Beijing-based artist Liu Wei (b. 1972) works across a range of media and techniques, including photography, painting, sculpture and installation. The ready made is a recurring element in his practice, and his work is often assembled out of everyday found objects, such as ceramics, books, television sets, fridges and fans. The artist re-works these discarded materials, transforming them into sculptural objects and installations of layered complexity.
Part of a generation in China that grew up in a period of rapidly accelerating urbanisation, Liu Wei has frequently turned to architectural and urban themes in his work. While he presents the city as a dynamic and vital force, he often raises questions about contemporary urban life: the way we plan, build, consume and experience our cities.
In a suite of paintings entitled Purple Air (2011-2012), for example, abstracted patterns of upward-reaching vertical lines delineate a city as though seen through the grid-like patterning of venetian blinds. His austere cityscape Exotic Lands (2012) or the monochromatic series Meditation (2010-2011) could be understood as a counter-point to these works. Horizontal bands and blocks of cool grey form a marked contrast to Purple Air’s exuberant colour and noise, evoking a moment of motionless, sombre calm.
A motif of geometric forms and horizontal and vertical lines runs throughout this artist’s diverse practice, from the measured linear compositions of his paintings or the bare strips of light dissecting old television sets in Power (2011) to Merely a Mistake (2009-2012), a series of complex polyhydric structures assembled from Beijing’s discarded building materials, an urban flotsam of wooden beams, door frames, planks and metal bolts.
This recurring geometric schema could be read as a gesture of self-expression. Combining a logical, systematic approach with imaginative abandon, Liu Wei’s work forges a personal sense of order and meaning out of rigidly controlled social and political structures and the turbulent disorder of the contemporary cityscape.
Liu Wei was born in 1972 in Beijing, where he lives and works. His solo exhibitions include Samsung Museum of Art, Seoul (2016); Ullens Center for Contemporary Art, Beijing (2015); Museum Boijmans Van Beuningen, Rotterdam (2014); Today Art Museum, Beijing (2011); and Minsheng Art Museum, Shanghai (2011). Group exhibitions include the 58th Venice Biennale (2019); Faurschou Foundation, Beijing (2018); Solomon R. Guggenheim Museum, New York (2017); Castello di Rivoli, Turin (2017); Fondation Louis Vuitton, Paris (2016); 13th Lyon Biennial (2015); Long Museum, Shanghai (2014); 11th Sharjah Biennial, United Arab Emirates (2013); 4th Guangzhou Triennial, China (2012); 6th Busan Biennale, South Korea (2008); and 51st Venice Biennale (2005). He was nominated for the Credit Suisse Today Art Award (2011) and received the Chinese Contemporary Art Award for Best Artist (2008).