With its ability to rewrite history, photomontage is a precursor to the digital age, and has often been used by artists as a tool of biting satire and political statement. Doron’s seamless works of fiction share the exactitude of John Heartfield’s work, but he replaces the political edge with a core of playful humour. At the same time, their escapist mood recalls the sumptuous, camp creations of the French photographers Pierre et Gilles, and expresses a similar buoyant optimism. Doron’s homage to Hollywood can be seen as a paean to a golden age of unquestioning adulation for all that was ‘the silver screen’, in memory perhaps of childhood evenings spent at Saturday night picture shows and a bedroom wall plastered with posters of movie idols. While these fantasies testify to an enduring love affair with Hollywood’s allure, there is also a suggestion that the states of intense devotion that accompany hero worship are, by their nature, short-lived.