![](https://white-cube.transforms.svdcdn.com/production/uploads/Exhibitions/Gallery-Exhibitions/Hong-Kong/2016/Tracey-Emin/Tracey-Emin-Hotter-2022.jpeg?w=960&h=720&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1707235188&s=d02a2a8091ef8e3c104bc39842be0c7d 960w, https://white-cube.transforms.svdcdn.com/production/uploads/Exhibitions/Gallery-Exhibitions/Hong-Kong/2016/Tracey-Emin/Tracey-Emin-Hotter-2022.jpeg?w=1280&h=960&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1707235188&s=a01f0c18515ce889f7623a4cef5b8576 1280w, https://white-cube.transforms.svdcdn.com/production/uploads/Exhibitions/Gallery-Exhibitions/Hong-Kong/2016/Tracey-Emin/Tracey-Emin-Hotter-2022.jpeg?w=1600&h=1200&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1707235188&s=265fe87d41be3f11582035e2781cb86e 1600w, https://white-cube.transforms.svdcdn.com/production/uploads/Exhibitions/Gallery-Exhibitions/Hong-Kong/2016/Tracey-Emin/Tracey-Emin-Hotter-2022.jpeg?w=2360&h=1770&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1707235188&s=3e97fd246ef2a6430c199473eea9a273 2360w)
I Cried Because I Love You
Tracey Emin
I Cried Because I Love You
21 March – 21 May 2016
Dates
21 March – 21 May 2016
Lehmann Maupin and White Cube are pleased to present 'I Cried Because I Love You', an exhibition by Tracey Emin, CBE. This joint exhibition takes place across both gallery spaces in Hong Kong and marks Emin’s first solo presentation in Greater China.
Emin, who came to prominence as an artist in the 1990s, is internationally celebrated for her challenging, profound, and deeply poetic work across a wide range of media. A modern day ‘Expressionist’, Emin explores ideas of narrative disclosure, drawing on subjects that are intimately bound up with her own biography, recalling events, dreams or emotional states in works that are starkly honest and personal, yet familiar and universal.
For this major project, Emin has envisaged a continuous exhibition of painting, embroidery, and neon across two spaces that reflects the diversity of her practice. A narrative running through the exhibition focuses on a large stone located in an olive grove just outside Emin’s studio in the South of France. In a series of drawings Emin recollects a marriage ceremony that took place there last summer, where she wore a white shroud originally made to adorn her father’s body at his funeral. For Emin, her union with the stone–an immovable and solid form–becomes a metaphor for stability and enduring love.
Emin has described her practice as being about “rites of passage, of time and age, and the simple realisation that we are always alone”. Repeatedly turning to self-portraiture and the classical nude, her work is the result of an intense process of self-discovery. In her new paintings Emin works from photographs of herself, in order to honestly convey and reflect on the physicality of her own body as the years pass. Emerging from layers of application, obliteration and reworking, she uses a minimal palette built-up to outline the body, allowing the practices of drawing and painting to seamlessly merge. As Emin has said, “When I’m drawing, I can play. I can trust things... it’s like freedom, it’s everything. Then when I’m painting, it’s like I’m scared and I don’t know what’s going to happen, as the painting takes over it becomes more exciting.” While in a new series of large-scale embroideries, the hand-crafted process of making the works allow for the energy and tactile trace of the artist’s hand to remain present in the densely stitched, collaged compositions.
'I Cried Because I Love You' draws on and poignantly illustrates a self-reflexive moment in the artist’s life, addressing the pain of loneliness, the complexity of desire, and the bitterness of separation and loss. “It’s my life. I think I’ve cried over more people that I love than people that I hate. I don’t think I’ve really hated hardly anyone. I think my big mistake is loving people too much” , she has said.
A fully illustrated catalogue, featuring an interview between the artist and Carl Freedman, and a selection of Emin’s own writings will be published to coincide with the exhibitions.
![It is like a dream, 2022](https://white-cube.transforms.svdcdn.com/production/uploads/Headers/Tracey-Emin-It-is-like-a-dream-2022-high-res.jpg?w=720&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1681402503&s=9196f060dded6f2e0a27e8396b68f9ab 720w, https://white-cube.transforms.svdcdn.com/production/uploads/Headers/Tracey-Emin-It-is-like-a-dream-2022-high-res.jpg?w=960&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1681402503&s=9125c65ec6dd3b06615a5860ac9f60f3 960w, https://white-cube.transforms.svdcdn.com/production/uploads/Headers/Tracey-Emin-It-is-like-a-dream-2022-high-res.jpg?w=1280&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1681402503&s=19f91bcd99bb045f919647521e6d87f4 1280w, https://white-cube.transforms.svdcdn.com/production/uploads/Headers/Tracey-Emin-It-is-like-a-dream-2022-high-res.jpg?w=1600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1681402503&s=9f6eff0d707a0ec19776d85246bdee93 1600w, https://white-cube.transforms.svdcdn.com/production/uploads/Headers/Tracey-Emin-It-is-like-a-dream-2022-high-res.jpg?w=2000&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1681402503&s=8ced4c7f8b62dd4ca9f005b610ce397f 2000w)
Tracey Emin
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