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Al Held - Untitled - 1
Al Held - Untitled - 2
Al Held - Untitled - 3
Al Held - Untitled - 4
Al Held - Untitled - 5

Al Held Untitled 1969

Price: £6,310

Edition of 100
Lithograph on paper, Strathmore blind stamp
97.8 x 67.3 cm | 38 1/2 x 26 1/2 in.
Framed
Issued with a certificate of provenance from Al Held Foundation
Published by Brooke Alexander, Inc. 1969

• The image of the artwork shows a proof, not the final edition, and each edition may vary slightly from this image.
• The purchase price is inclusive of VAT. If VAT is not applicable to the sale, any VAT added to the price will be deducted upon confirmation of the delivery address at check-out and prior to you making payment.
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• Sales are strictly limited to one edition per household.
• The edition number will be allocated at the point of sale.
• Editions cannot be resold to a third party for a period of two years.
• White Cube reserves the right to cancel or refund orders for any reason.
• We are legally required to obtain and check identity documents for all our collectors who purchase an artwork of €10,000 or more, and title to this edition will not pass to you until these checks are satisfactorily completed. A member of our compliance team will be in contact with you after you place your order.
• Please read our full online terms of sale.

• This edition is sold framed.
• Collection is possible for this edition at White Cube Bermondsey. This option will appear at checkout.
• All editions are packaged to the highest standards, managed at our warehouse using archival materials.
• Shipping charges are additional and will be calculated at checkout.
• We aim to dispatch editions within two weeks of purchase, unless the edition has not yet been fabricated.
• Your edition will be dispatched with a tracked and signed courier service. You will receive an email notification when your order is on its way.
• Shipping times are as follows:
United Kingdom: 1–2 weeks
International: 2–4 weeks (subject to customs clearance)

Untitled (1969) is the first print edition from Al Held’s ‘Black and White’ period. The interpenetrating cubic volumes constructed paradoxical perspectives, and correlate to the imagery of Held’s concurrent ‘Phoenicia’ series of paintings, especially Phoenicia IX in the collection of the Israel Museum.

The edition was published to benefit the Skowhegan School of Painting and Sculpture in Maine, USA, where Held was a visiting artist in the summer of 1968. In a lecture there, he likened his new black and white geometric imagery to that of a bookstore window, a singular image-field of varying depths replete with conflicting ideas and narratives.

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