Print

Bibiliography


Monographs, solo exhibition catalogues and artist books

  • Fred Tomaselli (White Cube, James Cohan Gallery, London 2009); text by Katy Siegel
  • Fred Tomaselli (DelMonico Books, Prestel, Aspen Art Museum, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College 2009); essays by Heidi Zuckerman Jacobson, Linda Norden and David Shields
  • Sweeney, Karen, Fred Tomaselli: Monsters of Paradise (brochure, Irish Museum of Modern Art, Dublin, Ireland 2005)
  • Fred Tomaselli: Ten Year Survey (exh. catalogue, Palm Beach Institute of Contemporary Art, Florida, 2001); essay by Amy Cappellazzo, short story by Rick Moody
  • Greene, David and Alisa Tager, Fred Tomaselli (exh. Cat., Santa Monica: Christopher Grimes Gallery and Smart Art Press 1995)
  • Faust, Gretchen, Fred Tomaselli and the Will to Technology: External Revolution, Internal Revelation (exh. Cat., New York: White Columns 1991)


General publications and group exhibition catalogues

  • Fuenmayor, Jesús (ed.) Impulse, Reason, Sense, Conflict: Abstract are from the Ella Fontanals-Cisneros Collection December 3, 2014-March 29 2015 (Cisneros Fontanals Art Foundation CIFO 2014)
  • Collecting Ideas: Modern & Contemporary Works (Denver Art Museum, USA 2013)
  • Zabolotna, Nataliia and David Elliott (eds.), Arsenale 2012: The best of times, the worst of times (The first KYIV International Biennale of Contemporary Art, Mystetskyi, Ukraine 2012)
  • Rosenthal, Mark, Marla Prather, Ian Alteveer and Rebecca Lowery, Regarding Warhol sixty artists fifty years (The Metropolitan Museum of Art, New York 2012)
  • Petry, Michael, The art of not making: the new artist /artisan relationship (Thames & Hudson, London 2011)
  • Hoffmann, Jens, Painting between the lines, (CCA Wattis Institute for Contemporary Arts, San Francisco, 2011); Texts by Jana Blankeship, Claire Fitzsimmons, and Jens Hoffmann
  • McCormack, Seamus (ed.), Traces: IMMA Limited Editions (Irish Museum of Modern Art, Dublin 2009); texts by Christina Kennedy and Seamus McCormack
  • Sven Bjerkhof (ed.), Reality check (Copenhagen Statens Museum for Kunst, Copenhagen, 2008)
  • O’Reilly, Sally, Collage: assembling Contemporary Art (London, Black Dog Publishing, 2008)
  • Pipes, Alan, foundations of art + design (Laurence King Publishing Ltd, London, 2008)
  • Miller, Harland, You dig the tunnel, I’ll hide the soil (Jay Jopling / White Cube, London, 2008)
  • Thorne, Micheal and Steven Klein, Biological psychology (New York: Worth Publishers, 2006)
  • Richer, Francesa and Matthew Rosenzweig, No.1: first works by 362 artists (New York: DAP, 2006)
  • Mark, Lisa, ed., Ecstasy: in and about altered states (exhibition catalogue, The Museum of Contemporary Art, Los Angeles, CA, 2005);essays by Carolyn Christov-Bakargiev, Diedrich Diedrichsen, Chrissie Iles, Lars Bang Larsen, Midori Matsui, and Paul Schimmel
  • Pagel, David and Terrie Sultan, POPulence (exhibition catalogue, Blaffer Gallery, the Art Museum of the University of Houston, TX, 2005)
  • Gregg Duggan, Ginger and Judith Hoos Fox, Over + over: passion for process (exhibition catalogue, Krannert Art Museum, University of Illinois at Urbana-Champaign, Champaign, IL, 2005); texts by Ginger Gregg Duggan, Judith Hoos Fox and Judith L. Rapoport, M.D)
  • Maurizio Cannavacciuolo (exhibition catalogue Isabella Stewart Gardner Museum, Boston, MA, 2005); introduction by Anne Hawley, texts by Marcia E. Vetrocq, Maurizio Cannavacciuolo and Pieranna Cavalchini
  • COLLAGE signs & surfaces (exhibition catalogue, Pavel Zoubok Gallery, New York, NY, 2005); introduction by Pavel Zoubok, texts by Brandon Taylor and Thomas Piché, Jr
  • Kimmelman, Michael, ‘A mind-bending head trip (All Legal)’, The New York Times, Weekend Arts, 4 November 2005
  • Giovannotti, Micaela and Joyce B. Korotkin, Neo Baroque! (catalogue, Milan: Charta Editions, 2005); roundtable with S.M. Momin, R. Storr and artists A. Rockman and N. Verlato
  • Flower myth: Vincent van Gogh to Jeff Koons (catalogue, Riehen/Basel: Fondation Beyeler, 2005); texts by Ernst Beyeler Christoph Vitali, Robert Kopp, Philippe Büttner and Ulf Küster
  • Robertson, Jean and Craig McDaniel, Themes of Contemporary Art: Visual Art After 1980 (New York: Oxford University Press, 2005)
  • The flower as image (catalogue Louisiana Museum of Modern Art, Humlebaek, Denmark, 2004) texts by Michael Juul Holm, Ernst Jonas Bencard and Poul Erik Tøjner
  • Rubin, David S., ed. Birdspace: A Post-Audubon Aviary (Contemporary Arts Center, New Orleans, 2004)
  • Material Evidence: Artists Revisit Process (Bellevue Art Museum, Washington 2003)
  • Ceruti, Mary et al., The paper sculpture book (catalogue Cabinet Magazine, ICI, and Sculpture Center, New York); texts by Mary Ceruty, Matt Freedman, Sina Najafi and Frances Richard
  • Happiness: a survival focus guide for art and life (catalogue, Mori Art Museum, Japan); edited by David Elliot
  • Foye, Raymond, The Heavenly tree grows downward: selected works by Harry Smith, Philip Taaffe, and Fred Tomaselli (Exh. Catalogue, James Cohan Gallery, New York, 2002)
  • Psychodrome (exh. catalogue, Joan Miró Foundation, Barcelona, Spain 2002); texts by Geazia Quaroni, David Renaud and Michel Gauthier
  • Grunenberg, Christoph., International Liverpool Biennial (exhibition. Catalogue, Tate Liverpool, Liverpool, England, 2002)
  • The Americans: new art (exhibition. catalogue, Barbican Gallery, London 2001, pp. 197-205)
  • Burkard, Lene and Cameron, Dan, Patterns: between object and arabesque (exhibition catalogue, Kunsthallen Brandts Klaedefabrik, Odense, Denmark 2001)
  • Klein, Richards and Lawrence Russ, Art at the edge of the law (exhibition catalogue, Aldrich Museum of Contemporary Art, Ridgefield, CT 2001)
  • Volk, Gregory, Fred Tomaselli (exhibition Catalogue, James Cohan Gallery, New York 2000)
  • Volk, Gregory and Sabine Russ, International house and garden (exhibition Cat., Pusan Contemporary Arts Museum, Pusan, Korea 1999)
  • Blinderman, Barry and Tom Moody, Post-Hypnotic, (exh. Cat., Indiana State University, Normal, pp. 90-92, 1999)
  • Rondeau, James, Interview with Fred Tomaselli, in Fred Tomaselli (exh. Cat., Galerie Gebauer, Berlin, 1999)
  • Tsai, Eugenie, Gravity’s rainbow (exh. Cat., Whitney Museum of American Art at Philip Morris, New York 1999)
  • Marcoci, Roxana, Diana Murphy and Eve Sinaiko, New Art (New York: Abrams Publishing 1997)
  • Hoshino, Stacy and Cynthia Roznoy, Animal tales, contemporary bestiary and animal painting (exh. Cat., Stamford: Whitney Museum of American Art at Champion 1997)
  • Meyers-Kingley, Dara, Luminous bodies (exh. Cat., Brooklyn: The Rotunda Gallery 1996)
  • Fragments (exh. Cat., Barcelona: Museo Arte Contemporaneo, 1996)
  • Multiple Identity: American Art at the Whitney Museum 1975-1995 (exhibition catalogue, Whitney Museum of American Art, New York, 1996); essays by David Ross, Ida Gianelli, and Johanna Drucker
  • Rubin, David S, It’s only rock and roll: rock and roll currents in Contemporary Art (exh. Cat., Phoenix Museum of Art, 1995)
  • Pittura / immediata: Malerei inden 90er Jahren (exh. Cat., Austria: Neue Galerie am Landesmuseum Joanneum Graz, 1995)
  • Rappenecker, Gert, Jet Lag (exhibition essay, Frankfurt: Galerie Martina Detterer, 1994)
  • Weaver, Suzanne, Recycling reconsidered (exh. Cat., Indianapolis Museum of Art Smith, Roberta, 1994)
  • Avgikos, Jan, Here where we are not (exhibition essay, New York: Creative Time, 1990)
  • Butler, Cornelia, Searching for beauty, finding damage, in Artist’s Space Project Room (exh. Cat., New York: Artist’s Space, 1990)
  • Friis-Hansen, Dana, What, then is time? Looking inside clockwork in Clockworks! (exh. Cat., Cambridge, M.I.T. Press, 1989)
  • Kline, Katy, Artists in the Exhibition, in Clockworks! (exh. Cat., Cambridge, M.I.T. Press, 1989)
  • Rubin, David S. Motorized Sculpture (exh. Cat., Reading: Albright College, 1988)


Newspaper and magazine articles

  • The Art Economist, ‘Profiles’, The Art Economist, Volume 1, Issue 2, 2011, pp.34
  • Taft, Catherine, ‘Fred Tomaselli – Aspen Art Museum’, Art Forum International, November 2009, p.238-239
  • Belcove, Julie, ‘Tomaselli’, Wmagazine, July 2009, pp.70-79
  • Shaw, Anny, ‘Fred Tomaselli’, Art World, June-July 2009, pp.88-91
  • Ward, Ossian, ‘Fred Tomaselli,’ Time Out, 30 April – 6 May 2009, p.47
  • Pill, Steve, ‘He doesn’t really have a magic eye,’ Metrolife, 1 April 2009, p.27
  • Lack, Jessica, ‘Fred Tomaselli,’ The Guardian Guide, 28 March – 3 April 2009, p.38
  • Lack, Jessica, ‘Exhibition preview: Fred Tomaselli, London,’ The Guardian, 28 March 2009
  • Hustvedt, Siri and Fred Tomaselli, ‘Magic Realism’, Another Magazine, Autumn-Winter 2007, Vol.13, pp.414-425
  • Korotkin, Joyce, "Fred Tomaselli at James Cohan Gallery," Tema Celeste, January – February 2007
  • Douglas, Sarah, ‘A new high’, Art & Auction, January 2007
  • Shushan, Ronnie, ‘The slipperiness of reality’, Spirituality & Health Magazine, November-December 2006
  • Greben, Deidre Stein, ‘How bloopers become breakthroughs’, ArtNews, November 2006
  • Kastner, Jeffrey, ‘Art in review: Fred Tomaselli at James Cohan Gallery’, The New York Times, 3 November 2006
  • Valdez, Sarah, ‘Fred Tomaselli’, Paper Magazine, 3 November 2006
  • Ayers, Robert, ‘The AI interview: Fred Tomaselli’, ARTINFO, 25 October 2006
  • O’Neill-Butler, Lauren, ‘Critics’ picks: Fred Tomaselli’, ArtForum, 14 October 2006
  • Baker, R.C., ‘Best in show: black on blonde’, The Village Voice, 27 October 2006
  • Cohen, David, ‘Paint by numbers’, The New York Sun, 12 October 2006
  • Spears, Dorothy, ‘Where art imitates gardening (and vice versa)’, The New York Times, 8 October 2006
  • MacMillan, Kyle, ‘A space befitting the Logans’ Holdings’, The Denver Post, 5 October 2006
  • Margolis, Janet, ‘Is it real or is it ecstasy?’, Art and Living Magazine, 2006,
  • Un-authored, ‘Fred Tomaselli: new paintings’, Dwell Magazine, October 2006
  • Rosenberg, Karen, ‘Fred Tomaselli at James Cohan Gallery’, New York Magazine, 4-11 September 006
  • Mullarky, Maureen, ‘Einvigorating landscape Painting’, The New York Sun, 29 June 2006
  • Von Siemens, Carl, ‘The hyper-reality of rubber pyramids: Fred Tomaselli’, sleek, 23 June 2006
  • Cole, Lily, ‘Throngs of praise’, Blueprint, March 2006
  • Dube, Ilene, ‘Bzzz’, TimeOFF, 20 December 2005
  • Fallon, Roberta, ‘Global swimming’, Philadelphia Weekly, 14 December 2005
  • Phillips, Tom, ‘Review: swarm, Philadelphia USA’, grafik, February 2006
  • Rice, Robin, ‘Hive Talkin’: The art and science of the swarm’, Philadelphia City Paper, 23 February 2006
  • McQuaid, Cate, ‘Lewitt meets his match in two strong exhibitions’, The Boston Globe, Art Review, 14 October 2005
  • Lord, Jennifer, ‘Art from the inside out’, MetroWest Daily News, 15 September 2005
  • Klaasmeyer, Kelly, ‘POPulence’, Houston Press, Artbeat, Capsule Reviews, 18 August 2005
  • Smith, Roberta, ‘Wide open spaces, within and between the frames’, The New York Times, Weekend Arts, Fine Arts Leisure, Art Review, 2 September 2005
  • Laster, Paul, ‘Monsters of Paradise’, Boldtype.com, Art, Issue 21, July 2005
  • Kave, Allison, ‘Fred Tomaselli: Monsters of Paradise’, Artkrush.com, 15 June 2005
  • Tromble, Meredith, ‘Visual chemistry’, breathe, May-June 2005, pp.68-75
  • Colman, David, ‘Fred Tomaselli’, Elle Décor, May 2005, pp.76-78
  • Silver, Joanne, ‘Fred Tomaselli at Rose Art Museum’, ARTNews, December 2005
  • Richard, Frances, ‘Historic Williamsburg’, Artforum, March 2005
  • Dyer, Richard, ‘London’, Contemporary, News, Issue 70, March 2005
  • Januszczak, Waldemar, ‘Fred Tomaselli: the drugs do work in the psychedelic studies of paradise found and lost’, Times Online, 9 January 2005
  • Januszczak, Waldemar, ‘An unnatural high’, The Sunday Times, Culture, Art, 9 January 2005
  • Chapman, Peter, ‘Fred Tomaselli: White Cube, London N1’, The Independent, Private View, 1 January 2005
  • Criqui, Jean-Pierre, ‘High Art’, ArtForum, January 2005
  • Morton, Julia, ‘Realm of the senses: a sensual adventure’, New York Press, 29 December – 4 January 2005
  • Levin, Kim, ‘Realm of the senses’, The Village Voice, 29 December– 4 January 2005
  • Un-authored, ‘Pharmaceutical Sublime: the art of Fred Tomaselli’, Homme Arena +, Autumn-Winter 2004-2005
  • Hackworth, Nick, ‘From the psychedelic to the sinister’, Evening Standard, Review, 13 December 2004
  • C.B., ‘Fred Tomaselli: London’, The Guardian Guide, 11-17 December 2004
  • Harris, Lucian, ‘Fred Tomaselli’, The Art Newspaper, What’s On, December 2004
  • Cripps, Charlotte, ‘Altered States of America’, The Independent, Arts Preview, 29 November 2004
  • Douglas, Sarah, ‘His art rocks’, ARTNews, September 2004
  • McIntosh, Jacqui, ‘Fred Tomaselli: monsters of Paradise’, Online Reviews, Circa Art Magazine, October 2004
  • Woodman, Annie, ‘Fred Tomaselli’s monsters of Paradise’, NY Arts,6 October 2004
  • Herbert, Martin, ‘How much paint does it take to paint a painting? A journey of discovery’, Modern Painters, Autumn 2004, pp.82-85
  • Thompson, Andrea, ‘Art attack: monster art’, ScotRail Outlook, Autumn 2004
  • Un-authored, ‘If you’re only going to see one thing this week…Art: Monsters of Paradise’, Picks of the Week, The Guardian, 27 September 2004
  • Chapman, Peter, ‘Fred Tomaselli: the Fruitmarket Gallery, Edinburgh’, The
  • Independent, 18-24 September 2004
  • Mills, Cece, ‘Edinburgh Fringe Festival 2004, hit or miss? Robert Therrien and Fred Tomaselli’, The American, September 2004
  • Herbert, Martin, ‘Edinburgh: the Fruitmarket Gallery’, Previews, Contemporary Magazine, August 2004
  • Gale, Iain, ‘High life and hallucination’, Scotland on Sunday, 22 August 2004
  • Black, Catriona, ‘The acid art house, Festival Review, Sunday Herald, 15 August 2004
  • Hedges, Ruth, ‘Painting and collage: Fred Tomaselli’, The List, 12-19 August 2004
  • Campbell-Johnston, Rachel, ‘Medicine man in Paradise’, The Times, 11 August 2004
  • Darwent, Charles, ‘Whose art is this? Oh, it’s my own’, Independent on Sunday, 8 August 2004
  • Ream, Sarah, ‘Tomaselli: Monsters of Paradise’, Fest Newspaper, 6 August 2004
  • Jeffrey, Moira, ‘A trip into psychedelic paradise’, The Herald, 5 August 2004
  • Un-authored, ‘Fred Tomaselli: Monsters of Paradise’, AbsoluteArts.com, 2 August 2004
  • Un-authored, ‘Fred Tomaselli: Monsters of Paradise’, Edinburgh Art Festival (in association with Scotland on Sunday), August 2004
  • “Fred Tomaselli: Monsters of Paradise”, The Art Newspaper, No. 149, July-August 2004
  • Bennett, Will, ‘Object of the week: big bird by Fred Tomaselli’, Telegraph.co.uk, 26 July 2004
  • Lethem, Jonathan, ‘The collector’, ArtReview, Vol. LIV, July-August 2004
  • Clark, Robert, ‘Monsters of Paradise, Edinburgh’, The Guardian, 31 July 2004
  • Chadwick, Alan, ‘Flights of fancy’, Metro, 30 July 2004
  • Jeffrey, Moira, ‘The natural thing to do’, The Herald, 30 July 2004
  • Un-authored, ‘This week: artist, Fred Tomaselli’, interview, Edinburgh Evening News, 29 July 2004
  • Lewisohn, Cedar, ‘Hallucinogen days’, Big Issue Scotland, 29 July– 4 August 2004
  • W.B., ‘Object of the week’, Daily Telegraph, 26 July 2004
  • Un-authored, ‘Fred Tomaselli’, Scotland on Sunday, 25 July 2004
  • Durrant, Nancy, ‘This week: the best of the arts chosen by the Times team of critics’, The Times, 24 July 2004
  • Plagens, Peter, ‘The body electric’, Newsweek, 7-1 4 June 2004
  • Hedges, Ruth, ‘The culture of the unreal’, The List: Edinburgh Festival Guide, 22 July – 5 August 2004
  • Lagnado, Caroline, ‘Whitney Biennial well worth the visit’, Tufts Daily, 16 April 2004
  • Kino, Carol, ‘Fred Tomaselli at James Cohan Gallery’, Art in America, November 2003, pp.104-105
  • Thompson, Charles, interview, Art Talk, Art News, November 2003, p.36
  • Breidenbach, Tom, ‘Fred Tomaselli at James Cohan Gallery’, Art Forum, September 2003, p. 227
  • ‘Illustration’, Harpers, Setptember 2003, p.21
  • Laster, Paul, ‘High times’, Oneworld, August-September 2003, pp.126-127
  • Cameron, Dan, ‘Through a window, darkly’, Parkett, No.67, 2003
  • Rondeau, James, ‘Transcendence is Pop’, Parkett, No.67, 2003
  • Pinchbeck, Daniel, ‘Tomaselli’s Postmodern gnosticism’, Parkett, No.67, 2003
  • Scobie, Ilka, ‘Tripping on the wall”, Artnet, May 2003
  • Un-authored, ‘Fred Tomaselli’, The New Yorker, Art, Galleries, Chelsea, 26 May 2003
  • Martin, Chris, ‘Fred Tomaselli in conversation with Chris Martin’, The Brooklyn Rail, Winter 2003, p.15-17
  • Halkin,Talya, ‘The Heavenly tree grows downward’, The New York Sun, 19 September 2002, p.20
  • Cotter, Holland, ‘The Heavenly tree grows downward’, The New York Times, September, p.35
  • Helander, Bruce, ‘Tomaselli’s prescriptions’, Palm Beach and Naples Times, February 2002
  • Lee, Morgan, ‘Tripping out on art’, Venue North, 15 March 2002, pp.4-6
  • Cline, Lynn, ‘The Fred Tomaselli experience’, The Santa Fe New Mexican, 15 March 2002, cover story for the Pasatiempo Culture Magazine
  • Colins, ‘Artful drug use’, Venue North, 19 April 2002, pp.3-6
  • Un-authored, ‘Illustration’, Harpers, February 2002, p.24
  • Knight, Christopher, ‘Self-medicated is anything but sedate’, Los Angeles Times, 25 January 2002, p.F36
  • Ocaña, Damarys, ‘Drug trip’, The Street-Miami, 18 January 2002
  • Schwan, Gary, ‘Tomaselli’s work recognizes the unfortunate truth about Utopia’, The Palm Beach Post, 30 December 2001
  • Sjostrom, Jan, ‘Art strives to hit viewer in the gut’, Palm Beach Daily News, 19 December 2001
  • Ward, Ed., ‘At the Biennale, Video Art rules’, The Wall Street Journal, 4 June 2001
  • Glover, Izi, ‘Fred Tomaselli’, Time Out London, 20 June 2001
  • Un-authored, ‘Tripping the fantastic light’, The London Evening Standard, 29 May 2001
  • Schwarzman, Carol, ‘Fred Tomaselli’, New Art Examiner, April 2001, pp.54-55
  • Pollack, Barbara, ‘Fred Tomaselli’, review, ARTnews, March 2001, p.153
  • Wachtermeister, Marika, ‘Konst ar en Form av Verklighetflykt’, Femina, February 2001, p.152-155
  • Richard, Frances, ‘Fred Tomaselli’, review, Artforum, February 2001
  • Wakefield, Neville, ‘He brings ideas to life’, Interview, January-April 2001
  • Cotter, Holland, ‘Fred Tomaselli’, review, The New York Times, 19 January 2001
  • Dailey, Meghan, ‘Fred Tomaselli’, review, Time Out New York, 18 January 2001
  • Giovanotti, Micaela, ‘Fred Tomaselli’, review, Temaceleste.com, 9 January 2001
  • Mahoney, Robert, ‘Uptown rounds’, Artnet.com, 4 January 2001
  • Un-authored, ‘Brings ideas to life’, Interview, January 2001
  • Levin, Kim, ‘Voice choice’, The Village Voice, 26 December 2000
  • Schjeldhal, Peter, ‘Fred Tomaselli’, review, The New Yorker, 25 December 2000
  • Scobie, Ilka, ‘Kingdom of the dream’, Artnet.com, 20 December 2000
  • Harris, William, ‘He dropped out of drugs and put them in his art’, The New York Times, 19 December 1999, p.C50
  • Scott, Andrea C., ‘Fred Tomaselli, ‘Gravity’s rainbow’, Time Out New York, 9-16 December 1999, p.77
  • Sheets, Hillary M., ‘Prescription for beauty’, Art News, November 1999, pp.180-182
  • Viveros-Faune, Christian, ‘Field guide to Disneyland’, New York Press, 3 November 1999
  • Emerling, Susan, ‘Artist’s little helper’, Salon.com, 29 October 1999
  • Johnson, Ken, ‘The ecstatic’, The New York Times, 10 September 1999, p.E36
  • Blair, Dike, ‘Strange haze: drugs, artists, and art’, Purple, No.4, 1999
  • Bendheim, Fred, ‘Drugs and the art of Tomaselli’, The Lancet, 28 August 1999, p.781
  • Mahoney, Robert, ‘Pattern’, Time Out New York, 19-26 August 1999, p.58
  • Volk, Gregory, ‘Transportive visions’, Art in America, July 1999
  • Berg, Ronald, ‘Ornament und Gebrechen’, Der Tagesspiegel, 30 April 1999
  • Coles, Robert and Alex Harris, ‘The art of science’, Doubletake, Spring 1999
  • Un-authored, ‘Die andere Seite des amerikanischen Traums,” Die Welt, 29 April 1999
  • Viladas, Pilar, ‘Mr. Norton’s cabinets of wonder’, The New York Times Magazine, February 21, p. 59
  • Un-authored, ’Science: a universe Apart?’, The New York Times, 14 February 1999
  • Kino, Carol, ‘Op ‘til you drop’, Time Out New York, 25 June–2July 1998, p.57
  • Un-authored, ‘The art of science’, Doubletake, Spring 1998, p.50
  • Long, Andrew, ‘Decorators’ showcase’, Art & Antiques, February 1998, p.29
  • Pagel, David, ’Exploring a realm of intoxicating illusions’, Los Angeles Times, 27 February 1998, p.F22
  • McKenna, Kristine, ‘Mind-altering art’, Los Angeles Times, 22 February 1998, pp.59-60
  • Cameron, Dan, ‘Global warming’, Artforum, December 1997
  • Carasso, Roberta, ‘Redefinitions: a view from Brooklyn’, Art Scene, December 1997
  • Diehl, Carol, ‘Fred Tomaselli’, ARTnews, September 1997
  • Dykstra, Jean, ‘Pot pourri’, Brooklyn Bridge, August 1997, p.27
  • Scobie, Ilka, ‘Fred Tomaselli’, The Exhibitionist, April-May 1997
  • Pedersen, Victoria, ‘Gallery go round’, Paper Magazine, April-May 1997
  • Arning, Bill, ‘Fred Tomaselli’, Time Out New York, 8-15 May 1997, p.49
  • Dalton, Jennifer, ‘Fred Tomaselli’, Review, 1 May 1997, p.16
  • Morgan, Robert, ‘Fred Tomaselli’, Review, 1 May 1997, p.16
  • Levin, Kim, ‘Voice choice’, The Village Voice, 13 May 1997
  • Smith, Roberta, ‘Weekend’, The New York Times, 9 May 1997
  • Schjeldahl, Peter, ‘Street value’, The Village Voice, 6 May 1997
  • Findsen, Owen, ‘CAC exhibit designs lost in ingredients’, Cincinnati Inquirer, 9 February 1997
  • Thong, Peregia, ‘Art as a drug’, Everybody’s News, 7 February 1997
  • Curtis, Cathy, ‘1996, the year in review’, Los Angeles Times, 24 December 1996
  • Fioravante, Celso, ‘Americanos trazem nova abstração’, Folha Ilustrada, 10 December 1996, p.11
  • Curtis, Cathy, ‘Distinguishing marks’, Los Angeles Times, 22 October 1996
  • Chaimovich, Felipe, ‘O estilo de vida Californiano em exposição’, Jornal da Tarde, 12 October 1996, p.8C
  • Curtis, Cathy, ‘The eyes have it’, Los Angeles Times, 23 July 1996
  • Dunlap, Doree, ‘In a nutshell: Fred Tomaselli’s mind-altering urge’, Orange County Weekly, 19-25 July 1996, p.34
  • Berry, Colin, ‘Drug art’, Wired, June 1996, pp.150-51
  • Bonetti, David, ‘Gallery’, San Francisco Examiner Magazine, 26 May 1996, p.4
  • Baker, Kenneth, ‘Art that works on the brain’, San Francisco Chronicle, 5 April 1996
  • Risatti, Howard, ‘Painting outside of painting’, Artforum, April 1996, pp.106
  • Mais, Leia, ‘Fred Tomaselli vem ao pais com arte feita de drogas’, Folha Ilustrada, 9 March 1996, p.1
  • Periz, Ingrid, ‘The kandy-kolored psychoactive-flaked, acrylic and resin, streamlined painting’, World Art, February 1996, pp.58-63
  • Smith, Roberta, ‘A neo-Surrealist show with a Revisionist Agenda,” The New York Times, 12 January 1996
  • Smith, Roberta, ‘Testing limits at the corcoran’, The New York Times, 6 January 1996, pp.11-13
  • Russ, Sabine, ‘Painting outside painting’, nbk Chronik, January 1996
  • Shaw-Eagle, Joanna, ‘Paiting beyond traditional limits’, The Washington Times, 24 December 1995
  • Volk, Gregory, ‘Fred Tomaselli at Jack Tilton’, ARTnews, November 1995, pp.245-246
  • Periz, Ingrid, ‘Fred Tomaselli’, Art + Text, No.52, September 1995, p.90
  • Faust, Gretchen, ‘Fred Tomaselli’, Forum International, No.19, October-November 1995
  • Levin, Kim, ‘Fred Tomaselli’, The Village Voice, June 1995
  • Karmel, Pepe, ‘Fred Tomaselli’, The New York Times, 9 June 1995
  • DiMichele, David, ‘Gramercy International Contemporary Art Fair at Chateau Marmont’, Artweek, February 1995, p.29
  • Madestrand, Bo, ‘Perversionernas smorgasbord’, Expressen, 10 June 1994
  • Nilsson, John Peter, ‘Sex våld knark makt språk smuts lyx kön’, Aftonbladet, May 1994, p.5
  • Tager, Alisa, ‘Fred Tomaselli at Jack Tilton’, Art in America, February 1994, p.101
  • Marks, Laura, ‘The final frontier’, Artforum, December 1993
  • Faust, Gretchen, ‘Fred Tomaselli, Jack Tilton Gallery’, Forum International, No.19, October-November 1993, p.146
  • Gookin, Kirby, ‘Fred Tomaselli’, Artforum, October 1993
  • Un-auhtored, ‘The final frontier’, The New York Times, 30 July 1993, p.C26
  • Levin, Kim, ‘Fred Tomaselli’, The Village Voice, 25 May 1993
  • Smith, Roberta, ‘Fred Tomaselli at Jack Tilton Gallery’, The New York Times, 21 May 1993
  • Un-authored, ’Special project’, Bomb Magazine, March 1993
  • Curtis, Cathy, ‘Open to interpretations’, The Los Angeles, 14 January 1993, pp.8-9
  • Welles, Elenore, ‘Fred Tomaselli’, Flash Art, October 1993, p.17
  • Kandel, Susan, ‘Fred Tomaselli at Christopher Grimes’, Art Issues, September-October 1993, p. 44
  • Pagel, David, ‘Voyage criss-crosses science and art’, The Los Angeles Times, August 1993
  • Barrie, Lita, ‘Fred Tomaselli’, Artspace, July-August 1993, pp.66-67
  • Welles, Eleanor, ‘Fred Tomaselli’, ArtScene, May 1993
  • Pagel, David, ‘Pharmaceutically funny’, The Los Angeles Times, 28 May 1993
  • Faust, Gretchen, ‘Fred Tomaselli’, Arts Magazine, February 1993, p.86
  • Levin, Kim, ‘Brooklyn’, The Village Voice, 2 December 1991
  • Levin, Kim, ‘Fred Tomaselli and Michael Timpson’, The Village Voice, 12 July 1991
  • Levin, Kim, ‘Fred Tomaselli’, The Village Voice, 18 June 1991
  • Borum, Jennifer P., ‘Fred Tomaselli’, Artforum, April 1990
  • Un-authored, ‘Art in the anchorage’, The New Yorker, 10 July 1989
  • Un-authored, ‘The center show’, The New Yorker, 3 July 1989
  • Gardner, Colin, ‘Four examples of illusion’, Artweek, 27 October 1984