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Bibliography

Monographs, solo exhibition catalogues and artist books

  • Balka, Miroslaw, KordegAART!, (Narodowe Centrum Kultury, Warsaw 2012)
  • Bojarska, Katarzyna, bes-sennosh-ch, (Galeria Labirynt, 2012)
  • Goździewski, Marek (ed.), Fragment – Balka (Akademie der Kunste, Berlin 20
  • Miroslaw Balka: Wir Sehen Dich/We See You (Staatliche Kunsthalle Karlsruhe, Frankfurt, 2010); texts by Regine Hess, Julian Heynen and Holger Jabob-Friesen
  • McCormack, Seamus (ed.), Traces: IMMA Limited Editions (Irish Museum of Modern Art, Dublin 2009); texts by Christina Kennedy and Seamus McCormack
  • Cotter, Suzanne and Emily Smith (ed.), Topography: Miroslaw Balka (Modern Art Oxford, 2009); texts by Suzanne Cotter and James E. Young
  • Miroslaw Balka: How It Is (Tate Publishing, 2009); text by Helen Sainsbury
  • Miroslaw Balka, 17 x 23,5 x 1,6, Jay Jopling / White Cube, 2008
  • Miroslaw Balka. Reflejos condicionados, Fundacion Marcelino Botin, 2007
  • Miroslaw Balka - Tristes Tropiques, Irish Museum of Modern Art, 2007
  • Nassisi, Anna Maria, Anda Rottenberg, Maria Ann Potacka and Pietro montani, Miroslaw Balka, Alfredo Pirri: Beyond, The Bunkier Sztuki Contemporary Art Gallery, Krakow, 2007
  • Un-authored, Miroslaw Balka: Hipnoza (Galeria Arsenal, Białystok, Poland, 2006)
  • Heynen, Julian, Miroslaw Balka: Lichtzwang, Snoeck, Düsseldorf, 2006
  • Shaw-Cable, Patrick (Ed.), Sublime Embrace: Experiencing Consciousness in Contemporary Art (Art Gallery of Hamilton, Ontario, 2006)
  • Wasilewski, Marek, Miroslaw Balka: Hipnoza, Galeria Arsenal, Poland, 2005
  • Shani, Annushka. Eclipse. Towards The Edge of the Visible (Jay Jopling / White Cube, London 2004)
  • An International Legacy: Selections from Carnegie Museum of Art. AmericanFederation of Arts: New York, 2003
  • dig dug dug. The Douglas Hyde Gallery: Dublin, 2003
  • The Unthought Known, White Cube, London, 2002
  • Arte All' Arte 7, Arte Continua, San Gimignano, 2002
  • I’m Not Here: Constructing Idenity at the Turn of the Century, Susquehanna Art Museum, Harrisburg, Pennsylvania, 2001
  • Lugares de la Memoria, Espai d’Art Contemporain de Castello, José Miguel G.Cortés , Valencia, Spain, 2001
  • Miroslaw Balka Around 21˚ 15’oo’E 52˚06’17”N GO-GO (1985-2001), Galeria Sztuki Wspótczesnej Zacjheta Warszawa, 2001
  • Eclipse, Kroller Muller Museum, Otterlo, 2001
  • The Artists Body, Tracey Warr, Amalia Jones, Phaidon Press, 2000
  • L’autre Moitie de l’Europe, Lorand Hegyi, Jeu de Paume, Paris, 2000
  • Negotiators of Art Facing Reality, Piotr Piotrowski, Centrum of Contemporary Art- Laznia, 2000
  • Between Meals, The National Museum of Art, Osaka, Japan, 2000
  • Wanas 2000, The Wanas Foundation, Wanas, Sweden, 2000
  • The Vincent, Shortlist Catalogue, Maastricht, The Netherlands, 2000
  • Aspect/Positions, Lorand Hegyi, Museum Moderner Kunst,Stiftung Ludwig, Vienna, 1999
  • Lost Paradise, Alexandre Melo, Galeria Presença, Porto, 1999
  • Figura, Piotr Szubert, Galeria Zacheta, Warsaw, 1999
  • Art at the turn of the Millenium, B.Riemschneider, U.Grosenick, Taschen, 1999
  • Sztuka Swiata, vol.10, Wojciech Wlodarczyk, Wydawnictwo Arkady, 1999
  • Znaczenia modernizmu, Dom Wydawniczy Rebis, Poznan, 1999
  • Triennale der Kleinplastik 1998. Europa Afrika, SüdwestLB Forum, Stuttgart, 1999
  • Empatía complementar, Anda Rottenberg, cat.XXIV, Bienal de São Paulo, 1999
  • Three Stanzas, ICA Philadelphia, 1999
  • Displacements, Art Gallery of Ontario, Toronto, 1999
  • Minimal – Maximal, Neues Museum Weserburg, Bremen, 1999
  • Wounds: between democracy and redemption in contemporary art, Modern Museum, Stockholm, 1998
  • Bradley, Jessica and Andreas Huyssen, Displacements (Art Gallery of Ontario, 1998)
  • Art from Poland 1945-1996, Galeria Sztuki Wspolczesnej Zacheta, 1997
  • Niemansland, Haus Lange, Krefeldt, 1997
  • Juan Vincente Aliaga, Danse macabre; An interview with Miroslaw Balka, in: Revisión 1986-1997, IVAM, Valencia 1997
  • Juan Vincente Aliaga, History, death and other bitter fruit; an interpretation of the work of Miroslaw Balka, in: Revisión 1986-1997, IVAM, Valencia 1997
  • Padre Czerminski, A sacrifice of love, in: Revisión 1986-1997, IVAM, Valencia 1997
  • Juan Manuel Bonet, Introduction, in: Revisión 1986-1997, IVAM, Valencia 1997
  • Anette Österby, in City Space, Copenhagen 1996
  • Maria Morzuch, Miroslaw Balka, in: Horizons, Sonje Museum of Contemporary Art, Kyongju 1996
  • Neal Benezra, A privacy which can be public, in: Distemper, Hirshhorn Museum and Sculpture Garden, Washington DC 1996
  • Miroslaw Balka in: City Space, Copenhagen 1996
  • Frances Morris, Miroslaw Balka, in: Dawn, Tate Gallery, London 1995
  • Stuart Morgan, Introduction, in Rites of Passage, Tate Gallery, London 1995
  • Jan Hoet, Miroslaw Balka, in: Ripple across the water; Watari Museum, Tokyo 1995
  • Miroslaw Balka, in: Where is Able, thy brother?, Galeria Zacheta Warsaw 1995
  • Richard Armstrong, in: Carnegie International, Carnegie Museum, Pittsburgh 1995
  • ARS 95, The Museum of Contemporary Art, Helsinki 1995
  • Sune Nordgren, Till Brancusi, Malmö Konsthall 1994
  • Anda Rottenberg, Miroslaw Balka-Arranged events (a first draft), in: Die Rampe, Van Abbemuseum, Endhoven & Museum Sztuki, Lodz 1994
  • Maria Morzuch, Alchemy of the body of the Inexorable Hour-Glass, in: Die Rampe, Van Abbemuseum, Endhoven & Museum Sztuki, Lodz 1994
  • Jaromir Jedlinski, Interview, in: Die Rampe, Van Abbemuseum, Endhoven & Museum Sztuki, Lodz 1994
  • Selma Klein Essink, Mankind the measure of all things, in: Die Rampe, Van Abbemuseum, Endhoven & Museum Sztuki, Lodz 1994
  • Holger Broeker, Miroslaw Balka, in: Tuning Up #2, Kunstmuseum Wolfsburg 1994
  • Miroslaw Balka, Europa, Europa, Kunst- und Ausstellungshalle der BRD, Bonn 1994
  • Zdenka Badovinac, in: Winterhilfsverein, Moderna Galerija, Ljubljana 1994
  • Valerie Smith, Miroslaw Balka, in: Sonsbeek 93, Arnhem 1993
  • Anda Rottenberg, in: Baltic Sculpture Gotland 93, Visby 1993
  • Anda Rottenberg, in: Miroslaw Balka 37,1 (cont.), Padiglione della Polonia, XLV Biennale di Venezia 1993
  • Anda Rottenberg, Miroslaw Balka, in: XLV Biennale di Venezia 1993
  • Eva Badura - Triska, Miroslaw Balka, in: Konfrontation Neuerwerbungen 1990-1993, Museum Moderner Kunst Stiftung Ludwig, Wien 1993
  • Ghez, Susanne, Peter Schjeldahi and Julian Heynen, 36,6, The Renaissance Society at The University of Chicago, Chicago 1992
  • Maria Morzuch, Metamorphosen zum Tod, in: Polnische Avantgarde 1930-1990, Neuer Berliner Kunstverein, Berlin & Museum Sztuki, Lodz 1992
  • Maria Morzuch, Interview, in: Museum Sztuki w Lodzi 1931-1992, Musée d’Art Contemporain & ELAC, Lyon 1992
  • Jan Hoet, Denys Zacharopoulos, Bart de Baere, Pier Luigi Tazzi, Documenta IX, Kassel 1992
  • Peter Schjeldal, Polish Haiku, in: 36,6, The Renaissance Society, Chicago & List Visual Arts Center, Cambridge 1992-93
  • Julian Heynen, Drafts for a Vocabulary, in: 36,6, The Renaissance Society, Chicago & List Visual Arts Center, Cambridge 1992-93
  • Julian Heynen, Skizzen zu einem vokabular, in: bitte, Museum Haus Lange, Krefeld 1992
  • Rosa e Giallo, viedeo catalogue, Galeria Pieroni, Roma 1991
  • Andrzej Przywara, Interview, in: Von Angesicht zu Angesicht, Stadt Galerie, Kiel 1991
  • Andrzej Przywara, in: Borealis V, Kunstmuseum, Pori 1991
  • Christoph Joachimedes and Norman Rosenthal, Metropolis, Martin-Gropius-Bau, Berlin 1991
  • Saiska Bos, in: Kunst, Europa 1991, Bonner Kunstverein, Bonn 1991
  • Christoph Blase, Le monde critique, Kunstverein Hamburg 1991
  • Christoph Blase, De Appel Foundation, Amsterdam 1991
  • Miroslaw Balka, Europea Nieznana, Palac Sztuki, Krakow 1991
  • Joanna Kiliszek, in: Good God, Galeria Dziekanka, Warsaw 1990
  • Iwona Blazwick, Interview, in Possible Worlds, Institute of Contemporary Art & Serpentine Gallery, London 1990
  • Miroslaw Balka, in: Pracownia Dziekanka: 1976-1987, Galeria Dziekanka, Warsaw 1990
  • Valerie Smith, Metaphysical Visions-Middle Europe, Artist’s Space, New York 1989
  • Maria Morzuch, Miroslaw Balka, in: Dialog, Kunstmuseum Düsseldorf & Centrum Sztuki Wspólczesnej, Warsaw 1989
  • Maria Morzuch, in: River, Galeria Labirynt 2, Lublin 1989
  • Miroslaw Balka, in Poruszanie mysli-Dzialania równolegle, Centrum Sztuki Wspólczesnej, Warsaw 1989
  • Anda Rottenberg, Getting closer to literature, Haags Centrum voor Actuele Kunst, The Hague 1988
  • Jolanta Ciesielska, Miroslaw Balka, Fundacja EGIT, Warsaw 1988
  • Miroslaw Balka, Sand - Pit (la mort approchee), Haags Centrum voor Actuele Kunst, The Hague 1988
  • Anda Rottenberg, Percepta patris mei servivi semper, Galeria Pokaz, Warsaw 1986
  • Anda Rottenberg, Figures and Objects, Galeria BWA, Pulawy 1986
  • Miroslaw Balka, Na Rzecz Wszystkich Swietych, Galeria Wielka, Poznan 1986


General publications and group exhibition catalogues

  • Grovier, Kelly, Art Since 1989 (Thames & Hudson, London 2015)
  • Staff, Craig, Monochrome: Darkness and Light in Contemporary Art (I.B Tauris, London 2015), p. 16
  • Lagnado, Lisette, Cultural Anthropophagy: 24th Bienal de Sao Paulo 1998 (Afterall Books, London/ Centre for Curatorial Studies, Bard College, New York), p. 68 + 74
  • Fortenberry, Diane and Rebecca Morrill (eds.), Body of Art (Phaidon Press, London, 2015), p. 396
  • Perrett, Tamsin (ed.), Frieze Art Fair: London 2014 (Frieze, London 2014)
  • Downey, Anthony, Art and Politics Now (Thames & Hudson, London 2014)
  • Ward, Ossian, Ways of Looking: How to experience contemporary art (Laurence King, London 2014)
  • Gioni, Massimiliano and Natalie Bell (eds.), Il Palazzo Enciclopedico: Biennale Arte 2013 Volume I (Marsilio Editori, Venice, Italy 2013); texts by various authors
  • Beard, Lee and Rebecca Morrill (eds.), The Twenty-First Century Art Book (Phaidon, London 2014); texts by Jonathan Griffin, Paul Harper, David Trigg and Eliza Williams, p.26
  • Guglielmino, Giorgio, This Is Now: A Geographical Guide to Cutting-Edge Contemporary Art (Umberto Allemandi & C., Turin 2013)
  • Glasstress: White Light/White Heat (La Biennale di Venezia, 2013)
  • Kiasma Hits (Museum of Contemporary Art Kiasma, Helsinki 2013); texts by Pirkko Siitari, Leevi Haapala, Arja Miller, Juan Vicente Aliaga, Eija Aarnio, Jonna Strandberg and Sanna Hirvonen
  • Grant, Simon (ed.), In my view: Personal reflections on art by today’s leading artists (Thames & Hudson, London 2012); text by Miroslaw Balka and various authors
  • The National Museum of Art, Osaka 2012 (The National Museum of Art, Osaka, Japan 2012); texts by various authors
  • Defining Contemporary Art. 25 Years in 200 Pivotal Artworks (Phaidon 2011); texts by Daniel Birnbaum, Cornelia Butler, Suzanne Cotter, Bice Curiger, Okwui Enzwezor, Massimiliano Gioni, Hans Ulrich Obrist and Bob Nickas
  • Hubbard, Sue, Adventures in Art: Selected Writings - 1990-2010 (Other Criteria, London 2010)


Newspaper and magazine articles

  • Grovier, Kelly, ‘Too, too solid’, TLS, 25 April 2014, p.19
  • Cumming, Laura, ‘The interpretations of darkness’, The Observer (The New Review), 30 March 2014, p.41
  • Johansson, Antti, ‘Miroslaw Balka toteuttaa vuoden 2013 Ihme-teoksen yhdessa kaupunkilaisten kanssa’, Hs.fi, 27 September 2012
  • ‘Critics’ Choice: Major spaces’, Time Out, 1-7 April 2010
  • Webb, Justin, ‘On my radar,’ The Observer (New Review), 28 February, 2010
  • Sooke, Alastair, ‘Where to go, what to see,’ The Telegraph (Review), 20 February 2010, p.16
  • Searle, Adrian, ‘Where to go and what to see,’ The Telegraph, 6 February 2010, pp.16-17
  • Sooke, Alistair, ‘Where to go, what to see,’ The Daily Telegraph, 20 January 2010, pp.16-17
  • ‘Five Best [Exhibitions],’ The Independent, 20 January 2010, p.19
  • ‘Five Best [Exhibitions],’ The Independent, 3 February 2010, p.17
  • Searle, Adrian, ‘Critic’s picks,’ The Guardian, 12 January 2010, p.17
  • Lubbock, Tom, ‘Five best shows… and around the country,’ The Independent, 9-15 January 2010, p.9
  • Campbell-Johnston, Rachel, ‘Critic’s choice,’ The Sunday Times, 2-8 January 2010, p.21
  • ‘Exhibitions,’ The Guardian Guide, 2-8 January 2010, p.34
  • ‘The year in pictures, 2009 from A to Z,’ The Telegraph, 28 December 2009, pp.3-53
  • Searle, Adrian, ‘Critic’s picks,’ The Guardian, 15 December 2009, p.40
  • Lubbock, Tom, ‘Art of darkness,’ The Independent, 14 December 2009, pp.14-15
  • Lubbock, Tom, ‘Five best London shows… and around the country,’ The Independent, 12-18 December 2009, p.9
  • Searle, Adrian, ‘Critic’s picks,’ The Guardian, 8 December 2009, p.38
  • Cotter, Sam, ‘Miroslaw Balka’s Heaven outdoes hall of mirrors at Scrap Metal’, canadianart.ca, 7 December 2012
  • ‘Miroslaw Balka: topography,’ The Art Newspaper, December 2009, p.67
  • Dorment, Richard, ‘Exhibitions, the unilever series: Mirislaw Balka’, Telegraph Review, 24 October 2009, p.24
  • Cumming, Laura, ‘An illuminating darkness’, The Observer Review, 18 October 2009, p.12
  • Secher, Benjamin, ‘Feel it, see it, be it, how art climbed out of its box’, The Telegraph Review, 17 October 2009, p.3
  • Campbell-Johnston, Rachel, ‘New shows: Miroslaw Balka’, The Times Playlist, 17-23 October 2009, p.21
  • Akbar, Afrika, ‘Dark arts in the Turbine Hall’, The Independent, 23 October 2009, pp.12-13
  • Campbell-Johnston, Rachel, ‘Dark, brooding and magnificent’, The Times (Times2), 12 October 2009, p.11
  • Brooks, Richard, ‘Tate sucks visitors into black hole’, The Sunday Times, 11 October 2009, p.13
  • McLean-Ferris, Laura, ‘Medicine Man’, Art Review, October 2009, pp.56-57
  • Searle, Adrian, ‘Ghosts of Treblinka’, The Guardian Arts, 16 September 2009, pp.19-21
  • Un-authored, ‘Pick of the Week’, The Guardian Guide, 31 January-6 February 2009, p.36
  • Un-authored, ‘Polish artist chosen to fill Tate’, BBC News online, 29 January 2009
  • Un-authored, ‘Art Miroslaw Balka’, Kultureflash.net, 16 January 2009
  • Cumming, Laura, ‘A master poet of infinite vision’, The Observer Review, 21 December 2008 p.16
  • Cork, Richard, ‘Abandon hope, all ye who enter’ The Independent on Sunday, 14 December 2008, p.63
  • ‘In calendario,’ AD Italia, December 2008
  • ‘51 st Venice Biennale Special’, Flash Art, July-September 2005, pp.146
  • Mears, Emily Speers, ‘Miroslaw Balka’, ArtForum, September 2004
  • Güner, Fisun, ‘Unusual Dimanetions’, London Metro, March 5
  • Falconer, Morgan, ‘Faint human traces’, What’s On in London Magazine, 10-17 March, pp.27
  • Kent, Sarah, ‘Miroslaw Balka, White Cube, East End’, Time Out London, 17-24 March, pp.46
  • Searle, Adrian, ‘Silence is golden’, The Gaurdian, 3 September 2004, pp.12-13
  • Pasini, Francesca, ‘Review – Miroslaw Balka, Galleria Raffaella Cortese’, Artforum, May 2004 pp. 219-220
  • Herbert, Martin, Frieze, November-December 2002
  • Mahoney, Elisabeth, ‘The ties that bind’,Art Review, September 2002
  • Cork , Richard, ‘A fear of the dark inside us’, The Times, 22 March 2002
  • Searle, Adrian, ‘World of interiors’, The Guardian, 12 March 2002
  • Volk, Gregory, ‘Miroslaw Balka at Barbara Gladstone’, Art in America, April 2002
  • Burton , Johanna, ‘Miroslaw Balka, sweep, swept, swept’, Time Out, 25 October 2001
  • Szablowski, Stach, ‘Otwocki Dom, Miroslaw Balki’, Prze Kroj, 27 May 2001
  • Gioni, Massimiliano, ‘New York cut up’, Flash Art, November-December 2001, pp.63-65
  • Patrick Caulfield, ‘Miroslaw Balka’, Tate Report, 2000
  • Andrzej, Pagowski, ‘Pod wlos’, Playboy, Nr. 3
  • Dorota Jarecka, ‘Wedlug polityki’, Gazeta Wyborcza, 18 February 2000
  • Barbara Majewska, ‘Strategia doklejania’, Rzeczpospolita, 25-26 February 2000
  • Hanna Krall,’Siedze w pociagu, a pron odjezdza’, rozmowa z
  • R. Makowskim, Rzeczpospolita , 25-26 February 2000
  • Rafal Jakubowicz, ‘Nekrologi pozostana po karnawale zycia’, Tygodnik Powszechny , No.3
  • Monika Kuc, ‘Alfabet Morse’a’, Elle, No. 3
  • Lawrence Rinder, ‘Wall of joy’, Nest, Fall 1999
  • Aliaga, Juan Vincente, interview, ‘Miroslav Balka: life and death struggle’, Time Out, 22 November
  • Belina, Dech; Fedisz Marcin,‘Stal. Mydlo, wymiar, beton, sol I swinskie jelita-nosniki Historji’, Max, No.7
  • Jaromir Jedlinski, ‘Klepsydra Ciala’, Czas Kultury, No.2, 1999
  • Rafal Jakubowicz, ‘W jednej przestrzeni-Kantor, Balka’, Opcje, No.3, 1999
  • Maria Morzuch, ‘Three stanzas’, Max, No.2, 1999
  • Piotr Sarzynski,’Najwieksi Tworcy Sztuki XX Wieku’-ankieta, Polityka, No.40, 1999
  • Monika Kuc, ‘sza sza sza’, Gazeta Stoleczna/Gazeta Wyborcza, 16 March 1999
  • Richard Cork, ‘We love you, yeah, yeah, yeah’, The Times, 29 September 1999
  • Matthew Sweet, ‘All you need is a past’, The Independent on Sunday, 3 October 1999
  • Lynn Mac Ritchie, ‘Memories are made of this’, Financial Times, 10 October 1999
  • Sommerman, Eileen, ‘Still waters’, Canadian Art, Summer 1998
  • Hume, Christopher, ‘A sense of time and memory, sadness and loss’, The Toronto Star, 9 April 1998
  • Dault, Gary Michael, ‘The deafening silence of the past given voice in art’, The Globe and Mail, 18 April 1998
  • Bozena Czubak, ‘Each boy fears differently’, Magazyn Sztuki, No.19, March 1998
  • Rafal Jakubowicz, ‘Pisze poezje’, Czas Kultury, No.6
  • Alexandre Melo, M.Balka, Luc Tuymans, ‘Una conversa’, cat. Privacy, Fundaçao de Serralves
  • Adrian, Searle, ‘Bare Bones of the matter’, The Guardian, December 1997
  • Lars O Ericsson, ’Ingen försoning utlovas’, Dagens Nyheter, October 1997
  • Mårten Castenfors, ’Det skrämmande en väg till fortsatt liv’, Svenska Dagbladet, October 1997
  • Lukasz Gorczyca, ‘Nieobecnosc w imie harmonii’, Art& Busines, May 1996
  • Piotr Sarzynski, ‘Sztuka to nie anegdota, interview’, Polityka, No.6, 10 February 1996
  • Marjetica Potrc, ‘I always have a dialogue with life’, interview, M’ARS, No.VIII, 1 February 1996
  • Adam Szymczyk, ‘Moczenie lozka przesiakniete eschatologia’, Zycie Warsawy, 2 August 1995 Andrzej Przywara, ‘Martwy Swit’, Rzeczpospolita, No.270, 22 November 1995
  • Slawomir Ratajczak, ???, Odra, 1995
  • Mieczyslaw Porebski, ’Spotkanie z Ablem’, Znak, 1995
  • Lars O Ericsson, ’Världskonsten till Helsingfors’, Dagens Nyheter, 17 February 1995
  • Neal Benezra, ‘Bruce Nauman: Raw Material’, Art Press, No.184, 1995
  • Mira Novak, ‘Razstava v belem’, Delo, No.XXXVII, 10 January 1995
  • Juan Vincente Aliaga, ‘La figuración de Miroslaw Balka’, EL ARAGÜENO, 7 August 1994
  • Jolanta Ciesielska, ‚Stalowe nerwy lin utrzymuja sciany jego swiata: na marginesie spotkan z Miroslawem Balka’, Obieg, No.63/64/65, 1994
  • Paul Kokke, ‘Bij Miroslaw Balka loert de dood steeds mee’, Eindhovens Dagblad, 12 February 1994
  • Christopher Knight, ‘Miroslaw Balka Takes Society’s Temperature’, The Los Angeles Times, 4 July 1994
  • Ingela Lind, ’Ett veck för kroppen; Hos Miroslaw Balka finns människan i mellanrummen’, Dagens Nyheter, October 1994
  • Stuart Morgan, ‘Last Rites’, Frieze, No. 14, January-February 1994
  • Suzanne Muchnic, ‘Miroslaw Balka’, Art News, November 1994
  • José Marín-Medina, ’Miroslaw Balka, rituales últimos’, ABC, 10 June 1994
  • John Peter Nilsson, ’En diffus doft av Östeuropa’, Aftonbladet, 18 October 1994
  • Santiago B. Olmo, ‘Miroslaw Balka’, Lapiz, No.104, 1994
  • Felipe Pereda, ’Vientos del este’, El Mundo, 13 June 1994
  • Gerdien Vershoor, ‘Miroslaw Balka: Laadplatform (rampa) notatki z prasy holenderskiej’, Obieg, No.63/64/65, 1994
  • Janet Koplos, ‘Report from the Netherlands. Paratchuting into Arnhem’, Art In America, No.10, October 1993
  • Stuart Morgan, ‘Into the trees’, Frieze, No.12, September-October 1993
  • Philippe Regnier, ’Miroslaw Balka’, Blocnotes, No.4, 1993
  • Bert Steevensz, ‘Miroslaw Balka ... de rest is stilte’, Metropolis M, No.5, 1993
  • Peter Schjeldahl, ‘Awash in the Venice Biennale’, Los Angeles Times, 20 June 1993
  • Christoph Blase, ’Tranen am Stahlzeit’, Frankfurter Allgemeine Zeitung, No.142, 22 June 1992
  • Wieslaw Borowski, ’Miroslaw Balka, 37,1’, Obieg, 193 no ¾, 1992
  • Christian Karavagna, ’Miroslaw Balka’, Kunstforum,1992
  • Noemi Smolik, ’Miroslaw Balka’, ARTFORUM, January 1992
  • David Pagel, ’Miroslaw Balka’, Arts Magazine, No.2, 1992
  • Bert Steevensz, ‘Miroslaw Balka’, Metropolis M, No. 2, 1991
  • Andrzej Przywara, ‘Miroslaw Balka, inteview’, Flash Art, No.160, 1991
  • Joanna Kiliszek, ‘Miroslaw Balka at Dzienkanka Gallery’, Flash Art, No.152, May-June 1990
  • Maria Morzuch, ‘Trwanie’, Okoiucho, No.1, 1989
  • Anda Rottenberg, ‘Draught’, Nike, No.16, 1987