Josiah McElheny

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Bibliography

Writing by the artist

  • McElheny, Josiah,’Holly Zausner’, BOMB 105, Autumn 2008: 62-63
  • McElheny, Josiah. ‘Nowhere, Everywhere, Somewhere’, Cabinet 30: 59-61
  • McElheny, Josiah, ‘Readymade Resistance: On Art and the Forms of Industrial Production’, Artforum Oct. 2007
  • McElheny, Josiah,’Interior Rapport’, Artforum Jan. 2007: 111
  • McElheny, Josiah,’Interview with Arturo Herrera’, Bomb 93 Fall 2005: 68–75.
  • Rothkopf, Scott and Josiah McElheny, ‘1000 Words’, Artforum Nov. 2005, pp. 236–37.
  • McElheny, Josiah, ‘A Short History of the Glass Mirror’, Cabinet Magazine 14 (2004): 56.
  • McElheny, Josiah, ‘Proposal for Total Reflective Abstraction’, Cabinet Magazine 14, 2004, pp. 98-100
  • McElheny, Josiah, ‘Useful Noguchi’, Artforum, Nov. 2004, pp. 176–9.
  • McElheny, Josiah, ‘Invisible Hand’, Artforum,Summer 2004, pp. 209–10.


Monographs, solo exhibition catalogues and artist books

  • Josiah McElheny: Some Pictures of the 1nfinite (Hatje Cantz Verlag, Ostfildern, Germany; The Institute of Contemporary Art, Boston 2012); texts by Doug Ashford, Gregg Bordowitz, Moyra Davey, Andrea Geyer, Maria Gough, Bill Horrigan, Zoe Leonard, Jill Medvedow, Helen Molesworth, R.H. Quaytman, Taylor Walsh
  • Herrmann, Daniel F. (ed.), Josiah McElheny: The Past Was a Mirage I’d Left Far Behind (The Whitechapel Gallery, London 2012)
  • Neri, Louise and McElheny, Josiah, A Prism (Skira Rizzoli, New York 2010)
  • A Space for Island Universe (Turner/Reina Sofia, Madrid, 2009); texts by Eric C.H. de Bruyn, Lynne Cooke, Immanuel Kant, Molly Nesbit, Thomas Ryckman, Paul Schütze and David Weinberg
  • Josiah McElheny: Island Universe (White Cube, London 2008); texts by Craig Burnett, David Weinberg and Josiah McElheny, Molly Nesbit, Immanuel Kant, Thomas Ryckman, Craig Hogan and Andrei Linde
  • Molesworth, Helen (ed.), Notes for a Sculpture and a Film (Wexner Center for the Arts,
  • The Ohio State University, Columbus 2006); texts by Josiah McElheny, Helen Molesworth, and David Weinberg
  • Morrill, Apollonia (ed.), Josiah McElheny: The Metal Party (The Public Art Fund, New York and Yerba Buena Center for the Arts, San Francisco 2002); texts by Glen Helfand, Christine Mehring, Peter Nesbit, and Ingrid Schaffner
  • Josiah McElheny (Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain 2002); texts by Miguel Fernández-Cid, Miwon Kwon, Louise Neri, and Michael Tarantino
  • Josiah McElheny (The Isabella Stewart Gardner Museum, Boston 1999); texts by Jennifer R. Gross and Dave Hickey
  • Tarantino, Michael, Josiah McElheny (Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain 2002)
  • Scanlan, Joe, Josiah McElheny: Believe You Me - Works 1994–2000 (Overland Park, Johnson County Community College 2001)


General publications and group exhibitions

  • Collecting Ideas: Modern & Contemporary Works (Denver Art Museum, USA 2013)
  • Unknown, Dynasty, (Gallery MC, New York 2006).
  • Rosenzweig, Matthew and Francesca Richer, (eds.), No. 1: First Works of 362 Artists. (Distributed Art Publishers, New York 2006)
  • Molesworth, Helen, (ed.) Part Object Part Sculpture. Columbus: Wexner Center for the Arts and The Pennsylvania State University Press, 2005. texts by Briony Fer, Rachel Haidu, David Joselit, Rosalind E. Krauss, Helen Molesworth, and Molly Nesbit.
  • An Historical Anecdote About Fashion,(Henry Art Gallery, Seattle,1999); texts by Richard Martin, Victoria Milne, Ingrid Schaffner and Mark Wigley.
  • Morris, Catherine. “Reflecting on Modernity in the Villa Philbrook.” Focus 2: Josiah McElheny Tulsa: Philbrook Museum of Art (exhibition brochure), 2005.
  • Sollins, Marybeth, ed. Art: 21—Art in the Twenty-First Century 3. New York: Harry N. Abrams, 2005.
  • Sterling, Bruce, ‘Chromified Blobjects. Blobjects and Beyond: The New Fluidity in Design’, Chronicle Books, San Francisco: 2005)
  • Eccles, Tom, Anne Wehr, and Jeffrey Kastner, eds. Plop. New York: Merrell in association with Public Art Fund, 2004. Texts by Dan Cameron, Tom Eccles, Jeffrey Kastner, Katy Siegel, and Anne Wehr.
  • Traces of Light, Santiago de Compostela, Spain: Centro Galego de Arte Contemporánea, 2003.
  • Olsen, Erica, ed. Warped Space. San Francisco: Wattis Institute, California College of the Arts, 2003.
  • 2000 Biennial Exhibition. New York: The Whitney Museum of American Art, 2000.
  • Kiyono, Patricia Draher, (ed.), Lateral Thinking: Art of the 1990s. (Museum of Contemporary Art San Diego, San Diego 2002); text by Toby Kamps.
  • Schaffner, Ingrid, ‘The Photogenic’, (Institute of Contemporary Art, Philadelphia 2002)
  • Grabowski, Amy, and Jessica Hough, (eds.), Family,(The Aldrich Museum of Contemporary Art, Ridgefield, 2002).
  • Frankel, David, (ed.) Artists to Artists: A Decade of The Space Program. (The Marie Walsh Sharpe Art Foundation, Colorado Springs, 2002)
  • Bradley, Jessica, and Gillian MacKay, (eds.), House Guests: The Grange 1817 to Today, (Art Gallery of Ontario, Toronto 2001); Texts by Jessica Bradley, Charlotte Gray, Gillian MacKay, and Jennifer Rieger.
  • Beau Monde: Toward a Redeemed Cosmopolitanism, (SITE, Santa Fe 2001); text by Dave Hickey.
  • Molesworth, Helen, BodySpace, (The Baltimore Museum of Art, Baltimore 2001)
  • Smith, Valerie, Notes on ‘Heart of Glass’, (Queens Museum of Art, New York, 2001)
  • Interlacings: The Craft of Contemporary Art. (Whitney Museum of American Art at Champion, Stamford 1998); Text by Berta Sichel.
  • Goldfarb, Bob and Mimi Young, (eds.), Temporarily Possessed, (The New Museum of Contemporary Art, New York 1995) 127, 159.
  • VER-RÜCKT, Agathenburg, (Kulturstiftung Schloss Agathenburg, Germany 1995); texts by Stefano Basilico, Timothy Binkley, Joachim Buttler, Andre Reifenrath, and Nasim Weiler.


Newspapers and magazine articles

  • Wullschlager Jackie, ‘Round and round the black square’, Financial Times (Weekend), 17-18 January 2015, p. 12
  • Davidson, Rose, ‘Josiah McElheny, Christian Marclay video exhibits aim to broaden appeal for Wexler Center audience’, Thelantern.com, 27 January 2013
  • Kieniewicz, Johanna, ‘The how of science and art’, Blogs.plos.org, 7 December 2012
  • Sherwin, Skye, ‘Josiah McElheny London’, The Guardian Guide, 10 – 16 November 2012, p.34
  • Barlow, Deborah, ‘Cosmic Harmonics’, Slowmuse.wordpress.com, 23 October 2012
  • Un-authored, ‘In the spirit of Walser: Rodney Graham and Josiah McElheny at the Donald Young Gallery’, Artdaily.org, 25 September 2012
  • Pincus-Witten, Robert, ‘Josiah McElheny – Andrea Rosen Gallery’, Art Forum, December 2009, p.229
  • Steinberg, Claudia, ‘Herz aus Glas’, A&W, December 2008, p.44-48
  • Browne, Alex, ‘Is the world this way because it must be, or is it just random?’, The New York Times Magazine, 28 September 2008, pp.64-65
  • McElheny, Josiah,’Holly Zausner’, BOMB 105, Autumn 2008: 62-63
  • Un-authored, ‘Josiah McElheny – Moderna Museet’, Art Forum, Summer 2008, p.457
  • McElheny, Josiah. ‘Nowhere, Everywhere, Somewhere’, Cabinet 30, 2008: 59-61
  • McElheny, Josiah, ‘Readymade Resistance: On Art and the Forms of Industrial Production’, Artforum Oct. 2007
  • Hirsh, Annabelle, Link, Alexandra, and Work, Jeffrey. ‘States of Matter: Sculptural sublimations in a state of flux’, Sleek. Spring, 2007: 91-92
  • Holt, Steven and Skov, Mara,’Ornament Decriminalized’, I.D. March/April 2007, pp.44-46
  • Stevens, Mark, ‘Projects 84: Josiah Mc Elheny’, New York, February 26, 2007
  • McElheny, Josiah,’Interior Rapport’, Artforum Jan. 2007: 111
  • Volk, Gregory, ‘An Infinity of Objects’, Art In America, October 2006
  • Ayanami, Mariko, ‘A Touch of Glass’, Paper. May, 2006.
  • Lambert-Beatty, Carrie, ‘Reviews: Part Object Part Sculpture’, Artforum Feb. 2006: 203.
  • Schwender, Martha, ‘Josiah McElheny’, Time Out New York, June 1-7, 2006: 76
  • Rothkopf, Scott and Josiah McElheny, ‘1000 Words’, Artforum Nov. 2005, pp. 236–37
  • Genocchio, Benjamin, ‘Exploring Beliefs, Far and Wide’, The New York Times 16 Oct. 2005
  • McElheny, Josiah,’Interview with Arturo Herrera’, Bomb 93 Fall 2005: 68–75
  • Glueck, Grace, ‘An Object of Practicality, From the Inside and Out’, The New York Times 1 Apr. 2005: E34
  • Johnson, Ken, ‘Art in Review: View Eight’, The New York Times, 21 January 2005, p. E37
  • Maldonado, Guitemie, ‘Reviews: Printemps de Septembre’, Artforum Feb. 2005: 181
  • Mayr, Bill, ‘Sculpture about universe turns gallery into galaxy’, The Columbus Dispatch 30 Oct. 2005
  • McElheny, Josiah, ‘Useful Noguchi’, Artforum, Nov. 2004, pp. 176–9
  • Hixson, Kathryn, ‘Reviews: Josiah McElheny’, ArtUS June-Aug. 2004: 18
  • Hawkins, Margaret, ‘Galleries, Josiah McElheny’, Chicago Sun-Times 19 Mar. 2004
  • Printemps de septembre à Toulouse 2004–Volume 1: ‘In Extremis’, Les presses du réel, Toulouse 2004)
  • McElheny, Josiah, ‘Invisible Hand’, Artforum,Summer 2004, pp. 209–10.
  • Workman, Michael. “Reviews: Josiah McElheny.” Flash Art May/June 2004: 141–2
  • Camper, Fred, ‘The Slick and the Sloppy’, Chicago Reader 27 Feb. 2004: 25
  • Artner, Alan G. “McElheny succumbs to glass’ seductiveness.” Chicago Tribune 27 Feb. 2004: C25
  • Auther, Elissa, ‘The Decorative, Abstraction, and the Hierarchy of Art and Craft in the Art Criticism of Clement Greenberg’, Oxford Art Journal 27.3 (2004): 339–64
  • McElheny, Josiah, ‘A Short History of the Glass Mirror’, Cabinet Magazine 14, 2004: p.56
  • McElheny, Josiah, ‘Proposal for Total Reflective Abstraction’, Cabinet Magazine 14, 2004, pp. 98-100
  • ‘Art: Josiah McElheny: Theories about Reflection’, Flavorpill (148) 8 April 2003.
  • ‘Goings On About Town, Art: Josiah McElheny’, The New Yorker 14 Apr. 2003: 16.
  • Brickman, David. “Who’s Your Dada.” Metroland, 17 July 2003.
  • Gronlund, Melissa, ‘Reviews: Josiah McElheny’, Contemporary Magazine No. 52, 2003: 71.
  • Johnson, Ken, ‘Market-Driven Survey Through the 20th Century’, The New York Times 21 Feb.
  • 2003, E42.
  • Levin, Kim, ‘Voice Choices: Josiah McElheny’, The Village Voice 9 Apr. 2003: 70.
  • Maxwell, Douglas, ‘Making History’, Glass 92 (2003): 26–33.
  • Pollack, Barbara, ‘Beyond the Looking Glass’, ARTNews Dec. 2003: 106–9.
  • Smith, Roberta, ‘Multiple Realities Clash in a World of Shimmering Reflections’, The New York Times 11 Apr. 2003: E36.
  • Stern, Steven. ‘Reviews: Josiah McElheny’, Time Out New York 10 Apr. 2003: 55.
  • Taplin, Robert. “Josiah McElheny at Brent Sikkema.” Art in America Sept. 2003: 118.
  • “Goings On About Town, Art: ‘Surface to Surface’.” The New Yorker 11 Nov. 2002: 39.
  • Berwick, Carly. “ARTtalk: A Touch of Glass.” ARTNews Jan. 2002: 32.
  • Helfand, Glen, ‘Critics’ Picks: The Metal Party by Josiah McElheny’, Artforum.com 4 Jan. 2002.
  • Henry, Clare, ‘The truth about mums and dads’, Financial Times 8/9 June 2002.
  • Israel, Nico, ‘Reviews: Josiah McElheny’, Artforum Nov. 2002: 193.
  • Smith, Roberta, ‘The Armory Show, Grown Up and in Love With Color’, The New York Times 22 Feb. 2002: E38.
  • Smith, Roberta. “Art in Review: ‘Artists to Artists’.” The New York Times 24 May 2002: E37.
  • ‘Goings On About Town, Art: Josiah McElheny.” The New Yorker 24 & 31 Dec. 2001: 22.
  • Brunetti, John. “Reviews: Josiah McElheny.” New Art Examiner Feb. 2001: 47–8.
  • Ebony, David. “Front Page: Santa Fe Biennial Revs Up.” Art in America March 2001: 43.
  • Hackman, Kate. “Bridging the Worlds of the Fine and Sublime.” Review Mar. 2001: 38.
  • Hixon, Kathryn. “ Glass, Apprenticeship, and Josiah McElheny.” New Art Examiner Feb. 2001: 72.
  • Jacobs, Alexandra. “The Eight-Day Week.” The New York Observer 3 Dec. 2001: 20.
  • Mitchell, Charles Dee. “Making the Case for Pleasure.” Art in America Nov. 2001: 122–9.
  • Schjeldahl, Peter, ‘Desert Songs’, The New Yorker 13 Aug. 2001: 82–3.
  • Schleifer, Kristen Brooke. “National Reviews: Josiah McElheny.” ARTNews Feb. 2001: 161.
  • Schoeneman, Deborah, ‘Going Out: The Guest List’, New York Post 29 Nov. 2001: 56.
  • Tanguy, Sarah, ‘Reviews: BodySpace’, Sculpture, Dec. 2001:69–70.
  • Thorson, Alice, ‘Artist creates more than just another pretty vase’, The Kansas City Star, 15 Feb. 2001: E1, 3.
  • Vogel, Carol, ‘Inside Art’, The New York Times, 16 Nov. 2001: E30.
  • Un-authored, ‘Going’s On About Town, Art: Shortlist’, The New Yorker 6, 20, 27 March 2000.
  • Danto, Arthur C. “Art of the Free and Brave.” The Nation 8 May, 2000.
  • Danto, Arthur C. “The Best of 2000.” Artforum Dec. 2000: 112.
  • Duncan, Michael, ‘Surveying the Scene I: Blinded by Buzzwords’, Art in America July 2000: 39-43.
  • Fredericksen, Eric, ‘Culture Wars: And the Winners Are….’, The Stranger 13 Jan. 2000: 23.
  • Goodman, Jonathan, ‘Reviews: Josiah McElheny’, Sculpture, Dec. 2000: 73–4.
  • Johnson, Ken, ‘Art in Review: Josiah McElheny’, The New York Times 17 Mar. 2000: B35.
  • Kimmelman, Michael. “A New Whitney Team Makes Its Biennial Pitch.” The New York Times. 24 Mar. 2000: E31, 33.
  • Kino, Carol. “Dealings with the Whitney Biennial.” Art + Auction 15 Apr. 2000: 40.
  • Klinkenborg, Verlyn. “Editorial Notebook; Biennial 2000 at the Whitney Museum.” The New York Times 24 Mar. 2000
  • Levin, Kim. “Voice Choices: Josiah McElheny.” The V illage Voice 7 March 2000: 95.
  • Press, Caroline. “With $9,000 to spend in New York.” The Art Newspaper No. 103 May 2000.
  • Schjeldahl, Peter. “Pragmatic Hedonism.” The New Yorker 3 Apr. 2000: 94–5.
  • Siegel, Katy. “The Max Factor.” Inteview with Whitney Biennial 2000 curators. Artforum March 2000: 110–16.
  • Siegel, Katy. “Reviews: ‘Biennial 2000’.” Artforum May 2000: 171–3.
  • Wichert, Geoffrey. “Josiah McElheny could use a few good enemies.” Neues Glas/New Glass Apr. 2000: 40–5.
  • Wood, William. “Access Codes and Avoided Objects in the Work of Brian Jungen, Josiah McElheny, and Cornelia Parker.” Parachute 99 (2000).
  • Zimmer, William. “Summer Exhibitions; Ghosts and Wee Folk.” The New York Times 27 Aug. 2000.
  • “Boston, Art: Josiah McElheny: The Story of Glass.” The New York Times 29 Jan. 1999.
  • Ford, Rosemary. “Masterpieces in glass.” The Eagle-Tribune 22 Jan. 1999: 16–17.
  • Fredericksen, Eric. “Picks: Forms of Fashion.” The Stranger 4 Feb. 1999, 47.
  • Greenberg, Sarah. “Artist profile: Josiah McElheny.” The Art Newspaper 89 Feb. 1999: 23.
  • Hopkins, Randi. “Reviews: Josiah McElheny: The Story of Glass.” Art New England April/May 1999: 41.
  • Josslin, Victoria. “Reviews, Washington: Josiah McElheny.” New Art Examiner June 1999.
  • Josslin, Victoria. “Henry exhibit weaves a tale of fashion, fiction and glass.” Seattle Post Intelligencer 11 Feb. 1999: D1, 3.
  • Kwon, Miwon. “Exhibition Reviews: Josiah McElheny at Gardner Museum, Boston.” Documents 15 (1999): 55–9.
  • McTaggart, Tom. “Narrative Glass.” Seattle Weekly 4 Mar. 1999: 52.
  • Rondeau, James. “The Artist in the Museum: Infiltrating the Collection.” Sculpture July–Aug.1999: 25¬–8.
  • Sharpe, Jared. “Artist shatters usual opinions of glass.” Daily Free Press 28 Jan. 1999.
  • Sherman, Mary. “McElheny’s glass ‘Story’ at the Gardner.” Arts & More. 2 Feb. 1999: 6B, 7B.
  • Shiffler, Meg. “Visual Arts’ Picks: Josiah McElheny.” The Stranger 8 Apr. 1999: 67.
  • Silver, Joanne. “Artist tells the story of glass.” Boston Herald 29 Jan. 1999.
  • Temin, Christine. “McElheny blows magic, illusion into classic form.” The Boston Globe 3 Feb. 1999: D1, 8.
  • Updike, Robin. “Fashion and glass merge with imagination in show at Henry.” The Seattle Times 17 Mar. 1999: C3.
  • Wardropper, Ian. “The Artist in the Museum: At Home in the Museum.” Sculpture July–Aug. 1999: 29¬–31.
  • “Critics’ choice: The Saatchi Gallery, Young Americans Part 2.” Time Out London 30 Sept. 1998: 52.
  • “Review: Young Americans Part 2.” The Guardian 8 Sept. 1998.
  • Coomer, Martin. “Art, Preview: Young at Art.” Time Out London Sept. 1998.
  • Del Re, Gianmarco. “Reviews: Young Americans 2: Parts I & II.” Flash Art Nov.–Dec. 1998: 66.
  • Dorment, Richard. “A brush with young America.” The Daily Telegraph 26 Aug. 1998: 19.
  • Hickey, Dave. “ The Best of 1998.” Artforum Dec. 1998: 94.
  • Israel, Nico. “Reviews: Josiah McElheny.” Artforum Mar. 1998: 100–1.
  • Johnson, Ken. “Art in Review: ‘Inglenook’.” The New York Times 24 July 1998: E39.
  • Levin, Kim. “Voice Choices, Art: “Inglenook.” The Village Voice 21 July 1998: 70.
  • Littman, Brett. “Reviews: Josiah McElheny.” Glass 70 (1998): 53.
  • Scanlan, Joe. “Reviews: Josiah McElheny.” Frieze Jan.–Feb. 1998: 92.
  • Volk, Gregory. “Reviews: Josiah McElheny at AC Project Room.” Art in America Mar. 1998: 107.
  • Zimmer, William. “Seven Artists Apply Craft to Fine Art.” The New York Times 11 Oct. 1998.
  • “Voice Choices, Art: Josiah McElheny.” The Village Voice 18 Nov. 1997: 15.
  • “Goings On About Town, Art: Josiah McElheny.” The New Yorker 3 Nov. 1997: 28.
  • “Goings On About Town, Art: Josiah McElheny.” The New Yorker 10 Nov. 1997: 30.
  • “Goings On About Town, Art: Group Show at A/C Project Room.” The New Yorker 21 July 1997: 16.
  • Glowen, Ron. “Reviews: Josiah McElheny at Donald Young Gallery.” ArtWeek Feb. 1997: 28.
  • Hackett, Regina. “ Josiah McElheny’s glasswork dazzles at Donald Young Gallery.” Seattle Post Intelligencer 31 Jan. 1997: 15.
  • McTaggart, Tom. “Visual Arts Picks.” Seattle Weekly 29 Jan. 1997: 62.
  • Oles, Brian Thomas. “Lives of the Glassblowers.” Aorta Apr.–May 1997: 16–17.
  • Pedersen, Victoria. “Gallery Go ‘Round: Josiah McElheny.” Paper Oct. 1997: 138.
  • Saltz, Jerry. “Reviews: Josiah McElheny.” Time Out New York 30 Oct. 1997: 42.
  • Smith, Roberta. “Art in Review: Josiah McElheny.” The New York Times 17 Oct. 1997: E37.
  • Smith, Roberta. “Art Guide: Josiah McElheny.” The New York Times 24 Oct. 1997: E38.
  • “Museums: Seattle Art Museum.” The Stranger 20 March 1996: 41.
  • Farr, Sheila. “Place Settings.” Seattle Weekly 23 Oct. 1996.
  • Fredericksen, Eric. “Open City, Art: The Glass Artist.” The Stranger 26 Dec. 1996: 19.
  • Hackett, Regina. “In ‘Last Supper’ artists bring twisted elements to the table.” Seattle Post Intelligencer 4 Oct. 1996: 20.
  • Kingsley, April. “A New View.” Review 1 Apr. 1996.
  • Sherman, Mary, ‘Artist shatters reality with glass replicas’, Boston Sunday Herald, 7 July 1996; p.45
  • Spalding, Kelly. “Reviews: Josiah McElheny.” artsMEDIA Summer 1996: 18.
  • Thorson, Alice. “Hard to look at; hard to look away.” The Kansas City Star 19 May 1996: J1, 3.
  • Updike, Robin. “Looking through the glass at art history and authority.” The Seattle Times 26 December 1996.
  • Yohn, Tim, ed. A Labor of Love. New York: The New Museum of Contemporary Art, 1996. Text by Marcia Tucker.
  • “Arts and Leisure Guide, Galleries/Soho: Josiah McElheny and Dan Peterman.” The New York Times 15 Jan. 1995: H 37.
  • “Calendar: Conceptual Glass.” The Stranger 14 June 1995: 39.
  • “Goings On About Town, Art: Josiah McElheny/Dan Peterman.” The New Yorker 23 Jan. 1995: 18.
  • “Goings On About Town, Art: Dan Peterman / Josiah McElheny.” The New Yorker 20 & 27 Feb. 1995: 44.
  • “Muster doppelter Böden.” Kronen Zeitung 27 June 1995.
  • “Zerbrechliches Glas und trittfestes Plastik.” Der Neue Grazer (23) 22 June 1995.
  • Bancroft, Shelly. “Holding the Past: Historicism in Northwest Glass Sculpture.” Artifact 1.3 November - December 1995; pp.21–4.
  • Behr, Martin. “Zerplatzter Recylcing-Traum Historisierende Ritualgläser.” Salzburger Nachrichten 23 June 1995.
  • Farr, Sheila. “Glass Art Now.” Seattle Weekly 26 July 1995: 27–9.
  • Hackett, Regina. “Artist earns distinction by crafting glass with brains.” Seattle Post Intelligencer 26 May 1995: 21.
  • Happe, Annemarie. “Zwei Amerikaner in Grazer Galerie.” Neue Zeit 20 June 1995.
  • Hofmann-Sewera, Kathi. “Aus dem Tief ins Hoch.” Kleine Zeitung 30 June 1995.
  • Lindberg, Ted. “The Glass People.” Reflex 9.8 (Sept. 1995): 4–5.
  • Melrod, George. “Openings: Future History.” Art & Antiques 18.5 May 1995: 32.
  • Smith, Roberta. “Art in Review: Josiah McElheny and Dan Peterman.” The New York Times 10 Feb. 1995: C27.
  • Updike, Robin. “New exhibits are sensual, haunting.” The Seattle Times 11 May 1995: E1–2.
  • Updike, Robin. “Glass vessels are visually stunning.” The Seattle Times 11 July 1995: E1–2.
  • Updike, Robin. “Reflecting the past.” The Seattle Times 11 July 1995: E1–2.
  • Volk, Gregory. “Reviews: Josiah McElheny and Dan Peterman.” ARTnews May 1995: 152.
  • “Goings On About Town, Art: Are You Experienced?” The New Yorker 4 Apr. 1994: 20.
  • Avgikos, Jan. “Josiah McElheny: The Art of Authentic Forgery.” Glass 54 (1993): 22–9.
  • Kangas, Matthew. “Reviews: Seattle, WA.” Sculpture 12.5 Sept.–Oct. 1993: 59.
  • Oldknow, Tina. “Reviews: Josiah McElheny.” Glass 53 (1993): 54–5.


Selected Interviews

  • Herman, Nicholas, ‘Infinity Box: On the Nature of Mirrors,’ Interview. Ante 4, Fall 2005: 50–5.
  • Gitlin, Laurel,’Heavy Metal: Josiah McElheny Tells Us How to Party Like It’s 1929’, (Interview) Ten by Ten 2.2 (2003): 30–2.
  • Neri, Louise, ‘The Glass Bead Game Part II’, Interview. Antipodes: Inside the White Cube. London, UK: White Cube, 2003: 41–5.
  • Tarlow, Lois,’Profile: Josiah McElheny’, Interview. Art New England Aug.–Sept. 2002: 21–3


Other Media

  • Sollins, Susan, executive producer. Art: 21—Art in the Twenty-First Century. Season Three. PBS
  • Home Video (DVD/VHS), 2004