Gregory Crewdson

Back to artist information

Print

Bibliography

Monographs, solo exhibition catalogues and artist books

  • Grant, Simon (ed.), In My View: Personal Reflections on Art by Today’s Leading Artists (Thames & Hudson, London 2012); text by Gregory Crewdson and various authors
  • Durand, Regis, The Dwelling Life of Man: Masterpieces by American and European Photographers from the Martin Z Margulies Collection, Miami (KAdE, Amersfoort, The Netherlands 2012)
  • Durand, Regis, La Morada del hombre. Fotografías de la Colección Martin Z. Margulies (Fundació Foto Colectania/Fundación Barrié, Barcelona 2011)
  • Gregory Crewdson Duane Hanson: Uncanny Realities (Museum Frieder Burda, 2010); texts by Ludger Hunnekens, Gotz Adriani and Patricia Kamp
  • Burnett, Craig, Gregory Crewdson, Gregory Crewdson in a Lonely Place, (Hatje Cantz, Germany, 2011)
  • Crewsdon, Gregory, A. O Scott, Sanctuary: Gregory Crewsdon (Abrams, New York, 2010)
  • Crewdson, Gregory, Kathy Ryan, Tilda Swinton, Dream House: Gregory Crewdson, (Photology, Milan, 2009)
  • Gregory Crewdson Beneath the Roses, (Abrams, New York, 2008)
  • Gregory Crewdson: Fireflies, (Skarstedt Fine Art and Luhring Augustine, New York. 2006)
  • Gregory Crewdson: Beneath the Roses (The Studley Press, Pittsfield 2005)
  • Gregory Crewdson: 1985-2005, (Kunstverein Hannover, 2005), with text by Stephan Berg, Martin Hochleitner, Katy Siegel, Hatje Cantz Verlag
  • Twilight: Photographs by Gregory Crewdson, (Harry N. Abrams Inc., NY, 2003) texts by Rick Moody
  • Gregory Crewdson Early Work (1986-88), (Emilio Mazzoli Galleria D'arte Contemporanea, Modena, 2002)
  • Gregory Crewdson: Dream of Life,(Ediciones Universidad De Salamanca, Spain, 2000), text by Darcey Steinke and interview with Bradford Morrow
  • Hover, (Artspace Books, San Francisco, CA, 1998), texts by: Rick Moody, Darcey Steinke, Joyce Carol Oates and Bradford Morrow

General publications and exhibition catalogues

  • Herrero, Floriane, Photographie contemporaine (Palette..., France 2015)
  • Rosen, Aaron, Art + Religion in the 21st Century (Thames & Hudson, London 2015), p. 89
  • Fortenberry, Diane and Rebecca Morrill (eds.), Body of Art (Phaidon Press, London, 2015), p. 243
  • Disturbing Innocence (The Flag Art Foundation, New York 2014); texts by Eric Frischl, James Frey and A.M. Homes
  • Higgins, Jackie, The World Atlas of Street Photography (Thames & Hudson, London 2014); texts by Anne Bracegirdle, Sean Corcoran, Chantal Farbes, Marc Feustel, Sophia Greiff, Katie Hill, Sophie Howarth, Greg Marinovich, Carole Naggar, Dan Rule and Radhika Singh
  • van Nieuwenhuyzen, Martin and Marie-Claire van Bracht (eds.), Bad Thoughts: Collectie Martijn en Jeannette Sanders (Stedelijk Museum, Amsterdam 2014); texts by various authors
  • Hicks, Alistair, The Global Art Compass: New Directions in 21st-century Art, (Thames and Hudson, London, 2014), p.38-39
  • Regenbogen-Brünink, Angelika, Landschaftsmalerei: Werkbetrachtungen von der Antike bis zur Gegenwart (Ernst Klett Verlag GmbH, Stuttgart 2012)
  • Kennedy, Lisa, ‘Movie review: award-winning artist returns to Sie FilmCenter in “Gregory Crewdson: brief encounters’, denverpost.com, 1 April 2013
  • Davis, Lucy, ‘Silent Movies: Cranes, weather machines, film stars – just some of the ingredients that make up a Gregory Crewdson picture’, The Sunday Telegraph (Seven), 31 March 2013, p.12
  • Adamian, John, ‘A documentary explores the peculiar visual fictions of photographer Gregory Crewdson’, ct.com, 27 November 2012
  • Green, Tyler, ‘The MAN podcast: Gregory Crewdson’, blogs.artinfo.com, 21 November 2012
  • Blum, Laura, ‘Brief encounters with Gregory Crewdson’, thalo.com, 19 November 2012
  • Orange, Michelle, ‘Gregory Crewdson: Brief Encounters is a finely sketched portrait of the artist’s unlikely pursuit of perfecton’, miaminewtimes.com, 15 November 2012
  • Un-authored, ‘Photographer Gregory Crewdson laid bare in new film’, phaidon.com, 13 November 2012
  • O’Hagan, Sean, ‘The world’s most expensive photograph’, The Guardian (Photography, a Guardian Masterclass), November 2012, pp.8-15
  • Millar, Iain, ‘Not such a brief encounter’, The Art Newspaper, No. 240, November 2012, p.80
  • Hill, John, ‘Gregory Crewdson: Brief Encounters’, World-architects.com, 11 November 2012
  • Kogane, Tynan, ‘Intricate pictures of disquietude’, cinespect.com, 6 November 2012
  • Murg, Stephanie, ‘Through a glass, darkly: film goes behind the scenes of Gregory Crewdson’s “perfect, frozen moments”’, mediabistro.com, 5 November 2012
  • Chong, W.H, ‘Gregory Crewdson and the innocence of photographers’, blogs.crikey.com.au, 1 November 2012
  • Bittencourt, Ela, ‘Gregory Crewdson: Brief Encounters’, slantmagazine.com, 29 October 2012
  • Scheib, Ronnie, ‘Gregory Crewdson: Brief Encounters’, variety.com, 29 October 2012
  • Rule, Dan, ‘Your weekend: in the galleries’, theage.com.au, 27 October 2012
  • Sutton, Benjamin, ‘Unblithe Spirit: Gregory Crewdson: Brief Encounters’, thelmagazine.com, 24 October 2012
  • Nelson, Robert, ‘Unreal stills, unmoving images’, smh.com.au, 17 October 2012
  • Webb, Carolyn, ‘Photographer frames isolated moments of meaning’, theage.com.au, 10 October 2012
  • Donnelly, Elisabeth, ‘Magic tour: an interview with Gregory Crewdson’, theparisreview.org, 27 September 2012
  • Jovanovic, Rozalia, ‘Gregory Crewdson: Brief encounters’ has theatrical premiere Oct. 31 at Film Forum’, galleristny.com, 25 September 2012
  • Un-authored, ‘Gregory Crewdson: “In a lonely place”’, contemporaryart.com, 24 September 2012
  • Fuller, Graham, ‘Glittering SXSW film Roster Stars Bob Marley, Paul Simon, Gregory Crewdson, Wayne White, and Pot Pipes Galore’, artinfo.com, 2 February 2012
  • Tyler Close, Justin, ‘Gregory Crewdson’, The lab magazine, Vol 3. Vancouver, 2011 pp.104, 105, 106, 107, 108, 109, 110 and 111
  • Bull, Stephen, ‘Photography’, The Media: An introduction, pp. 88-105
  • Molina, Joanne, ‘Four books that consider the future of art,’ Modern Painters, December 2009 – January 2010, p.76
  • Stoinska, Agata, Blow, Issue 2 (Blow Magazine, Dublin 2010)
  • La invención de lo cotidiano (Instituto Nacional de Bellas Artes, Fundación/Colección Jumex 2009) texts by; Roger Bartra, Frédéric Bonnet, Peter Burke, Jorge Esquinca and James Oles
  • Remy, Patrick, ‘Gregory Crewdson: Rencontre du troisième type’, Qu’est-ce Que La Photographie Aujourd’hui? (Beaux Arts Éditions, Paris 2009)
  • Green, David and Joanna Lowry, ‘Photography, cinema and medium as social practice’, Visual Studies, Vol.24, No.2, September 2009
  • Pimentel, Taiyana, Las Implicationes De La Imagen, Universidad Nacional Autónoma de México, Ciudad de México 2008
  • Björkman, Hermine, ‘Gregory Crewdson: The obscure face of the American dream,’ The Amuser, Autumn, 2009, pp.20-23
  • Pincus-Witten, Robert, ‘Gregory Crewdson: Luhring Augustine,’ Art Forum, September 2008, p.456
  • Bovell, Andrew. ‘ Gregory Crewdson, Beneath the roses’, Hotshoe, June / July 2008, p.18 - 29
  • Sansom, Anna. ‘Underexposed’, Wonderland, April – May 2008, p.196 - 203


DISCOURSE BOOKS

  • Blum, Charlotte, Séries, Une addiction planétaire. (Éditions de La Martinière, Paris 2011)