Ibrahim Mahama in the Biennale of Sydney 2020
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![](https://white-cube.transforms.svdcdn.com/production/imported-news-images/ibrahim-mahama-in-the-biennale-of-sydney-2020.jpg?w=720&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1678274866&s=f959a9c7b3c88af0d82b2f5b6cb6e685 720w, https://white-cube.transforms.svdcdn.com/production/imported-news-images/ibrahim-mahama-in-the-biennale-of-sydney-2020.jpg?w=960&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1678274866&s=60509ca17a17b4fc1b81396a38addc60 960w, https://white-cube.transforms.svdcdn.com/production/imported-news-images/ibrahim-mahama-in-the-biennale-of-sydney-2020.jpg?w=1200&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1678274866&s=bbf7f2d6e553fe08ca86662531265a75 1200w)
Ibrahim Mahama, No Friend but the Mountains, 2012-2020. Installation view (2020) for the 22nd Biennale of Sydney, Cockatoo Island. Courtesy the artist; White Cube; and Apalazzo Gallery, Brescia. Photograph: Zan Wimberley
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