![](https://white-cube.transforms.svdcdn.com/production/uploads/Exhibitions/Gallery-Exhibitions/Masons-Yard/2011/Georg-Baselitz/Georg-Baselitz-Alte-Elisabeth-2010-high-res.jpg?w=960&h=720&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1704298573&s=db655f56f8d40b418431562c6ad7b381 960w, https://white-cube.transforms.svdcdn.com/production/uploads/Exhibitions/Gallery-Exhibitions/Masons-Yard/2011/Georg-Baselitz/Georg-Baselitz-Alte-Elisabeth-2010-high-res.jpg?w=1280&h=960&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1704298573&s=4dfdbcff48ccf2d70ea7a5c693f6b07c 1280w, https://white-cube.transforms.svdcdn.com/production/uploads/Exhibitions/Gallery-Exhibitions/Masons-Yard/2011/Georg-Baselitz/Georg-Baselitz-Alte-Elisabeth-2010-high-res.jpg?w=1600&h=1200&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1704298573&s=14494e00c33866edbc77fd4e1eb77d83 1600w, https://white-cube.transforms.svdcdn.com/production/uploads/Exhibitions/Gallery-Exhibitions/Masons-Yard/2011/Georg-Baselitz/Georg-Baselitz-Alte-Elisabeth-2010-high-res.jpg?w=2360&h=1770&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1704298573&s=c3d8b50be6fa9f6d42eb9a2bc0b7aa1e 2360w)
Between Eagles and Pioneers
Georg Baselitz
Between Eagles and Pioneers
20 May – 9 July 2011
Dates
20 May – 9 July 2011
White Cube Mason's Yard presents a new series of paintings by the internationally acclaimed artist Georg Baselitz. Covering three principal themes - eagles, dogs and double portraits - the paintings attest the persistent vigour of his distinctive pictorial style and exploration of personal and collective narratives.
The images of these paintings first appeared in the historic edition of the German newspaper 'Die Welt' on the occasion of the twentieth anniversary of German reunification last year. Having grown up in East Germany before moving west as a student, Baselitz's work has long referenced aspects of German history and its cultural identity: as he has noted 'my pictures are content-heavy, just dripping with history'. For the 1 October 2010 edition, the newspaper reproduced Baselitz's paintings in lieu of all photographs, so that the works appeared as singular images, featuring in the international news, finance, culture, sports and editorial sections without reference to the articles they accompanied.
In the double portrait paintings, loosely grouped as 'Seid Bereit, Immer Bereit' ('Be Prepared, Always Prepared'), Baselitz took as his starting point the slogan of the Young Pioneers movement, of which he and his wife were members as children. Whilst governed by the Communist party as a means of espousing its ideological principles, the organisation was more akin to the Scout movement in its primary emphasis on promoting outdoor skills and preparedness. In these paintings, two figures, upside-down, adopt the greeting of the Pioneers, one of whom is perched on a table; this device alludes to a painting by Otto Dix which has previously provided inspiration for Baselitz. Each variation draws upon different painterly techniques, with washes of acidic colour and pointillist strokes.
For the 'Hund' ('Dogs') and 'Adler' ('Eagles') paintings, Baselitz revisited other motifs from his earlier work and art history. The symbolic appearance of the dog features in the 'Hero' paintings of the early 1960s, which in themselves ascribed to tropes of German Romanticism. In these paintings, the hounds are located atop a mountain landscape, meeting the viewer's gaze with a ferocious intensity. For Baselitz, the eagle has also been a source of inspiration throughout his career. It is an emblem that has long appeared on the German coat of arms and is one of the oldest state symbols in Europe, although Baselitz maintains that it has no programmatic significance in his work. As the writer Michael Glover notes, 'the bird can look defiantly robust, noble, balletic, grandiose, almost symphonic, set as it is within the pomp and circumstance of the sky; in other paintings, it strikes us, with its desperately scrabbling claws, as quite pathetically weak, languid and inclined towards self-sacrifice'.
Georg Baselitz was born as Hans-Georg Kern in Deutschbaselitz (Saxony) in 1938. He lives and works near Lake Ammersee, Germany and in Imperia, Italy. He has exhibited extensively including Kupferstichkabinett at Kunstmuseum Basel (1970); Venice Biennale (1980); Kunsthalle Zurich (1990); Solomon R. Guggenheim Museum, New York (1995); Musee d'Art Moderne de la Ville de Paris (1996); Louisiana Museum, Humlebæk, Denmark (2006), Royal Academy of Arts, London (2007); Staatlichen Kunsthalle, Dresden (2009), and Helsinki Art Museum (2010).
A fully illustrated catalogue, with a text by Michael Glover accompanied the exhibition.
![](https://white-cube.transforms.svdcdn.com/production/uploads/Headers/Artist-Pages/Georg-Baselitz-Oh-rosy-oh-rosyAch-rosa-ach-rosa-2015-medium-res.jpg?w=720&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1682413640&s=7802eeed311411b9bb98e234d5a46282 720w, https://white-cube.transforms.svdcdn.com/production/uploads/Headers/Artist-Pages/Georg-Baselitz-Oh-rosy-oh-rosyAch-rosa-ach-rosa-2015-medium-res.jpg?w=960&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1682413640&s=0289835e763182741e1441460c1150b5 960w, https://white-cube.transforms.svdcdn.com/production/uploads/Headers/Artist-Pages/Georg-Baselitz-Oh-rosy-oh-rosyAch-rosa-ach-rosa-2015-medium-res.jpg?w=1280&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1682413640&s=fd730d9d9f1938a5ef8d8ed63cc2fc1e 1280w, https://white-cube.transforms.svdcdn.com/production/uploads/Headers/Artist-Pages/Georg-Baselitz-Oh-rosy-oh-rosyAch-rosa-ach-rosa-2015-medium-res.jpg?w=1600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1682413640&s=01c3ed4995b17c12430b0d63775ce909 1600w, https://white-cube.transforms.svdcdn.com/production/uploads/Headers/Artist-Pages/Georg-Baselitz-Oh-rosy-oh-rosyAch-rosa-ach-rosa-2015-medium-res.jpg?w=1752&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1682413640&s=cfd1ef3724819073b4daea485ff7a5eb 1752w)
Georg Baselitz
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