New Jersey; The Museum of Visual Arts, Houston, Texas; National Museum of American Art, Smithsonian Institution, Washington, D.C.
  • Facts and Figures: Selections from the Lannan Foundation Collection, Lannan Foundation, Los Angeles.
  • 1995 Carnegie International, The Carnegie Museum of Art, Pittsburgh, Pennsylvania.

1995

  • A.R.T. Press: Prints and Multiples, Betsy Senior Gallery, New York.
  • Pace Prints, Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, Tennessee.
  • Group Exhibition, Daniel Weinberg Gallery, San Francisco.
  • Me, Dru Arstark Gallery, New York.
  • Acquisitions 1990–1995, The Parrish Art Museum, Southampton, New York.
  • Touchstones from The Graphicstudio and Limestone Press/Hine Editions, The Boca Raton Museum of Art, Florida.
  • Group Exhibition, Retretti Art Center, Finland.
  • One Vocabulary: Its Permutations and the Possibilities There From Part One: Daniel Buren, Chuck Close, Barbara Krakow Gallery, Boston, Massachusetts.
  • 46th Venice Biennial: Identity and Alterity, Figures of the Body, 1895/1995, Palazzo Grassi and Palazzo Ducale, Venice, Italy.
  • Summer Academy 2, PaceWildenstein Gallery, New York.
  • Large Bodies, Pace/MacGill Gallery, New York.
  • Our Century, Museum Ludwig Cologne, Germany.
  • 25 Americans: Painting in the 90s, Milwaukee Art Museum, Milwaukee, Wisconsin.
  • Beyond the Borders: The First Kwangju International Biennale, International Exhibition of Contemporary Art, Kwangju, Korea.
  • Made In America: Ten Centuries of American Art, Organized jointly by The Carnegie Museum of Art, Pittsburgh, Pennsylvania, The Minneapolis Institute of Arts, The Nelson-Atkins Museum of Art, Kansas City, The St. Louis Art Museum, St. Louis, Missouri and The Toledo Museum of Art.
  • Matrix is 201 Birthday Bash! Wadsworth Athenaeum, Hartford, Connecticut.

1994–1995

  • Face-Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia: Joslyn Art Museum, Omaha, Nebraska; Weatherspoon Art Gallery, University of North Carolina, Greensboro.
  • Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, South Korea.

1994

  • Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York.
  • Facing the Past: Nineteenth–Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, Pennsylvania.
  • From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C.
  • Visible Means of Support, Wadsworth Athenaeum, Hartford, Connecticut.
  • The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California at Los Angeles, Los Angeles, California.
  • A Floor in a Building in Brooklyn, Curated by Chuck Close. Richard Anderson Gallery, New York.
  • Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan.
  • Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio.
  • Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, State University of New York, Albany, New York.

1993–1994

  • Prints and Process, Old Dominion University, Norfolk, VA.
  • The Return of the Cadavre Exquis, The Drawing Center, New York. Traveled to: The Corcoran Gallery of Art, Washington, D.C., February 5–April 10, 1994; Fundacion para el Arte Contemporaneo, Mexico City, Mexico; The Santa Monica Museum of Art, and Forum for Contemporary Art, St. Louis; American Center, Paris.
  • The Portrait Now, National Portrait Gallery, London.

1993

  • Photoplay, Works from the Chase Manhattan Collection, Center for the Arts, Florida, January. Traveled to: Museo Amparo, Pueblo Centro; Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico, 1994, Centro Cultural Consolidado, Caracas, Venezuela; MASP/Museo de Arte de Sao Paolo, Brazil; Museo Nacional de Bellas Artes, Buenos Aires, Argentina; Museo Bellas Artes, Santiago, Chile.
  • 30th Anniversary Exhibition of Drawings, Foundation for Contemporary Performance Arts, Inc, New York.
  • I Am The Enunciator, Thread Waxing Space, New York.
  • Exploring Scale in Contemporary Art, Laguna Gloria Art Museum, Austin, Texas.
  • Autoportrait contemporains: Here's Looking at Me, Espace Lyonnais D'Art Contemporain, Lyon, France.
  • American Color Woodcuts: Bounty from the Block, 1890s–1900s, Elehjem Museum of Art, University of Wisconsin, Madison, Wisconsin.
  • A New Installation of Photography from the Collection and Recent Acquisitions, Museum of Modern Art, New York.
  • The Artist as Subject-Paul Cadmus, Midtown Payson Galleries, New York.
  • Artists by Artists, Forum Gallery, New York.
  • Contemporary Realist Watercolor, Sewall Art Gallery, Rice University, Houston, Texas.
  • First Sightings: Recent Modern & Contemporary Acquisitions, Denver Art Museum, Denver, Colorado.
  • Up Close: Contemporary Art from the Mallin Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York.
  • Yale Collects Yale, Yale University Art Gallery, New Haven, Connecticut.
  • Heads and Portraits: Drawings from Pierro de Cosimo to Jasper Johns, Jason McCoy, Inc., New York.
  • 30 YEARS––Art in the Present Tense: The Aldrich's Curatorial History 1964–1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut.
  • 45th Venice Biennial, Venice, Italy.
  • Art Works, International Center of Photography.
  • Personal Imagery, Chicago/New York, Phyllis Kind Gallery, New York.

1992

  • Portraits, Plots, and Places: The Permanent Collection Revisited, Walker Art Center, Minneapolis, Minnesota.
  • Arte Americana 1930–1970, Lingotto S.r.L., Turin.
  • 150 Years of American Art from Ohio Collections, Columbus Museum of Art, Columbus, Ohio; Japan.
  • Psycho, KunstHalle, New York.
  • Passions & Cultures: Selected Works from the Rivendell Collection, 1967–1991, Richard and Marieluise Black Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale-on-Hudson, New York.
  • Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy and Institute of Arts and Letters, New York.
  • Visage Découvert, Fondation Cartier pour l'art contemporain, Jouy-en-Josas, France.
  • Le Portrait Dans l'Art Contemporain, Musée D'Art Moderne et D'Art Contemporain, Nice, France.
  • American Realism and Figurative Art: 1952–1990, Organized by Japan Association of Art Museums: The Miyagi Museum of Art Sendai, Miyagi; Sogo Museum of Art, Yokohama; Tokushima Modern Art Museum , Tokushima; The Museum of Modern Art, Shiga; Kochi Prefecture Museum of Folk Art.
  • The Language of Flowers, Paul Kasmin Gallery, New York.

1991–1992

  • Departures: Photography 1923–1990, Organized by Independent Curators Incorporated, New York. Traveled to: Iris & B. Gerald Cantor Art Gallery, College of Holy Cross, Worcester, Massachusetts; Denver Art Museum, Denver, Colorado; Joslyn Art Museum, Omaha, Nebraska; Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania; The Goldie Paley Gallery, Moore College of Art and Design, Philadelphia, Pennsylvania; Telfair Academy of Arts and Sciences, Inc., Savanah, Georgia; Graphicstudio, University of South Florida, Tampa.
  • Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida, National Gallery of Art, Washington, D.C.
  • Accent on Paper: 15 Years at Dieu Donné Papermill, Lintas: Worldwide, New York.
  • Six Takes on Photo-Realism, Whitney Museum of American Art at Champion, Stamford, Connecticut.
  • Past/Present: Photographs from the Collection of the Museum of Fine Arts, Houston, The Museum of Fine Arts, Houston, Texas.

1991

  • Contemporary Woodblock Prints from Crown Point Press, Edison Community College, Fort Meyers Florida.
  • Artist's Choice—Chuck Close: Head–On/The Modern Portrait, The Museum of Modern Art, New York.; and the Lannan Foundation, Los Angeles.
  • Image & Likeness: Figurative Works from the Permanent Collection, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York.
  • The Unique Print, The Pace Gallery, New York.
  • Large Scale Works on Paper, John Berggruen Gallery, San Francisco.
  • Fantasies, Fables and Fabrications: Photo–Works from the 1980’s, Boston University Art Gallery.
  • Louisiana: The New Graphics Wing, Louisiana Museum, Humleback, Denmark.
  • Academy-Institute Invitational Exhibition of Painting & Sculpture, American Academy and Institute of Arts and Letters, New York.
  • Selected Prints from Spring Street Workshop, Tomasulo Gallery, Union County College, Cranford, New Jersey.
  • 1991 Biennial Exhibition, Whitney Museum of American Art, New York.
  • In Sharp Focus: Super-Realism, Nassau County Museum of Art, Roslyn Harbor, New York.
  • Portraits, Linda Cathcart Gallery, Santa Monica.
  • Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, Academy and Institute of Arts and Letters, New York, May 15–June 9, 1991.
  • Portraits on Paper, Robert Miller Gallery, New York.
  • Paula Cooper Gallery, New York.
  • The Portrait Tradition: Master Printmakers, Pace Editions, New York.

1990

  • Prints of the Eighties, Pratt Manhattan Gallery, New York. Traveled to: Guild Hall Museum, East Hampton, New York.
  • Je Est un Autre, Galeria Comicos, Lisbon.
  • Signs of the Self: Changing Perceptions, Woodstock Artists Association, Woodstock, New York.
  • The 20th Anniversary, Fuji Television Gallery, Tokyo.
  • Six Annual ICP Infinity Award Winners, International Center of Photography-Midtown, New York.
  • Portrait of an American Gallery, Galerie Isy Brachot, Brussels.
  • Selections 4: The International Polaroid Collection, North Dakota Museum of Art, Grand Forks.
  • Figuring the Body, The Museum of Fine Arts, Boston, July 28–October 28, 1990. Group Show, Althea Viafora Gallery, New York.
  • Homage to the Square, Nohra Haime Gallery, New York.
  • Heads, BlumHelman Gallery, New York.
  • MONOCHROME/POLYCHROME: Contemporary Realist Drawings, Florida State University Gallery & Museum, Tallahassee.
  • 42nd Annual Academy–Institute Purchase Exhibition, American Academy and Institute of Arts and Letters, New York.
  • Contemporary Woodblock Prints, Jersey City Museum, New Jersey.

1989–1990

  • On the Art of Fixing A Shadow: 150 Years of Photography, National Gallery of Art, Washington, D.C.: The Art Institute of Chicago; Los Angeles County Museum of Art.
  • First Impressions, Walker Art Center, Minneapolis, Minnesota: Laguna Gloria Art Museum, Austin, Texas; Baltimore Museum of Art; Neuberger Museum, State University of New York at Purchase.
  • Image World—Art and Media Culture, Whitney Museum of American Art, New York.

1988

  • Artschwager: His Peers and Persuasion 1963–1988, Daniel Weinberg Gallery, Los Angeles.
  • Made in the 60's: Painting and Sculpture From the Permanent Collection of the Whitney, Whitney Museum of American Art, Downtown Branch at Federal Reserve Plaza, New York.
  • Selections 4, Photokina 88, Cologne. Traveled to: Musée de l'Elysée, Lausanne; Victoria and Albert Museum, London; Hamburger Kunsthalle, Hamburg; Museo de Arte Contemporáneo de Caracas, Venezuela.
  • Self As Subject, Katonah Gallery, Katonah, New York.
  • 1988, The World of Art Today, Milwaukee Art Museum, Wisconsin.
  • Life Like, Lorence Monk Gallery, New York.
  • Fifty–Second National Midyear Exhibition, The Butler Institute of American Art, Youngstown, Ohio.
  • Aldo Crommelynck, Master Prints with American Artists, Whitney Museum of American Art at the Equitable Center, New York.
  • The Instant Likeness: Polaroid Portraits, The National Portrait Gallery, Washington, D.C.
  • Drawing on the East End: 1940–1988, The Parrish Art Museum, Southampton, New York.
  • Altered Images, The Penson Gallery, New York.

1988–1989

  • Identity: Representations of the Self, Whitney Museum of American Art, Federal Reserve Plaza Branch, New York.
  • Three Decades; The Oliver Hoffmann Collection, Museum of Contemporary Art, Chicago.

1989

  • The Face, The Arkansas Arts Center, Little Rock.
  • Twentieth–Century Painting and Sculpture: Selections for the Tenth Anniversary of the East Building, National Gallery of Art, Washington, D.C.
  • Field and Frame: Meyer Shapiro's Semiotics of Painting, New York Studio School.
  • The Indomitable Spirit, Blum Hellman Gallery, Santa Monica, California.
  • Contemporary Art from the Chase Manhattan Bank Collection, The Yokohama Museum of Art, Japan.
  • Art in Place, Whitney Museum of American Art, New York.
  • Artist of the South Fork, Baruch College Gallery, City University of New York.
  • Personae: Contemporary Portraiture and Self–Portraiture, Islip Art Museum, East Islip, New York.
  • Robert Bechtle, Chuck Close, Robert Cottingham, Malcolm Morley, Sigmar Polke, Pat Hearn Gallery, New York.
  • Seattle: Before and After, Center for Contemporary Art, Seattle, Washington.

1987–89

  • 20th Century Drawings from The Whitney Museum of American Art, Whitney Museum of American Art, Fairfield County, Stamford: the National Gallery of Art, Washington , D.C.; The Cleveland Museum of Art, Cleveland, Ohio; Achenbach Foundation, California Palace of the Legion of Honor, San Francisco, California; Arkansas Art Center, Little Rock, Arkansas.
  • Assemblage/Collage, Maris Art Gallery, Westfield State College, Westfield, Massachusetts: The Lamont Gallery, Phillips Exeter Academy, Exeter, New Hampshire,; Berkshire Artisans Community Arts Center, Pittsfield, Massachusetts; Dongnang Gallery, Seoul Institute of the Arts, Seoul Korea; Nesto Gallery, Milton Academy, Milton, Massachusetts.; Herter Art Gallery, University of Massachusetts, Amherst, Massachusetts.

1987

  • American Drawings and Watercolors of the Twentieth Century, Selections from The Whitney Museum of American Art, The Whitney Museum of American Art, New York.
  • American Traditions in Watercolor, The Worcester Art Museum, Worcester, Massachusetts.
  • Contemporary Works on Paper, Vivian Horan Fine Art, New York.
  • Post-war Paintings from Brandeis University, Rose Art Museum, Brandeis University, Waltham, Massachusetts.
  • The Monumental Image, Sonoma University, Sonoma, California.
  • Faces, Crown Point Press, San Francisco.
  • Director’s Choice, Tampa Museum of Art, Tampa, Florida.
  • American Art Today: The Portrait, The Art Museum at Florida International University, Miami, Florida.
  • Art Against AIDS, The Pace Gallery, New York.
  • The Instant Image, An Exhibition of Works by the Major Artists in Photography, Rockland Center for the Arts, West Nyack, New York
  • Portrayals, ICP/ Midtown, New York: Herron Gallery, Indianapolis Center for Contemporary Art

1986–1987

  • Public and Private: American Prints Today, The 24th National Print Exhibition, The Brooklyn Museum of Art, New York. Traveled to: Flint Institute of Arts, Flint, Michigan; Rhode Island School of Design, Providence, Rhode Island; Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania, ; Walker Art Center, Minneapolis, Minnesota.
  • Drawings from the Collection of Dorothy and Herbert Vogel, The University of Arkansas at Little Rock, Little Rock, Arkansas: the University of Alabama, Moody Gallery of Art; Pennsylvania State University Museum of Art.
  • Structured Vision: Collage and Sequential Photography, Boise Gallery of Art, Boise, Idaho: Whatcom Museum of History and Art, Bellingham, Washington; Cheney Cowles Memorial Museum, Eastern Washington State Historical Society, Spokane, Washington; University Gallery Sonoma State University, Rohnert Park, California.

1986

  • An American Renaissance: Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale, Florida.
  • The Real Big Picture, The Queens Museum, New York.
  • 70's into 80's, Museum of Fine Arts, Boston.
  • New Etchings, Pace Editions, New York.
  • Group Portrait Show, Martina Hamilton Gallery, New York.
  • Painting and Sculpture Today––1986, Indianapolis Museum of Art, Indianapolis, Indiana.
  • The Changing Likeness: Twentieth–Century Portrait Drawings, Whitney Museum of American Art at Phillip Morris, New York.
  • Big and Small, Israel Museum, Jerusalem.
  • Philadelphia Collects Art Since 1940, Philadelphia Museum of Art.
  • 50 Years Modern Color Photography, 1936–1986, Photokina, World's Fair of Imaging Systems, Cologne, West Germany.
  • Contemporary Works from The Pace Gallery, Moody Gallery of Art, University of Alabama.
  • American Paintings from the Museum Collection, The Parrish Art Museum, Southampton, New York.
  • Viewpoint: The Artist as Photographer, Summit Art Center, Summit, New Jersey.

1985–1986

  • L'Autoportrait a l'age de la photographie, Musee Cantoral de Beaux–Arts, Lausanne: Wurttembergischer Kusntverein, Stuttgart, West Germany; Akademie der Kunst, Berlin; Sarah Campbell Blaffer Gallery at the University of Texas, Houston, Texas; San Antonio Travel Park Plaza, in connection with the Texas Sesquicentennial.
  • American Realism: Twentieth Century Drawings and Watercolors, San Francisco Museum of Modern Art, San Francisco, California: De Cordova and Dana Museum and Park, Lincoln, Massachusetts; Archer M. Huntington Art Gallery, University of Texas, Austin, Texas; May and Leigh Block Gallery, Northwestern University, Evanston, Illinois; Williams College Museum of Art, Williamstown, Massachusetts; Akron Art Museum, Akron, Ohio; Madison Art Center, Madison, Wisconsin
  • Self–Portrait: The Photographers' Persona, 1840–1985, The Museum of Modern Art, New York
  • Nude, Naked, Stripped, Hayden Gallery, Mass. Institute of Technology, Cambridge, Massachusetts

1985

  • Self-Portrait Today, The Museum of Modern Art, Saitama, Japan.
  • 37th Annual Purchase Exhibition Hassam and Speicher Fund, American Academy and Institute of Arts and Letters, New York.
  • American Realism: The Precise Image, Isetan Museum of Art, Tokyo. Traveled to: Daimaru Museum, Osaka, October 9–28; Yokohama Takashimaya, Yokohama, Japan.
  • Workshop Experiments: Clay, Paper, Fabric, Glass, Brattleboro Museum and Art Center, Vermont.
  • AIDS Benefit exhibition: A Selection of Works on Paper, Daniel Weinberg Gallery, Los Angeles.

1984

  • The First Show: Painting and Sculpture from Eight Collections, 1940–1980, Museum of Contemporary Art, Los Angeles.
  • American Art Since 1970: Paintings, Sculpture and Drawings from the Collection of the Whitney Museum of American Art, La Jolla Museum of Contemporary Art, La Jolla, California: Museo Tamayo, Mexico City; North Carolina Museum of Art, Raleigh, North Carolina; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska,; Center for the Fine Arts, Miami, Miami, Florida.
  • Drawings 1974–1984, Hirshhorn Museum and Sculpture Garden, Washington D.C.
  • The New Portrait, The Institute for Art and Urban Resources, Long Island City, New York.
  • The Modern Art of the Print: Selections from the Collection of Lois and Michael Torf, Williams College Art Museum, Williamstown, Massachusetts, May 5–July 16; Museum of Fine Arts, Boston.
  • Art of the States: Works from a Santa Barbara Collection, The Santa Barbara Museum of Art, Santa Barbara, California.
  • Drawings by Contemporary American Figurative Artists, Maryland Institute, College of Art, Meyerhoff Gallery, Baltimore, Maryland.
  • Viewpoint: the Artist as Photographer, Summit Art Center, Summit, New Jersey.

1983

  • Subjective Vision: The Lucinda Bunnen Collection of Photographs, High Museum of Art, Atlanta, Georgia.
  • Faces Since the '50s: A Generation of American Portraiture, Center Gallery, Bucknell University, Lewisburg, Pennsylvania.
  • Photographic Visions by Martha Alf, Chuck Close, Robert Cumming, David Hockney, Robert Rauschenberg, Ed Ruscha, Los Angeles Center for Photographic Studies, Los Angeles.
  • New Work, New York, Newcastle Polytechnic Gallery, Newcastle-upon-Tyne, England: Harrowgate Gallery, Harrowgate, England.
  • Self-Portraits, Linda Farris Gallery, Seattle: Los Angeles Municipal Art Gallery, Los Angeles.
  • American Super–Realism from the Morton G. Neumann Family Collection, Terra Museum of American Art, Evanston, Illinois.

1982-1984

  • New American Graphics 2: An Exhibition of Contemporary American Prints, Madison Art Center, University of Wisconsin: Crossman Gallery, University of Wisconsin, Whitewater, Wisconsin; Alaska State Museum, Juneau, Alaska; Visual Arts Center of Alaska, Anchorage, Alaska; Alaska Association for the Arts, Fairbanks, AlaskaEl Paso Museum of Art, El Paso; Visual Arts Gallery, Hayes, Kansas; Amarillo Art Center, Amarillo, Texas; Colorado Gallery of the Arts, Littleton, Colorado; Concord College, Athens, West Virginia; Art Center, Inc., South Bend, IndianaHumboldt Cultural Center, Eureka, California.

1982–1983

  • Making Paper, American Craft Museum, New York: Cleveland Institute of Art, Ohio; One Sea Gate of Owens-Illinois, Toledo, Ohio; Columbus Museum of Art, Columbus, OhioTucson Museum of Art, Arizona; Greenville County Museum of Art, South Carolina; Huntsville Museum of Art, Alabama; Southeast Arkansas Art Center, Pine Bluff, Arkansas; Colorado Springs Fine Arts Center, Colorado Springs, Colorado; Wustum Museum of Fine Arts, Racine Wisconsin; Leigh Yawkey Woodson Art Museum, Wausau, Wisconsin.
  • New Portraits Behind Faces, Dayton Art Institute, Dayton, Ohio.

1982

  • Photo-Realisme-dix-ans-apres, Galerie Isy Brachot, Paris.
  • Art of Our Time, High Museum of Art, Atlanta, Georgia.
  • Surveying the Seventies, Whitney Museum of American Art, Fairfield County Branch, Fairfield, Connecticut.
  • Momentbild Kunstlerphotographie, Kestner-Gesellschaft, Hannover, Germany.
  • The Human Figure in Contemporary American Art, Contemporary Arts Center, New Orleans.
  • The Pace Gallery at Asher/Faure. Asher/Fauer Gallery, Los Angeles, California.
  • Paper Transformed, Turman Gallery, Indiana State University, Terre Haute, Indiana.
  • Great Big Drawings, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, Massachusetts.
  • Homo Sapiens: The Many Images, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut.
  • Late 20th Century Art, Worcester Art Museum, Worcester, Massachusetts.

1981–1983

  • Contemporary American Realism Since 1960, The Oakland Museum, Oakland, California.
  • Great Lakes Colleges Association Artist Sponsored Exhibition, Traveled to: Great Lakes Colleges Association members, 1981–1983.
  • Contemporary American Realism Since 1960, Pennsylvania Academy of Fine Arts, Philadelphia: Virginia Museum, Richmond; Oakland Museum, Oakland California; Germany and the Netherlands; Gulbenkian Foundation, Lisbon; Salas de Exposiciones de Belles Artes, Madrid. Kunsthalle, Nuremberg.

1981–1982

  • Inside/Out: Self Beyond Likeness, Sullivan Gallery, Newport Harbor Art Museum, Newport Beach, California: Portland Art Museum, Portland, Oregon; Joslyn Art Museum, Omaha, Nebraska.
  • Photographer as Printmaker: 140 Years of Photographic Printmaking (Organized by The Arts Council of Great Britain), Travelled to: Ferens Art Gallery, Hull, August 5–30, 1982; Museum and Art Gallery, Leichester; Talbot Rice Centre, Edinburgh; The Cooper Gallery, Barnsley; Castle Museum, Nottingham; The Photographer's Gallery, London.
  • Super Realism from the Morton G. Neumann Family Collection, Kalamazoo Institute of the Arts, Michigan: The Art Center, Inc., South Bend, Indiana; Springfield Art Museum, Springfield, Missouri; Dartmouth College Museum and Galleries, Hanover, New Hampshire; DeCordova and Dana Museum, Lincoln, Massachusetts; Des Moines Art Center, Des Moines, Iowa.
  • Artists’ Photographs, SVC/Fine Arts Gallery, University of South Florida, Tampa.
  • American Prints: Process and Proofs, The Whitney Museum of American Art, New York.
  • Instant Photography, Stedelijk Museum, Amsterdam.

1981

  • Late Twentieth Century Art from the Sydney and Frances Lewis Foundation, Richmond, Virginia.
  • 20 Artists: Yale School of Art 1950–1970, Yale University Art Gallery, New Haven, Connecticut.
  • Drawings from Georgia Collections: 19th and 20th Century, The High Museum of Art, Atlanta, Georgia.
  • The Image in American Painting and Sculpture 1950–1980, The Akron Art Museum, Akron, Ohio.
  • Contemporary American Realism Since 1960, The Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania.
  • The Tyler Offset Workshop: An Exhibition of Prints and Posters, Tyler School of Art, Temple University, Philadelphia.
  • Seven Photorealists from New York Collections, Solomon R. Guggenheim Museum, New York.

1980–1981

  • American Painting of the Sixties and Seventies, Montgomery Museum of Art, Montgomery, Alabama: Joslyn Art Museum, Omaha, Nebraska; Museum of Fine Arts, St. Petersburg, Florida; Columbus Museum of Art, Columbus, Ohio; Colorado Springs Fine Art Center, Colorado Springs, Colorado; Sierra Nevada Museum of Art, Reno.

1980

  • First Person Singular: Recent Self-Portraiture, Pratt Manhattan Center Gallery, New York 1; Pratt Institute Gallery, Brooklyn, New York.
  • Printed Art: A View of Two Decades, The Museum of Modern Art, New York.
  • American Realism of the Twentieth Century, Morris Museum of Arts and Sciences, Morristown, New Jersey.
  • American Portrait Drawings, National Portrait Gallery, Washington D.C.
  • Aspects of the 70s: Directions in Realism, Danforth Museum, Framingham, Massachusetts.
  • Self-Portraits: An Exhibition of Art on View at the Seagram Building, New York.
  • Ten American Artists from Pace, Wildenstein and Co. Gallery, London.
  • The Figurative Tradition and the Whitney Museum of American Art: Paintings and Sculpture from the Permanent Collection, Whitney Museum of American Art, New York.
  • Portrait Real and Imagined, Guild Hall Museum, East Hampton, New York.
  • The Morton G. Neumann Family Collection, The National Gallery of Art, Washington D.C.
  • American Figure Painting 1950–1980, The Chrysler Museum, Norfolk, Virginia.

1979–1980

  • Print Publishing in America, United States Information Agency. Traveled to: United States embassies.
  • Reflections of Realism, The Albuquerque Museum, New Mexico.
  • American Paintings of the Seventies, Krannert Art Museum, Champaign, Illinois.

1979

  • Black and White Are Colors: Paintings of the 1950's–1970's, Galleries of the Claremont Colleges; Montgomery Art Gallery, Pomona College; Lang Art Gallery, Scripps College.
  • Documents, Drawings and Collages: Fifty American Works on Paper from the Collection of Mr. and Mrs. Stephen D. Paine, Williams College Art Museum, Williamstown, Massachusetts; Toledo Museum of Art, Ohio; John and Mable Ringling Museum of Art, Sarasota, Florida; Fogg Art Museum, Harvard University, Cambridge, Massachusetts.
  • Drawings About Drawings Today, Ackland Art Museum, University of North Carolina, Chapel Hill, North Carolina.
  • Faculty Choice, State University of New York at Albany, New York.
  • Images of the Self, Hampshire College Art Gallery, Hampshire, Massachusetts.
  • America Now: Young America, Painters of the '70s (assembled by New Museum of the International Communication Agency: Eastern Europe; Budapest, Hungary; Spring.
  • 1979 Biennial Exhibition, Whitney Museum of American Art, New York.
  • Imports. An Exhibition of Contemporary Art from Across the Country, Clara M. Eagle Gallery, Murray State University, Murray, Kentucky,.
  • Copie Conformie? Centre George Pompidou, Musée national d'art moderne, Paris.
  • The Altered Photograph (24 Walls–24 Curators), P.S. 1, Long Island City, New York.
  • The Decade in Review: Selections from the 1970's, Whitney Museum of American Art, New York.
  • As We See Ourselves: Artist's Self-Portraits, Heckscher Museum, Huntington, New York.
  • 20 x 24 / Light, Light Gallery, New York.
  • Realist Space, C.W. Post Art Gallery, School of the Arts, Greenvale, New York.
  • Artists by Artists, Whitney Museum of American Art, Downtown Branch, New York.
  • Photo-realist Printmaking, Louis K. Meisel Gallery, New York.

1978–1979

  • The Mechanized Image (organized by Karen Amiel, Arts Council of Great Britian): City Museum and Art Gallery, Portsmouth; Graves Art Gallery, Sheffield; Camden Arts Centre, London; Hatton Art Gallery, Newcastle; Aberdeen Art Gallery and Museum, Aberdeen.
  • Late Twentieth-Century Art, The Sydney and Frances Lewis Foundation, Anderson Gallery, Virginia Commonwealth University, Richmond.
  • American Painting of the 1970s, Albright-Knox Gallery, Buffalo, New York. Travelled to: Newport Harbor Art Museum, California; The Oakland Museum, California; Cincinnati Art Museum, Ohio; Art Museum of South Texas, Corpus Christi, Texas.
  • Grids. Format & Image in 20th Century Art, The Pace Gallery, New York. Travelled to: Akron Art Museum, Akron, Ohio.

1978

  • Photo-realist Printmaking, Louis K. Meisel Gallery, New York.
  • Old Friends and New Faces. The Permanent Collection Featuring Recent Acquisitions, The Johnson Gallery, Middlebury College, Middlebury, Vermont.
  • Collage 1978, Goddard Riverside Community Center, New York.
  • Eight Artists, Philadelphia Museum of Art.
  • 20th Century American Drawings: Five Years of Acquisitions, Whitney Museum of American Art, New York.
  • Aspects of Realism: Artist of the Region, Invitational Exhibition, Guild Hall, East Hampton, New York.
  • Point, Philadelphia College of Art, Philadelphia, PA.

1977–1978

  • Representations of America (organized by Metropolitan Museum of Art, New York): Ministry of Culture, Moscow; The Hermitage, Leningrad; Palace of Art, Minsk.
  • Contemporary Drawing/New York, UCSB Art Museum, University of California at Santa Barbara.
  • Works from the Collection of Dorothy and Herbert Vogel, University of Michigan Museum of Art.
  • Critics Choice, Joe and Emily Lowe Art Gallery, Syracuse University, New York; Munson-Williams-Proctor Institute Museum of Art, Utica, New York.

1976–1978

  • Illusion and Reality, Traveled to: Australian National Gallery, Canberra; Western Australian Art Gallery, Perth; Queensland Art Gallery, Brisbane; Art Gallery of New South Wales, Sidney; Art Gallery of South Australia, Adelaide; National Gallery of Victoria, Melbourne; Tasmanian Museum and Art Gallery, Hobart.
  • Paris–New York, Musée national d'art moderne, Centre Georges Pompidou, Paris.
  • Twentieth Century American Art from Friends' Collections, Whitney Museum of American Art, New York, September.
  • Works on Paper II, Louis K. Meisel Gallery, New York.
  • Biennial Exhibition, Whitney Museum of American Art, New York.
  • New Realism: Modern Art Form, Boise Gallery of Art, Idaho.
  • Works on Paper, Galerie de Gestlo, Hamburg, Germany.
  • American Drawings 1927–77, Minnesota Museum of Art, St. Paul.
  • 1967–1977 Ten Years The Museum of Contemporary Art: A View of the Decade, Museum of Contemporary Art, Chicago.
  • Aspects of Realism. Traveled to: Stratford Art Gallery, Stratford, Ontario; Vancouver Centennial Museum; Glenbow Alberta Institute, Calgary, Alberta; Mendel Art Gallery, Saskatoon, Saskatchewan; Winnipeg Art Gallery, Manitoba; Edmonton Art Gallery, Alberta; Memorial University Art Gallery, St. John's Newfoundland;Confederation Art Gallery, Charlottetown, Prince Edward Island; Musée d'Art Contemporain, Montreal, Quebec.
  • Documenta 6, Museum Fridericianum, Kassel, Germany.
  • New York Now, Amherst College, Amherst, Massachusetts.

1976–1977

  • Drawing Now 1955–75, The Museum of Modern Art, New York: Edinburgh College of Art, Edinburgh; Kunsthaus Zürich; Kunsthalle Baden-Baden, Germany; Sonjia Henie-Niels Onstad Museum, Oslo; Graphische Samlung Albertina Wien; The Tel Aviv Museum, Tel Aviv.
  • American Artists: A New Decade, Fort Worth Art Museum. Traveled to: Detroit Institute of Arts, Detroit, Michigan.
  • Drawing Today in New York: Tulane University, New Orleans; Rice University, Houston, Southern Methodist University, Dallas; University of Texas at Austin; Oklahoma Arts Center, Oklahoma City, and Dayton Art Institute, Dayton.
  • Richard Artschwager, Chuck Close, Joe Zucker, Daniel Weinberg Gallery, San Francisco: La Jolla Museum of Contemporary Art, Memorial Union Art Gallery, University of California at Davis, California.

1976

  • American Master Drawings and Watercolors, Whitney Museum of American Art, New York.
  • Amerikanische Kunst von 1945 bis Heute, Nationalgalerie, Berlin and Kunsthalle zu Kiel, Cologne.
  • Soho, Akademie der Kunst, West .Berlin
  • The Photographer and the Artist, Sidney Janis Gallery, New York.
  • Seventy-second American Exhibition, Art Institute of Chicago.
  • Three Decades of American Art Selected by the Whitney Museum of American Art, Seibu Museum of Art, Tokyo.
  • Modern Portraits: The Self and Others, Columbia University for Wildenstein, New York.

1975–1976

  • Painting, Drawing, and Sculpture of the 60's and 70's from the Collection of Dorothy and Herbert Vogel, Institute of Contemporary Art, University of Pennsylvania, PhiladelphiaThe Contemporary Arts Center, Cincinnati, Ohio.
  • Recent American Etching," Davison Art Center, Wesleyan University Art Center, Middletown, Connecticut,: National Collection of Fine Arts, Smithsonian Institution, Washington D.C.

1975

  • Portrait Painting 1970–75, Allan Frumkin Gallery, New York.
  • Selections from the Collection of Herbert and Dorothy Vogel, Clocktower, New York.
  • The Portrait/1975, Boston University Art Gallery, School for the Art.
  • Watercolors and Drawings—American Realists, Louis K. Meisel Gallery, New York.
  • 34th Biennial Exhibition of Contemporary Painting, Corcoran Gallery of Art, Washington D.C.

1974

  • New Portraits, Whitney Museum of American Art, Downtown Branch, New York.
  • Palazzo Reale, Milan, Italy.
  • Projekts '74 (Kunst Bleibt Kunst), Wallraf-Richartz Museum, Cologne.
  • Selections of Realistic Painting from the Ludwig Collection, Groninger Museum voor Stad en Lande, Groningen, Netherlands.
  • Hyperrealistes Americains/Realistes Europeens, Centre National d'Art Contemporain, Paris.
  • ARS '74, Ateneum, The Fine Arts Academy of Finland, Helsinki: Tampereen Nykytaiteen Musco, Tampere.
  • Ipotesi di Casa Esistenziale Ico Parisi, Galerie Germain, Paris.
  • Three Realists: Close, Estes, Raffael, Worcester Art Museum, Massachusetts.
  • 25 Years of Janis, Part 2, Sidney Janis Gallery, New York.
  • 11th Tokyo Biennale 1974, Tokyo, Japan.
  • Kijken naar de Werkelijkheid, Museum Boymans-van Beuningen, Rotterdam, Netherlands.
  • Amerikaans Fotorealisme/Grafiek, Hedenaagse Kunst, Utrecht, Netherlands, and Palais van Schone Kunst, Brussels, Belgium.
  • Art 5 '74, Basel.
  • Gray Is the Color: An Exhibition of Grisaille Painting XIII th–XXth Centuries, Rice Museum, Rice University, Houston, Texas.

1973–1974

  • One Hundred Master Drawings from New England Private Collections, Hopkins Center Galleries, Dartmouth College, Hanover, New Hampshire: Wadsworth Atheneum, Hartford, Connecticut, The Museum of Fine Arts, Boston, Massachusetts.
  • Hyperrealisme, Galerie Isy Brachot, Brussels.

1973

  • Aachen International 70–74, Edinburgh Festival, Royal Scottish Academy.
  • Art Conceptuel et Hyperrealiste, Ludwig Collection, Musée d'Art Moderne de la Ville de Paris.
  • Combattimento per un'immagine, Galleria Civica d'Arte Moderna, Turin, Italy.
  • Ein grobes Jahrzehnt Amerikanischer Kunst, Ludwig Collection, Cologne/Aachen, West Germany.
  • Ekstrem Realisme, Louisiana Museum, Udgivet of Louisiana, Humlebaek, Denmark.
  • Realism Now, Katonah Gallery, Katonah, New York.
  • Projects 11: Chuck Close/Lilliana Porter, The Museum of Modern Art, New York.
  • Young American Artists, Traveled to: Denmark, Norway, Sweden and Germany.
  • Photo-Realism: Paintings, Sculpture and Prints from the Ludwig Collection, Serpentine Gallery, London.
  • The Emerging Real, Storm King Art Center, Mountainville, New York.
  • Ruhr Festival Exhibition, Stadtische Kunsthalle, Recklinghausen, Germany.
  • Grands Maitres Hyperrealistes Americains, Galerie des Quatre Mouvements, Paris. Traveled to: Salon International, Basel.
  • American Drawings 1963–73, Whitney Museum of American Art, New York.
  • The Super-Realist Vision, DeCordova and Dana Museum, Lincoln, Massachusetts.
  • .American Art—Third Quarter Century, Seattle Art Museum.
  • Kunst nach Wirklichkeit Ein neuer Realismus in Amerika und in Europa, Kunstverein Hannover, West Germany.

1972–1973

  • Amerikanischer Fotorealismus, Wurtembergischer Kunstverein, Stuttgart, West Germany; Frankfurter Kunstverein, West Germany; Kunst und Museumverein Wuppertal, West Germany.
  • Eighteenth National Print Exhibition, Brooklyn Museum of Art: California Palace of the Legion of Honor.
  • Realism Now, New York Cultural Center, New York.

1972

  • Eight New York Painters, Berkeley Museum, University of California, Berkeley.
  • Annual Exhibition, Contemporary American Painting, Whitney Museum of American Art, New York.
  • Colossal Scale, Sidney Janis Gallery, New York.
  • Painting and Sculpture Today, 1972, Indianapolis Museum of Art.
  • Art Around 1970, Neue Galerie, Aachen, Germany.
  • Documenta 5, Kassel, Fredericianum, Neue Galerie,West Germany.
  • 19th and 20th Century Prints, Photographs, Drawings, Graphics International Ltd, Washington, D.C.
  • Crown Point Press at the San Francisco Art Institute, Emmanuel Walker Gallery, San Francisco, California.
  • Hyperrealistes Americains, Galerie des Quatre Mouvements, Paris.
  • Recent Vanguard Exhibition, Art Gallery of Ontario, Canada.

1971

  • Prospekt '71, Städtische Kunsthalle, Düsseldorf.

1970

  • Klischee und Antiklischee, Neue Galerie, Aachen, West Germany.
  • 22 Realists, Whitney Museum of American Art, New

1969–1970

  • 1969 Annual Exhibition of Contemporary American Paintings, Whitney Museum of American Art, New York.

1969

  • Lynda Benglis, Chuck Close, David Paul, Richard Van Buren, Bykert Gallery, New York