Tesfaye Urgessa

‘Gabriel Orozco’s new exhibition takes the form of a travelogue through time and space. Drawing on the artist’s interests in play and games as well as tropes from sci-fi and archaeology, the show travels through different zones to explore the formal logic that holds together the astonishing range of his object-world.’ – Briony Fer

Eluding any stable identification of time or place, the landscape paintings of Marina Rheingantz issue from the artist’s evolving archive of photographs, painterly and textile references and memories of rural Brazil, folding what has been seen, sensed and remembered into unmoored, mutable vistas.

This September, Lever House will present a year-long installation of work by Isamu Noguchi (1904–88) across the landmark modernist building at 390 Park Avenue, New York, designed by Gordon Bunshaft (1909–90) in 1952.