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Raqib Shaw - Mr C in the Sausage Factory, spring 2016 - 2
Raqib Shaw - Mr C in the Sausage Factory, spring 2016 - 3
Raqib Shaw - Mr C in the Sausage Factory, spring 2016 - 4
Raqib Shaw - Mr C in the Sausage Factory, spring 2016 - 5
Raqib Shaw - Mr C in the Sausage Factory, spring 2016 - 6

Raqib Shaw Mr C in the Sausage Factory, spring 2016 2016

Price: £850

Edition of 50
Plate size: 20 x 25 cm | 7 7/8 x 9 13/16 in.
Paper size: 40.8 x 44.9 cm |16 1/16 x 17 11/16 in.
Signed and numbered
Unframed
Published by White Cube, 2016

• The image of the artwork shows a proof, not the final edition, and each edition may vary slightly from this image.
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• Sales are strictly limited to one edition per household.
• The edition number will be allocated at the point of sale.
• Editions cannot be resold to a third party for a period of two years.
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• Please read our full online terms of sale.

• This edition is sold unframed.
• Collection is possible for this edition at White Cube Bermondsey. This option will appear at checkout.
• All editions are packaged to the highest standards, managed at our warehouse using archival materials.
• Shipping charges are additional and will be calculated at checkout.
• We aim to dispatch editions within two weeks of purchase, unless the edition has not yet been fabricated.
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• Shipping times are as follows:
United Kingdom: 1–2 weeks
International: 2–4 weeks (subject to customs clearance)

Mr C in the Sausage Factory, spring 2016 is a hand-etched portrait of Shaw’s Jack Russell, Mr C, in his bespoke studio situated in a converted sausage factory in Peckham, south London. Heartfelt and tender, the work celebrates the kinship between human beings and animals.

Raqib Shaw’s two beloved pet dogs, the late Minty and Mr C, are of great importance to Shaw and hold a sacred place in the artist’s world. As his closest companions, Shaw’s affection for Minty and Mr C is reflected throughout his artistic practice – the pets reappearing in paintings of scenes which shift between the romantic and violent, the mystical and domestic, the imaginary and the autobiographical. Drawing on traditions of 18th-century dog portraiture, they are often depicted seated in the artist’s lap or at his feet, their grounding presence symbolising faith, loyalty and solace.

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