![](https://white-cube.transforms.svdcdn.com/production/imported-exhibition-images/marcus-taylor-untitled-abstract-elevation-4-1993-medium-res.jpg?w=720&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1677875980&s=e2fa480d86e876575aa02c5b0e0b60c4 720w, https://white-cube.transforms.svdcdn.com/production/imported-exhibition-images/marcus-taylor-untitled-abstract-elevation-4-1993-medium-res.jpg?w=960&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1677875980&s=67dd4dd663cc2b336520389e57f8ef62 960w, https://white-cube.transforms.svdcdn.com/production/imported-exhibition-images/marcus-taylor-untitled-abstract-elevation-4-1993-medium-res.jpg?w=1200&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1677875980&s=be3216e8c63df4f82c4523ee7624187a 1200w)
Marcus Taylor
Elevations
1993년 7월 16일 ~ 9월 11일
날짜
1993년 7월 16일 ~ 9월 11일
위치
London
Marcus Taylor’s three large-scale sculptures, from his Elevations series, explore traditionally sculptural notions of form and function, light and space. Resolutely minimal in appearance, these pared-down structures comprise just two or three geometric shapes.
The hard-edged sculptures, constructed from flawless sheets of clear acrylic, were softened by Taylor’s treatment of their surfaces: sanded to create an effect akin to that of a ghostly, diaphanous screen. Their gentle transparency means that when light penetrates each shape, the elements take on an ethereal, otherworldly presence. Optically, they seem to hover in the space, and between something familiar and something ‘other’.
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