Print

Bibliography

General publications and group exhibition catalogues

  • Ogor, Didier Gourvennec and Gregory Lang, Artists an Architecture: Variable Dimensions (Pavillon de l’Arsenal, Italy 2015)
  • Diehr, Ursula, Holger Steinemann and April Lamm, Art Basel, Unlimited (Hatje Cantz Verlag, Germany 2015)
  • Vroonen, Erno and Anna Wondrak, Van Tukyckom-Taets Collection (Leo Van Tuyckom, Brussels, 2015)
  • Brown, Jane and Marla Hamburg Kennedy (eds.) Both Sides of Sunset: Photographing Los Angeles (Metropolis Books, New York 2015); texts by Ed Rushca and David L Ulin
  • Fuenmayor, Jesús (ed.) Impulse, Reason, Sense, Conflict: Abstract are from the Ella Fontanals-Cisneros Collection December 3, 2014-March 29 2015 (Cisneros Fontanals Art Foundation CIFO 2014)
  • Philips Contemporary Art: New York Evening sale 13-14 November 2014 (Philips, New York 2014)
  • Williams, Gilda, How To Write About Contemporary Art (Thames and Hudson, London 2014) p.221
  • Kittelmann, Udo and Knapstein, Gabriele (ed.), Wall Works: Working with the wall since the 1960s (Kerber Verlag, Berlin 2014)
  • Brauner, Renat and Andreas Mailath-Pokormy, Kunst Passage Karlsplatz, (Wiener Linien and Kör, Kunst, 2013), pp. 97-107
  • Chaillou, Timothee, Only parts of us will ever touch parts of others (Galerie Thaddaeus Ropac, Paris 2012); texts by Thomas Clerc, Boris Groys and John Miller
  • Thatcher, Jennifer and JJ Charlesworth, Pop Sensation from UBS Art Collection (Hong Kong Arts Centre and USB AG 2012)
  • Hallett, Jess and Jefferson Hack, Kate Moss (Rizzoli International Publications, New York 2012)
  • Von Manisha, Jothady, ‘Die Stadt als Verschwörung’, Fuilleton, 24 April 2012, p.13
  • Holzwarth, Hans Werner (ed.), 100 Contemporary artists (Taschen, Cologne 2009); texts by Cecillia Alemani, Jens Asthoff, Kirsty Bell, Andrew Bonacina, Stephane Correard, Yilmaz Dziewior, Suzanne Hudson, Eva Kernauer, Christy Lange, Holger Lund, Astrid Mania, Rodrigo Moura, Vivian Rehberg, Christiane Rekade, Jean-Michel Ribettes, Brian Scholis, Amy Smith-Stewart, Susanne Titz and Ossian Ward
  • Hulshoff, Rixt and Maaike Staffhorst, Stedelijk Museum: Erste hulp bij schilderijen (Stedelijk Museum, Amsterdam 2008)
  • Un-authored, ‘Sarah Morris, White Cube’, Art Forum, November 2008, p.362-363
  • Figaro,Japan, September 2008
  • Grosenick, Uta, ART NOW (Taschen 2000)
  • Mühling, Matthais (ed.), Sarah Morris ‘1972’ (Verlag der Buchhandlung Walther König, Cologne 2008)
  • Heartney, Eleanor, Art & Today (Phaidon Press, London and New York 2008)
  • Merali, Shaheen (ed.), New York: states of mind (Saqi, London 2008)
  • Hoffmann, Jens, Very abstract and hyper figurative (Thomas Dane Gallery, London 2007)
  • Buruma, Ian, John Gray, Hans Magnus Enzensberger, Peter Sloterdijk and Lucie va Rooijen, This is America (Centraal Museum Uterecht and J.M. Meulenhoff, Amsterdam 2007)
  • Lullin, Etienne and Florian-Oliver Simm, Contemporary Art in Print: The Publications of Charles Booth-Clibborn and his imprint (The Paragon Press 2001-2006, The Paragon Press: Contemporary Editions Ltd, London 2007)
  • Thorp, David and Kirstie Hamilton, Abstraction: extracting from the World (Millennium Galleries, Sheffield 2007)
  • Loers, Veit, Cnsuelo Císcar Casabán and Emilia García-Romeu, VAC coleccion Valencia arte contemporáneo (Institut Valencià d’Art Modern, Valencià 2006)
  • Thomas, Rachael, All Hawaii Entrées/ Lunar Reggae (Irish Museum of Modern Art (IMMA), Dublin 2006)
  • Imanse, Geurt, Aanwinsten / Acquisitions 1993 2003 (Stedelijk Museum, Amsterdam 2006)
  • Guillemot, Michel, L’Art Moderne Et Contemporain (Larousse, Paris 2006)
  • Sardo, Delfim, Pintura redux desenvolvimentos na ultima década (Fundacao de Serralves/ Jornal PÚBLICO 2006)
  • Burmester, Maria, Lafuente, Pablo, Display recent installation photographs from London galleries and venues (Rachmaninoff’s, London 2005)
  • Richer, Francesca and Matthew Rosenzweig, No.1 first works by 362 artists (Distributed Art Publishers, Inc, New York 2005)
  • Peter Cain, The Los Angeles paintings/ the Los Angeles drawings (Aurel Scheibler, Berlin 2005)
  • Farr, Christopher, Matthew Bourne and Fiona Leslie,Contemporary rugs (Merrell, New York 2004)
  • Bang-Larsen, Lars and Cristina Ricupero (Eds.), The populism catalogue (Lukas & Sternberg, New York 2005)
  • Painting on the move( Kunstmuseum Basel, 2002); texts by Bernhard Mendes Burgi, Peter Pakesch, Ein Gesprach, Hartwig Fischer, Bruno Haas
  • Painting Pictures: Painting and Media in the Digital Age, Kunstmuseum Wolfsberg 2003
  • Nesbitt, Judith and Jonathan Watkins, Days like these (Tate Triennial Exhibition of Contemporary British Art, London 2003)
  • Jones, Ronald, Centre of Attraction (8th Baltic Triennial of International Art, Vilnius 2002)
  • Daniel, David, Public Affairs (Von Beuys bis Zittel: Das Offentliche in der Kunst, Kunsthaus Zurich 2002)
  • Schumacher, Rainald (Ed.). The mystery of painting (Ingvild Goetz/Rainald Schumacher, Munich 2002)
  • Block, René, Martin Glaser, Das lied von der erde (Museum Fridericianum, Kassel 2001)
  • Lange, Wolfgang, Bad irony (Kunstlerhaus Bethanien, Berlin 2001)
  • Bloemheuvel, Jaop Guldemond, Twisted (Urban and Visionary Landscapes in Contemporary Painting, Van Abbemuseum, Eidenhoven, Rotterdam 2001)
  • Chambers, Kristin, Comfort reclaiming a place in a virtual World (Cleveland Center for Contemporary Art 2001)
  • Jones, Ronald, Sarah Morris (Capital, Oktagon 2001)
  • Rohatyn, Jeanne Greenburg, Casino 2001 (SMAK and Bijlokenmuseum, Ghent 2001)
  • Andrea Kroksnes and Gunnar Tverbakk, Flakk, or that extraordinary sensation of being abroad, even when at home (The Nordic House and NIFCA, Island 2000)
  • Curiger, Bice, Hyper mental (Kunsthaus Zurich/Hamburger Kunstalle 2000)
  • Glaser, Martin, The song of the Earth (Museum Fridericianum Kassel 2000)
  • Bürgi, Bernhard, Sarah Morris Interview with David Daniel, Sarah Morris (Kunsthalle Zürich 2000)
  • Hammonds, Chris, Playing amongst the ruins (Royal College of Art Galleries, London 2000)
  • Steffen, Barbara. Interview with Sarah Morris, Sarah Morris (AM/PM, Zurich Kosmos, Vienna 2000)
  • Trummer, Thomas, Fotografische recherchen in der stadt (Österreichische Galerie Belvedere, Wien 1999)
  • Braceweel, Michael. Jan Winkelmann, Michael Tarrantiono (Interview), Modern Worlds: Sarah Morris (Museum of Modern Art Oxford, Galerie für Zeitgenössische Kunst Leipzig and Le Consortium 1999)
  • Art lovers (The Liverpool Biennial of Contemporary art, 1999); curated by Marcia Fortes
  • Grunenberg, Christoph, Frieze Wall Paintings by Franz Ackermann, John Armleder, Margaret Kilgallen, Sarah Morris, Alexander Scott (The Institute of Contemporary Art, Boston 1999)
  • Blinderman, Barry and Tom Moody, Post-hypnotic (University Galleries of Illinois State University, Illinois, MAC, Dallas, Chicago Cultural Center 1999)
  • Adams, Brook and Lisa Liebmann, Young Americans 2 (The Saatchi Gallery, London 1998)
  • Fuori uso ‘98, Mostrato, Giacinto Di Pietrantonio 1998
  • Troncy, Eric and Jan Winkelmann. Weather Everything, Galerie fur Zeitgenossische Kunst Leipzig, Leipzig, Germany 1998
  • Aupetitallot, Yves, Eric Troncy, Alessandra Galasso, Dramatically different (Centre National D’Art Contemporaine De Grenoble, October 1997)
  • Troncy, Eric, La spectateur dans l’exposition (Centre National D’Art Contemporain De Grenoble, October 1997)
  • Bourriaud, Nicolas, Sugar (Galerie Philippe Rizzo, Paris 1996)
  • Morris, Sarah, Twenty Second Close-Up (Tema Celeste, October 1992), pp.65-66

Newspaper and magazine articles

  • Germano, Beta, ‘Little Black Paint’, Casa Vogue No. 354, February 2015, pp. 50 - 52
  • Molina, Camilla ‘Essências de Cidades’, Caderno 2, 7 February 2015 pp.8
  • Alzugaray, Paula, ‘Belamente Beligerante’, Istoé, 18 February 2015, No.2359, pp.70-71
  • Un-authored, 'Sarah Morris', Fondation Louis Vuitton Le Journal, No.1, October 2014, p.42-43
  • Coomer, Martin, ‘Mad for Matisse’, Time Out London, 11 April 2014
  • Claxton, Eve, ‘The Interview: Sarah Morris’, Net-a-Porter.com, 6 February 2014
  • Ellwood, Mark, ‘Graphic content from artist Sarah Morris’, wsj.com, 4 December 2013
  • Schlüter, Ralf, ‘Auf die vorderen Plätze bitte!’, art Das Kunstmagazin, November 2013, p.66
  • Beolchini, Micheal, ‘Another thing I wanted to tell you…: Sarah Morris, Artist – on driving’, AnOther Magazine, Issue 25, Autumn/Winter 2013
  • Rappolt, Mark, ‘Sarah Morris: Bye Bye Brazil’, Art Review, September 2013, pp. 124-126
  • Ribeiro, Rosane, ‘Para gringo ver’, Vogue Brasil, September 2013, pp. 198-199
  • Unauthored, ‘The interview: Sarah Morris’, hungertv.com, 6 September 2013
  • Macdonald, Martin, ‘Reviewed: Sarah Morris: Bye Bye Brazil’, artworldnow.com, 5 September 2013
  • Artsy Editorial, ‘Sarah Morris says Bye Bye to Brazil (but hello to Rio)’, artsy.net, 31 August
  • Browne, Alix, ‘Thinking inside the box’, Wmagazine.com, 29 August 2013
  • Unauthored, ‘Sarah Morris: Bye Bye Brazil, London’, Aestheticamagazine.com, 5 August 2013
  • Barnes, Freire, ‘Sarah Morris: Bye Bye Brazil’, Time Out London, 1 August 2013
  • Unauthored, ‘Sarah Morris’ Exhibition ‘Bye Bye Brazil’ Opens at White Cube’, picturae.com, 31 July
  • Pechman, Ali, ‘Sarah Morris Looks to Rio for “Bye Bye Brazil” at White Cube London’, Artspace.com, 29 July 2013
  • Unauthored, ‘Sarah Morris expõe, na white cube em londres, obras inspiradas no rio de janeiro', Bamboo.com.br, 29 July 2013
  • Jones, Hannah, ‘Urban sprawl: Sarah Morris’ Bye Bye Brazil investigates Rio De Janiero at White Cube in Bermondsey’, Onestoparts.com, 29 July 2013
  • Sherwin, Skye, ‘Sarah Morris: “My work is related to power”’, Phaidon.com, 19 July 2013
  • O’Kelly, Emma, ‘Bye Bye Brazil: Sarah Morris’ exhibition at White Cube Bermondsey, London’, Wallpaper.com, 19 July 2013
  • Chris, Robert and Sherwin, Skye, ‘The week’s art shows in pictures’, Guardian.co.uk, 15 July 2013
  • Schug, Sarah and Philippa Snow, ‘Sarah Morris’, The Word, October 2012-March 2013, pp. 158-159
  • Un-authored, ‘Sarah Morris selected for Gloucester Road underground commission’, artlyst.com, 7 June 2012
  • Hajno, Jerina, ‘Creased Surface, Open City: Baroque Aesthetics and Withholding Resolution in Sarah Morris’ City Films’, SFU SCA Catalogue, Summer 2012
  • Un-authored, ‘Sarah Morris’ Mechanical Ballet on view at Musée national Fernard Léger, Biot’, artdaily.org, 21 November 2012
  • Laera, Margherita, ‘Sarah corre veloce’, Velvet, October 2011, pp.310-315
  • Un-authored, ‘Sarah Morris’, Petzel.com, 26 April 2011
  • Alberge, Dayla, ‘Tate artist copied and coloured in our works, say origami designers’, The Observer (art), 5 June 2011, p.17
  • Gleadell, Colin, ‘Frieze Week’, Art Monthly, December-January 2010-11, No.342, pp.43-44
  • Un-authored, ‘The power 100,’ Art Review, No.36, November 2009, pp.74-130
  • Obrist, Hans Ulrich, ‘Sarah Morris’, Adam & Eve, Spring 2009, pp.78-89
  • Gillick, Liam, ‘Sarah Morris & Liam Gillick’, Adam & Eve, Spring 2009, pp.90-91
  • Rabinowitz, Cay Sophie, ‘Sarah Morris’, Art in America, December 2008, p.146-149
  • Vanderbilt, Tom, ‘Empty nest’, Artforum, December 2008, pp.242-253
  • Herbert, Martin, ‘White Cube, London: Sarah Morris’, Frieze, November-December 2009, p.208
  • Un-authored, ‘1972’, Art on Paper, Vol.13, No.2, November-December 2008, p.70
  • Un-authored, ‘The well-curated home, The New York Style Magazine, Winter 2008
  • Un-authored, ‘Sarah Morris’, The New York Style Magazine, Winter 2008
  • Rabinowitz, Cay Sophie, ‘Sarah Morris: an interview’, Art in America, December 2008, No.11, pp.146-149
  • Sansom, Anna, ‘Olympic hopeful’, Tokion, Autumn 2008, p.138
  • Basciano, Oliver, ‘Sarah Morris: Lesser Panda’, Art Review, October 2008, p.148-149
  • Un-authored, ‘Pick of the week’, The Guardian Guide, 6-12 September 2008, p.38
  • Koolhaas, Rem, Obrist, Hans Ulrich, Bechtler, Cristina, ‘Sarah Morris Rings, Origami, Beijing.’ Arena Homme Plus, Summer-Autumn 2008, p.260-267
  • Un-authored, ‘Pick of the week’, The Guardian Guide, 30 August – 5 September 2008, p.35
  • Un-authored, ‘Pick of the week’, The Guardian Guide, 23-29 August 2008, p.34
  • Wullschlager, Jackie, ‘Visual arts’, The Financial Times, Life and Arts, 23-24 August 2008, p.17
  • Un-authored, ‘Pick of the week’, The Guardian Guide, 23 August 2008, p.34
  • Un-authored, ‘Critics’ choice: galleries’, Timeout, 21 August 2008, p.62
  • Lewis, Ben, ‘The West End art trail’, Evening Standard, 15 August 2008, p.42
  • Sumpter, Helen, ‘Regeneration games’, Timeout.com, 14-20 August 2008, p.55
  • Un-authored, ‘Critics’ choice: galleries’, Timeout.com, 14-20 August 2008, p.60
  • Un-authored, ‘Pick of the week’, The Guide listings, London, 9-15 August 2008, p.36-44
  • Un-authored, ‘Pick of the week’, Timeout, 7-13 August 2008, p.65
  • Un-authored, ‘Critic’s choice Galleries’, Timeout, 7 August 2008, p.65
  • Wullschlager, Jackie, ‘Visual arts’, Financial Times, 2 August 2008, p.17
  • West, Naomi, ‘Talking news, this month’, Harper’s Bazaar, August 2008, p.66
  • Lack, Jessica, ‘Sarah Morris London’, The Guardian Guide, 19-25 July 2008, p.36
  • Sumpter, Helen, ‘Regeneration games’, Timeout, 14 August 2008 , p.55
  • Un-authored, ‘Exhibitions, Pick of the week’, The Guardian Guide, 9-15 August 2008, p.36
  • Turner, Christopher, ‘Beijing city symphony’, Mode Painters, July-August 2008, p.56-59
  • Searle, Adrian, ‘Dazzled by the rings’, The Guardian, 30 July 2008, p.23-25
  • Eratalay, Kenan, ‘Interview with Sarah Morris’, RES, September 2007, No.1, pp.2-11
  • Un-authored, ‘Le cynisme au-dela de la critique’, Art Press, November 2006 -January 2007, p.38
  • Jones, Kristin M., ‘Sarah Morris’, Frieze, November-December 2006
  • Rosen, Jamie, ‘Tale of two cities’, W, September 2006, p.404
  • Searle, Adrian, ‘Dazzled by the rings’, The Guardian, 30 July 2008, p.23-25
  • Gibbs, Michael, Art Monthly, June 2005, pp.23-24
  • Wilson, Eric, Glamour, ‘Direct from Hollywood’, The New York Times, 15 February 2005, p.137
  • Kazanjian, Dodie, ‘Hollywood ending’, Vogue, February 2005, p.138
  • Young, Paul, ‘Oscar Night insight’, V Life, December-January 2005, p.38
  • Buck, Louisa, ‘Miami through the artist’s eye-and tastebuds’, The Art Newspaper, 1 December 2004, p.6
  • Feaver, William, ‘Sarah Morris White Cube’, ARTnews, November 2004, p.164
  • Petronio, Ezra and Stephanie Moisdon, ‘Bar nothing by Sarah Morris’, Self Service, Fall Winter 2004, pp.302-314 and 337
  • Oddy, Jason, ‘Sarah Morris is gripped by the grid’, Modern Painters, Summer 2004, pp.103-105
  • Jana, Reena, ‘Sarah Morris Friedrich Petzel Gallery’, Terma Celeste, March/April 2004, No.102, pp.97-98
  • Nimmerfall, Karina and Lulic, Marko, ’Sarah Morris’, Neue Review, May 2003, p.26-27
  • Aidin, Rose, ‘Sarah Morris’, Elle Décor, December 2002, p.68, 70 and 72
  • Parker, Lauren, ‘Tale of two cities’, Smock, Winter 2002, p.34
  • Kinsman,Chloe, ‘Urban abstraction’, Royal Wings, November 2002, p.19
  • Un-authored, ‘Sarah Morris’, ZOO, 2001, p.144
  • Un-authored, ‘Sarah Morris’, ART Magazine, May 2001, pp.30-31
  • Un-authored, ‘Sarah Morris’, ZOO, Issue 7, November 2000, pp.216-217
  • Herbstreuth, Peter, ‘Sarah Morris’, Kunst-Bulletin, July-August 2000, pp.14-19
  • Hunt, Jemima, ‘For your eyes only’, Vogue, October 1999, pp.64-67
  • Pryde, Josephine, ‘Corporate chic’, Texte Zur Kunst, September 1999, pp.306-311
  • Un-authored, ‘Sarah Morris’, i-D Magazine, May 1999
  • Elwes, Catherine, ‘Anna Gaskell/Sarah Morris’, Art Monthly, June 1999, No.227, pp.35-37
  • Searle, Adrian, ‘Life thru a lens’, The Guardian, 4 May 1999, p.12
  • Farquharson, Alex, ‘Painting lab’, Art Monthly, April 1999, No.225
  • Gisbourne, Mark, ‘I Love New York, crossover of Contemporary Art’, Contemporary Visual Arts, No.22, 1999, p.77
  • Yood, James, ‘Post-hypnotic’, Artforum, April 1999, p.120
  • Tozer, John, ‘Sarah Morris’, Contemporary Visual Arts, Issue 23, 1999, p.62
  • Packer, William, ‘Dumb by name but not by nature’, Financial Times, 12 January 1999
  • Hilton, Tim, ‘Dumb, dumber and dumbest’, The Independent on Sunday, 13 December 1998, p.7
  • Kent, Sarah, ‘Dumb and dumber’, Time Out, 9-16 December 1998, No.1477
  • Interview with Sarah Morris, ‘New York als Extrakt’, KunstForum, January-February 1999
  • Luz, Kathrin, ‘Pop,plop, ex und hopp’, Die Zeit, 12 November 1998
  • Hasse, Amine, ‘Kunst auf der Disko-Treppe’, Kölner Stadt-Anzeiger, 6 November 1998
  • Packer, William, ‘The pointlessness of Irony’, Financial Times, 16 September 1998
  • Coomer, Martin, ‘Young at art’, Time Out Magazine, 9-16 September 1998, p.51
  • Un-authored‘Young Americans II’, The Times, 5 September 1998, p.5
  • Holmqvist, Karl, ‘Hospital’, Flash Art, No.199, March-April 1998, p.79
  • Crabtree, Amanda, ‘Malade imaginaire?’, Art Monthly, April 1998, p.7
  • Werneburg, Brigitte, ‘The good Beuys’, Taz, 20-21 December 1997
  • Tannert, Christoph, ‘Zwischen hospital’, Berlliner Zeitung, 20-21 December 1997
  • Fiedler, Tanja, ‘Auf dem Pappbett endet die Sehnsucht’, Morgenpost, 12 December 1997
  • Un-authored, ‘Schwarzwaldklinik’, Ticket, 11 December 1997
  • Gauville, Herve, ‘Les murs de l’expo ont la parole’, Liberation, 20 November 1997, p.29
  • Un-authored, ‘The apartment’, Elle Decoration, December 1997, pp.76-83
  • Casadio, Mariuccia, ‘Spooky pop’, Vogue Italia, October 1997, pp.574-61
  • Un-authored, ‘Black’, Self Service, October 1997, p.15
  • Saville, Peter and Sarah Morris, ‘Ersatz’, Dazed & Confused, No.35, October 1997, pp.130-35
  • Thiel, Wolf Gunter, ‘Found footage’, Flash Art, May 1997, p.75
  • Rubell, Jennifer, ‘Two girls on the phone’, Documents Sur L’art, Winter 1997, No.10, pp.40-47
  • Gillick, Liam, ‘Future intense’, Documents Sur L’art, Winter 1997, No.10, p.40
  • De Jonge, Peter, ‘The rubell’s in Miami’, Harper’s Bazaar, February 1997, pp.204, 209 and 223
  • Un-authored, ‘Exporama’, Art Press, February 1997, p.16
  • Kombluth, Jesse, ‘Is South beach bigger enough for two hotel kings?’, The New York Times, 16 February 1997, p.53
  • Troncy, Eric, ‘Sarah Morris’, Flash Art, January 1997, No.192, p.103
  • Goumarre, Laurent, Homogeneite et feminisme, January 1997, No.3, p.58
  • Core, Yan, ‘Sarah Morris, liar’, Technikart, November 1996, No.7, p.18
  • Kent, Sarah, ‘Sarah Morris’, Time Out Magazine, 20-27 March 1996, p.53
  • Un-authored, ‘Donuts’, LS, 7 March 1996
  • Morris, Sarah, ‘Permanent Food’, Specific Object, No.2, 1996, pp.143 and 173
  • McKinley Jr, James, ‘For artists there’s no art in a wrecking ball’, The New York Times, 20 December 1994, p.B1
  • Budney, Jed, Flash Art, October 1994, p.96
  • Ashenberg, Katherine, The New York Times, June 1994, p.14
  • Filipovna, Valerie, ‘Psychos’, Paper, October 1993, p.22
  • Morris, Sarah, ‘A Project for Blam’, Blam, May 1993
  • Seward, Keith, ‘Sarah Morris’, Artforum, December 1992, p.93
  • Smith, Roberta, ‘The curio shop’, The New York Times, 3 July 1992
  • Morris, Sarah, ‘Citizens’, Balcon, No.8-9, 1992, pp.249-258
  • Ewen, Stuart, ‘De-sublimated advertising’, Artforum, January 1991, pp.27-28
  • Reschop, Julia, ‘Postmodern romance’, Rolling Stone, 23 March, 1989, pp.145-48