White Cube returns to the 2025 edition of Frieze Los Angeles at Booth E2. Artists featured include Tunji Adeniyi-Jones, Etel Adnan, Darren Almond, Georg Baselitz, Julie Curtiss, Lynne Drexler, Tracey Emin, Sara Flores, Theaster Gates, Antony Gormley, Richard Hunt, Danica Lundy, Ibrahim Mahama, Beatriz Milhazes, Howardena Pindell, Ilana Savdie and Jeff Wall among others.
Highlights:
Etel Adnan’s painting
California VI (2002). Infused with Californian light, the work is a reference to the time the artist spent teaching Philosophy of Art and Aesthetics at Dominican College in San Rafael, San Francisco Bay Area. The exhibition ‘Etel Adnan: This Beautiful Light’ is on view at White Cube New York until 1 March 2025.
Howardena Pindell’s
Window/Sunset (2022). Referencing the multicoloured nature of the evening sunset, the painting features the artist’s signature spray-dot technique which she first conceived in the 1970s. The painting is part of the same body of work currently featured in
SALON, White Cube’s online secondary market programme.
Untitled (1974), a bronze work by the acclaimed late American sculptor Richard Hunt, ahead of his first European retrospective at White Cube Bermondsey, London, from 25 April to 29 June 2025.
Tracey Emin’s work on paper
Time Kept Coming (2024), depicting a reclining female figure, shown prior to the first major presentation of her work in a North American museum: ‘Tracey Emin: I Loved You Until The Morning’ at Yale Center for British Art (29 March – 10 August 2025).
Untitled (Maya Kené 1, 2022) (2022) by Sara Flores. Part of the Shipibo-Conibo People in Peru, Flores’s intricate, geometric paintings on textile rework and expand the traditional form of Kené – a Shipibo term that can mean ‘design’, but also to love or to care for.
Rhombus (2022), part of Theaster Gates’s ‘Stella Floor’ limited series, made of salvaged ‘old growth pine’ wood acquired from Park Avenue Armory in New York during its renovation. ‘Theaster Gates: 1965: Malcolm in Winter: A Translation Exercise’ is on view at White Cube Bermondsey until 6 April 2025.
Julie Curtiss’s
Perturbation (2024) comprises a cropped composition of two pairs of legs, offering a glimpse of a beach scene in the background. A recurring theme in her work, the beach setting evokes a feeling of intimacy with strangers—an experience rarely encountered in everyday life.
Ilana Savdie’s work on paper In the
Shape of Nothing (2024). Starting with a rough sketching process, her drawings often begin with forms emerging first, or with light and shadow arising from a point of tension. A solo exhibition of paintings by the artist will open at White Cube New York from 2 May until 14 June 2025.
Coinciding with its participation in Frieze Los Angeles the gallery has made donations to
LA Arts Community Fire Relief and
Grief and Hope, two charities providing emergency support to artists and art workers affected by the Los Angeles fires.
