Beijing-based artist Liu Wei (b. 1972) works across a range of media and techniques, including photography, painting, sculpture and installation. The readymade is a recurring element in his practice, and his work is often assembled out of everyday found objects, such as ceramics, books, television sets, fridges and fans. The artist re-works these discarded materials, transforming them into sculptural objects and installations of layered complexity.
Part of a generation in China that grew up in a period of rapidly accelerating urbanisation, Liu Wei has frequently turned to architectural and urban themes in his work. While he presents the city as a dynamic and vital force, he often raises questions about contemporary urban life: the way we plan, build, consume and experience our cities.
In a suite of paintings entitled ‘Purple Air’ (2011-12), for example, abstracted patterns of upward-reaching vertical lines delineate a city as though seen through the grid-like patterning of venetian blinds. His austere cityscape Exotic Lands (2012) or the monochromatic series ‘Meditation’ (2010-2011) could be understood as a counter-point to these works. Horizontal bands and blocks of cool grey form a marked contrast to Purple Air’s exuberant colour and noise, evoking a moment of motionless, sombre calm.
A motif of geometric forms and horizontal and vertical lines runs throughout this artist’s diverse practice, from the measured linear compositions of his paintings or the bare strips of light dissecting old television sets in Power (2011) to Merely a Mistake (2009-2012), a series of complex polyhydric structures assembled from Beijing’s discarded building materials, an urban flotsam of wooden beams, door frames, planks and metal bolts.
This recurring geometric schema could be read as a gesture of self-expression. Combining a logical, systematic approach with imaginative abandon, Liu Wei’s work forges a personal sense of order and meaning out of rigidly controlled social and political structures and the turbulent disorder of the contemporary cityscape.
Liu Wei was born in 1972 in Beijing, where he lives and works. His solo exhibitions include Long Museum, Shanghai (2020); Museum of Contemporary Art Cleveland and Cleveland Museum of Art, Ohio (2019); Samsung Museum of Art, Seoul (2016); Ullens Center for Contemporary Art, Beijing (2015); Museum Boijmans Van Beuningen, Rotterdam (2014); Today Art Museum, Beijing (2011); and Minsheng Art Museum, Shanghai (2011).
Group exhibitions include Busan Museum of Art, South Korea (2020); Smart Museum of Art and Wrightwood 659, Chicago (2020); Faurschou Foundation, Beijing (2018); Solomon R. Guggenheim Museum, New York (2017); Castello di Rivoli, Turin (2017); Fondation Louis Vuitton, Paris (2016); ArtisTree, Hong Kong (2016); Whitechapel Gallery, London (2015); Long Museum, Shanghai (2014); 11th Sharjah Biennial, United Arab Emirates (2013); Lucerne Museum of Art, Lucerne (2011); Centre National d’art et de Culture Georges Pompidou, Paris (2010); Chicago Cultural Center, Chicago (2009); Mudam Luxembourg, Luxembourg, (2008); Astrup Fearnley Museet for Moderne Kunst, Oslo (2007); MoMA, New York (2004).
Liu has participated in numerous biennials, including the 58th and 51st Venice Biennale (2019, 2005); 11th, 8th and 5th Shanghai Biennale (2016, 2010, 2004); 3rd Aichi Triennial (2016); 13th and 9th Biennale de Lyon (2015, 2007); Sharjah Biennale 11, Sharjah, United Arab Emirates (2013); 4th, 3rd, 2nd and 1st Guangzhou Triennial (2012, 2008, 2005, 2002); and 6th Busan Biennale (2008).
He won the Award of Art China for Artist of the Year (2016); the Ambassador of Sino-Australia Cultural Exchange (2016); Martell Artist of the Year (2012); and the Chinese Contemporary Art Award for Best Artist (2008).
9 July – 5 September 2021
White Cube Bermondsey
Advance booking is recommended before you visit. Book here.
‘At times, true reality doesn’t feel real, and this is the gap I focus on.’
Liu Wei in conversation with Hans Ulrich-Obrist, Trilogy, Charta, 2012
White Cube is pleased to present ‘Nudità’, an exhibition of new works by Liu Wei. Taking his title from an essay by the Italian philosopher Giorgio Agamben, Liu conceives the exhibition as a summary of enquiries into the state of society at this particular, and pivotal, moment in history. Featuring new installation, sculpture and painting made during the past year, the exhibition expands upon the artist’s recent solo exhibition at Long Museum, Shanghai and responds to the global emergency engendered by the pandemic.