Since the late 1990s, El Anatsui has rewritten the possibilities of sculpture with his large-scale metal works, transforming used bottlecaps into expansive fields of eloquent form and colour by cutting, flattening, crushing, folding and suturing the individual elements into infinite permutations.

Since the start of her practice, Sarah Morris has examined the infrastructures, networks and formations that condition the contemporary landscape, developing serial, diagrammatic matrices that distil and index the systems of power in which we are implicated.