White Cube
Hong Kong
Opening hours this week
- Monday Closed
- Tuesday 11:00 am – 7:00 pm
- Wednesday 11:00 am – 7:00 pm
- Thursday 11:00 am – 7:00 pm
- Friday 11:00 am – 7:00 pm
- Saturday 11:00 am – 7:00 pm
- Sunday Closed
No admission charge
Contact
Tel: +852 2592 2000
For sales enquiries or to organise a virtual viewing, please get in touch.
The first White Cube space to exist outside of the UK, White Cube Hong Kong opened in 2012, at 50 Connaught Road in the heart of the city. Designed by architects Maybank and Matthews, the gallery is set over two floors, with an entrance on the ground floor street level. In addition to its two gallery spaces, which have a generous ceiling height of over 4.5 metres, there is a library and private viewing rooms.
Accessibility Information
- The gallery is on the first floor and accessible by lift
- Seating is available
Current and Upcoming Exhibitions
Lee Jin Woo, Hong Kong (2024)
Lee Jin Woo
1 June – 7 September 2024
White Cube is pleased to present ‘Inside the White Cube: Lee Jin Woo’. Referencing the legacy of Korean Dansaekhwa painting, Lee’s paintings share with the movement the emphasis on materiality and ‘repeatability’, whilst also defining a new visual language.
Jessica Rankin (Hong Kong, 2024)
Jessica Rankin
Sky Sound
20 September – 9 November 2024
This exhibition will present new work by Jessica Rankin, marking her first solo show in Asia. Incorporating both geometric and organic forms, the new compositions seem to explore both interior spaces and cosmic realms.
Howardena Pindell, Hong Kong (2024)
Howardena Pindell
20 November 2024 – 4 January 2025
White Cube is pleased to present a solo exhibition of new paintings by American artist Howardena Pindell. With a career spanning over five decades, Pindell lends a dynamic materiality to the canons of painting.
January – March 2025
White Cube presents an exhibition of paintings by London-based Canadian artist Michele Fletcher. Informed by the natural world and guided by visual memory, Fletcher’s process-driven works are marked by her distinctive use of colour and haptic brushwork, which confer an organic dynamism to her abstract forms.
Keep browsing locations
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