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Bibliography

Monographs, solo exhibition catalogues and artist books

  • Bradley, Fiona (ed.), Gabriel Orozco: Thinking in Circles (The Fruitmarket Gallery, Edinburgh 2013)
  • Gabriel Orozco: Natural Motion (Kunsthaus Bregenz, Austria 2013; and Moderna Museet, Stockholm 2014); texts by Yilmaz Dziewior, Daniel Birnbaum and Ann-Sofi Noring
  • Spector, Nancy, Gabriel Orozco: Asterisms (The Solomon R. Guggenheim Foundation, New York 2012)
  • Gabriel Orozco: Corplegados and Particles (Marian Goodman Gallery, New York 2011); texts by Benjamin H. D. Buchloh
  • Morgan, Jessica, Modern Artists Series: Gabriel Orozco (Tate Modern, London 2011)
  • Gabriel Orozco (Kunstmuseum Basel and Hatje Cantz Verlag, Ostfildern 2010); texts by Texts by Benjamin H D Buchloh, Anne Byrd, Bernhard Mendes Bürgi, Briony Fer, Paulina Pobocha and Ann Temkin
  • Gabriel Orozco: Selected Works (PKM Trinity Gallery, Seoul 2010)
  • Hrushka, Libby, Gabriel Orozco (Museum of Modern Art, New York 2009); texts by Benjamin H D Buchloh, Anne Byrd, Briony Fer, Paulina Pobocha and Ann Temkin
  • Bonami, Francesco, Gabriel Orozco (Mondadori Electa, Verona 2008)
  • Gabriel Orozco: Samurai's Tree Invariant- 672 pages from Samurai Tree (Verlag der Buchhandlung Walther König, Cologne, Germany 2006)
  • Gabriel Orozco White Cube (Jay Jopling / White Cube, London, England 2006)
  • Gabriel Orozco Museo del Palacio de Bellas Artes (Turner, Mexico y USA 2006); texts by Benjamin H.D Buchloh, Briony Fer, Yve-Alain Bois
  • Gabriel Orozco: Samurai's Tree Invariant- BlueOrange 2006 (Museum Ludwig, Cologne 2006); texts by Paola Malavassi, Hubert Beck and Luminita Sabau
  • Santamarina, Guillermo, Gabriel Orozco (Conaculta Publishers, Mexico City 2005)
  • Gabriel Orozco (Museo Nacional Centro de Arte Reina Sofía and Palacio de Cristal, Madrid 2005) Interview with the artist by Guillermo Santamarina
  • Textos sobre la Obra de Gabriel Orozco(Conaculta, México and Editorial Turner, Spain 2005); texts by Benjamin H.D. Buchloh, Ann Temkin, Jean Fisher, James Lingwood, Mark Haworth Booth, Hans Ulrich Obrist, Francesco Bonami, Molly Nesbit, Daniel Birnbaum and Pablo Soler Frost
  • Gabriel Orozco en Villa Iris (Fundación Marcelino Botín, Santander, Spain 2005); interviews with the artist by Gloria Moure, Ángel Ramos and Sergio Rubira
  • Landscape and Memory (Obra Social, Madrid 2004)
  • Gabriel Orozco (Serpentine Gallery, London 2004)
  • Rosenweig, Phyllis and Mia Fineman, Gabriel Orozco: Photographs (Steidl Publishers and Göttingen The Hirshhorn Museum and Sculpture Garden, Washington 2004)
  • Fer, Briony, Benjamin H. D. Buchloh and Rochelle Steiner, Gabriel Orozco (Verlag der Buchhandlung Walther König, Cologne 2004)
  • Jorge, João Miguel Fernandes, Gabriel Orozco (El Centro de Artes Visuais, Coimbra, Portugal 2003)
  • Virgen, Miguel González and John Hutchinson, Of Games the Infinite and Worlds: the Work of Gabriel Orozco (The Douglas Hyde Gallery, Dublin 2003)
  • Scherf, Angeline, Molly Nesbit and Jean-Pierre Criqui, Trabajo (Verlag der Buchhandlung Walther König, Cologne 2003)
  • Trabajo (Verlag der Buchhandlung Walther König, Cologne; Galerie Chantal Crousel, Paris 2003); texts by Angéline Scherf, Molly Nesbit and Jean Pierre Criqui
  • Documenta 11 Platform 5: Ausstellung/Exhibition (Die Deutsche Bibliothek 2002); texts by Heike Ander, Carlos Basualdo, Barbara Clausen, Stephanie Mauch, Mark Nash, Angelika Nollert, Christian Rattermeyer, Karin Rebbert, Nadja Rottner, Octavio Zaya
  • van Nieuwenhuyzen, Martijn, Gabriel Orozco: from Green Glass to Airplane Recordings (Artimo Foundation, Amsterdam; and Stedelijk Museum 2001)
  • Gabriel Orozco (The Museum of Contemporary Art, Los Angeles; Conaculta Publishers and Instituto Nacional de Bellas Artes, Mexico City 2000); texts by Gabriel Kuri, Benjamin H. D. Buchloh, Damián Ortega, Molly Nesbit and Abraham Cruzvillegas
  • Temkin, Ann, Photogravity (Philadelphia Museum of Art 2000)
  • Gabriel Orozco: Postcard Book (The Museum of Contemporary Art, Los Angeles 2000)
  • Martin, Patricica, Learning Less (Mexico City 2000)
  • Trans (Transa Arts Cultures Media, New York 2000)
  • Birnbaum, Daniel, Chacahua (Portikus, Frankfurt am Main 1999)
  • Buchloch, Benjamin H. D. and Francesco Bonami, Clinton is Innocent (Musée d’Art Moderne de la Ville de Paris 1998)
  • The ICA 50 Auction: a Sale of Contemporary Art Works in Aid of the Institute of Contemporary Art (Sotheby’s London 1997)
  • Buchloch, Benjamin H. D. and Bernhard Bürgi, Gabriel Orozco (Kunsthalle Zürich; Institute of Contemporary Arts, London; and Deutscher Akademischer Austauschdienst Berliner, Künstlerprogramm, Berlin 1996)
  • Empty Club (Artangel, London 1996); texts by James Lingwood, Jean Fisher, Mark Haworth-Booth and Guy Brett
  • 1995 Biennial Exhibition (Whitney Museum of American Art, New York 1995)
  • Triunfo de la libertad, No.18, Tlalpan, C.P. 14000, (Oktagon Verlag, Stuttgart 1995)
  • Cocido y Crudo (Museo Nacional Centro de Arte Reina Sofiá, Madrid 1995)
  • Hoptman, Laura J., Gabriel Orozco (Museum of Contemporary Art, Chicago 1994)
  • Buchloch, Benjamin H. D. and Jean Fisher, Gabriel Orozco (The Kanaal Art Foundation, Kortrijk; La Vaca Independiente, Promoción de Arte y Cultura, Mexico City; and Les Editions La Chambre, Ghent 1993)


General publications and group exhibition catalogues

  • 30,000 Years of Art (Phaidon, London 2015)
  • Draguet, Michel (ed.), 2050. A Brief History of the Future (The Royal Museum of Fine Art of Belgium, Brussels 2015), p. 78
  • Morineau, Camille and Lucia Pesapane, Ceramix (Snoeck Publishers, Gent 2014), p. 238
  • Lagnado, Lisette, Cultural Anthropophagy: 24th Bienal de Sao Paulo 1998 (Afterall Books, London/ Centre for Curatorial Studies, Bard College, New York), p. 101
  • Fuenmayor, Jesús (ed.) Impulse, Reason, Sense, Conflict: Abstract are from the Ella Fontanals-Cisneros Collection December 3, 2014-March 29 2015 (Cisneros Fontanals Art Foundation CIFO 2014)
  • Husslein-Arco, Agnes and Anne de Boismilon (eds.), Love Story: Sammlung Anne und Wolfgang Titze (Grasl FairPrint, Bad Vöslau, Austria 2014); texts by Agnes Husslein-Arco, Mario Codognato, Severin Dünser, Luisa Ziaja, Sol LeWitt and Loïc Malle
  • Cole, Lily Luahana, Gabriel Orozco: Impossible Utopias (Claire de Rouen Books 2014)
  • van Nieuwenhuyzen, Martin and Marie-Claire van Bracht (eds.), Bad Thoughts: Collectie Martijn en Jeannette Sanders (Stedelijk Museum, Amsterdam 2014); texts by various authors
  • Beard, Lee and Rebecca Morrill (eds.), The Twenty-First Century Art Book (Phaidon, London 2014); texts by Jonathan Griffin, Paul Harper, David Trigg and Eliza Williams, p.193
  • Hicks, Alistair, The Global Art Compass: New Directions in 21st Century Art (Thames and Hudson, London 2014)
  • Petry, Michael, Nature Morte (Thames and Hudson, London 2013)
  • Hodge, Susie, Why Your Five Year Old Could Not Have Done That: Modern Art Explained (Thames & Hudson, London 2012)
  • The Art Book (Phaidon, London 2012); texts by various authors
  • Farthing, Stephen (ed.), 1001 Paintings You Must See Before You Die (Harper Collins Publishers, Sydney 2011); texts by Anna Amari-Parker, Aliki Braine, Alice Bell, Amy Elin Haavik, Ana Finel Honigman, Anne Hildyard, Ann Kay, Alix Rule, Abigale Rasminsky, Andrew Smith, Abraham Thomas, Aruna Vasudevan, Carole King, Cathy Marriott, Christina Rodenbeck, Craig Staff, Diana Cermeno, Dan Dunlavey, Daniel Robert Koch, Emma Bryant, Emilie ES Gordenker, Fuyubi Nakamura, Geoff Dyer, Lam Wei Ching, Hannah Hudson, Iain Zaczek, Jessica Bishop, Jane Crosland, Joanna Coates, Jessica Gromley, James Harrison, Julie Jones, Jamie Middleton, Jane Neal, Jane Peacock, Joao Ribas, Jenny Doubt, Julian Treuherz, Jude Welton, Karen Morden, Lucinda Hawksley, Mary Cooch, Michael Farthing, Megan Green, Marco Livingston, Marissa Vigneault, Nicholas Kenji Machida, Nora Mahony, Nathalie Sroka-Fillion, Oscar Rickett, Ossian Ward, Paul Bonaventura, Paul Hamilton, Paige Sweet, Rex Anderson, Richard Bell, Reg Grant, Rosalva Johnston, Riikka Kuittinen, Randy Lerner, Rebecca Man, Roger Wilson, Sandra April, Serena Cant, Samantha Earl, Stephen Farthing, Simon Gray, Susie Hodge, Susan Flockhart, Sally Young McFall, Signe Mellergaard Larsen, Steven Pulimood, Saskia Putz, Steevn Stowell, Sonia Werner, Sara White Wilson, Sandrine Josefada, Tamsin Pickeral, Terry Sanderson, William Davies, Wilson McClelland Dunlavey, Wendy Osgerby, Zoe Telford
  • Winston, Helena and Stephen Hoban (eds.), The Luminous Interval: The D Daskalopoulos Collection (Guggenheim Museum Publications, New York 2011); texts by Simon Critchley, Jamieson Webster, Brian Sholis, Katherine Brinson and Susan Thompson; interview with Dimitris Daskalopoulos by Nancy Spector
  • Zanchetta, Alberto, Frenologia della Vanita: il Teschio nelle Arti Visive (Johan & Levi, Monza, Italy 2011)
  • Hubbard, Sue, Adventures in Art: Selected Writings 1990-2010 (Other Criteria, London 2010)
  • Malle, Loic, C’est la Vie! Vanités de Pompéi a Damien Hirst (Skira/Flammarion, Paris 2010); texts by Elisabeth Quin and Alain Tapie
  • Bonham-Carter, Charlotte and David Hodge, The Contemporary Art Book (Goodman, London 2009)
  • Holzwarth, Hans Werner (ed.), 100 Contemporary Artists (Taschen, Cologne 2009); texts by Cecillia Alemani, Jens Asthoff, Kirsty Bell, Andrew Bonacina, Stephane Correard, Yilmaz Dziewior, Suzanne Hudson, Eva Kernauer, Christy Lange, Holger Lund, Astrid Mania, Rodrigo Moura, Vivian Rehberg, Christiane Rekade, Jean-Michel Ribettes, Brian Scholis, Amy Smith-Stewart, Susanne Titz and Ossian Ward
  • Cresci, Mario (ed.), Future Images (Motta, Milan 2009)
  • Grosenick, Uta, Art Now, (Taschen, 2000)
  • Bernadelli, Francesco, Arte Contemporanea, Volume Cinque Anni Novanta (La Biblioteca di Repubblica, l’Espresso, Electa, Milan 2008)
  • Bonami, Francesco, Arte Contemporanea, Volume Sei Duemila (La Biblioteca di Repubblica, l’Espresso ,Electa, Milan 2008)
  • Pimentel, Taiyana, Las Implicationes de la Imagen (Universidad Nacional Autónoma de México, Mexico City 2008)
  • Latin American & Caribbean Art: MoMA at El Museo (The Museum of Modern Art, New York 2004); texts by Miriam Basilio, Fatima Bercht, Deborah Cullen, Gary Garrels and Luis Enrique Perez-Oramas
  • Morgan, Jessica, Common Wealth (Tate Publishing, London 2003)
  • Art : 21 (Harry N. Abrams, New York 2003); texts by Susan Sollins, Thelma Golden, Lynn M. Herbert, Kathy Siegel and Robert Storr


Newspaper and magazine articles

  • Viveros-Fauné, Christian, ‘Gabriel Orozco’, Art Review Asia, Spring 2015, pp.52 - 57
  • Petry, Micheal, ‘The 10 best: Contemporary still lifes’, The Observer (The New Review), 20 October 2013, p.6
  • Leslie, Richard, 'Gabriel Orozco Guggenheim Museum, Artnexus, March - May 2013
  • Gonzalez, Rita, ‘Art in the tar pits and other lost works’, lacma.wordpress.com, 26 November 2012
  • Murg, Stephanie, ‘What do Oprah and Gabriel Orozco have in common?’, mediabistro.com, 20 November 2012
  • Johnson, Ken, ‘Swimming to shore’, nytimes.com, 15 November 2012
  • Esplund, Lance, ‘Butts, rubber ducky, lime m&m make you sad; tough boxers’, businessweek.com, 15 November 2012
  • Chayka, Kyle, ‘Gabriel Orozco brings beach collecting to the Guggenheim, i-spy style’, hyperallergic.com, 12 November 2012
  • Moran, Jarrett, ‘Gabriel Orozco’, artlog.com, 9 November 2012
  • Chaillou, Timothee, ‘Gabriel Orozco’, Flash Art, Vol.45, No.286, October 2012, p.115
  • Clewing, Ulrich, ‘The Poetry of Everyday Objects and Unwanted Things’, Deutsche + Guggenheim Magazine, No.20, Summer 2012, pp.10-14
  • Orozco, Gabriel and Joan Young, ‘Make your own Constellation’, Deutsche + Guggenheim Magazine, No.20, Summer 2012, pp.4-9
  • Un-authored, ‘Gabriel Orozco and Damian Ortega’, Artinamericamagazine.com, 9 May 2012
  • Wullschlager, Jackie, ‘Lunch with the FT: Jay Jopling’, Ft.com, 2 March 2012
  • Holmboe, Rye Dag, ‘Gbriel Orozco: cosmic matter and other leftovers’, thewhitereview.com, 31 March 2011
  • Phil, ‘Gabriel Orozco’, Vision, No.105, March 2011, pp.224-227
  • Ozler, Levent, ‘Gabriel Orozco: Austerisms’, dexigner.com, 10 October 2010
  • Enwezor, Okwui, ‘Gabriel Orozco – Museum of Modern Art, New York’, Art Forum, April 2010, pp.186-187
  • Illouz, Audrey, ‘Gabriel Orozco – MoMA’, Artpress 365, 2010 pp.79-80
  • Un-authored, ‘Gabriel Orozco – Museum of Modern Art’, Modern Painters, December 2009 – January 2010, p.17
  • Picard, Charmaine, ‘L’econcentrico,’ Vernissage, No.110, December 2009, pp.6-7
  • Un-authored, ‘Gabriel Orozco – The Museum of Modern Art, New York’, The Art newspaper, December 2009, p.68
  • Kaiser, Philipp, ‘The Recollection Issue’, Parabol Magazine Special Edition, 2007
  • Lee, Chris, ‘Master of all he surveys’, Art Review, May 2006
  • Cotter, Holland, ‘Gabriel Orozco’, The New York Times, 12 November 2005
  • Fernandez-Santos, Elsa, ‘Gabriel Orozco/Artista’, El Pais, 6 February 2005
  • Alejandro Hernandez, Edgar, ‘Inaugura Gabriel Orozco exposicion en el Palacio de Cristal de Madrid’, 2 February 2005
  • Coles, Alex, ‘The case offFurniture-as-art’, Parachute, Issue 117, 2005
  • Santamarina, Guillermo, ‘Panchito en Baviera (o un condensado de reflexiones sobre viejas y nuevas estrategias, internacionalismo y, desde luego obligaciones en el arte mexicano)’, Exit Mexico, 2005
  • Morgan, Jessica, ‘Circles in the sand’, Art Review, December 2004
  • Lafuente, Pablo, ‘Gabriel Orozco’, Flash Art, October 2004
  • Dixon, Glenn, ‘Moments of insight’, Art on Paper, September – October 2004
  • Deleuze, Anna, ‘Gabriel Orozco’, Art Monthly, September 2004
  • Cork, Richard, ‘Lost in space’, New Statesman, 23 August 2004
  • Oldham, Alison, ‘Serpentine summer’s skulls and squirrels’, Hampstead & Highgate Express, 6 August 2004
  • Darwent, Charles, ‘Something old, something new’, The Independent on Sunday, 1 August 2004
  • Wullschlager, Jackie, ‘Seductive and playful light of being’, The Financial Times, 28 July 2004
  • Holroyd, Alex, ‘Orozco goes round in circles’, The Morning Star, 27 July 2004
  • Januszczak, Waldemar, The Sunday Times, 18 July 2004
  • Hall, Alvin, ‘Don’t just buy art for art’s sake; seek out the real jewels’, The Scotsman, 17 July 2004
  • Kent, Sarah, ‘Angel delight’, Time Out, 14 July 2004
  • Cumming, Laura, ‘Don’t be so modest, Gabriel’, The Observer Review, 11 July 2004
  • Dorment, Richard, ‘Fragility and transience’, The Daily Telegraph, 7 July 2004
  • Hubbard Sue, ‘Where there’s waste, there’s art’, The Independent Review, 6 July 2004
  • Searle, Adrian. ‘The player of games’, The Guardian, 6 July 2004
  • Güner, Fisun, ‘The natural order’, Metro, 5 July 2004
  • Hurwitz, Laurie, ‘Gabriel Orozco’, Art + Auction, July 2004
  • Delgado, Monica, ‘Ve Orozco en Mexico una ‘incultura politica’’, Reforma, 30 June 2004
  • Taylor, John Russell, ‘The rules of disengagement’, The Times, 30 June 2004
  • Renton, Andrew, ‘Here today, gone tomorrow’, Evening Standard, 29 June 2004
  • Thompson, Jessica Cargill, Time Out, 23 June 2004
  • Coomer, Martin, ‘My name is … Gabriel Orozco’, Time Out, 23 June 2004
  • Gayford, Martin, ‘New master of the mind game’, The Daily Telegraph, 19 June 2004
  • Iversen, Margaret, ‘Readymade, found object, photograph’, Art Journal, Summer 2004
  • Ratnam, Niru, ‘Gabriel Orozco’, Contemporary, Issue 64, 2004
  • Fineman, Mia, V Magazine, Summer 2004
  • Bello, Milagros, ‘Gabriel Orozco: transgressions of time and matter’, Arte al Dia, Spring 2004
  • Kerr, Merrily, Flash Art, January – February 2004
  • Richard, Frances, Artforum, January 2004
  • ‘Turning the tables’, Tate: Arts and Culture, November – December 2003
  • Smith, Roberta, The New York Times, 7 November 2003
  • Scott, Andrea K., Time Out New York, 13-20 November 2003
  • Heiser, Jorg, Frieze, September 2003
  • ‘‘Cruel and tender’: retro realism at Tate’, Art Monthly, July – August 2003
  • Hirsch, Faye, ‘Gabriel Orozco’, Art on Paper, January – February 2003
  • Jimenez, Carlos, ‘Venice Biennale’, Art Nexus, 2003
  • Schjeldahl, Peter, ‘The global salon’, The New Yorker, 1 July 2002
  • Jones, Kristin M., ‘Gabriel Orozco’, Frieze, March 2002
  • Young, Lisa, J., ‘Gabriel Orozco’, tema celeste, March – April, 2002
  • Johnson, Ken, ‘Gabriel Orozco at Marian Goodman’, The New York Times, 12 December 2001
  • Schjeldahl, Peter, ‘Exquisite debris: the transforming eye of Gabriel Orozco’, The New Yorker, 3 December 2001
  • Valdez, Sarah, ‘Gabriel Orozco, fear nt’, Time Out (New York), 29 November – 6 December 2001
  • Orozco, Gabriel and Daniel Birnbaum,‘Impact and Sartori: Instruments of Comprehension’, Artforum, November 2001
  • Buchloh, Benjamin, ‘Gabriel Orozco’, ARS 01, 9 September 2001 – 20 January 2002
  • Zamudio, Raul, ‘Nature denatured on Gabriel Orozco’s ‘recuperated nature’’, NY Arts, July – August 2001
  • Echavarria, Marcella, ‘Leo Katz: the collector’, Latin Arte Magazine, May–June 2001
  • Plante, Isabel, ‘Gabriel Orozco’, Latin Arte Magazine, March-April 2001
  • Ebony, David, ‘Postwar and Contemporary’, Art in America, January 2001
  • Pollack, Barbara. ‘Thinking Outside the Box: Gabriel Orozco’, ARTnews, September 2001
  • Miles, Christopher, ‘Gabriel Orozco’, Art Nexus, November 2000–January 2001
  • Joselit, David, ‘Gabriel Orozco at the Museum of Contemporary Art, Los Angeles’, Artforum, September 2000
  • Un-authored, ‘Trials and trabajos’, Artnet.com, August 2000
  • Ollier, Brigitte, ‘Gabriel Orozco: le monde dans une boîte à chaussures’, Liberation, 16 June 2000
  • Knight, Christopher, ‘Conceptually, it’s not exactly new’, Los Angeles Times, 7 June 2000
  • Birnbaum, Daniel, ‘Gabriel Orozco’, Artforum, May 2000
  • Durden, Mark, ‘Diary: Gabriel Orozco’, Art Monthly, March 2000
  • Griffin, Tim, ‘Gabriel Orozco’s game gets real’, Art on Paper, January–February 2000
  • Pini, Ivonne, ‘Gabriel Orozco’, Art Nexus, November 1999–January 2000
  • Puhringer, Alexander, ‘Reality bites’, Noema, August–October 1999
  • Princenthal, Nancy, ‘Gabriel Orozco at Marian Goodman’, Art in America, July 1999
  • Siegel, Katy, ‘Gabriel Orozco’, Artforum, April 1999
  • Daniel, Jeff, ‘Orozco Makes the world over-his way’, St. Louis Post-Dispatch, 10 January 1999
  • Saltz, Jerry, ‘Here and gone’, Village Voice, January 1999
  • Arning, Bill, ‘Gabriel Orozco’, Time Out New York, January 1999
  • Un-authored, ‘Heart of Modern Art, Pollock, Beats Loudest’, The New York Times, 27 December 1998
  • Viveros-Fauné, Christian, ‘The vibration of everyday things’, NY Press, 11-16 December 1998
  • Kimmelman, Michael, ‘When meaning emerges Slowly From Missing Parts’, The New York Times, December 1998
  • Turner, Grady T., ‘Gabriel Orozco’ (Review of Marian Goodman show), Contemporary Visual Arts, No.22, December, 1998, p.17
  • Pinchbeck, Daniel, ‘G. Orozco’, The Art Newspaper, December 1998
  • Birnbaum, Daniel, ‘Gabriel Orozco talks about his recent films’, Artforum, Summer 1998
  • Bonami, Francesco. ‘Sudden death. roughs, fairways and the game of awareness’, Parachute, April–June 1998
  • Un-authored, ‘Orozco at the Stedelijk’, Flash Art, January–February 1998
  • Un-authored, ‘Gabriel Orozco: Musee d’Art Moderne de la Ville de Paris’, Artforum, January 1998
  • Kent, Sarah, ‘Road to somewhere’, Time Out, 17-31 December 1997
  • Lütticken, Sven, ‘Gabriel Orozco’, Het Parool, December 1997
  • Camnitzer, Luis, ‘The 1997 Whitney Biennial, meta-spectacle’, Art Nexus, July–September 1997
  • Storr, Robert, ‘The power to transform’, Art Press, June 1997
  • Amor, Monica, ‘Gabriel Orozco’, Art Nexus, March 1997
  • Basualdo, Carlos, ‘Gabriel Orozco’, Artforum, February 1997
  • Hollander, Kurt, ‘Gabriel Orozco’, Poliester, Winter 1996-1997
  • Ebony, David, ‘Improbable games’, Art in America, November 1996
  • Lorenz, Sylvana, ‘Martin walde, Gabriel Orozco’, Art Press, October–November 1996
  • Grant, Simon, ‘Gabriel Orozco empty club (50 St. James St, London); Gabriel Orozco (ICA, London)’, Art Monthly, September 1996
  • Searle, Adrian, ‘The long and the short of it’, The Guardian, 30 July 1996
  • Mullins, Charlotte, ‘Come in and contemplate’, The New York Times, 5 July 1996
  • Un-authored, ‘Mexican makes waves on the club scene’ The Independent, 2 July 1996
  • Criqui, Jean-Pierre, ‘Like aRolling Stone’, Artforum, April 1996
  • Bonami, Franceso, ‘Back in five minutes’, Parkett, No.48, 1996
  • De Zegher, Catherine, ‘The os of Orozco’, Parkett, No.48, 1996
  • Kwon, Miwon, ‘The fullness of empty containers’, Frieze, September–October 1995
  • Volk, Gregory, ‘Orozco: circumstantial evidence’, World Art #3, September 1995
  • Urbach, Marina, ‘Gabriel Orozco at Marian Goodman’, Art Nexus, January–March 1995
  • Ritchie, Matthew, ‘Gabriel Orozco’, Flash Art, January–February 1995
  • Iannacci, Anthony, ‘Gabriel Orozco’, Kunst-Bulletin, January–February 1995
  • Rossetti, Flavia González, ‘Gabriel Orozco: de techo a techo’, Luna Córnea, No.6, 1995
  • Humphrey, David, ‘New York fax’, Art Issues, November–December 1994
  • Cameron, Dan, ‘Gabriel Orozco at Marian Goodman Gallery’, Artforum, November 1994
  • Perrin, Frank, ‘Gabriel Orozco: evénéments et véhicules’, Bloc Notes, Winter 1994
  • Un-authored, ‘Gabriel Orozco’, The New Yorker, 3 October 1994
  • Wright, Jeff, ‘Gabriel Orozco’, Cover, October 1994
  • Levin, Kim, ‘Trans-Europe express’, Village Voice, 27 September 1994
  • Ruiz, Blanca, ‘Gabriel orozco expone en Nueva York y Chicago’, Reforma, 20 September 1994
  • Curiger, Bice, ‘Capricco in der Grauzone-Gabriel Orozco’, Endstation Lehnsucht, 2 July–28 August 1994
  • Bonami, Francesco, ‘Gabriel Orozco’, Flash Art, March–April 1994
  • Criqui, Jean-Pierre, ‘Gabriel Orozco at Galerie Crousel-Robelin’, Artforum, March 1994
  • Muniz, Vik, 'Unforgettable’, Blind Spot, Spring–Summer 1994
  • Gintz, Claude, ‘Orozco in Paris’, Parkett, Spring 1994
  • Sans, Jérome, ‘Gabriel Orozco: l'expérience comme attitude’, Galeries Magazine, January 1994
  • Bonami, Francesco, ‘Gabriel Orozco’, Flash Art, November 1993
  • Debroise, Olivier, ‘Gabriel Orozco en el Moma’, La Jornada, 21 September 1993
  • Tibol, Raquel, ‘Gabriel Orozco se internacionaliza’, Proceso, 20 September 1993
  • Un-authored, ‘Museum of Modern Art’, The New Yorker, 20 September 1993
  • Cotter, Holland, ‘Projects, Gabriel Orozco’, New York Times, 10 September 1993
  • Kin, Edgardo Ganado, ‘Domestic affairs’, Poliester, Fall 1993
  • Bonami, Francesco, ‘Gabriel Orozco’, Flash Art, Summer 1993
  • Fisher, Jean, ‘The 'bride’ stripped bare even so...’, Artforum, November 1992
  • Springer, José Manuel, ‘Garbage and art in Mexico’, Poliester, Fall 1992
  • Springer, José Manuel, ‘Gabriel Orozco’, Unomásuno, 1991
  • Santamarina, Guillermo, ‘Gabriel Orozco: inventar el enigma’, La Jornada, 5 July 1990


Other media

  • ‘Lily Cole’s Art Matters: Gabriel Orozco’, Sky Arts, 23 April 2013