Monographs, solo exhibition catalogues and artist books

  • Baselitz, Georg, Avignon, (Gagosian Gallery, London; Galerie Thaddeus Ropac, Paris; and White Cube, London 2015)
  • Schulz-Hoffmann, Carla (ed), Georg Baselitz: Tierstücke - Nicht von dieser welt (Franz Marc Museum, Kochel am See and Sieveking Verlag, Munich, Germany 2014); texts by Carla Schulz-Hoffman, Michael Köhlmeier, Cathrin Klingsöhr-Leroy and Barbara Dabanoglu
  • Wilmes, Ulrich (ed.), Georg Baselitz: Back then, in between, and today (Haus der Kunst and Prestel Verlag, Munich, Germany 2014); texts by Georg Baselitz, Eric Darragon, Okwui Enwezor, Michael Semff, and Katy Siegel
  • Sadowsky, Thorsten (ed.), Georg Baselitz: A Visit with Ernst Ludwig (Kirchner Museum Davos 2013)
  • Dopfner, Mathias and Ina Gratz (ed.), Georg Baselitz: Berlin Years- Paintings from the Baselitz Collection (Museum Villa Schoningen, Postdam, Berlin 2012); texts by Georg Baselitz and Norman Rosenthal
  • Janssen, Johannes, Georg Baselitz: Das Naturmotiv (ALTANA Kulturstiftung, Hamburg, Germany 2012)
  • Darragon, Eric, Das Negativ: Eine Andere Umkehrung (Galerie Thaddaeus Ropac, Salzburg, Austria 2012)
  • Georg Baselitz: Gravures- A la Pointe du Trait (Snoeck Publishing, Musee Cantini, Marseille 2011)
  • Luard, Honey (ed.), Between Eagles and Pioneers: Georg Baselitz (White Cube, London 2011); texts by Michael Glover and Detlev Gretenkort
  • Gretenkort, Detlev (ed.), Georg Baselitz (Ridinghouse, London 2010); texts by Georg Baselitz and Fiona Elliott
  • Georg Baselitz: Pinturas Recentes (Estacao Pinacoteca, Sao Paulo 2010); texts by Georg Baselitz, Paulo Venancio Filho and Carla Schulz-Hoffmann
  • Georg Baselitz: Remix (Helsinki Art Museum Tennis Palace 2010)
  • Benjamin Katz: Baselitz (Helsinki Art Museum Tennis Palace 2010)
  • Luard, Honey (ed.), Georg Baselitz: Mrs Lenin and the Nightingale (White Cube, London 2009); texts by Detlev Gretenkort and Norman Rosenthal
  • Gretenkort, Detlev and Rolf Lehmann, Georg Baselitz: Bildweg (Galerie Gebr. Lehmann, Dresden 2008); texts by Detlev Gretenkort, Eva Karcher and Carla Schulz- Hoffmann
  • Baselitz (Royal Academy of Arts 2007); texts by Georg Baselitz and Carla Schulz-Hoffmann

General publications and group exhibitions

  • Dirk Luckow(ed.), Picasso In Contemporary Art (Snoeck, Köln, Germany, 2015)
  • Archer, Michael, Art Since 1960 (Thames and Hudson, London 2015)
  • Poli, Francesco, Non ci capisco niente: Arte contemporanea istruzioni per l'uso (Mondadori Electa, Milan 2014)
  • Husslein-Arco, Agnes and Anne de Boismilon (eds.), Love Story: Sammlung Anne und Wolfgang Titze (Grasl FairPrint, Bad Vöslau, Austria 2014); texts by Agnes Husslein-Arco, Mario Codognato, Severin Dünser, Luisa Ziaja, Sol LeWitt and Loïc Malle
  • van Nieuwenhuyzen, Martin and Marie-Claire van Bracht (eds.), Bad Thoughts: Collectie Martijn en Jeannette Sanders (Stedelijk Museum, Amsterdam 2014); texts by various authors
  • Shedden, Jim (ed.), Ago: Highlights from the Collection of the Art Gallery of Ontario (Art Gallery of Ontario, 2013), p.292
  • Lyngstad Nyaas, Tone (ed.), Munch by Others (Arvinius and Orfeus Publishing AB, Norway 2013)
  • Weber, C. Sylvia (ed.) Von Kopf bis Fuss: Menschenbilder im Fokus der Sammlung Würth (Kunsthalle Würth and Swiridoff Verlag, Künzelsau, Germany 2012); texts by Beate Elsen-Schwedler, Werner Spies and C. Sylvia Weber
  • Hodge, Susie, Why Your Five Year Old Could Not Have Done That: Modern Art Explained (Thames & Hudson, London 2012)
  • The National Museum of Art, Osaka 2012 (National Museum of Art, Osaka, Japan 2012); texts by various authors
  • Schob, Bettina, Meisterblätter aus dem 20. Jahrhundert (Gallery Michael Haas, Berlin 2010)
  • Wilding, Alison (ed.), Royal Academy illustrated 2006 (The Royal Academy of Arts, London 2006)

Newspapers and magazines

  • Hudson, Mark, ‘Glyndebourne– there is nothing in Germany like it’, The Daily Telegraph, 27 May 2015, p. 25
  • Connolloy, Kate, ‘Being German always gets you a goof slap’, The Guardian (g2), 20 May 2015, pp. 18-19
  • Searle, Adrian, ‘The mother of all excess’, The Guardian, 12 May 2015, pp. 16-17
  • Smee, Sebastian, ‘Violence, politics expressed at Venice Biennale’,, 9 May 2015
  • Jones, Alice, ‘The most expensive interval in opera?’, The Independent (Radar), 21 March 2014
  • Gleadell, Colin, ‘The Most Valuable Auction Ever’, The Daily Telegraph, 9 September 2014, p.24
  • Collings, Matthew, ‘Great Critics and Their Ideas; No. 30 – Virginia Woolf on Baselitz’s Upside-Down Paintings’, Art Review, Summer 2014, pp.64-66
  • Vahland, Kia, ‘Der Adler ist tot, die Malerei lebt’, Süddeutsche Zeitung, 19 September 2014, p.11
  • Gayford, Martin, ‘Cool, calm and collected’, Royal Academy Magazine, Spring 2014, pp.50-54
  • Negrotti, Rosanna,‘The German artist Georg Baselitz, 76, on the appeal of painting older people and his nude self-portraits’, The Sunday Times Magazine, 27 April 2014, p.62
  • Glover, Michael, ‘Baselitz’s bold homage turns head’, The Independent, 28 March 2014, p.53
  • Clark, Nick, ‘Women just don’t paint very well. It’s a fact’, The Independent (i), 7 February 2013, pp. 26-27
  • Beyer, Susanne and Ulrike Knöfel, ‘My paintings are battles’,, 25 January 2013
  • Glover, Michael, ‘Great Works’, Independent (Radar), 24 November 2012, p. 70
  • McNay, Anna, ‘Georg Baselitz: between eagles and pioneers’,, 4 July 2011
  • Müller, Hans-Joachim, ‘Ich kann nicht anders’, Die Welt, 1 October 2010, p.3
  • Die Welt, 1 October 2010 (Special project/hole magazine)