![](https://white-cube.transforms.svdcdn.com/production/uploads/Exhibitions/Gallery-Exhibitions/Bermondsey/2014/Etel-Adnan/Etel-Adnan-Le-d%C3%A9part-2021.jpeg?w=960&h=720&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1707221021&s=951a0c9bc22128e7a17af53cf8ed63b5 960w, https://white-cube.transforms.svdcdn.com/production/uploads/Exhibitions/Gallery-Exhibitions/Bermondsey/2014/Etel-Adnan/Etel-Adnan-Le-d%C3%A9part-2021.jpeg?w=1280&h=960&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1707221021&s=b1964a74f26c399d06a9e72bec5f1b9e 1280w, https://white-cube.transforms.svdcdn.com/production/uploads/Exhibitions/Gallery-Exhibitions/Bermondsey/2014/Etel-Adnan/Etel-Adnan-Le-d%C3%A9part-2021.jpeg?w=1600&h=1200&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1707221021&s=80e8867f94e4fcafc7ddd180b6dc8437 1600w, https://white-cube.transforms.svdcdn.com/production/uploads/Exhibitions/Gallery-Exhibitions/Bermondsey/2014/Etel-Adnan/Etel-Adnan-Le-d%C3%A9part-2021.jpeg?w=2360&h=1770&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1707221021&s=0e2e71e9f44ae819bf58fb101717bbc0 2360w)
Etel Adnan (2014)
Inside the White Cube
Etel Adnan
8 October – 16 November 2014
Dates
8 October – 16 November 2014
‘Images are not still. They are moving things. They come, they go, they disappear, they approach, they recede, and they are not even visual – ultimately they are pure feeling.’
White Cube Bermondsey presented an exhibition of new paintings by Lebanese-born artist Etel Adnan. As a poet and novelist, Adnan is one of the leading voices in contemporary Arab American literature, alongside which, since the 1960s, she has painted, drawn and made accordion-like, fold-out illustrated books, known as leporellos. These practices, both verbal and visual, are underpinned by an intense engagement with the world.
For this exhibition, Adnan produced a series of 26 abstract landscape paintings – bold, colourful and expressive works that are intimate in scale. Painted from memory, landscapes (all untitled) are distilled into their definitive features: mountain, horizon and sky are represented as square masses or triangular, pyramidal shapes in thick, bright colours. A floating circular shape rendered in yellow, orange or green suggests a sun; bands of pure colour suggest sea or sand. Adnan works on a table, using a palette knife to apply oil paint onto the canvas – often directly from the tube – in firm swipes across the picture’s surface. These elemental colour field compositions exude an intense energy, recalling the block-like slabs of colour in the late French landscapes of Russian painter Nicolas de Staël.
Adnan says, ‘Images are not still. They are moving things. They come, they go, they disappear, they approach, they recede, and they are not even visual – ultimately they are pure feeling.’ Her work relates to places that have a deep resonance for Adnan: the mountains near her home in Sausalito, California, where the artist has lived for some 50 years, or the Mediterranean Sea of her childhood home in Beirut. During her time in Sausalito, Adnan has made thousands of drawings of Mount Tamalpais, an immutable reference point, visible from the windows of her home; her 1986 book, Journey to Mount Tamalpais is a meditation on the relationship between nature and art. For her, ‘vision is multidimensional and simultaneous’, and these new paintings are the meeting place for many images, coalesced into one sensorial experience.
Etel Adnan was born in 1925 in Beirut and lives and works in Paris. She studied philosophy at the Sorbonne, Paris, University of California, Berkeley and Harvard. From 1958–72, she taught philosophy at Dominican University of California, San Rafael, going on to work as a cultural editor for two daily newspapers in Beirut between 1972–76. Her novel about the Lebanese Civil War, Sitt Marie-Rose, was first published in 1977, winning the France-Pays Arabes Award, and has since been published in more than 10 languages. Her work was recently presented in the solo exhibition ‘Etel Adnan in All Her Dimensions’ at Mathaf: Arab Museum of Modern Art, Doha, Qatar (2014) and was included in the Whitney Biennial, New York (2014) and Documenta 13, Kassel, Germany (2013). Adnan has received numerous awards for her contribution to culture, including, in 2014, France's highest cultural honour, the Ordre de Chevalier des Arts et des Lettres.
![](https://white-cube.transforms.svdcdn.com/production/uploads/Headers/Artist-Pages/1_Etel-Adnan-Untitled-2014-HERO.jpg?w=720&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1682413448&s=cba45368c70f76cd1919b83f8ec2ce71 720w, https://white-cube.transforms.svdcdn.com/production/uploads/Headers/Artist-Pages/1_Etel-Adnan-Untitled-2014-HERO.jpg?w=960&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1682413448&s=c1d381489c523d51924bd577f040a172 960w, https://white-cube.transforms.svdcdn.com/production/uploads/Headers/Artist-Pages/1_Etel-Adnan-Untitled-2014-HERO.jpg?w=1280&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1682413448&s=ca8b1c4899a85898aefadc1edb47e9f2 1280w, https://white-cube.transforms.svdcdn.com/production/uploads/Headers/Artist-Pages/1_Etel-Adnan-Untitled-2014-HERO.jpg?w=1600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1682413448&s=1e5f3c1069519a8fdf927c5914941066 1600w, https://white-cube.transforms.svdcdn.com/production/uploads/Headers/Artist-Pages/1_Etel-Adnan-Untitled-2014-HERO.jpg?w=2112&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1682413448&s=bf9ed2f2d92e7f01366fe9bca1d23ea3 2112w)
Etel Adnan
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