Jeff Wall is renowned for large-format photographs with subject matter that ranges from mundane corners of the urban environment to elaborate tableaux that take on the scale and complexity of nineteenth-century history paintings. 

Wall seized on the idea of producing large, backlit photographs after seeing an illuminated advertisement from a bus window. He had recently been to the Prado, Madrid, and the artist combined his knowledge of the Western pictorial tradition – he had studied art history at London’s Courtauld Institute – with his interest in contemporary media to create one of most influential visions in contemporary art. Wall calls his photographs, after Charles Baudelaire, ‘prose poems’, a description that emphasises how each picture should be experienced rather than used to illustrate a pre-determined idea or a specific narrative. His pictures may depict an instant and a scenario, but the before and after that moment are left completely unknown, allowing them to remain open to multiple interpretations. The prose poem format allows any truth claims of the photograph – the facts we expect from journalistic photography – to remain suspended, and Wall believes that in that suspension the viewer experiences pleasure. In addition to the light-boxes, Wall has made, since 1996, black-and-white prints and large-scale colour inkjet photographs.