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Bibliography

Monographs and solo exhibition catalogues

  • Robert Irwin: Cacophonous. (New York: Pace Gallery, 2015). Interview by Jennifer Winkworth
  • Robert Irwin. (Cologne: Galerie Thomas Zander, 2014).
  • Robert Irwin: Project & Exhibitions 2012–2013. (La Jolla, California: Quint Gallery, 2014).
  • Robert Irwin: Double Blind. (Vienna: Secession, 2013)
  • Irwin, Robert. Notes Toward A Condition Art. (Los Angeles: J. Paul Getty Museum, 2011).
  • Robert Irwin. (Segovia: Museo de Arte Contemporáneo Esteban Vicente, 2010).
  • Robert Irwin: Primaries and Secondaries. (San Diego, California: Museum of Contemporary Art San Diego, 2008). Texts by Hugh M. Davies and Robert Irwin.
  • Weschler, Lawrence. Seeing Is Forgetting the Name of the Thing One Sees. Expanded Edition: Over Thirty Years of Conversations with Robert Irwin. (Los Angeles: University of California Press, 2008).
  • Robert Irwin: Double Diamond 1997–1998. (Lyon and Milan: Musée d’Art Contemporain; Skira, 1999).
  • Robert Irwin: A Selection of Works 1958 to 1970. (New York: PaceWildenstein, 1998).
  • Robert Irwin. (Madrid: Museo Nacional Centro de Arte Reina Sofia, 1995). Essays: “El Espacio de la Perception” by Enrique Juncosa, “En Un Desierto de Sentimiento Puro” by Lawrence Weschler.
  • Robert Irwin. (Cologne: Kölnischer Kunstverein, 1994). Essays: “A Window Is A Window Is A Window” by Marianne Stockebrand, “Growing Up in the Middle of No Where” by Sabine Müller, “Playing It As It Lays and Keeping It In Play” by Lawrence Weschler.
  • Robert Irwin. (Paris: Musée d'Art Moderne de la Ville, 1994). Essay “Au Milieu de Nulle Part” by Alain Charre
  • Robert Irwin. (Los Angeles: The Museum of Contemporary Art, 1993). Essays: “Deep Time” By Sally Yard, “Hands On” by John Hallmark Neff, “Expression, Lines, Dots, Discs, Light” by Jeremy Gilbert-Rolf, “The Architecture of Perception” by Klaus Kertess, “Art in Response” by Arthur C. Danto, “Playing It As It Lays and Keeping It In Play” by Lawrence Weschler.
  • Feinberg, Jean. Perceiving the Garden: Robert Irwin at Wave Hill. (New York: Wave Hill, 1987).
  • Irwin, Robert. Being and Circumstance: Notes Toward a Conditional Art. (San Francisco and New York: Lapis Press in conjunction with the Pace Gallery and the San Francisco Museum of Modern Art, 1985). Edited by Lawrence Weschler.
  • Weschler, Lawrence, Seeing is Forgetting: The Name of the Thing One Sees- A Life of Contemporary Artist Robert Irwin (University of California Press, California 1982)
  • Irwin, Robert. Notes Toward a Model. (New York: Whitney Museum of American Art, 1977).
  • Robert Irwin. (New York: Whitney Museum of American Art, 1977).
  • Robert Irwin. (Chicago: Museum of Contemporary Art, 1975). Text by Ira Licht.
  • Robert Irwin. (Pasadena, California: Pasadena Art Museum, 1968). Text by John Coplans.
  • Recent Paintings by Robert Irwin. (Los Angeles: Ferus Gallery, 1959).

General publications and group exhibition catalogues

  • Diehr, Ursula, Holger Steinemann and April Lamm, Art Basel, Unlimited (Hatje Cantz Verlag, Germany 2015)
  • A Family Affair: Modern and Contemporary American Art from the Anderson Collection at Stanford University. (Stanford, California; New York: The Anderson Collection at Stanford University, 2014: 144–9, illustrated). Texts by Gwen Allen, David Cateforis and Evelyn C. Hankins, etc.
  • Bruno, Giuliana. Surface Matters of Aesthetics, Materiality, and Media. (Chicago: The University of Chicago Press, 2014: 72–3, illustrated).
  • George, Herbert. The Elements of Sculpture: A Viewer’s Guide. (London and New York: Phaidon, 2014: 160, illustrated).
  • Govan, Michael and Anna Bernardini. Robert Irwin | James Turrell | Villa Panza (exhibition catalogue). (Varese, Italy: Fondo Ambiente Italiano, Villa e Collezione Panza, 2014).
  • Atkins, Robert. Art Speak: A Guide to Contemporary Ideas, Movements, and Buzzwords, 1945 to the Present. (New York and London: Abbeville Press Publishers, 2013: 150, illustrated).
  • Irwin, Robert. “Robert Irwin.” Interview with Hossein Amirsadeghi.In Art Studio America: Contemporary Artist Spaces. (New York: Thames & Hudson, Inc. 2013: 174–177, illustrated).
  • James Turrell: A Retrospective (exhibition catalogue). (Los Angeles: Los Angeles County Museum of Art, 2013: 29, 120–121, 120, illustrated). Texts by Michael Govan, Christine Y. Kim, Alison de Lima Greene and E.C. Krupp.
  • Pasina, Irene. Luce di Interni. (Milan: FrancoAngeli s.r.l., 2013: 78, 86–89, illustrated).
  • Decade: Contemporary Collecting 2002–2012, exhibition catalogue. (Buffalo, New York: The Buffalo Fine Arts Academy, 2012: illustrated). Texts by David Pagel and Heather Pesanti
  • Extreme Abstraction: Revisited. Buffalo, (New York: The Buffalo Fine Arts Academy, 2012: 20, 173 illustrated).
  • Gielen, Denis. S.F. Art, Science & Fiction. (Brussels: Musée des Arts Contmporains de la Fédération Wallonie-Bruxelles au Grand-Hornu, 2012 :illustrated).
  • Tiberghien, Gilles A. Land Art. (Paris: Dominique Carré éditeur, 2012: 18–19, illustrated).
  • Dreishpoon, Douglas. The Long Curve: 150 Years of Visionary Collection at the Albright-Knox Art Gallery. (Milan: Skira editore spa, 2011). Text by Holly E. Hughes, Mariann W. Smith and Susana Tejada.
  • O’Keeffe, Linda. Brilliant: White In Design. (New York: The Monacelli Press, 2011).
  • Pacific Standard Time Los Angeles Art 1945–1980. (Los Angeles: Getty Research Institute and the J. Paul Getty Museum, 2011).
  • Phenomenal: California Light, Space, Surface. (California: Museum of Contemporary Art San Diego, 2011).
  • Stein, Jordan. Endless Column. (San Francisco: Glass,house, 2011).
  • 50 Years at Pace. (New York: The Pace Gallery, 2010). Texts by Arne Glimcher et al.
  • Meyer, James, ed. Minimalism. (London: Phaidon Press, Inc., 2010).
  • Primary Atmospheres: Works from California 1960–1970, exhibition catalogue. (New York: David Zwirner, 2010).
  • Ferus. (New York: Rizzoli International Publishers, 2009). Text by Kirk Varnedeo. First published in 2002 by Gagosian Gallery.
  • Irwin & Hooper: The Frances and John Bowes Collection. (San Francisco: California College of the Arts MA Program in Curatorial Practice, 2009).
  • McKenna, Kristine. The Ferus Gallery: A Place to Begin. (Göttingen, Germany: Steidl, 2009).
  • Matrix/Berkeley: A Changing Exhibition of Contemporary Art. (Berkeley: University of California, Berkeley Art Museum and Pacific Film Archive, 2009).
  • Circa 1958: Breaking Ground in American Art (exhibition catalogue). Text by Roni Feinstein. (Chapel Hill: Ackland Art Museum and University of North Carolina, 2008: 8, figure 6).
  • Dictionnaire International de la Sculpture Moderne & Contemporaine. (Paris: Éditions du Regard, 2008).
  • Hot Spots: Rio de Janeiro/Milan – Turin/Los Angeles, 1956 bis 1969. (Göttingen: Steidl Verlag, 2008).
  • Kleeblatt, Norman L., ed. Action / Abstraction: Pollock, De Kooning, and American Art, 1940–1976. (New York and New Haven: The Jewish Museum and Yale University Press, 2008) Texts by Debra Bricker Balken, Morris Dickstein, Douglas Dreishpoon, Charlotte Eyerman, Mark Godfrey, Caroline A. Jones, Norman L. Kleeblatt and Irving Sandler.
  • Macnair, Jennifer, Thomas Frick and Nola Butler, ed. BCAM/LACMA 2008. (Los Angeles: Los Angeles County Museum of Art, 2008).
  • The Panza Collection. (Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2008). Texts by Giuseppe Panza and Evelyn C. Hankins.
  • The Third Mind: American Artists Contemplate Asia, 1860–1989. (New York: Guggenheim Museum Publications, 2009).
  • This Is Not To Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles. (Los Angeles: The Museum of Contemporary Art, 2008). Texts by Ann Goldstein, Rebecca Morse, and Paul Schimmel.
  • Time & Place: Los Angeles 1958–1968. (Stockholm: Moderna Museet, Stockholm, 2009).
  • Collection Art Contemporain. (Paris: Éditions du Centre Pompidou, 2007).
  • Collins, Judith. Sculpture Today. (London: Phaidon Press Limited, 2007).
  • Dreishpoon, Douglas and Bonetti, David. The Panza Collection: An Experience of Color and Light. (Buffalo: Albright-Knox Art Gallery, 2007).
  • Gielen, Dinis. Atlas of Contemporary Art For Use By Everyone. (Hornu, Belgium: Musée des Arts Contemporains au Grand-Hornu, 2007).
  • Irwin, Robert. “Robert Irwin from ‘Being and Circumstance: Notes Toward a Conditional Art.” In Modern Sculpture Read, edited by John Wood, David Hulks and Alex Potts,. (Leeds: Henry Moore Institute, 2007).
  • Panza, Giuseppe. Giuseppe Panza: Memories of a Collector. Translated by Michael Haggerty. (New York: Abbeville Press Publishers, 2007).
  • Weyland, Jocko. Now I Hate Summer. (Los Angeles: Elk, 2007).
  • Elemental Form. Text by Robert Storr. (New York: L & M Arts, 2006).
  • Harper, Glenn and Twylene Moyer, eds. A Sculpture Reader: Contemporary Sculpture Since 1980. (Hamilton, New Jersey: ISC Press, 2006).
  • Invisible Might: Works from 1965–1971. (New York: Nyehaus, 2006).
  • A Sculpture Reader: Contemporary Sculpture Since 1980. (Hamilton, New Jersey: ISC Press, 2006). Edited by Glenn Harper and Twylene Moyer.
  • Varnedoe, Kirk. Pictures of Nothing: Abstract Art Since Pollock. (Washington, D.C.: Board of Trustees, National Gallery of Art, 2006).
  • Bishop, Claire. Installation Art: A Critical History. (London: Tate Publishing, 2005).
  • Extreme Abstraction. (Buffalo, New York: Albright-Knox Art Gallery, 2005). Text by Claire Schneider.
  • Rose, Barbara. Monocromos: de Malevich al presente. (Madrid: Museo Nacional Centro de Arte Reina Sofía, 2005).
  • Seeking Transcendence. (Perth: Art Gallery of Western Australia, 2005). Text by John Stringer.
  • Cooke, Lynne and Michael Govan. Dia: Beacon. (New York: Dia Art Foundation, 2004
  • Farquharson, Alex, ed. Brian Wilson an Art Book. (London: Four Corners Books, 2004)
  • A Minimal Future? Art As Object 1958–1968. (Los Angeles: Museum of Contemporary Art, 2004).
  • Moorehouse, Paul and Cooke, Lynne. Bridget Riley: Paintings and Drawings 1961–2004. (London: Ridinghouse, 2004)
  • Singular Forms (Sometimes Repeated): Art from 1951 to the Present. (New York: Solomon R. Guggenheim Museum, 2004)
  • Zelevansky, Lynn. Beyond Geometry: Experiments in Form, 1940s–70s. (Cambridge, Massachusetts: The MIT Press, 2004).
  • Imagination: Perception in Art. (Cologne: Walther König, 2003) Edited by Peter Pakesch.
  • Fabozzi, Paul F. Artists, Critics, Context: Readings in and Around American Art Since 1945. (Upper Saddle River, N.J.: Prentice Hall, 2002).
  • Ferus. (New York: Gagosian Gallery, 2002). Text by Kirk Varnedeo.
  • Weschler, Lawrence. Robert Irwin Getty Garden. (Los Angeles: J. Paul Getty Museum, 2002).
  • Giorgio Morandi. (London: Tate Gallery Publishing, Ltd., 2001). Texts by Donna de Salvo, Matthew Gale, et al.
  • Glimcher, Mildred, ed. Adventures in Art: 40 Years at Pace. (Milan: Leaonardo International, 2001). Essay by Arne Glimcher.
  • Venice/Venezia: California Art from The Panza Collection at the Guggenheim Museum. (New York: Guggenheim Museums Publication, 2000). Essays by Giuseppe Panza di Biumo et al.
  • Celebrating Modern Art: Highlights of the Anderson Collection, San Francisco Museum of Modern Art. (San Francisco: San Francisco Museum of Modern Art, 2000).
  • Corzo, Miguel Angel, ed. Mortality Immortality?: The Legacy of 20th-Century Art. (Los Angeles: The Getty Conservation Institute, 1999).
  • Phillips, Lisa. The American Century Art and Culture 1950–2000. (New York: Whitney Museum of American Art, 1999).
  • Radical Past: Contemporary Art & Music in Pasadena, 1960. (Pasadena and Santa Monica, California: Armory Center for the Arts, Art Center College; RAM Publication & Distribution, 1999).
  • Tobler, Jay, ed. The Art Book. (London: Phaidon, 1999).
  • Torres, Ana Maria and Pelli, Denis. Thresholds: Limits of Perception, (New York: New York Arts Magazine, 1999).
  • Causey, Andrew. Sculpture Since 1945. (Oxford: Oxford University Press, 1998).
  • Archer, Michael. Art Since 1960. (London: Thames and Hudson, 1997).
  • Contemporary Art in Transition: From the Collection of the Ho-Am Art Museum. (Seoul, Korea: Ho-Am Art Museum, 1997).
  • Margo Leavin Gallery. 25 Years. Los Angeles. (Margo Leavin Gallery, 1995).
  • American Art 1930-1970. (Milan: Fabbri Editori, 1992).
  • Levine, Ed. Site Sculptors and Landscape Architects.... (Mineeapolis: Minneapolis College of Art and Design, 1992).
  • Everett, Sally, ed. Art Theory and Criticism. (North Carolina: McFarland & Co., Inc., 1991).
  • Finish Fetish: LA’s Cool School. (Los Angeles: Fisher Gallery, University of Southern California, 1991).
  • Friedman, Martin. Walker Art Center: Paintings and Sculpture from the Collection. (New York and Minneapolis: Rizzoli International Inc., in conjunction with the Walker Art Center, 1990).
  • Hunter, Sam, ed. An American Renaissance: Painting and Sculpture Since 1940. (New York: Abbeville Press, 1986)
  • Insights/On Sites: Perspectives On Art In Public Spaces. (Washington DC: Partners for Livable Places, 1984). Edited by Stay Paleologos Harris.
  • Sites and Solutions: Recent Public Art. Reading, (Pennsylvania: Freedman Gallery, Albright College, 1984). Text by Judith Tannenbaum.
  • The First Show: Painting and Sculpture from Eight Collections 1940–1980. (Los Angeles: The Museum of Contemporary Art, Los Angeles, 1983).
  • FAF–PFPAFP, Form and Function: Proposals for Public Art in Philadelphia. (Philadelphia: Pennsylvania Academy of Fine Arts, 1982).
  • American Artists on Art: 1940 to 1980. (New York: Harper & Row, 1982). Edited by Johnson, Ellen.
  • The Rebounding Surface: A Study of Refections in the Work of Nineteen Contemporary Artists. (Annandale-on-Hudson, New York: Bard College Center, 1982).
  • Weschler, Lawrence. Seeing Is Forgetting the Name of the Thing One Sees. (Berkeley: University of California, 1982).
  • Art in Los Angeles: Seventeen Artists in the Sixties: The Museum As Site – Sixteen. (Los Angeles: Los Angeles County Museum of Art, 1981).
  • Aspects of the 70’s: Sitework. (Wellesley, Massachusetts: Wellesley College Museum, 1980). Text by Judith Hoos Fox.
  • Contemporary Art from Southern California. (Atlanta: The High Museum of Art, 1980). Text by Clark V. Poling.
  • Drawing: The Pluralist Decade. (Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1980). Texts by Janet Kardon and John Hallmark Neff.
  • Andre, Buren, Irwin, Nordman: Space as Support. (Berkeley: University of California Art Museum, 1979). Texts by Mark Rosenthal and Germano Celant.
  • California Perceptions: Light and Space. (Fullerton, California: California State University, Art Gallery, 1979).
  • Painting and Environment: An Inevitable Encounter/The Explosion of Color-Light in Space. (Milan: Commune di Milano, 1979). Texts by Renato Barilli, Francesca Alinovi, and Irwin, Robert.
  • Robert Irwin: Matrix 15. (Berkeley: University of California Art Museum, 1978).
  • 20th Century American Drawings: 5 Years of Acquisitions. (New York: Whitney Museum of American Art, 1978). Text by Paul Cummings.
  • Less is More: An Exhibition of Minimal Painting. (New York: Sidney Janis Gallery, 1977).
  • Weschler, Lawrence. Matrix. (Berkeley, California: UCAL, 1977).
  • Wight, Frederick S. Oral History: Robert Irwin Interview. (Berkeley and Los Angeles: University of California, 1977).
  • Critical Perspectives in American Art. (Amherst, Massachusetts: UMASS Press, 1976).
  • Haskell, Barbara and Maurice Tuchman. 200 Hundred Years of American Sculpture. (New York: Whitney Museum of American Art, 1976).
  • Hopkins, Henry T. Painting and Sculpture in California: The Modern Era. (San Francisco: San Francisco Museum of Art, 1976).
  • Kardon, Janet. Projects for PCA. Symposium conducted by Marcia Tucker. (Philadelphia, Pennsylvania: PCA, 1976).
  • Krauss, Rosalind; Hunter, Sam and Tucker, Marcia. The Last Time I Saw Ferus. (Newport Beach, California: Newport Harbor Art Museum, 1976).
  • Rose, Barbara. American Art Since 1900. (New York: Preager, 1975).
  • University of California, Irvine, 1965–75. (La Jolla, California: La Jolla Museum of Contemporary Art, 1975).
  • A View Through. (Long Beach, California: Art Galleries, California State University, 1975).
  • Art Now 74. (Washington D.C.: John F. Kennedy Center for the Performing Arts, 1974).
  • Illuminations and Reflection. (New York: Whitney Museum of American Art, Downtown, 1974).
  • Plagens, Peter. Sunshine Muse: Contemporary Art on the West Coast. (New York: Preager, 1974).
  • Some Recent American Art. (Melbourne: National Gallery of Victoria, 1974).
  • American Art: Third Quarter Century. (Seattle, Washington: Seattle Art Museum, 1973).
  • Art in Space: Some Turning Points. (Detroit: Detroit Institute of Arts, 1973).
  • Hunter, Sam. American Art of the Twentieth Century. (New York: Abrams, 1973).
  • Hamilton, Richard, ed. Polaroid Portraits: Vol. 1. (Stuttgart, Germany: Edition Hansjorg Mayer, 1972).
  • The State of California Painting (exhibition catalogue). New Plymouth, New Zealand: Govett-Brewster Art Gallery, 1972.
  • USA: West Coast. (Hamburg, West Germany: Kunstverein, 1972).
  • Art and Technology: A Report on the Art & Technology Program of the Los Angeles County Museum. (Los Angeles: Los Angeles County Museum of Art, 1971).
  • 11 Los Angeles Artists. (London: Arts Council of Great Britain, 1971).
  • Thirty-second Biennial Exhibition of Contemporary American Painting. (Washington, D.C.: Corcoran Gallery of Art, 1971).
  • Transparency, Reflection, Light, Space. Four Artists: Peter alexander, Larry Bell, Robert Irwin, Craig Kauffman. (Los Angeles: University of California Art Galleries, 1971).
  • Works for New Spaces. (Mineapolis: Walker Art Center, 1971).
  • A Decade of California Color. (New York: The Pace Gallery, 1970).
  • Kompas 4: West Coast USA. (Eindhoven, The Netherlands: SM Uitgeverij, 1970).
  • Larry Bell, Robert Irwin, Doug Wheeler. (London: Tate Gallery, 1970).
  • Looking West 1970. (Omaha, Nebraska: Joslyn Art Center, 1970).
  • Permutations: Light and Color. (Chicago: Museum of Contemporary Art, 1970).
  • 69th American Exhibition. (Chicago: Art Institute of Chicago, 1970).
  • Robert Irwin - Doug Wheeler, 1969. (Fort Worth, Texas: Fort Worth Art Center, 1969). Text by Jane Livingston.
  • West Coast 1945–1969. (Pasadena, California: Pasadena Art Museum, 1969).
  • Gene Davis/Robert Irwin/Richard Smith. (New York: The Jewish Museum, 1968). Text by John Coplans
  • Los Angeles 6. (Vancouver, British Columbia: Vancouver Art Gallery, 1968).
  • 6 Artists, 6 Exhibitions. (Minneapolis: Walker Art Center, 1968).
  • Untitled, 1968: A National Invitational Exhibition. (San Francisco: San Francisco Museum of Art, 1968).
  • Robert Irwin / Kenneth Price. (Los Angeles: Los Angeles County Museum of Art, 1966).
  • Exhibition of the United States of America: VIII Biennial of the Museum of Modern Art, São Paulo, Brazil. (Pasadena, California: Pasadena Art Museum, 1965).
  • Sietz, William C. The Responsive Eye. (New York: Museum of Modern Art, 1965).
  • Seven New Artists. (New York: Sidney Janis, 1964).
  • Fifty California Artists. (New York: Whitney Museum of American Art, 1962).
  • Pacific Profile of Young West Coast Painters. (Pasadena, California: Pasadena Art Museum, 1961).
  • Fifty Paintings by Thirty-Seven Artist of the Los Angeles Area. (Los Angeles: University of California Press, 1960).
  • California Painters and Sculptors, Thirty-Five and Under. (Los Angeles: Dickson Art Center, 1959).

Newspaper and magazine articles

  • Griffin, Jonathan, ‘Light Year Ahead’, Apollo Magazine, October 2015, p. 72 - 78
  • Hudson, Mark, ‘My paintings were bad, I felt totally naked’, The Daily Telegraph, 10 October 2015, p. 6
  • Roux, Caroline, ‘Age of Enlightenment’, Financial Times Weekend, 13-14 June 2015, pp.4
  • Johnson, Ken, 'Review: Robert Irwin Shows a Calming Installation at Dia:Beacon', Newyorktimes.com, 4 June 2015
  • Battaglia, Andy. “At 86, Still Playing With Light and Space” (Pace Gallery exhibition review). Wall Street Journal, 11–12 April 2015: A15–A16.
  • Garcia, John Daniel. “Chinati Foundation Meets Irwin Project Challenge Grant.” The Big Bend Sentinel, 19 February 2015: 6.
  • “Shedding Light on Sensory Experience” (Pace Gallery exhibition review). Aesthetica, April/May 2015: 18.
  • “A Jazz Great, a (Hilariously) Terrible Movie, Artist Robert Irwin and More Stuff to Do This Week” (Quint Contemporary Art exhibition review). San Diego City Beat, 18 February 2014.
  • Benning, Tom. “Noted Downtown Dallas Artwork, Thought to Be a Goner, Could Live On.” Dallas News, 14 November 2014.
  • Carabelli, Emilia. “Quando l’arte si combina con il turismo” (Pace at Chesa Büsin exhibition review). Corriere del Ticino, 13 March 2014: 34.
  • Cascone, Sarah. “Stay of Execution for Robert Irwin’s Public Sculpture in Dallas?” Artnet News, 17 November 2014.
  • “Chinati Foundation Meets $750,000 Challenge Grant for Robert Irwin Project.” Artforum, 11 February 2015.
  • Finkel, Jori. “Make Sure the Artists Are on Board.” The Art Newspaper, 30 May 2014.
  • Gelt, Jessica. “Robert Irwin to Create a Major Installation in Marfa, Texas.” LA Times, 18 September 2014.
  • Jovanovic, Rozalia. “Artnet News’ Top 10 Most Expensive Living West Coast Artists.” Artnet News, 7 July 2014.
  • Linn, Sarah. “Fabric for Art Piece Being Tested at Cuesta College.” The San Luis Obispo Tribune, 18 May 2014.
  • Powers, John. “Robert Irwin’s Modern Ruin, Years in the Making, Set to Rise in West Texas.” Hyperallergic, 3 March 2015.
  • Rose, Frank. “A Palace of Wonders.” The New York Times, 20 July 2014: 18.
  • Sanzarello, Martina. “Casa/House.” Inventario N˚09 (July 2014): 110–125.
  • Tomaselli, Fred. “Top Ten: Fred Tomaselli—4. Robert Irwin, Scrim Veil—Black Rectangle—Natural Light, Whitney Museum of American Art, New York, 1977.” Artforum 52, no. 7 (March 2014): 153.
  • Vogel, Carol. “Thinking Big in Marfa.” The New York Times, 19 September 2014: C24.
  • Yerebakan, O. C. “Cologne – Robert Irwin at Galerie Thomas Zander Through August 23rd, 2014.” Artobserved, 19 August 2014.
  • Akdogan, Rey. “New York: Robert Irwin: Scrim Veil—Black Rectangle—Natural Light (1977)” (exhibition preview). Artforum 51, no. 9 (May 2013): 148.
  • “Art Stuff on a train #12: “What About The Ceiling?.” (Pace London exhibition review). FAD, 23 July 2013.
  • Chute, James. “Irwin/Rittermann Mural Installed in La Jolla.” U~T San Diego, 21 November 2013.
  • Cooke, Lynne. “Best of 2013: 1. Robert Irwin (Whitney Museum of American Art, New York; Curated by Donna de Salvo).” Artforum 52, no. 4 (December 2013): 206.
  • Esplund, Lance. “Irwin’s Eerie, Mind-Bending Show; Smart Viennese Design” (Whitney Museum of Art exhibition review). Bloomberg, 11 July 2013.
  • Gopnik, Blake. “Art at the Scrim-age Line” (Whitney Museum of Art exhibition review). The Daily Beast, 22 July 2013.
  • Kennedy, Randy. “Back at the Whitney, Tinkering with Perception” (exhibition preview). The New York Times, 17 June 2013: C1–C2, illustrated.
  • Kennedy, Randy. “Art and Technology, At Los Angeles Museum.” The New York Times, 11 December 2013: C3.
  • Irwin, Robert. “Robert Irwin in Marfa for Chinati Weekend.” Interview with Lorne Matalon. Marfa Public Radio, 13 October 2013. MP3 radio.
  • Russeth, Andrew. “On View: ‘Robert Irwin: Scrim Veil—Black Rectangle—Natural Light’” (Whitnery Museum of American Art exhibition review). New York Observer, 26 August–2 September 2013: B1, B6.
  • Smith, Roberta. “Ineffable Emptiness, From Dawn to Dusk” (Whitney Museum of American Art exhibition review). The New York Times, 26 July 2013: C19, C21.
  • Smith, Roberta. “Art: Museums” (Whitney Museum of American Art exhibition review). The New York Times, 9 August 2013: C18.
  • Tomme, Jason. “Robert Irwin: Whitney Museum of American Art” (exhibition review). Chinati Foundation Newsletter 18 (2013): 10–17.
  • Vogel, Carol. “London’s Neighborhood to Show and Be Shown.” The New York Times, 16 July 2013. C1, C2.
  • “Whitney Museum of American Art: Robert Irwin” (exhibition review). Time Out New York, 22 August–4 September 2013: 48.
  • Weiner, Rob. “Robert Irwin, Fort D.A. Russell Hospital, Chinati Foundation, Marfa Texas.” Chinati Foundation Newsletter 18 (2013): 4–9.
  • Wolin, Joseph R. “Robert Irwin, Scrim veil—Black rectangle—Natural light, Whitney Museum of American Art, New York (1977)” (exhibition review). Time Out New York, no. 918, 8–14 August 2013: 34.
  • “Arts Report: Planting New Public Art.” Voice of San Diego, 9 October 2012.
  • Campbell-Dollaghan, Kelsey. “Robert Irwin, A Wizard Of Light and Space, Still Strong At 85” (Pace Gallery exhibition review). Fast Company (September 2012).
  • Clark, Robin. “Robert Irwin: Phenomenological Reduction.” Flash Art 45, no. 287 (November–December 2012): 58–61.
  • “Galleries—Chelsea: Robert Irwin” (Pace exhibition review). The New Yorker, 24 September 2012: 17–18.
  • Irwin, Robert. “Media Study.” Artforum 51, no. 1 (September 2012): 405.
  • Ollman, Leah. “Sensory Remix” (Pacific Standard Time exhibition review). Art in America, no. 1 (January 2012): 70–74.
  • Perchuk, Andrew, Thomas Crow and Howard Singerman. “Pacific Standard Time: A Preliminary Conversation” (exhibition review). Art Journal 71, no. 1 (Spring 2012): 19.
  • Russeth, Andrew. “Blink and You’ll Miss It” (exhibition preview). New York Observer, 11 September 2012.
  • Russeth, Andrew and Dan Duray. “The 30 Best Exhibitions of 2012: ‘Robert Irwin: Dotting the I’s and Crossing the T’s: Parts I and II’ at the Pace Gallery.” GalleristNY, 18 December 2012.
  • Thorne, Sam and Stacey Allen “Pacific Standard Time” (exhibition review). Frieze, no. 144 (January/February 2012): 110–117.
  • Donelan, Charles. “Art Came From Pasadena: Pacific Standard Time Explores the Roots of Modern Art in SoCal” (Pasadena Art Museum review). Santa Barbara Independent, 7 December 2011.
  • Drohojowska-Philp, Hunter. “On Looking” (L & M Arts exhibition review). artnet.com, 24 October 2011.
  • “Galleries—Uptown: Robert Irwin” (The Pace Gallery exhibition review). The New Yorker, 10 January 2011: 15.
  • Heinrich, Will. “’Parallax’ at Lehman Maupin” (exhibition review). The New York Observer, 28 February 2011: 48.
  • Irwin, Robert. “Robert Irwin: Four Proposals.” Artforum 49, no. 5 (January 2011): 186–193.
  • Israel, Matthew. “Robert Irwin, Pace Gallery” (exhibition review). Frieze, no. 138 (April 2011): 149.
  • Pagel, David. “Art Review: ‘Robert Irwin, Way Out West’ at L & M Arts” (exhibition review). latimes.com, 22 September 2011.
  • Plagens, Peter. “Laying Claim to Its Place in the Sun” (Getty Museum exhibition review). Wall Street Journal, 13 October 2011.
  • Pollock, Lindsay. “Editor’s Letter.” Art in America, no. 9 (October 2011): 14.
  • Robinson, Walter. “Weekend Update” (The Pace Gallery exhibition review). artnet.com, 19 January 2010.
  • Schad, Ed. “Robert Irwin” (L & M Arts exhibition review). Art Review:, no. 55 (December 2011): 126–127.
  • Weschler, Lawrence. “How I Got That Story.” Art in America (October 2011): 142–149.
  • Baker, Kenneth. “Robert Irwin breaks ‘light and space’ barriers.” San Francisco Chronicle, 11 February 2010.
  • Esplund, Lance. “Art: California Gleaming” (David Zwirner exhibition review). The Wall Street Journal, 30–31 January 2010: W14.
  • Johnson, Ken. “Art in Review: ‘Primary Atmospheres’” (exhibition review). The New York Times, 15 January 2010: C32.
  • Khazam, Rhama. “Paris: Robert Irwin, Galerie Xippas” (exhibition review). Artforum.com,
  • Loos, Ted. “Help Wanted.” Art & Antiques (June 2010): 79.
  • Montreuil, Gregory. “Reviews: Primary Atmospheres” (exhibition review). Flash Art 43, no. 271 (March–April 2010): 116.
  • Schjeldahl, Peter. “The Art World: Way Out West” (David Zwirner exhibition review). The New Yorker, 25 January 2010: 76–77.
  • Viveros-Fauné, Christian. “Art: California Sweet” (David Zwirner exhibition review). The Village Voice, 27 January–2 February 2010: 28.
  • Darwent, Charles. “Art Review: Robert Irwin, Slant/Light/Volume” (Walker Art Center exhibition review). Art Review (October 2009): 131.
  • Esplund, Lance. “Robert Irwin: Red Drawing, White Drawing, Black Drawing” (PaceWildenstein exhibition review). The Wall Street Journal, 21–22 February 2009: W9.
  • Finch, Charlie. “A Bad Light Show” (PaceWildenstein exhibition review). Artnet.com, 26 January 2009.
  • Frankel, David. “Rober Irwin: PaceWildenstein” (exhibition review). Artforum 47, No. 8 (April 2009): 184.
  • Lawrence, James. “Judd; Irwin; Oursler” (PaceWildenstein exhibition review). The Burlington Magazine (June 2009): 424–425.
  • Bedford, Christopher. “Robert Irwin––Museum of Contemporary Art, San Diego” (exhibition review). The Burlington Magazine 150, no. 1259 (February 2008): 139–140.
  • Bell, Eugenia. “Coast to Coast.” Frieze Magazine, no. 118 (October 2008): 33–34.
  • Ollman, Leah. “The Geometry of Sight” (Museum of Contemporary Art San Diego exhibition review). Art in America, no. 4 (April 2008): 120–125, 177.
  • Weschler, Lawrence. “Émbeddedness: Robert Irwin in His Seventies.” The Virginia Quarterly Review (Spring 2008):188–217.
  • “Robert Irwin” (PaceWildenstein exhibition review). The New Yorker, 8 January 2007: 8, 14.
  • Bedford, Christopher.“Abstraction as Investigation: Robert Irwin’s ‘Dot Paintings’,” The Burlington Magazine 149, no. 1254 (2007): 621–628.
  • Bedford, Christopher. “San Diego: Robert Irwin” (Museum of Contemporary Art exhibition review). Artforum.com, 10 December 2007.
  • Chinati Foundation Newsletter 12, October 2007.
  • Cotter, Holland. “Art in Review: Robert Irwin” (PaceWildenstein exhibition review). The New York Times, 12 January 2007, Weekend/Arts: 42.
  • Diehl, Carol. “Robert Irwin at PaceWildenstein” (exhibition review). Art in America (September 2007): 158–159.
  • Finkel, James. “Artist of Light, Space and, Now, Trees.” The New York Times, 14 October 2007: 35+.
  • Frankel, David. “Previews: Robert Irwin” (exhibition preview). Artforum (September 2007): 181.
  • Graves, Jen. “Statues with Limitations” (Seattle Art Museum/Olympic Sculpture Park). The Stranger, 16 January 2007.
  • Irwin, Robert. “On Robert Irwin: Lawrence Weschler and Robert Irwin in Conversation.” Chinati Foundation Newsletter 12 (2007): 32–48.
  • Knight, Christopher. “Robert Irwin’s Use of Light, Space and Perception” (Museum of Contemporary Art, San Diego exhibition review). Los Angles Times, 13 November 2007.
  • Kohn, Adrian. “On Robert Irwin: See Like Irwin.” Chinati Foundation Newsletter 12 (2007): 20–31.
  • Koshalek, Richard. “Famous in 2112?” Art News 106 (November 2007): 206.
  • La Rocco, Ben. “Robert Irwin: ‘Who’s Afraid of Red, Yellow and Blue3’” (PaceWildenstein exhibition review). The Brooklyn Rail, February 2007: 46.
  • “Light, Time, and Three Dimensions” (exhibition review). The New Yorker, 13 August 2007: 13.
  • Levin, Kim. “Reviews: New York—Robert Irwin, PaceWildenstein” (exhibition review). Art News 106 (April 2007): 130.
  • Silverstein, Jake. “On Robert Irwin: The Hospital.” Chinati Foundation Newsletter 12 (2007): 49–51.
  • Tuck, Douglas. “On Robert Irwin: Photographs.” Chinati Foundation Newsletter 12 (2007): 1–19.
  • Van Gelder, Lawrence. “Arts, Briefly: American Academy Honors.” The New York Times, 17 May 2007: E2.
  • Grosz, David. “Arts & Letters, Gallery–Going: Light and Shapes, Enough for Everyone” (PaceWildenstein exhibition review). New York Sun, 14 December 2006: 13.
  • Knight, Christopher. “Still An Island Apart.” Los Angeles Times, 19 November 2006.
  • “Marfa Open House Puts Focus on Art” (exhibition preview). Dallas Morning News, 29 September 2006.
  • Naves, Mario. “An Eminent Art Historian Says Thanks for Nothing.” The New York Observer, 4 December 2006: 14.
  • “Robert Irwin” (PaceWildenstein exhibition review). Modern Painters (December 2006–January 2007): 138.
  • Hirsch, Faye. “Abstract Generations” (exhibition review). Art in America (October 2005): 123–129+.
  • Miles, Christopher. “Translucence: Southern California Art from the 1960s and 1970s” (exhibition preview). Artforum (May 2006): 136.
  • 2004 Kimmelman, Michael. “‘A Minimal Future’: How Not Much Is a Whole World” (Los Angeles Museum of Contemporary Art exhibition review). New York Times, 2 April 2004.
  • “Art World: Art Blooms in Beacon.” Art in America (May 2003): 168.
  • Cassidy, Victor. “Ed Moses at Klein Art Works.” Art in America (April 2003): 149.
  • Croft, Catherine. “Industrial Flair.” Architects Journal 217, no. 7 (12 June 2003): 32–40.
  • MacAdam, Barbara A. “Reviews. Dia: Beacon.” Art News (Summer 2003): 160.
  • Nobel, Philip. “Size Matters.” Artforum International (February 2003): 51.
  • Perez, Christophe. “Dia Beacon, havre de l’art.” L’Oeil (Lausanne), June 2003: 47.
  • Princenthal, Nancy. “Dia: Beacon The Imperturbables.” Art in America (July 2003): 62–72.
  • Raber, Anne. “Nature: A Museum Garden Multi–Tasks.” New York Times, 29 May 2003: F6.
  • Russell, James S. “Dia: Beacon.” Architectural Record 191, 10 (October 2003): 108–115.
  • Sischy, Ingrid. “Shining Beacon: Thinking Big. Thinking Out Of The Box. Thinking Art. Interview Talks To The Director Of A Brave New Museum.” Interview (July 2003): 76–85.
  • Stevens, Mark. “Soho on the Hudson.” New York, 26 May 2003: 60+.
  • Wilkin, Karen. “The Gallery: Minimal Art, Maximal Setting.” Wall Street Journal, 15 July 2003, Leisure & Arts: D8.
  • Cappellieri, Alba. “The New Dia Beacon in New York.” Domus, no. 851 (September 2002): 36.
  • Irwin, Robert. Interview by Marianne Stockebrand. In Chinati Foundation Newsletter 7 (2002): 20–25.
  • Rybczynski, Witold. “Garden Party.” Rev. of Robert Irwin Getty Garden, by Lawrence Weschler. Los Angeles Times Book Review, 22 September 2002: 8–9.
  • Weschler, Lawrence. “Turn, Turn, Turn.” Metropolis (October 2002): 116–1120, 155.
  • Yablonsky, Linda. “The Ferus Gallery” (Gagosian Gallery exhibition review). Art News (November 2002): 267.
  • Zevi, Adachiara. “The City as a Work of Art.” Lotus International, no. 113 (2002): 31–34.
  • Caotorta, Fracesca Marzotto. “Getty Center Garden.” Abitare (Milan), no. 412 (December 2001): 82–87.
  • Irwin, Robert. Interview by Marianne Stockebrand. In Chinati Foundation Newsletter 6 (2001): 13–23.
  • Vetrocq, Marcia E. “Italy: New and Improved.” Art in America (January 2001): 91–97, 126.
  • Diehl, Carol. “Robert Irwin’s Doors of Perception.” Bennington: The Alumni Magazine (Spring 2000): 18–21.
  • Esplund, Lance. “New York Letter. Lit: Three Artists Sculpting With Light.” Modern Painters (Spring 2000): 108–111.
  • Littlejohn, David. “‘Made in California’.” Review of the exhibition “Made in California: Art, Image, and Identity, 1900–2000.” Los Angeles County Museum of Art. The Wall Street Journal, 8 December 2000: W17C.
  • Nobel, Philip. “Mixed Media for an Artist: Lawn, Light and House.” The New York Times, 15 June 2000: F1, F8.
  • Vogel, Carol. “Pace Artist Is Designing New Gallery.” The New York Times, 15 September 2000: E28.
  • Diehl, Carol. “Robert Irwin’s Doors of Perception.” Art in America (December 1999): 77–83.
  • Kutner, Janet. “Like His Works, Irwin Shifts and Changes.” The Dallas Morning News, 31 October 1999: 1C, 12C.
  • Allington, Edward. “Buddha Built My Hot Rod.” Frieze (January–February 1998): 54–59.
  • “Art: Robert Irwin” (PaceWildenstein exhibition review). The New Yorker, 1 June 1998: 17.
  • “Arte: Robert Irwin” (PaceWildenstein exhibition review). Vanidad 46 (June 1998): 12.
  • Bell, J. Bowyer. “Robert Irwin” (PaceWildenstein exhibition review). Review, 15 May 1998: 43–44.
  • Chattopadhyay, Collette. “Robert Irwin: The Getty’s Central Garden.” Sculpture (July/August 1998): 10–11.
  • Cotter, Holland. “A Tour Through Chelsea, The New Center of Gravity.” The New York Times, 15 May 1998: E29, E33.
  • Diehl, Carol. “Reviews: Robert Irwin.” Art News (June 1998): 121.
  • Duncan, Michael. “Live from the Getty.” Art in America (May 1998): 98–101.
  • Frankel, David. “Robert Irwin: DIA Center for the Arts/PaceWildenstein” (exhibition review). Artforum (December 1998): 121.
  • Glueck, Grace. “On a Journey Through a Maze, Contemplating Light and Color.” The New York Times, 13 November 1998: E37.
  • Kimmelman, Michael. “Robert Irwin” (PaceWildenstein exhibition review). The New York Times, 12 June 1998: E37.
  • Levin, Kim. “VOICE CHOICES: Robert Irwin.” Village Voice, 28 April 1998: 82.
  • Newhall, Edith. “Installation Light Touch.” New York, 27 April 1998: 81.
  • Pincus, Robert L. “The Arts.” The San Diego Union Tribune, 18 October 1998: E–1, E–4–5.
  • Smith, Roberta. “The Ghosts of SoHo.” The New York Times, 27 August 1998: E1, E2.
  • Schwabsky, Barry. “Preview Winter/Spring ‘98: Robert Irwin.” Artforum (January 1998): 30.
  • Stevens, Mark. “Lost in Space.” New York, 4 May 1998: 132–133.
  • Stromme, Elizabeth. “Something About Azaleas.” Buzz (April 1998): 30, 32.
  • Thea, Carolee. “Robert Irwin: De–objectifications for Philosophic and Actual Bodies.” Sculpture (October 1998): 26–29.
  • Weber, Bruce. “Art and Architecture, Dueling on a High Plain.” The New York Times, 29 April 1998: E1, E4.
  • Anderson, Kurt. “Letter from Los Angeles: A City on a Hill.” The New Yorker, 29 September 1997: 66–73.
  • “A Site–Determined Installation by Robert Irwin: 1 2 3 4.” View: Museum of Contemporary Art San Diego (July–August–September 1997): 2.
  • D’Arcy, David. “Lights. Camera. Getty.” Los Angeles Magazine (November 1997): 84–91, 169–170.
  • Knight, Christopher. “An Artwork That Will Grow On You.” Los Angeles Times, 17 December 1997: F1, F4.
  • Muchnic, Suzanne. “Updating the Getty.” Los Angeles Times, 12 September 1997: Calendar, F1, F22.
  • Muchnic, Suzanne. “What the Getty Can’t Buy: Time.” Los Angeles Times, 22 October 1997: Calendar, F1, F9.
  • Vogel, Carol. “Inside Art: More Modernity For the Getty.” The New York Times, 26 December 1997:
  • Weschler, Lawrence. “When Fountainheads Collide: Robert Irwin and Richard Meier Tangle Over The Getty Center’s Garden.” The New Yorker, 8 December 1997: 60–70.
  • Decker, Andrew. “Gettyworld.” Art News (May 1996): 110–116.
  • Douglas, Ann. “High Is Low.” The New York Times Magazine, 29 September 1996: 175–180.
  • McKenna, Kristine. “Uncommon Grounds.” Los Angeles Times, 7 April 1996: calendar, 3, 84.
  • Alvarez, Juan A. “El artista californiano Robert Irwin expone en el Centro de Arte Reina Sofía sus >.” Diario de León, 7 February 1995: 35.
  • Cameron, Dan. “Two Years Before the Mast.” Artforum (March 1995): 11, 119.
  • “Capital del arte contemporáneo.” El Ideal Gallego, 13 February 1995.
  • “Dispersión.” José Luis: 42.
  • Efe. “Arte para el fin del milenio.” Diario de León, 9 February 1995: 52.
  • Efe. “El centro Reina Sofía inaugura una muestra retrospectiva de Robert Irwin.” Faro De Vigo, 8 February 1995.
  • Efe. “El Centro de Arte Reina Sofía inauguró una muestra del artista Robert Irwin.” El Ideal Gallego, 8 February 1995.
  • Efe. “Muestra retrospectiva del californiano Robert Irwin en el Reina Sofía.” La Informacion de Madrid, 8 February 1995: 26.
  • Efe. “Robert Irwin, en el Reina Sofía.” Diari De Tarragona, 8 February 1995.
  • Efe. “Robert Irwin inaugura una Retrospectiva en el Reina Sofía.” El Comercio, 8 February 1995.
  • “El Centro Reina Sofía dedica una muestra retrospectiva a Robert Irwin.” El Mundo, 8 February 1995: 93.
  • Filler, Martin. “Meier’s Marvel.” Harper’s Bazarr (November 1995): 208–211.
  • Florez, Fernando Castro. “Herbras de luz.” Diario 16 (27 February 1995): 61.
  • “Irwin, en el Reina Sofía.” Lanza, 3 February 1995.
  • “Irwin inaugura una antológica en el Museo Reina Sofía.” La Nueva España, 8 February 1995.
  • Jiménez, Pablo. “Robert Irwin: El Orden Minimalista.” ABC, 17 February 1995: 27.
  • “Juan Abelló paga sus impuestos con un cuadro de Antoni Tàpies.” Expansion, 8 February 1995.
  • Knight, Christopher. “A Blue–Chip Gallery Sees Blue Skies in L.A.” Los Angeles Times, 13 August 1995: 53, 56.
  • Kuspit, Donald. “Beyond the Iron Cage.” Sculpture (May–June 1995): 24–27.
  • Landi, Ann. “Lannan Hangs It Up.” Art News (September 1995): 44
  • “Madrid se llena de arte para Arco 95.” El Pais, 7 September 1995: 41.
  • Moreno, Fernando. “La Calle: Robert Irwin en Madrid.” 20 February 1995: 42.
  • “New Building for San Diego Museum.” Art West Newspaper, February 1995: 7.
  • Ortega, Pilar. “El artista no cuenta en la obra pública.” Ya, 4 February 1995: 55.
  • “Retrospectiva de Irwin en el Centro Reina Sofía.” La Voz de Asturias, 8 February 1995.
  • “Retrospectiva de Robert Irwin.” Guía Del Olio, 13 February 1995: 48.
  • “Retrospectiva de Robert Irwin en el Centro Reina Sofía.” ABC, 8 February 1995: 52.
  • “Robert Irwin.” Tiempo, 13 February 1995: 100.
  • “Robert Irwin.” Diario de Navarra, 8 February 1995.
  • “Robert Irwin, en el Reina Sofía.” Ultima Hora, 8 February 1995.
  • “Robert Irwin expone en el Reina Sofía.” Deia, 8 February 1995.
  • “Robert Irwin: Retrospectiva en el Reina Sofía.” Las Provincias, 13 February 1995.
  • “Au Musée d'Art moderne Robert Irwin.” Le Courrier de Paris (June 1994).
  • Barnet, Andrea. “The Art of Being There.” The New York Times Book Review, 1 May 1994: 18.
  • Cotter, Holland. “Masterpieces of the Postwar Era.” The New York Times, 12 August 1994: C3.
  • Delbecq, Françoise. “Robert Irwin, Fiat Lux!” Elle (French edition), 5 September 1994.
  • Domino, Christophe. “L'art contemporain.” Editions Scala Centre Georges Pompidou, MNAM–CCI: 66.
  • Domino, Christophe. “Robert Irwin.” Beaux Arts Magazine (July/August 1994): 94–95.
  • Ducloux, Sophie. “Robert Irwin.” Le journal des expositions, no. 18 (1994).
  • Fechner–Smarsly, Von Thomas. “Beim Sehen vergessen, daß man sieht.” Frankfurter Rundschau, 28 April 1994.
  • Ferrandi, Marie–Paule. “Robert Irwin.” Voir (September 1994).
  • Gauville, Hervé. “Irwin sort De L'ombre.” Liberation, 24 August 1994.
  • Grout, Catherine. “Robert Irwin.” Artpress (October 1994): 76.
  • “Het verband tussen kunst en een wandklok.” De Morgen, 31 August 1994.
  • Imdahl, Georg. “Fenster zur Welt.” Frankfurter Allgemeine Zeitung, 2 May 1994.
  • Jodidio, Philip. “La Conquête de L'Espace.” Connaissance des Arts (October 1994).
  • Kipphoff, Von Petra. “Bilder ohne Rand und Rest.” Die Zeit, 29 April 1994: 61.
  • “La Lumière de Robert Irwin.” Le Figaro/FigaroScope, 7 September 1994.