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This publication marks Anselm Kiefer’s monumental solo exhibition, ‘Finnegans Wake’ (June – August 2023), which completes a trilogy of shows held at White Cube Bermondsey, London. Reflecting the spiralling energies of the eponymous novel by James Joyce, Kiefer’s exhibition treated Jocyean language as a conduit for material experimentation, realising large-scale paintings and immersive sculptural installations.

Published on the occasion of Antony Gormley’s exhibition at White Cube Mason’s Yard (April - June 2025), WITNESS charts the artist’s experimentations with lead between the 1970s and 1990s, addressing artistic, ecological, and political concerns. From early experimentations pertaining to the material alchemical properties and potentials of lead, to the later large-scale body sculptures contending with the intrinsic stillness and silence of the form, Gormley’s preoccupation with lead enabled a fertile visual language to develop.

Bringing together three interconnected bodies of work, Marguerite Humeau’s first monograph Auguries is a view into some of the mysterious patterns that can be found in the natural world, from which the artist draws inspiration. From the termite colonies of the Australian outback that underpin meys, to the windswept sprawl of Orisons occupying Colorado’s San Luis Valley and its eventual figuration in Dust, this lavishly illustrated publication offers a discovery of Humeau’s manifold research and practice.