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Two Separate Unbroken Geometric Lines - Eddie Peake - 2016 - 114870

Two Separate Unbroken Geometric Lines
2016
Lacquered spray paint on polished stainless steel
39 3/8 x 55 1/8 x 2 1/16 in. (100 x 140 x 5.3 cm)
Photo: Todd-White Art Photography

But I Lied - Eddie Peake - 2015 - 110815

But I Lied
2015
Lacquered spray paint on polished stainless steel
39 3/8 x 27 9/16 in. (100 x 70 cm)
Photo: White Cube (Ben Westoby)

Parading Like A Chief - Eddie Peake - 2015 - 108514

Parading Like A Chief
2015
Lacquered spray paint on polished stainless steel
39 3/8 x 55 1/8 in. (100 x 140 cm)
Photo: White Cube (George Darrell)

This Curve Though - Eddie Peake - 2015 - 108512

This Curve Though
2015
Lacquered spray paint on polished stainless steel
39 3/8 x 27 9/16 in. (100 x 70 cm)

Beat Self Hard - Eddie Peake - 2015 - 108510

Beat Self Hard
2015
Lacquered spray paint on polished stainless steel
39 3/8 x 27 9/16 in. (100 x 70 cm)
Photo: White Cube (George Darrell)

A Single Squiggly Line With Two Female Torsos - Eddie Peake - 2015 - 111987

A Single Squiggly Line With Two Female Torsos
2015
Lacquered spray paint on polished stainless steel
39 3/8 x 55 1/8 x 1 15/16 in. (100 x 140 x 5 cm)
Photo: White Cube (George Darrell)

'The Forever Loop', The Curve, Barbican Centre - Eddie Peake - 9 October 2015 - 10 January 2016 - 111611

'The Forever Loop'
The Curve, Barbican Centre
9 October 2015 - 10 January 2016
Photo: Justin Piperger

'The Forever Loop', The Curve, Barbican Centre - Eddie Peake - 9 October 2015 - 10 January 2016 - 111614

'The Forever Loop'
The Curve, Barbican Centre
9 October 2015 - 10 January 2016
Photo: Justin Piperger

'The Forever Loop', The Curve, Barbican Centre - Eddie Peake - 9 October 2015 - 10 January 2016 - 111613

'The Forever Loop'
The Curve, Barbican Centre
9 October 2015 - 10 January 2016
Photo: Justin Piperger

'The Forever Loop', The Curve, Barbican Centre - Eddie Peake - 9 October 2015 - 10 January 2016 - 111615

'The Forever Loop'
The Curve, Barbican Centre
9 October 2015 - 10 January 2016
Photo: Justin Piperger

'The Forever Loop', The Curve, Barbican Centre - Eddie Peake - 9 October 2015 - 10 January 2016 - 111622

'The Forever Loop'
The Curve, Barbican Centre
9 October 2015 - 10 January 2016
Photo: Justin Piperger

'The Forever Loop', The Curve, Barbican Centre - Eddie Peake - 9 October 2015 - 10 January 2016 - 111617

'The Forever Loop'
The Curve, Barbican Centre
9 October 2015 - 10 January 2016
Photo: Justin Piperger

'The Forever Loop', The Curve, Barbican Centre - Eddie Peake - 9 October 2015 - 10 January 2016 - 111623

'The Forever Loop'
The Curve, Barbican Centre
9 October 2015 - 10 January 2016
Photo: Justin Piperger

'The Forever Loop', The Curve, Barbican Centre - Eddie Peake - 9 October 2015 - 10 January 2016 - 111637

'The Forever Loop'
The Curve, Barbican Centre
9 October 2015 - 10 January 2016
Photo: Justin Piperger

'The Forever Loop', The Curve, Barbican Centre - Eddie Peake - 9 October 2015 - 10 January 2016 - 111635

'The Forever Loop'
The Curve, Barbican Centre
9 October 2015 - 10 January 2016
Photo: Justin Piperger

'The Forever Loop', The Curve, Barbican Centre - Eddie Peake - 9 October 2015 - 10 January 2016 - 111630

'The Forever Loop'
The Curve, Barbican Centre
9 October 2015 - 10 January 2016
Photo: Justin Piperger

'The Forever Loop', The Curve, Barbican Centre - Eddie Peake - 9 October 2015 - 10 January 2016 - 111628

'The Forever Loop'
The Curve, Barbican Centre
9 October 2015 - 10 January 2016
Photo: Justin Piperger

'The Forever Loop', The Curve, Barbican Centre - Eddie Peake - 9 October 2015 - 10 January 2016 - 111627

'The Forever Loop'
The Curve, Barbican Centre
9 October 2015 - 10 January 2016
Photo: Justin Piperger

'The Forever Loop', The Curve, Barbican Centre - Eddie Peake - 9 October 2015 - 10 January 2016 - 111626

'The Forever Loop'
The Curve, Barbican Centre
9 October 2015 - 10 January 2016
Photo: Justin Piperger

Komodo Dragon 3 - Eddie Peake - 2015 - 113900

Komodo Dragon 3
2015
Plaster and scrim armature, leather, plastic, metal, hand-knitted mohair scarf
55 1/8 x 30 5/16 x 44 1/8 in. (140 x 77 x 112 cm)
Photo: White Cube (Ben Westoby)

(Omniscient) - Eddie Peake - 2015 - 114519

(Omniscient)
2015
Bronze
13 3/8 x 33 1/16 x 25 9/16 in. (34 x 84 x 65 cm)
Photo: White Cube (George Darrell)

Begs At Car Windows Unintelligibly And With Strings Of Snot Dangling From Nose - Eddie Peake - 2015 - 108522

Begs At Car Windows Unintelligibly And With Strings Of Snot Dangling From Nose
2015
Painted and lacquered acrylic with hand-knitted mohair scarf
53 11/16 x 92 1/2 in. (136.3 x 235 cm)

Innocently Wears A Bikini - Eddie Peake - 2015 - 108518

Innocently Wears A Bikini
2015
Painted and lacquered acrylic with hand-knitted mohair scarves
29 1/2 x 14 7/16 x 13/16 in. (75 x 36.7 x 2 cm) and 27 5/16 x 18 7/16 x 0 13/16 in. (69.4 x 46.9 x 2 cm)
Photo: White Cube (Ben Westoby)

Onanistic Claw Grip - Eddie Peake - 2015 - 115905

Onanistic Claw Grip
2015
Wooden dancefloor with jesmonite
3 15/16 x 433 1/16 x 109 7/16 in. (10 x 1100 x 278 cm)
Photo: White Cube (Ben Westoby)

Duro - Eddie Peake - 26 November 2015 - 116260

Duro
26 November 2015
Performance at Palais de Tokyo, Paris
Photo: White Cube (Ben Westoby)

Duro - Eddie Peake - 26 November 2015 - 116268

Duro
26 November 2015
Performance at Palais de Tokyo, Paris
Photo: White Cube (Ben Westoby)

Duro - Eddie Peake - 26 November 2015 - 116266

Duro
26 November 2015
Performance at Palais de Tokyo, Paris
Photo: White Cube (Ben Westoby)

Duro - Eddie Peake - 26 November 2015 - 116263

Duro
26 November 2015
Performance at Palais de Tokyo, Paris
Photo: White Cube (Ben Westoby)

Duro - Eddie Peake - 26 November 2015 - 116261

Duro
26 November 2015
Performance at Palais de Tokyo, Paris

Duro - Eddie Peake - 26 November 2015 - 114094

Duro
26 November 2015
Performance at Palais de Tokyo, Paris
Photo: White Cube (Ben Westoby)

Ascending A Giant Handmade Dodechahedron (Like As In Texas Huge) Sat Atop A Jumbo Sized Plastic Replica Eames Lounge Chair, Sans Permission, And Waving An Orata, Thinking It's a Flag - Eddie Peake - 2014 - 90968

Ascending A Giant Handmade Dodechahedron (Like As In Texas Huge) Sat Atop A Jumbo Sized Plastic Replica Eames Lounge Chair, Sans Permission, And Waving An Orata, Thinking It's a Flag
2014
Acrylic and oil on canvas
70 7/8 x 55 1/8 in. (180 x 140 cm)

Shifting Facial Surface (Trauma) E.g. Lips That Float Away And Eyeballs That Pop Out And Spring Back Into The Sockets As Though Attached By Elastic - Eddie Peake - 2013 - 73368

Shifting Facial Surface (Trauma) E.g. Lips That Float Away And Eyeballs That Pop Out And Spring Back Into The Sockets As Though Attached By Elastic
2013
Acrylic and oil on canvas
70 7/8 x 55 1/8 in. (180 x 140 cm)
Photo: Jack Hems

Erasmus Is Elodie Is Terrence Is Molly - Eddie Peake - 2013 - 73366

Erasmus Is Elodie Is Terrence Is Molly
2013
Acrylic and oil on canvas
70 7/8 x 55 1/8 in. (180 x 140 cm)
Photo: Jack Hems

Masturbates The Landscape - Eddie Peake - 2013 - 73364

Masturbates The Landscape
2013
Acrylic and oil on canvas
70 7/8 x 55 1/8 in. (180 x 140 cm)
Photo: Jack Hems

Defiant Mental Fortitude - Eddie Peake - 2013 - 73362

Defiant Mental Fortitude
2013
Acrylic and oil on canvas
70 7/8 x 55 1/8 in. (180 x 140 cm)
Photo: Jack Hems

A Hand Held Aloft In The Shape Of A Gun In An Emphatic Display Of Approval And Camaraderie (Fingernails Polished Impeccably) And Accompanied By Non-Word Onomatopoeic Type Vocal Sounds Of Gunfire - Eddie Peake - 2013 - 73360

A Hand Held Aloft In The Shape Of A Gun In An Emphatic Display Of Approval And Camaraderie (Fingernails Polished Impeccably) And Accompanied By Non-Word Onomatopoeic Type Vocal Sounds Of Gunfire
2013
Acrylic and oil on canvas
70 7/8 x 55 1/8 in. (180 x 140 cm)
Photo: Jack Hems

One Method Of Clandestinely Transporting Crack On A Psychiatric Ward Is To Store It In The Gap Where Your Missing Tooth Used To Be - Eddie Peake - 2013 - 73358

One Method Of Clandestinely Transporting Crack On A Psychiatric Ward Is To Store It In The Gap Where Your Missing Tooth Used To Be
2013
Acrylic and oil on canvas
70 7/8 x 55 1/8 in. (180 x 140 cm)
Photo: Jack Hems

Spread Your Anus. Spread It. Yes, Like That, Out Wide. Wider. Wider Still. Wonderful, Thank You. - Eddie Peake - 2013 - 73357

Spread Your Anus. Spread It. Yes, Like That, Out Wide. Wider. Wider Still. Wonderful, Thank You.
2013
Acrylic and oil on canvas
70 7/8 x 55 1/8 in. (180 x 140 cm)
Photo: Jack Hems

You Can't Fuck Me Like The Other Men I See - Your Dick Is Neither As Big Nor As Hard - Eddie Peake - 2016 - 114873

You Can't Fuck Me Like The Other Men I See - Your Dick Is Neither As Big Nor As Hard
2016
Spray paint on canvas
39 3/8 x 55 1/8 x 1 3/8 in. (100 x 140 x 3.5 cm)
Photo: White Cube (Todd-White Art Photography)

Beat My Pussy Up - Eddie Peake - 2016 - 114871

Beat My Pussy Up
2016
Spray paint on canvas
39 3/8 x 55 1/8 x 1 3/8 in. (100 x 140 x 3.5 cm)
Photo: White Cube (Todd-White Art Photography)

Two Ladies Feeling Themselves And Knowing Everyone Else Is Feeling Them Too - Eddie Peake - 2015 - 110826

Two Ladies Feeling Themselves And Knowing Everyone Else Is Feeling Them Too
2015
Lacquered spray paint on canvas
43 7/8 x 55 1/8 in. (111.5 x 140 cm)
Photo: White Cube (Ben Westoby)

Two Ladies Remaining Calm - Eddie Peake - 2015 - 110824

Two Ladies Remaining Calm
2015
Lacquered spray paint on canvas
39 3/8 x 55 1/8 in. (100 x 140 cm)
Photo: White Cube (George Darrell)

Anus (Spiral) - Eddie Peake - 2015 - 110822

Anus (Spiral)
2015
Lacquered spray paint on canvas
39 9/16 x 55 5/16 in. (100.5 x 140.5 cm)
Photo: White Cube (Ben Westoby)

Harmony And Discord - Eddie Peake - 2015 - 99657

Harmony And Discord
2015
Spray paint, resin and clothes on aluminium panel
77 3/4 x 117 1/4 in. (197.5 x 297.8 cm)
Photo: White Cube (George Darrell)

Crew - Eddie Peake - 2015 - 99659

Crew
2015
Spray paint, resin and clothes on aluminium panel
77 9/16 x 51 3/16 in. (197 x 130 cm)
Photo: White Cube (George Darrell)

Politics, Eh? - Eddie Peake - 2015 - 106300

Politics, Eh?
2015
Spray paint, resin and clothes on aluminium panel
77 3/4 x 51 3/8 in. (197.5 x 130.5 cm)
Photo: White Cube (George Darrell)

Cowbell Headbonk Sound Effect Part One
'Performance as Publishing: Take 1', Eastside Projects, Birmingham, UK - Eddie Peake - 4 March 2016 - 116203

Cowbell Headbonk Sound Effect Part One
'Performance as Publishing: Take 1', Eastside Projects, Birmingham, UK
4 March 2016
Performance with two dancers and a violinist
Performers: Christine Cornwell, violinist, Emma Fisher, performer
Photo: Nicole Bachmann

Cowbell Headbonk Sound Effect Part One
'Performance as Publishing: Take 1', Eastside Projects, Birmingham, UK - Eddie Peake - 4 March 2016 - 116212

Cowbell Headbonk Sound Effect Part One
'Performance as Publishing: Take 1', Eastside Projects, Birmingham, UK
4 March 2016
Performance with two dancers and a violinist
Performers: Christine Cornwell, violinist, Emma Fisher, performer
Photo: Nicole Bachmann

Cowbell Headbonk Sound Effect Part One
'Performance as Publishing: Take 1', Eastside Projects, Birmingham, UK - Eddie Peake - 4 March 2016 - 116229

Cowbell Headbonk Sound Effect Part One
'Performance as Publishing: Take 1', Eastside Projects, Birmingham, UK
4 March 2016
Performance with two dancers and a violinist
Performers: Christine Cornwell, violinist, Emma Fisher, performer
Photo: Nicole Bachmann

Cowbell Headbonk Sound Effect Part One
'Performance as Publishing: Take 1', Eastside Projects, Birmingham, UK - Eddie Peake - 4 March 2016 - 116217

Cowbell Headbonk Sound Effect Part One
'Performance as Publishing: Take 1', Eastside Projects, Birmingham, UK
4 March 2016
Performance with two dancers and a violinist
Performers: Christine Cornwell, violinist, Emma Fisher, performer
Photo: Nicole Bachmann

Cowbell Headbonk Sound Effect Part One
'Performance as Publishing: Take 1', Eastside Projects, Birmingham, UK - Eddie Peake - 4 March 2016 - 116216

Cowbell Headbonk Sound Effect Part One
'Performance as Publishing: Take 1', Eastside Projects, Birmingham, UK
4 March 2016
Performance with two dancers and a violinist
Performers: Christine Cornwell, violinist, Emma Fisher, performer
Photo: Nicole Bachmann

Cowbell Headbonk Sound Effect Part One
'Performance as Publishing: Take 1', Eastside Projects, Birmingham, UK - Eddie Peake - 4 March 2016 - 116204

Cowbell Headbonk Sound Effect Part One
'Performance as Publishing: Take 1', Eastside Projects, Birmingham, UK
4 March 2016
Performance with two dancers and a violinist
Performers: Christine Cornwell, violinist, Emma Fisher, performer
Photo: Nicole Bachmann

Devastatingly Insecure And Socially Inept Jpeg - Eddie Peake - 2014 - 99546

Devastatingly Insecure And Socially Inept Jpeg
2014
Painted rolled steel, acrylic, spray paint, expanding foam, diary and shoe
74 13/16 x 39 3/8 x 39 3/8 in. (190 x 100 x 100 cm)
Photo: White Cube (Prudence Cuming Associates Ltd)

Devastatingly Insecure And Socially Inept Jpeg - Eddie Peake - 2014 - 99547

Devastatingly Insecure And Socially Inept Jpeg (detail)
2014
Painted rolled steel, acrylic, spray paint, expanding foam, diary and shoe
74 13/16 x 39 3/8 x 39 3/8 in. (190 x 100 x 100 cm)
Photo: White Cube (Prudence Cuming Associates Ltd)

Ogni Giorno Vado Al Bar E Ogni Giorno Non C' Nessuno - Eddie Peake - 2015 - 102451

Ogni Giorno Vado Al Bar E Ogni Giorno Non C' Nessuno
2015
Painted acrylic with hand-knitted mohair scarf
89 3/4 x 53 15/16 x 7 7/8 in. (228 x 137 x 20 cm)
Photo: White Cube (George Darrell)

On The Front Doorstep: Don't Just Watch Them Pass. Look, If Ever There Were A Moment To Slap Him In The Mouth, That Was It. - Eddie Peake - 2013 - 88978

On The Front Doorstep: Don't Just Watch Them Pass. Look, If Ever There Were A Moment To Slap Him In The Mouth, That Was It.
2013
Painted acrylic
Dimensions variable
Photo: White Cube (Jack Hems)

Cowbell Headbonk Sound Effect Part Two
'Performance as Publishing: Take 2', Eastside Projects, Birmingham, UK - Eddie Peake - 1 April 2016 - 116185

Cowbell Headbonk Sound Effect Part Two
'Performance as Publishing: Take 2', Eastside Projects, Birmingham, UK
1 April 2016
A performance with two dancers and a violinist
Performers: Christine Cornwell, violinist, Emma Fisher, performer
Photo: Nicole Bachmann

Cowbell Headbonk Sound Effect Part Two
'Performance as Publishing: Take 2', Eastside Projects, Birmingham, UK - Eddie Peake - 1 April 2016 - 116168

Cowbell Headbonk Sound Effect Part Two
'Performance as Publishing: Take 2', Eastside Projects, Birmingham, UK
1 April 2016
A performance with two dancers and a violinist
Performers: Christine Cornwell, violinist, Emma Fisher, performer
Photo: Nicole Bachmann

Cowbell Headbonk Sound Effect Part Two
'Performance as Publishing: Take 2', Eastside Projects, Birmingham, UK - Eddie Peake - 1 April 2016 - 116191

Cowbell Headbonk Sound Effect Part Two
'Performance as Publishing: Take 2', Eastside Projects, Birmingham, UK
1 April 2016
A performance with two dancers and a violinist
Performers: Christine Cornwell, violinist, Emma Fisher, performer
Photo: Nicole Bachmann

Cowbell Headbonk Sound Effect Part Two
'Performance as Publishing: Take 2', Eastside Projects, Birmingham, UK - Eddie Peake - 1 April 2016 - 116173

Cowbell Headbonk Sound Effect Part Two
'Performance as Publishing: Take 2', Eastside Projects, Birmingham, UK
1 April 2016
A performance with two dancers and a violinist
Performers: Christine Cornwell, violinist, Emma Fisher, performer
Photo: Nicole Bachmann

Cowbell Headbonk Sound Effect Part Two
'Performance as Publishing: Take 2', Eastside Projects, Birmingham, UK - Eddie Peake - 1 April 2016 - 116171

Cowbell Headbonk Sound Effect Part Two
'Performance as Publishing: Take 2', Eastside Projects, Birmingham, UK
1 April 2016
A performance with two dancers and a violinist
Performers: Christine Cornwell, violinist, Emma Fisher, performer
Photo: Nicole Bachmann

Cowbell Headbonk Sound Effect Part Two
'Performance as Publishing: Take 2', Eastside Projects, Birmingham, UK - Eddie Peake - 1 April 2016 - 116165

Cowbell Headbonk Sound Effect Part Two
'Performance as Publishing: Take 2', Eastside Projects, Birmingham, UK
1 April 2016
A performance with two dancers and a violinist
Performers: Christine Cornwell, violinist, Emma Fisher, performer
Photo: Nicole Bachmann

Cowbell Headbonk Sound Effect Part Two
'Performance as Publishing: Take 2', Eastside Projects, Birmingham, UK - Eddie Peake - 1 April 2016 - 115226

Cowbell Headbonk Sound Effect Part Two
'Performance as Publishing: Take 2', Eastside Projects, Birmingham, UK
1 April 2016
A performance with two dancers and a violinist
Performers: Christine Cornwell, violinist, Emma Fisher, performer
Photo: Nicole Bachmann

Let Me Whip That For You - Eddie Peake - 2014 - 94263

Let Me Whip That For You
2014
Lacquered spray paint on polished stainless steel
39 3/8 x 55 1/8 in. (100 x 140 cm)
Photo: Jack Hems

Still Life With Four Bananas, An Apple And A Turd - Eddie Peake - 2014 - 90540

Still Life With Four Bananas, An Apple And A Turd
2014
Lacquered spray paint on polished stainless steel
39 3/8 x 55 1/8 in. (100 x 140 cm)
Photo: Ben Westoby

Silent Listeners - Eddie Peake - 2015 - 107781

Silent Listeners
2015
Lacquered spray paint on polished stainless steel
39 3/8 x 55 1/8 in. (100 x 140 cm)
Photo: White Cube (George Darrell)

Lives With Feral People - Eddie Peake - 2014 - 90542

Lives With Feral People
2014
Lacquered spray paint on polished stainless steel
39 3/8 x 55 1/8 in. (100 x 140 cm)
Photo: Ben Westoby

Just Want To Rave Everyday - Eddie Peake - 2014 - 102023

Just Want To Rave Everyday
2014
Lacquered spray paint on polished stainless steel
39 3/8 x 55 1/8 in. (100 x 140 cm)
Photo: White Cube (Ben Westoby)

Eddie Freak (Abstract Lines) - Eddie Peake - 2014 - 102022

Eddie Freak (Abstract Lines)
2014
Lacquered spray paint on polished stainless steel
39 3/8 x 27 9/16 in. (100 x 70 cm)
Photo: White Cube (Ben Westoby)

Diagonal Lines With Spiral - Eddie Peake - 2014 - 94269

Diagonal Lines With Spiral
2014
Lacquered spray paint on polished stainless steel
39 3/8 x 55 1/8 in. (100 x 140 cm)
Photo: Jack Hems

Endymion - Eddie Peake - 2013 - 79713

Endymion
Performance commissioned by Performa 13
Swiss Institute
New York
14 November 2013
Photo: Jon Lowe

Endymion - Eddie Peake - 2013 - 79716

Endymion
Performance commissioned by Performa 13
Swiss Institute
New York
14 November 2013
Photo: Jon Lowe

Endymion - Eddie Peake - 2013 - 79717

Endymion
Performance commissioned by Performa 13
Swiss Institute
New York
14 November 2013
Photo: Jon Lowe

Endymion - Eddie Peake - 2013 - 79720

Endymion
Performance commissioned by Performa 13
Swiss Institute
New York
14 November 2013
Photo: Jon Lowe

Endymion - Eddie Peake - 2013 - 79721

Endymion
Performance commissioned by Performa 13
Swiss Institute
New York
14 November 2013
Photo: Jon Lowe

Endymion - Eddie Peake - 2013 - 79723

Endymion
Performance commissioned by Performa 13
Swiss Institute
New York
14 November 2013
Photo: Jon Lowe

Endymion - Eddie Peake - 2013 - 79722

Endymion
Performance commissioned by Performa 13
Swiss Institute
New York
14 November 2013
Photo: Jon Lowe

Handschmeichler 18, (Hates Hearing People Recount Their Dreams Because It Is Seldom Not Boring) - Eddie Peake - 2015 - 114520

Handschmeichler 18, (Hates Hearing People Recount Their Dreams Because It Is Seldom Not Boring)
2015
Upholstered leather panel, artificial fruit and vegetables, tissues and semen, plaster and scrim armature, bronze, painted and lacquered steel, polyurethane rubber
13 3/8 x 33 1/16 x 25 9/16 in. (34 x 84 x 65 cm)
Photo: White Cube (George Darrell)

Handschmeichler 20, (Reebok Classics) - Eddie Peake - 2015 - 114522

Handschmeichler 20, (Reebok Classics)
2015
Upholstered leather panel, artificial fruit and vegetables, tissues and semen, plaster and scrim armature, bronze, painted and lacquered steel, polyurethane rubber
13 3/8 x 33 1/16 x 25 9/16 in. (34 x 84 x 65 cm)
Photo: White Cube (George Darrell)

Handschmeichler 17 (Voraciously Sucks Large Cock Only) - Eddie Peake - 2015 - 102540

Handschmeichler 17 (Voraciously Sucks Large Cock Only)
2015
Painted aluminum, timber, foam, leather, bronze, plastic and scrim armature, plaster
66 15/16 x 15 3/4 x 13 3/4 in. (170 x 40 x 35 cm)
Photo: White Cube (Prudence Cuming Associates Ltd)

Handschmeichler 17 (Voraciously Sucks Large Cock Only) - Eddie Peake - 2015 - 104226

Handschmeichler 17 (Voraciously Sucks Large Cock Only)
2015
Painted aluminum, timber, foam, leather, bronze, plastic and scrim armature, plaster
66 15/16 x 15 3/4 x 13 3/4 in. (170 x 40 x 35 cm)

Handschmeichler 17 (Voraciously Sucks Large Cock Only) - Eddie Peake - 2015 - 104227

Handschmeichler 17 (Voraciously Sucks Large Cock Only)
2015
Painted aluminum, timber, foam, leather, bronze, plastic and scrim armature, plaster
66 15/16 x 15 3/4 x 13 3/4 in. (170 x 40 x 35 cm)
Photo: White Cube (Prudence Cuming Associates Ltd)

Handschmeichler 17 (Voraciously Sucks Large Cock Only) - Eddie Peake - 2015 - 104228

Handschmeichler 17 (Voraciously Sucks Large Cock Only)
2015
Painted aluminum, timber, foam, leather, bronze, plastic and scrim armature, plaster
66 15/16 x 15 3/4 x 13 3/4 in. (170 x 40 x 35 cm)
Photo: White Cube (Prudence Cuming Associates Ltd)

Infinite Disparity - Eddie Peake - 2013 - 64799

Infinite Disparity
Inside the White Cube, White Cube Bermondsey
6 March - 21 April 2013
Photo: Ben Westoby

Infinite Disparity - Eddie Peake - 2013 - 64797

Infinite Disparity
Inside the White Cube, White Cube Bermondsey
6 March - 21 April 2013
Photo: Ben Westoby

Infinite Disparity - Eddie Peake - 2013 - 64796

Infinite Disparity
Inside the White Cube, White Cube Bermondsey
6 March - 21 April 2013
Photo: Ben Westoby

Infinite Disparity - Eddie Peake - 2013 - 65809

Infinite Disparity
2013
Performance
Dimensions variable

Infinite Disparity - Eddie Peake - 2013 - 65808

Infinite Disparity
2013
Performance
Dimensions variable
Photo: Ben Westoby

Infinite Disparity - Eddie Peake - 2013 - 65807

Infinite Disparity
2013
Performance
Dimensions variable
Photo: Ben Westoby

Infinite Disparity - Eddie Peake - 2013 - 65806

Infinite Disparity
2013
Performance
Dimensions variable
Photo: Ben Westoby

Infinite Disparity - Eddie Peake - 2013 - 65805

Infinite Disparity
2013
Performance
Dimensions variable
Photo: Ben Westoby

Infinite Disparity - Eddie Peake - 2013 - 65804

Infinite Disparity
2013
Performance
Dimensions variable
Photo: Ben Westoby

Infinite Disparity - Eddie Peake - 2013 - 65803

Infinite Disparity
2013
Performance
Dimensions variable
Photo: Ben Westoby

Infinite Disparity - Eddie Peake - 2013 - 65802

Infinite Disparity
2013
Performance
Dimensions variable
Photo: Ben Westoby

Infinite Disparity - Eddie Peake - 2013 - 65801

Infinite Disparity
2013
Performance
Dimensions variable
Photo: Ben Westoby

Infinite Disparity - Eddie Peake - 2013 - 65800

Infinite Disparity
2013
Performance
Dimensions variable
Photo: Ben Westoby

Infinite Disparity - Eddie Peake - 2013 - 65799

Infinite Disparity
2013
Performance
Dimensions variable
Photo: Ben Westoby

Crushingly Hopeless - Eddie Peake - 2013 - 60736

Crushingly Hopeless
2013
39 3/8 x 55 1/8 x 1 15/16 in. (100 x 140 x 5 cm)
Lacquered spray paint on polished stainless steel
Photo: Ben Westoby

Don't Think You're Too Nice - Eddie Peake - 2013 - 60990

Don't Think You're Too Nice
2013
39 3/8 x 55 1/8 x 1 15/16 in. (100 x 140 x 5 cm)
Lacquered spray paint on polished stainless steel
Photo: Ben Westoby

Draw For Your Leng - Eddie Peake - 2013 - 60725

Draw For Your Leng
2013
39 3/8 x 27 9/16 x 1 15/16 in. (100 x 70 x 5 cm)
Lacquered spray paint on polished stainless steel

Haywire Spine Flower - Eddie Peake - 2013 - 60992

Haywire Spine Flower
2013
39 3/8 x 55 1/8 x 1 15/16 in. (100 x 140 x 5 cm)
Lacquered spray paint on polished stainless steel

'Adjective Machine Gun', Inside the White Cube, North Galleries, Bermondsey, London - Eddie Peake - 6 March - 21 April 2013 - 63653

Adjective Machine Gun
Inside the White Cube, White Cube Bermondsey
6 March - 21 April 2013
Photo: Ben Westoby

'Adjective Machine Gun', Inside the White Cube, North Galleries, Bermondsey, London - Eddie Peake - 6 March - 21 April 2013 - 63713

Adjective Machine Gun
Inside the White Cube, White Cube Bermondsey
6 March - 21 April 2013
Photo: Ben Westoby

'Adjective Machine Gun', Inside the White Cube, North Galleries, Bermondsey, London - Eddie Peake - 6 March - 21 April 2013 - 63656

Adjective Machine Gun
Inside the White Cube, White Cube Bermondsey
6 March - 21 April 2013
Photo: Ben Westoby

'Adjective Machine Gun', Inside the White Cube, North Galleries, Bermondsey, London - Eddie Peake - 6 March - 21 April 2013 - 63712

Adjective Machine Gun
Inside the White Cube, White Cube Bermondsey
6 March - 21 April 2013

Chain Smoking Rollies Made By The Young Man She Recently Befriended 3 - Eddie Peake - 2013 - 62647

Chain Smoking Rollies Made By The Young Man She Recently Befriended 3
2013
78 3/4 x 78 3/4 in. (200 x 200 cm)
Spray paint on canvas
Photo: Ben Westoby

Giving Herself A Caesarian Section 3 - Eddie Peake - 2012 - 59413

Giving Herself A Caesarian Section 3
2012
78 3/4 x 78 3/4 in. (200 x 200 cm)
Spray paint on canvas

Chain Smoking Rollies Made By The Young Man She Recently Befriended 2 - Eddie Peake - 2013 - 62649

Chain Smoking Rollies Made By The Young Man She Recently Befriended 2
2013
78 3/4 x 78 3/4 in. (200 x 200 cm)
Spray paint on canvas
Photo: Ben Westoby

Giving Herself A Caesarian Section 7 - Eddie Peake - 2012 - 59421

Giving Herself A Caesarian Section 7
2012
78 3/4 x 78 3/4 in. (200 x 200 cm)
Spray paint on canvas
Photo: Ben Westoby

Giving Herself A Caesarian Section 4 - Eddie Peake - 2012 - 59415

Giving Herself A Caesarian Section 4
2012
78 3/4 x 78 3/4 in. (200 x 200 cm)
Spray paint on canvas

Baroque Tedium - Eddie Peake - 2013 - 60994

Baroque Tedium
2013
17 1/8 x 17 5/16 x 1 15/16 in. (43.5 x 44 x 5 cm)
Neon
Photo: Ben Westoby

The Baddest Badman - Eddie Peake - 2013 - 60292

The Baddest Badman
2013
44 1/2 x 53 9/16 x 2 3/8 in. (113 x 136 x 6 cm)
Neon and custom-made viscose scarf
Photo: Ben Westoby

'Creating And Collapsing a Drama, or How It Must Feel To Be An Ill Dog Wearing One Of Those Plastic Head Funnels', David Roberts Art Foundation, London - Eddie Peake - 11 October 2012 - 64810

Creating And Collapsing a Drama, or How It Must Feel To Be An Ill Dog Wearing One Of Those Plastic Head Funnels
David Roberts Art Foundation, London
11 October 2012
Photo: Mark Blower

'Creating And Collapsing a Drama, or How It Must Feel To Be An Ill Dog Wearing One Of Those Plastic Head Funnels', David Roberts Art Foundation, London - Eddie Peake - 11 October 2012 - 64809

Creating And Collapsing a Drama, or How It Must Feel To Be An Ill Dog Wearing One Of Those Plastic Head Funnels
David Roberts Art Foundation, London
11 October 2012
Photo: Mark Blower

'Creating And Collapsing a Drama, or How It Must Feel To Be An Ill Dog Wearing One Of Those Plastic Head Funnels', David Roberts Art Foundation, London - Eddie Peake - 11 October 2012 - 64808

Creating And Collapsing a Drama, or How It Must Feel To Be An Ill Dog Wearing One Of Those Plastic Head Funnels
David Roberts Art Foundation, London
11 October 2012
Photo: Mark Blower

Arsonist - Eddie Peake - 2013 - 60277

Arsonist
2013
Overall dimensions: 55 7/8 x 135 1/4 x 1 in. (142 x 343.5 x 2.5 cm)
Three black and white posters and four oil on wood paintings
Photo: Ben Westoby

Ribcage - Eddie Peake - 2013 - 60518

Ribcage
2013
Overall dimensions: 35 1/4 x 46 7/16 x 1 in. (89.5 x 118 x 2.5 cm)
Black and white poster and oil on wood painting
Photo: Ben Westoby

Tangling In Hair - Eddie Peake - 2013 - 60522

Tangling In Hair
2013
Overall dimensions: 42 15/16 x 94 7/8 x 1 in. (109 x 241 x 2.5 cm)
Two black and white posters and three oil on wood paintings
Photo: Ben Westoby

'Amidst A Sea of Flailing High Heels And Cooking Utensils, part 1', The Tanks at Tate Modern, London - Eddie Peake - 21 July 2012 - 64807

Amidst A Sea of Flailing High Heels And Cooking Utensils, part 1
The Tanks at Tate Modern, London
21 July 2012
Photo: Damian Jaques

'Amidst A Sea of Flailing High Heels And Cooking Utensils, part 1', The Tanks at Tate Modern, London - Eddie Peake - 21 July 2012 - 64806

Amidst A Sea of Flailing High Heels And Cooking Utensils, part 1
The Tanks at Tate Modern, London
21 July 2012
Photo: Damian Jaques

'Amidst A Sea of Flailing High Heels And Cooking Utensils, part 2', Chisenhale Art Gallery, London - Eddie Peake - 26 July 2012 - 64803

Amidst A Sea of Flailing High Heels And Cooking Utensils, part 2
Chisenhale Art Gallery, London
26 July 2012
Photo: Damian Jaques

'Amidst A Sea of Flailing High Heels And Cooking Utensils, part 2', Chisenhale Art Gallery, London - Eddie Peake - 26 July 2012 - 64802

Amidst A Sea of Flailing High Heels And Cooking Utensils, part 2
Chisenhale Art Gallery, London
26 July 2012
Photo: Damian Jaques

'The Loving Clutches of My Hands', Southard Reid, London - Eddie Peake - 2011 (dates to be confirmed) - 64813

The Loving Clutches of My Hands
Southard Reid, London
2011
Photo: Damian Jaques

'The Loving Clutches of My Hands', Southard Reid, London - Eddie Peake - 2011 (dates to be confirmed) - 64812

The Loving Clutches of My Hands
Southard Reid, London
2011
Photo: Damian Jaques

'The Loving Clutches of My Hands', Southard Reid, London - Eddie Peake - 2011 (dates to be confirmed) - 64811

The Loving Clutches of My Hands
Southard Reid, London
2011

'Touch', Royal Academy, London - Eddie Peake - 1 March 2012 - 64805

Touch
Royal Academy, London
1 March 2012

'Touch', Royal Academy, London - Eddie Peake - 1 March 2012 - 64804

Touch
Royal Academy, London
1 March 2012

'Dem', Cell Project Space, London - Eddie Peake - Year to be confirmed - 64801

Dem
Cell Project Space, London

'Dem', Cell Project Space, London - Eddie Peake - Year to be confirmed - 64800

Dem
Cell Project Space, London

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