‘Lustrous, ornate, pictorially complex, vividly coloured, yet suffused with tenebrous solemnity, the SONOFAGOD PICTURES have all of the dramatic visual impact which one might expect to find in neo-Gothic medievalism – in Victorian reclamations of Celtic or Moorish symbolism, for example, regally bejewelled and portentous with romantic mysticism. At the same time, however, the SONOFAGOD PICTURES possess a darkly graven strangeness, at once archaic and ultra-modern, in which their temper no less than their signage appears deeply contemporary, ritualistic and disturbed’.

 - Michael Bracewell